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Staff Publications List
Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp. -
Exhibtion History 1999 – 2009
EXHIBTION HISTORY 1999 – 2009 Manufacturing Meaning: The University of Wellington Art Collection in Context 22 September 1999 31 January 2000 The inaugural exhibition of the Adam Art Gallery showcased ten key works from the university collection, spanning a period from the 1930s to the present. The works of Frances Hodgkins, John Weeks, Gordon Walters, Colin McCahon, Ralph Hotere, Michael Smither, Jacqueline Fahey, Richard Killeen, John Pule and Peter Peryer were each presented in relation to the artist's practice or ideas and issues raised by the work, and each was accompanied by a catalogue. Manufacturing Meaning offered important new insights into the history of New Zealand art, through the research and presentation of selected critical thinkers curators, art historians, writers and artists Elizabeth Eastmond, Linda Tyler, Damian Skinner/ Ngarino Ellis, Ewen McDonald, Jack Body and David Crossan, Stuart McKenzie, Anna Miles, Greg Burke, Lisa Taouma, and David Maskill. Concept Curator Christina Barton Language Matters MaryLouise Browne, Terrence Handscomb, L.Budd et al, Colin McCahon, Joanne Moar & Lucy Harvey, and Michael Parekowhai 11 February 26 March 2000 Language Matters brought together six New Zealand artists who use language in their practice in varied forms and with diverse intentions. The exhibition acknowledged the pervasive presence of spoken and written language in contemporary New Zealand art. Curated by Christina Barton Guests and Foreigners, Rules and Meanings (Te Kore) Joseph Kosuth 2 March 30 April 2000 Joseph Kosuth's installation Guests and Foreigners, Rules and Meanings (Te Kore) was the fifth in a series, situated in disparate locations: Oslo, Dublin, Frankfurt, Istanbul and Chiba City, Japan. -
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67 NEW COLLECTORS ART / MODERN DESIGN / NEW ZEALAND & INTERNATIONAL STUDIO POTTERY ART TRIBAL & ARTEFACTS ZEALAND NEW / ART 67 ASIAN New Collectors Art Tuesday 2 July 2013 at 6.30pm Modern Design / New Zealand & International Studio Pottery Thursday 4 July 2013 at 6.30pm Danish rosewood credenza (lot 522), Hans Wegner GE 290 plank chairs (lots 437 & 437), Len Castle Blossom vase in copper-blue glaze (lot 360) Cover: Shigeyuki Kihara, Untitled screenprint and collage on paper (lot 14) WELCOME TO A+O’S JULY 2013 CATALOGUE Welcome to A+O’s July 2013 catalogue – In the modern design catalogue we are one of the most fascinating we have pleased to offer a fine selection of pieces produced over the last six years. Given the by legendary Danish Designer Hans range of art and objects included and the Wegner (1914–2007). Wegner is regarded requirement for detailed inspection we have as the exemplar of Scandinavian design spread the viewing and auction dates over a and his specialty is the chair. The definitive slightly wider period than usual – with over publication 1000 Chairs by authors Charlotte 800 lots in total and based on past high and Peter Fell lists eleven designs by Wegner levels of interest this will provide collectors and describes The Danish Designer as “the with more time to view, research and prepare chair-maker of chair-makers”. for the auctions. Please turn to pages 17 and ART+OBJECT 45 for viewing times for the respective art This catalogue features over ten vintage 3 Abbey Street and design catalogues. Rotate the catalogue examples of Wegner classics including a set Newton to find the extended viewing time for the of six original wishbone chairs, two Plank Auckland Asian art catalogue. -
The Frances Hodgkins Fellowship 2021
THE FRANCES HODGKINS FELLOWSHIP 2021 The Fellowship was established by the University Council in 1962 and was initiated by the generous interest of anonymous friends of the University. The general purpose of the Frances Hodgkins Fellowship Fund is to aid and encourage painters and sculptors in the practice of their art, to associate them with the life of the University, and at the same time to foster an interest in the Arts within the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to any man or woman normally resident in New Zealand who in the opinion of the Selection Committee: (a) has executed sufficient work as a painter or sculptor to show that they are possessed of some talent as such, and (b) is a serious artist who will be diligent in their endeavours to practice, improve and develop such talent, and (c) will benefit from holding of the Fellowship. 2. Applicants for the Fellowship need not possess a degree or diploma or have attained any particular educational standard or be a member of any art society or group of artists or of any other body. 3. Other qualifications and considerations between applicants for the award of the Fellowship being more or less equal, preference may be given to an applicant under the age of forty years. 4. Full time teachers of art shall not be eligible to apply for the Fellowship except in special circumstances of which the Selection Committee shall be the sole judge. 5. The Fellowship shall normally be awarded for a term of one year, but may be awarded for a shorter period. -
Art History Theses (Updated November 2015)
Art History Theses (updated November 2015) These theses are held in the Department Library. MA and PhD theses are also held in the main University Library, and many are available in PDF format online from (http://otago.ourarchive.ac.nz/). Many BA(Hons) and PGDip disserations are also held in the Hocken Collections. For more information, please contact [email protected]. Art History Theses Alfaro, Armando. "Imaginary Men: Genre, Masculinity, and Natural Identity in Canadian and New Zealand Cinemas." PhD, 2016. Allen, Elise. "The Paradox of the Picture Plane." BA(Hons), 2008. Armistead, Michelle. "Nothing to Latch Onto: The Black Paintings of Ralph Hotere, 1968-69." BA(Hons), 2005. Atkinson, Claire. "The Fashionable Artist and the Artist as Fashion: The Structuring of Fashion and the Feminine in the Female Sculptural Groups of Marisol Escobar." PGDip Arts, 2004. Bagnall, Lorna Alice. "Contemporary Flesh: Transgressing Boundaries in the Bodies of Jenny Saville." BA(Hons), 2013. Ballard, Susan. "Reading the leaves: an approach to some artists' books." PGDip, 1996. Ballard, Susan. "Feminist and postmodernist intersections with New Zealand photography: a study of four artists." PGDip, 1996. Barr, Adrian. "Kazimir Malevich: A Creative Relationship of Word and Image." MA, 2001. Barry, Briar. "Journeys in Imagery: The Art and Illustration of Gavin Bishop." BA(Hons), 2009. Bath, David. "Conflicting Tensions: Eight Works of Elizabeth rees." BA(Hons), 1998. Baxendall, Lydia. "Nigel Brown and NZ National Identity." MA, 2011. Bell, David. "Art in Education: A survey exhibition to celebrate one hundred and twent-five years of art at the Duendin College of Education." PGDip, 1999. -
Bulletin B.153
BULLETIN OF CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU winter june – august 2008 Exhibitions Programme June, July, August b.153 2 Foreword COLIN MCCAHON LAURENCE ABERHART Bulletin Editor: Sarah Pepperle A few words from the Director The iconic painting Victory over death 2 by Colin McCahon is at the Over 200 key works by an artist described as 'the essential visual heart of this touring exhibition celebrating one of New Zealand’s poet of New Zealand's past'. Includes his signature images of Gallery Contributors most significant artists. landscapes, façades, monuments and interiors from New Zealand, Director: Jenny Harper 3 My Favourite A National Gallery of Australia Focus Exhibition. Australia and farther afield. Curatorial Team: Ken Hall, Jennifer Hay, Anne Kirker makes her choice Felicity Milburn, Justin Paton Touring Exhibition Gallery B, closes 8 June A City Gallery Wellington touring exhibition. Touring Exhibition Galleries A and B, 18 July – 12 October, Public Programmes: Sarah Amazinnia, Lana Coles, 4 Noteworthy catalogue and iPod Audio Tour available Wendy Cox News bites from around the Gallery THAW Gallery Photographer: Brendan Lee Perhaps disillusioned by a lack of recognition from his expeditions Friends of Christchurch Art Gallery: Cheryl Comfort, Paul Deans to Antarctica, the enigmatic Ernest Joyce brought together a DANIEL CROOKS: EVERYWHERE INSTANTLY 6 everywhere instantly collection of photographs that cemented his place in history. ‘Once you’ve seen a Daniel Crooks DVD you’re not likely to Other Contributors The art of Daniel Crooks forget the experience,’ writes art critic Edward Colless. Using his Laurence Aberhart, Jim Barr and Mary Barr, Ron Brownson, Tait Electronics Antarctica Gallery, closes 15 June renowned ‘timeslice’ technique, Crooks transforms everyday sights Brian Butler, Spencer Finch, Anne Kirker, Adrian Martin, 12 The Speed of Art into wide-screen meditations on time and motion. -
Rugby Alive and Well in Faculties
Fortnightly newsletter for University staff | Volume 39 | Issue 20 | 30 October 2009 Rugby alive and well in faculties Key events Marti Friedlander Vin MacDonald, captain of the winning Commerce Showing now at the Gus Fisher Gallery – until Cougars, holds aloft the Sir Wilson Whineray Trophy. 21 November – is an exhibition of Marti Friedlander’s photographs, curated by Associate Professor Leonard Bell (Art History), author of a landmark book on Friedlander, published by Auckland University Press. The exhibition is accompanied by other events. On 31 October at 1pm Leonard Bell will chair a panel discussion. On 7 November, at 1pm Marti Friedlander will speak about the exhibition and the book. On 14 November at 1pm there are readings and discussion with C.K. Stead, who features in portraits in the book and exhibition. Auckland JazzFest The University of Auckland JazzFest 09 will take place from 2-4 November at the Maidment Theatre (8 Alfred Street). JazzFest 09 features vocalist Emma Pask, Australian virtuoso guitarist James Muller, New Zealand soul diva, Whirimako Black and the FSH (pronounced The first inter-faculty rugby competition for many Brightwell, a Commerce graduate, former sports “fish”) Trio, comprising Kevin Field, Ron Samsom and Olivier Holland. FSH is a years has culminated in the award of the Sir officer at the Auckland University Students’ collaborative musical project initiated by Ron Wilson Whineray Trophy. Association and now sports events coordinator. Samson, the group’s drummer and coordinator The competition, played on six Saturdays After proposing it to Adrienne Cleland (Director of of Jazz Studies at the School of Music. -
People Reminiscence Boxes First Peoples National Visitors Survey Artists in Museums Cricket Museum August 2014 Contents Museums Aotearoa
People Reminiscence Boxes First Peoples National Visitors Survey Artists in Museums Cricket Museum August 2014 Contents Museums Aotearoa EDs Quarter 3 Te Tari o Ngã Whare Taonga o te Motu Staff changes 3 Is New Zealand’s independent peak professional organisation for museums and those who work in, or have an interest in, museums. Members include Message from the Board 4 museums, public art galleries, historical societies, science centres, people who work within these institutions and individuals connected or associated with Working with Community 5 arts, culture and heritage in New Zealand. Our vision is to raise the profile, strengthen the preformance and increase the value of museums and galleries Reminiscence Boxes 6 to their stakeholders and the community A Most Generous Gift 7 Contact Details Museum Victoria – First Peoples 8 Level 8, 104 The Terrace, Wellington 6011 PO Box 10-928, Wellington 6143 Local Conncetions to WW1 9 Tel: 04 499 1313 Fax: 04 499 6313 Policy Matters! 10 Email: [email protected] Web: www.museumsaotearoa.org.nz iPads and Coconuts 11 Contributions Visitors & Volunteers 12 We welcome article suggestions and contributions. For enquiries about contributing to MAQ please contact us at [email protected]. My Favourite Thing 13 Staff National Visitor Survey Infographic 14 Phillipa Tocker – Executive Director Talei Langley – Membership Services Manager Service IQ 16 Advertising The Museum Without People 18 Enquiries about advertising in this publication, or mailing flyers, should be addressed to the Museums Aotearoa office Museum Profile – Percy Thomson Gallery 19 Artists Working in Museums 20 Auckland Museum Exchange 22 Next issue Health & Safety Reforms 23 Museum Profile – NZ Cricket Museum 24 November 2014: He Ata Te Hau e Wawara Mai? 25 Associate Profile – NZCCM 26 Friends & Networks Disclaimer Cover Images The opinions expressed in this publication are not Main: necessarily those of the Editor or of Museums A Reminiscence Box from Nelson Provincial Museum. -
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81 IMPORTANT PAINTINGS AND CONTEMPORARY 2014 7 AUGUST ART: R E A + B T J T C IMPORTANT PAINTINGS AND CONTEMPORARY ART THURSDAY 7 AUGUST AT 6.30PM “But for art, man would die of boredom” — Francis Newton Souza Welcome to ART+OBJECT’s second 2014 Important Paintings and Contemporary Art catalogue. The fi rst half of 2014 has seen A+O introduce a number of diverse collections to the market, all bearing the hallmark of well documented provenance and each of which was met with an enthusiastic response. The Strip Club Collection which was a feature of the April Important Paintings catalogue showcased the latest of NZ contemporary art and represented the collective choices of a group engaging with the art of the 2000s. A+O’s Modernism in New Zealand collection in May revealed a collection of works by Theo Schoon from the 1940s which had been held by one family for over ART+OBJECT sixty years. This body of work sat in a seminal position within 3 Abbey Street the story of New Zealand art post WWII. The connections Newton, Auckland between the work of a European trained Dutch émigré and our contemporary scene may seem tenuous – the common thread PO Box 68 345 being that the work was produced in Aotearoa – but the links Newton are there nonetheless in our artists’ quest to engage with, Auckland 1145 defi ne and expand the boundaries of our visual arts discourse. Telephone: +64 9 354 4646 This current catalogue features many works that in the moment Freephone: 0 800 80 60 01 of their creation met the same brief. -
Craft New Zealand Issue 41 Spring 1992
CONTEMPORARY CANADIAN CRAFTNew Zealand QUILTS Once, the Alternative Furniture Show CONTENTS questioned the boundaries. Does itstilli.e Colin Slade has seen them all. 4 IN BRIEF Art schools and exhibitions, commissions ‘ 28 CRAFT WRITING RULES and new businesses, residencies and visits 1 An August seminar in Auckland ques- trom prominent crattspeople, the New Zea- l tioned whether art/crai't have a valid exist- land cral't community is a busy place to be in, Detail; "Evening Gatha", by Jenny Barraud. ence without the words which describe and position them in the minds at others. The meeting tried to get inside the editorial mind to Find what determines what type ol’ writing Nelson Suter Art Society about cratt we get. 16 GLORIOUS GLASS Michael Smythe recorded the discussion Spring Exhibition and made some conclusions. Suter Gallery, Nelson A Swedish couple are among New Zea» land's most prolitic makers oi glass. Julie October 14 - November 1 Warren talked to Ola (pictured above) and 31 GALLERY N EWS Guest artists: Marie Hoglund in Nelson. Is it a sign ol an upswing in the economy Jenny Barraud (Small works in mixed media) that new galleries are opening, particularly Christopher Braddock (Sculpture) 1 8 REVIEWS in Wellington, Avid and Indicator Gallery Ray Jennings (Paintings) are new on the scene and Auckland's Vault A plethora ot "Folk Crat‘t " shows may David Russell (Leatherwork, masks, boxes) will soon open in Wellington too. enable us to smirk at the nation's kitsch, but As well, some established galleries all over Douglas lloyd-Jenkins questions this use 0t the country have increasingly exciting pro— Wendy Toogood Pyramid 1981, Fabric construction: ourgallery resources. -
AUSTRALIA 6 NEW ZEALAND: on the Road with Jah
VOLUME 5, NUMBER 4 SEPf EMBER 1982 AUSTRALIA 6 NEW ZEALAND: on the road with jah Editor's Note: This is the second article in a series on my recent visit to Australia and New Zealand, sponsored by Art Network and funded by the Australian Council and the Queen Elizabeth XI Arts Council of New Zealand. This article focuses in on New Zealand and my two weeks there. part I1 What do you say when the first stop in a new country is on the lip of a volcanic crater, called Mt. Eden? This was my in- troduction to New Zealand, home of the Maoris, alps and Rotorua, where tranquillity is translated into life, where soci- ety is at home with nature, and where "Noise Annoys" appears on cancelled envelopes in the mail. Looking down on Auckland with Valerie Richards, librarian at the Fine Arts Library at the University of Auckland and the arranger of my tour in her country, I thought I saw a miniature Los Angeles glistening at night, but in fact it was a city called Auckland with 800,000 inhabitants stretched around for 30 miles. Sunday brunch produced myriads of women artists, as well as Wystan Curnow, famed art and literary critic and poet from the University of Auckland, Phil Dadson, new music performance artist, and much more. Auckland is a verv beautiful citv, surrounded bv water, but all of New Zealand seems surrounded by water, for it is a narrow island At lunch, I met such a fine printer, Nigel Thorp, who has and water does predominate as does sky-skies which you over 100 fonts of wooden type and ornaments, and loves to must experience to believe. -
The Frances Hodgkins Fellowship 2022
The Frances Hodgkins Fellowship 2022 The Fellowship was established by the University Council in 1962 and was initiated by the generous interest of anonymous friends of the University. The general purpose of the Frances Hodgkins Fellowship Fund is to aid and encourage painters and sculptors in the practice of their art, to associate them with the life of the University, and at the same time to foster an interest in the Arts within the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to any man or woman normally resident in New Zealand who in the opinion of the Selection Committee: (a) has executed sufficient work as a painter or sculptor to show that they are possessed of some talent as such, and (b) is a serious artist who will be diligent in their endeavours to practice, improve and develop such talent, and (c) will benefit from holding of the Fellowship. 2. Applicants for the Fellowship need not possess a degree or diploma or have attained any particular educational standard or be a member of any art society or group of artists or of any other body. 3. Other qualifications and considerations between applicants for the award of the Fellowship being more or less equal, preference may be given to an applicant under the age of forty years. 4. Full time teachers of art shall not be eligible to apply for the Fellowship except in special circumstances of which the Selection Committee shall be the sole judge. 5. The Fellowship shall normally be awarded for a term of one year, but may be awarded for a shorter period.