Download PDF Catalogue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ascent03opt.Pdf
1.1.. :1... l...\0..!ll1¢. TJJILI. VOL 1 NO 3 THE CAXTON PRESS APRIL 1909 ONE DOLLAR FIFTY CENTS Ascent A JOURNAL OF THE ARTS IN NEW ZEALAND The Caxton Press CHRISTCHURCH NEW ZEALAND EDITED BY LEO BENSEM.AN.N AND BARBARA BROOKE 3 w-r‘ 1 Published and printed by the Caxton Press 113 Victoria Street Christchurch New Zealand : April 1969 Ascent. G O N T E N TS PAUL BEADLE: SCULPTOR Gil Docking LOVE PLUS ZEROINO LIMIT Mark Young 15 AFTER THE GALLERY Mark Young 21- THE GROUP SHOW, 1968 THE PERFORMING ARTS IN NEW ZEALAND: AN EXPLOSIVE KIND OF FASHION Mervyn Cull GOVERNMENT AND THE ARTS: THE NEXT TEN YEARS AND BEYOND Fred Turnovsky 34 MUSIC AND THE FUTURE P. Plat: 42 OLIVIA SPENCER BOWER 47 JOHN PANTING 56 MULTIPLE PRINTS RITA ANGUS 61 REVIEWS THE AUCKLAND SCENE Gordon H. Brown THE WELLINGTON SCENE Robyn Ormerod THE CHRISTCHURCH SCENE Peter Young G. T. Mofi'itt THE DUNEDIN SCENE M. G. Hire-hinge NEW ZEALAND ART Charles Breech AUGUSTUS EARLE IN NEW ZEALAND Don and Judith Binney REESE-“£32 REPRODUCTIONS Paul Beadle, 5-14: Ralph Hotere, 15-21: Ian Hutson, 22, 29: W. A. Sutton, 23: G. T. Mofiifi. 23, 29: John Coley, 24: Patrick Hanly, 25, 60: R. Gopas, 26: Richard Killeen, 26: Tom Taylor, 27: Ria Bancroft, 27: Quentin MacFarlane, 28: Olivia Spencer Bower, 29, 46-55: John Panting, 56: Robert Ellis, 57: Don Binney, 58: Gordon Walters, 59: Rita Angus, 61-63: Leo Narby, 65: Graham Brett, 66: John Ritchie, 68: David Armitage. 69: Michael Smither, 70: Robert Ellis, 71: Colin MoCahon, 72: Bronwyn Taylor, 77.: Derek Mitchell, 78: Rodney Newton-Broad, ‘78: Colin Loose, ‘79: Juliet Peter, 81: Ann Verdoourt, 81: James Greig, 82: Martin Beck, 82. -
Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna O Waiwhetu 2009
Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna o Waiwhetu 2009 1 BULLETIN EDITOR Bulletin B.156 Autumn DAVID SIMPSON Christchurch Art Gallery March — May Te Puna o Waiwhetu 2009 GALLERY CONTRIBUTORS DIRECTOR: JENNY HARPER CURATORIAL TEAM: KEN HALL, JENNIFER HAY, FELICITY MILBURN, JUSTIN PATON, PETER VANGIONI PUBLIC PROGRAMMES: SARAH AMAZINNIA, LANA COLES PHOTOGRAPHERS: BRENDAN LEE, DAVID WATKINS OTHER CONTRIBUTORS ROBBIE DEANS, MARTIN EDMOND, GARTH GOULD, CHARLES JENCKS, BRIDIE LONIE, RICHARD MCGOWAN, ZINA SWANSON, DAVID TURNER TEL: (+64 3) 941 7300 FAX: (+64 3) 941 7301 EMAIL: [email protected], [email protected] PLEASE SEE THE BACK COVER FOR MORE DETAILS. WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. CURRENT SUPPORTERS OF THE GALLERY AALTO COLOUR CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST COFFEY PROJECTS CREATIVE NEW ZEALAND ERNST & YOUNG FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN HOLMES GROUP HOME NEW ZEALAND LUNEYS PHILIP CARTER PYNE GOULD CORPORATION SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE WARREN TRUST UNIVERSITY OF CANTERBURY UNIVERSITY OF CANTERBURY FOUNDATION VBASE WARREN AND MAHONEY Visitors to the Gallery in front of Fiona Hall’s The Price is Right, installed as part of the exhibition Fiona Hall: Force Field. DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK Front cover image: Rita Angus EDITORIAL DESIGN: ALEC BATHGATE, A Goddess of Mercy (detail) 1945–7. Oil on canvas. Collection CLAYTON DIXON of Christchurch Art Gallery Te PRODUCTION MANAGER: -
Canterbury Society of Arts Autumn Exhibition
-But i Canterbury Society of Arts Autumn Exhibition 12th April - t6th May 19 61 The Canterbury Society of Arts [Inc] 81st Annual Exhibition of New Zealand Art Opened by Prof. Vernon Griffiths, Dean of the Faculty of Music and Fine Arts on Wednesday, April 12th 1961. PATRON HIS EXCELLENCY THE GOVERNOR-GENERAL THE Rt. HONOURABLE VISCOUNT COBHAM, G.C.M.G. PRESIDENT G. T. C. SANDSTON, M.B.E., LL.M. VICE-PRESIDENTS H. G. HELMORE, M.B.E., FRANK GROSS ERIC J. DOUDNEY, F.R.B.S. PAUL PASCOE A.R.I.B.A. RONA FLEMING. COUNCIL IVY G. FIFE, D.F.A. (N.z.) STEWART MINSON, A.R.I.B.A. JOHN OAKLEY, DIP. F.A. DORlS LUSK F. MILES WARREN, A.R.I.B.A., DIP. ARCH. OLIVIA SPENCER BOWER QUENTIN MACFARLANE, DIP. F.A. (HONS.) PROF. H. J. SIMPSON HON. TREASURER D. B. WILKJE SECRETARY-TREASURER ANDRE BROOKE HON. AUDITOR B. F. BICKNELL, F.P.A.N.Z., F.I.A.N.Z. HON. SOLICITORS Messrs. WILDING, PERRY & ACLAND FOREWORD a The Annual Autumn Exhibition this year has attracted a greater number of exhibitors, with a wider variety of work than in recent years. You will find that many of the paintings re present the more contemporary conception of art. We are anxious to introduce you to the work of these young New Zealand artists, and while you may perhaps find some of them difficult to follow, we think you will find many of them exciting, colourful, and vigorous. During the last hundred years, the great French painters Cezanne, Gauguin, Renoir, and later the English painters and sculptors Sutherland, Nash, and Henry Moore, to mention a few, have broken away from the traditional methods of ex pression, and the work of artists has become more individual. -
Studio New Zealand Edition April 1948
i STUDIO-. , AND QUEENS- Founded in 1893 Vol 135 No &,I FROM HENRY VIII TO April 1948 -'- - RECENT IMPORTANT ' ARTICLES .. PAUL NASH 1889-1946 . Foreword by the Rt. Hon. ~gterFraser, C.H., P.C., M.P., (March) # ' - Prime Minister of New Zealand page IOI THE HERITAGE OF ART W INDl+, Contemporary Art in New Zealand by Roland Hipkins page Ioa by John Irwin I. 11 AND m New Zealand War Artists page 121 .. (~ecember,]anuary and February) - - Maori Art by W. J. Phillipps page 123 ' '-- I, JAMBS BAT- AU Architecture in New Zealand by Cedric Firth page 126 Book Production in New zealand page 130 - I, CITY OF BIRMINGW~~ ART GALLB&Y nb I by Trenchard Cox ..-- COLOUR PLA,"S . [Dctober) -7- SWSCVLPTwRB IN TEE HOME - WAXMANGUby Alice F. Whyte page 102 -- 1, -L by Kmeth Romney Towndrow -7 - STILL LIFE by T. A. McCormack page 103 (&ptember) ODE TO AUTUMN by A. Lois White page 106 NORWCH CASTLE MUSgUM -. AND ART GALLERY - PORTRAIT OF ARTIST'S WEB by M. T. Woollaston page 107 V. - by G. Barnard , ABSTRACT-SOFT'STONE WkTH WORN SHELL AND WOOD - L (August) - - by Eric Lee Johnson page I 17 1 -*, 8 I20 ~wyrightin works rernohcd in - HGURB COMPOSITION by Johtl Weeks page TH~snn,ro is stridty rewed ' 'L PATROL, VBUA LAVBLLA, I OCTOBER, 1943, by J. Bowkett Coe page 121 . m EDITOR is always glad to consfder proposals for SVBSCBIPTION Bdm (post free) 30s. Bound volume d be s&t to ,SmIO in edftorial contrlbutlons, but a letter out&& the (six issues) 17s 61 Caaads. -
New Zealand Potter Volume 21 Number 1 Autumn 1979
"iewzed'dhdtter“v.<.>-'._21/] éUtumn 1979 new zealand potter vol 21/] autumn 1979 f" Contents 215t National Exhibition, NZ Society of Potters l Accounting without tears Thoughts about natural gas Slab rollers \OOOGN Margaret’s place 10 Daniel Rhodes — his visit 14 Travelling in South America with Anneke Borren 18 Pottery school at Te Horo 20 Warren Tippett 21 Barry Brickell remembers early days again 28 A climbing kiln 29 Clark and Crum modeling clays 30 Design guidelines for beginners 31 INTRODUCTION Hazy morning slow but hotter, Recent work 32 easing through the smokey stacks, The half bisqued potter sits, Auckland Studio Potters Annual Exhibition 34 mishima jeans, carbon fingers checking spies — playing it outside the rule, carbon face with carbon eyes, History on your table 37 mistakenly brilliantly burnished and fluxed, columns, into cleaner skies. with crystalline crackle and pool, Legs up high on unsprung dust sacks, a thermocouple stuck in his ear and the clock reading singed off sweat rag face, twelve hundred and dropping. An underfired test mug as heat moves into all around — full of “leftbehindahalfabottle” wine — 1979, it starts to feel and taste. cone ten singe White hot orgasmic cone down time the kiln and you are soaking on a burnt back fringe, New Zealand Potter is a non-profit making magazine published twice annually. Circulation is 6,500. The holding fuel flow, now cut its throat, with bright squares in his spy—eyes. : annual subscription is $NZ4.00, for Australia $A4.70, Canada and the United States, $U.S.5,40, Britain Cannot remember when or more particularly why, and start off, your wine fed hoping, £2.70 postage included. -
A Visual Arts and Art History Education Resource for Secondary Teachers, Inspired by Bill Culbert's 2013 Venice Biennale Exhi
ART IN CONTEXT A VISUAL ARTS AND ART HISTORY EDUCATION RESOURCE FOR SECONDARY TEACHERS, INSPIRED BY BILL CULBERT’S 2013 VENICE BIENNALE EXHIBITION, FRONT DOOR OUT BACK Helen Lloyd, Senior Educator Art, Museum of New Zealand Te Papa Tongarewa and Education Programme Manager for Creative New Zealand (2013) © Museum of New Zealand Te Papa Tongarewa and Creative New Zealand, 2013 CONTENTS BaCKGROUND About this resource ............................................................................................. 3 The Venice Biennale ............................................................................................ 4 Venice – the city ................................................................................................... 4 Bill Culbert ............................................................................................................ 5 Front Door Out Back ........................................................................................... 5 Studying art in context ....................................................................................... 6 Curriculum links ................................................................................................... 7 Useful books ........................................................................................................ 7 Useful websites ................................................................................................... 7 RESOURCES Part 1: Front Door Out Back analysis cards Drop ...................................................................................................................... -
Ten Years of Pottery in New Zealand
10 YEARS OF POTTERY IN NEW ZEALANDW CANCELLED Hamilton City Libraries 10 YEARS OF POTTERY IN NEW ZEALAND Helen Mason This is the story of the growth of the I making is satisfying because it combines pottery movement in this country and the learning of skills with the handling of of the people mainly involved in it over such elemental materials as clay and the past ten years as seen through my fire, so that once involved there is no | eyes as Editor of the New Zealand end to it. In it the individual looking for Potter magazine. a form of personal expression can find fulfillment, but it also lends itself to Interest in pottery making has been a group activity and is something construc- the post war development in most of tive to do together. civilised world, and by the time it reach- ed us was no longer a craft revival but I believe that with all this pottery rather a social phenomenon. Neverthe— activity, stemming as it does from the less there has been a large element of lives of ordinary men and women, a missionary zeal in our endeavours. seedbed has been formed out of which something real and vital is beginning to We are a young nation with enough grow. I have tried to record the history leisure, education and material security of these last ten years for I feel that to start looking for a culture of our own, they are important in the understanding and we want more human values than of what is to come. -
Final Funds Needed for Spectacular City Sculpture
News Release 19 June 2014 Page 1 of 12 Final Funds Needed For Spectacular City Sculpture The SCAPE Public Art Trust of Christchurch has launched a funding initiative to meet the final cost of installing a spectacular Neil Dawson sculpture, Fanfare, at the city’s gateway beside the northern motorway by the end of the year. Fanfare will be New Zealand’s largest public artwork, 24 metres high and weighing 25 tonnes, and featuring 360 wind-powered pinwheels able to be lit up on festive occasions. SCAPE Public Art Director, Deborah McCormick, said all but $360,000 of the $3.3 million needed to install the sculpture has already been raised and the latest initiative is intended to cover the final portion. “People and businesses can join our Fan Club and contribute set amounts from $1,000, $3,000 and $5,000, with a range of benefits and privileges, or donate any amount they wish. Supporters will have a share in an iconic sculptural legacy for the city and make a unique contribution to our changing future landscape.” Deborah McCormick said. Fanfare was made by Christchurch sculptor Neil Dawson for the City of Sydney to celebrate New Year in 2005 and was displayed hanging from the city’s harbour bridge. It was later gifted by the City of Sydney to the Christchurch City Council, which partnered with SCAPE Public Art to re-assemble the sculpture and raise funds to pay for its new installation. The sculptor has produced other large-scale sculptures, including Chalice in Cathedral Square, Christchurch, Ferns in Civic Square, Wellington and Feather from Afar in the International Finance Centre, Pudong, Shanghai. -
Download PDF Catalogue
CONTEMPORARY ART AND OBJECTS thursday 3rd april 2008 at 6.30pm 3 abbey street, newton, auckland Cover image: From Left: Garth Chester Curvesse Chair, a feature item in A+O’s May 1st 2008 20th Century Design catalogue Lot 74: Bill Hammond Bird Grip Lot 46: Glen Hayward I am Old enough to be my Own father four thirty two ART AUCTION HIGHLIGHTS FROM 2007 SHANE COTTON’S 4X5(ID). ESSAY BY DAMIAN SKINNER eight fifty six OBJECT AUCTION HIGHLIGHTS FROM 2007 THE GORGEOUS ARTIST... BY JACQUELINE FRASER. ESSAY BY ROB GARRETT. twelve sixty six 20TH CENTURY DESIGN PREVIEW THE OBJECT AUCTION twenty five THE ART AND TEXT AUCTION ninty-four CONDITIONS OF SALE ninty-five ABSENTEE BIDDING FORM ninty-six ARTISTS INDEX contemporary art 3 elcome to ART+OBJECT’s third contemporary art and object catalogue and the first for 2008. In our launch year A+O held two major auctions of these genres and in the process dramatically extended the range of art presented in the auction environment. The art collecting public of New Zealand and internationally responded with such enthusiasm that A+O is proud to have achieved over twenty artist records at auction for both Australian and New Zealand contemporary artists. Works have been acquired from A+O auctions by collectors not just in New Zealand, but also Australia, The United States, Hong Kong, England and Italy. In addition to pioneering the presentation of contemporary art, which we define as being art produced after 1990, ART+OBJECT also achieved repeated success offering major artworks at auction. -
University of Otago Magazine 44April 2017
UNIVERSITY OF OTAGO MAGAZINE 44APRIL 2017 INSIDE Alumnus Professor Robert Webster Avian flu, ethics and the future Planning for the ‘Age of Ageing’ Politics and dignity Arts fellowship celebrates 50 years University of Otago Magazine A magazine for alumni and friends of the University of Otago Issue 44 APRIL 2017 ISSN - 1175-8147 Editor Karen Hogg Designer Peter Scott Writers Kevin Clements Kim Connelly Ian Dougherty Laura Hewson Karen Hogg The Amie Richardson Stephen Sowerby Sam Stevens University of Otago Fleur Templeton Kim Thomas Mark Wright Magazine Nigel Zega Photographers Sharron Bennett has its Alan Dove Sheena Haywood Michael Roberts own website Graham Warman Cover Professor Robert Webster Photo: Alan Dove Printing PMP Print Circulation Development and Alumni Relations Office otago.ac.nz/otagomagazine Email [email protected] • To update or change delivery address • To read the Magazine and other alumni communications electronically • To receive just one “household” postal copy of the Magazine Tel 64 3 479 4516 Editorial contact details University of Otago Magazine Marketing and Communications PO Box 56 Dunedin 9054 New Zealand Tel 64 3 479 8679 If you would prefer to read Email [email protected] the magazine online Web otago.ac.nz/otagomagazine and no longer receive a hard copy, Copyright please email You are welcome to reproduce material from the magazine after gaining permission from the editor. All reproduced material must be appropriately acknowledged. [email protected] The University of Otago Magazine is published by the Marketing and Communications Division of the University. The opinions expressed are not necessarily those of the University. -
Download PDF Catalogue
Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market. -
To Be a Forum for the Nation to Present, Explore, and Preserve the Heritage
G.12 ANNUAL REPORT 2008/09 TONGAREWA PAPA TE ZEALAND NEW OF MUSEUM To be a forum for the nation to present, explore, and preserve the heritage of its cultures and knowledge of the natural environment in order to better understand and treasure the past, enrich the present, and meet the challenges of the future… Directory TE RÄRANGI INGOA MUSEUM OF NEW ZEALAND TE PAPA TONGAREWA Cable Street PO Box 467 Wellington 6140 New Zealand TORY STREET RESEARCH AND COLLECTION STORAGE FACILITY 169 Tory Street Wellington 6011 Telephone + 64 4 381 7000 Facsimile + 64 4 381 7070 Email [email protected] Website http://www.tepapa.govt.nz Auditors Audit New Zealand, Wellington, on behalf of the Auditor-General Bankers Westpac Banking Corporation Photography by Te Papa staff photographers, unless otherwise credited ISSN: 1179 – 0024 1 MUSEUM OF NEW OF MUSEUM Museum of New Zealand Te Papa Tongarewa Annual Report 2008/09 Te Pürongo ä-Tau 2008/09 In accordance with section 44 of the Public Finance Act 1989, this annual report of the Museum of TONGAREWA PAPA TE ZEALAND New Zealand Te Papa Tongarewa for 2008/09 is presented to the House of Representatives. Contents Ngä Ihirangi ANNUAL Part one Overview Statements Ngä Tauäki Tirohanga Whänui 3 Chairman’s Statement 4 REPORT Acting Chief Executive/Kaihautü Statement 6 Tribute to the late Dr Seddon Bennington (1947–2009) 7 2008/09 Performance at a Glance He Tirohanga ki ngä Whakatutukitanga 8 Part two Operating Framework Te Anga Whakahaere 12 Concept 12 Corporate Principles 12 Functions and Alignment with Government