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NZSA Bulletin of New Zealand Studies
NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington, -
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: the Dance of Life – an Interview with Jan Bolwell
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: The Dance of Life – an interview with Jan Bolwell Also In This Issue: Fulbright in the News | Awards and Appointments of Note | Grantee Experience: A Year in the Life of a Māori Geneticist with Aneska Hoskin | Alumni Spotlight: Fulbright Teachers Return to their Classrooms with Expanded World Views | Kai and Korero | Fulbright NZ Scholar Shona Munro on Kiwi Policing | Fulbright Announcement: Introducing Fulbright Good Works – a New Alumni Seminar Series THE TEAM FROM THE EXECUTIVE DIRECTOR This is our final issue of Bright Sparks for the Bright Sparks. Fulbright Science and Innovation PIP CLIMO JAMIE ROBERTSON year, and what a year it has been! Whereas 2019 was graduate Hamish Prince has been busy research- PROGRAMME MANAGER EXECUTIVE AND CORPORATE [email protected] SERVICES ASSISTANT full of firsts—the first ever Fulbright rebrand, the ing the vast storms known as “atmospheric rivers” [email protected] first global meeting of Fulbright Executive Direc- while he waits to take up his Fulbright scholar- tors in Washington DC, the first year our grantees ship next year. Geneticist Aneska Hoskin, also a were able to enjoy the benefits of increased fund- member of this year’s graduate cohort, outlines ing from MFAT—2020 has been characterised by some of the key lessons learnt during her year THERESE LLOYD JULIE WILLIAMS thwarted expectations and continual challenges. spent as a research assistant at Ngati Porou SENIOR COMMUNICATIONS ADVISOR CORPORATE SERVICES MANAGER [email protected] [email protected] But it has also been transformative. -
Mihi Whakatau and Welcome
Mihi Whakatau and Welcome Tāmaki herenga waka Tāmaki whai rawa Tāmaki pai Tāmaki Makaurau Ko ngā kurī purepure o Tāmaki e kore e ngaro i te pō On behalf of the Aotearoa New Zealand Association of Art Educators (ANZAAE) 2014 conference steering committee, it is my privilege to extend a warm welcome to you all. We are excited to be offering Te Aho I Muri Nei – Supporting Innovation as a forum in which we can all share ideas, perspectives and experiences and engage in constructive dialogue to expand our thinking and weave links that connect us to people, knowledge, theory and practice in the Arts. It gives me great pleasure to welcome so many distinguished guests and participants who have come from near and far to take part in our proceedings over the next three days. As a local, I welcome you to our city and hope you all have an opportunity to enjoy some of what Auckland has to offer. I would also like to take this opportunity to acknowledge and thank our host and major sponsor AUT, and in particular, the Art and Design School for partnering this conference. Your support has been a tremendous help in the shaping and success of Te Aho I Muri Nei – Supporting Innovation. We are privileged to share in your state of the art facilities and welcoming generosity. I hope that these next three days not only provides an opportunity to communicate, but also to collaborate - through interesting and fruitful discussions and conversations, fresh ideas and a new impetus for our work. -
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Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market. -
Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow. -
Exhibtion History 1999 – 2009
EXHIBTION HISTORY 1999 – 2009 Manufacturing Meaning: The University of Wellington Art Collection in Context 22 September 1999 31 January 2000 The inaugural exhibition of the Adam Art Gallery showcased ten key works from the university collection, spanning a period from the 1930s to the present. The works of Frances Hodgkins, John Weeks, Gordon Walters, Colin McCahon, Ralph Hotere, Michael Smither, Jacqueline Fahey, Richard Killeen, John Pule and Peter Peryer were each presented in relation to the artist's practice or ideas and issues raised by the work, and each was accompanied by a catalogue. Manufacturing Meaning offered important new insights into the history of New Zealand art, through the research and presentation of selected critical thinkers curators, art historians, writers and artists Elizabeth Eastmond, Linda Tyler, Damian Skinner/ Ngarino Ellis, Ewen McDonald, Jack Body and David Crossan, Stuart McKenzie, Anna Miles, Greg Burke, Lisa Taouma, and David Maskill. Concept Curator Christina Barton Language Matters MaryLouise Browne, Terrence Handscomb, L.Budd et al, Colin McCahon, Joanne Moar & Lucy Harvey, and Michael Parekowhai 11 February 26 March 2000 Language Matters brought together six New Zealand artists who use language in their practice in varied forms and with diverse intentions. The exhibition acknowledged the pervasive presence of spoken and written language in contemporary New Zealand art. Curated by Christina Barton Guests and Foreigners, Rules and Meanings (Te Kore) Joseph Kosuth 2 March 30 April 2000 Joseph Kosuth's installation Guests and Foreigners, Rules and Meanings (Te Kore) was the fifth in a series, situated in disparate locations: Oslo, Dublin, Frankfurt, Istanbul and Chiba City, Japan. -
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SPRING 2006 Gothic children’s literature Scent of the rhino Latin American connection Community presence Andrew (right) and Matt test the brick structure embedded with tyre strips. Used tyres go the extra mile It’s said you should never trust a Andrew says used tyres create a huge environmental used car sales rep—but used car problem by accumulating at approximately the rate of one used tyre per head of population per year tyres could be the structural saviour in so-called developed countries. It can cost up to of poorly-built earthen houses in $3 to dispose of a tyre in a New Zealand landfill. developing countries. “My vision is for tyre strips to be mass-produced Research by Associate Professor Andrew Charleson, in developed countries like New Zealand and then from the School of Architecture, and Master’s transported to developing countries, where, at no student Matt French, is looking at reinforcing adobe or minimal cost, villagers will incorporate them houses with strips of rubber cut from discarded tyres. into their houses,” he says. “This low-cost approach has the potential to reduce seismic vulnerability in developing countries and “This low-cost approach has help solve the ecological problem of used tyre the potential to reduce seismic disposal,” says Andrew. vulnerability in developing “As tragically witnessed after every damaging earthquake in developing countries, due to their countries and help solve the high mass and lack of tensile resistance, the seismic performance of these forms of construction, ecological problem of used and in fact any buildings lacking tensile strength, tyre disposal.” is very poor.” Andrew sees a day where a non-profit organisation The initiative involves horizontally embedding will establish a site where used tyres will be collected, strips of connected, 40mm thick rubber at regular processed, packed and shipped for use overseas. -
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67 NEW COLLECTORS ART / MODERN DESIGN / NEW ZEALAND & INTERNATIONAL STUDIO POTTERY ART TRIBAL & ARTEFACTS ZEALAND NEW / ART 67 ASIAN New Collectors Art Tuesday 2 July 2013 at 6.30pm Modern Design / New Zealand & International Studio Pottery Thursday 4 July 2013 at 6.30pm Danish rosewood credenza (lot 522), Hans Wegner GE 290 plank chairs (lots 437 & 437), Len Castle Blossom vase in copper-blue glaze (lot 360) Cover: Shigeyuki Kihara, Untitled screenprint and collage on paper (lot 14) WELCOME TO A+O’S JULY 2013 CATALOGUE Welcome to A+O’s July 2013 catalogue – In the modern design catalogue we are one of the most fascinating we have pleased to offer a fine selection of pieces produced over the last six years. Given the by legendary Danish Designer Hans range of art and objects included and the Wegner (1914–2007). Wegner is regarded requirement for detailed inspection we have as the exemplar of Scandinavian design spread the viewing and auction dates over a and his specialty is the chair. The definitive slightly wider period than usual – with over publication 1000 Chairs by authors Charlotte 800 lots in total and based on past high and Peter Fell lists eleven designs by Wegner levels of interest this will provide collectors and describes The Danish Designer as “the with more time to view, research and prepare chair-maker of chair-makers”. for the auctions. Please turn to pages 17 and ART+OBJECT 45 for viewing times for the respective art This catalogue features over ten vintage 3 Abbey Street and design catalogues. Rotate the catalogue examples of Wegner classics including a set Newton to find the extended viewing time for the of six original wishbone chairs, two Plank Auckland Asian art catalogue. -
AO416FA CAT 54 Hodgson Catalogue Text.Indd
Art + Object Welcome to ART+OBJECT’s first major art sale of 2012. It is appropriate that as the company moves towards its fifth anniversary we are able to showcase a cutting edge collection of contemporary New Zealand and Australian art. A+O’s launch catalogue published in May 2007 was the first dedicated contemporary art catalogue in Australasia. Our goal then was to present the vigorous and thriving contemporary art scene that we as collectors were ART+OBJECT experiencing in an auction context. Since that time A+O has been favoured 3 Abbey Street with a number of important contemporary collections such as the ART+TEXT Newton Group (2008), the Colenso BBDO Collection (2008), the Hanging Around Auckland Group (2008), The Odyssey Group (2009) and the David and Angela Wright PO Box 68 345 Collection of Modern and Contemporary Art (2011). These contemporary Newton art collections are amongst the most memorable A+O has presented – the Auckland 1145 imprimatur of the informed and dedicated collector, operating over decades, Telephone: +64 9 354 4646 has been the catalyst for significant interest and many of these catalogues has Freephone: 0 800 80 60 01 resulted in new benchmark prices being set for the featured artists at auction. Facsimile: +64 9 354 4645 The Russell and Shirley Hodgson Collection is notable for the scale of many [email protected] of the works and for the adventurous spirit of the Hodgsons. This collection www.artandobject.co.nz reflects the diversity of media employed by contemporary artists; the catalogue includes painting and sculpture as well as photography, digital media, mixed media, applied arts and installation pieces. -
Lisa Reihana: Emis Saries New Zealand a T Venice 2017 a Uckland Ar Tg Aller
LISA REIHANA: EMISSARIES LISA NEW ZEALAND AT VENICE 2017 AUCKLAND ART GALLERY TOI O TĀMAKI TOI GALLERY ART VENICE 2017 AUCKLAND NEW ZEALAND AT LISA REIHANA EMISSARIES 1 LISA REIHANA EMISSARIES EMISSARIES.indd 1 8/02/17 10:59 am 2 LISA REIHANA EMISSARIES 3 EMISSARIES.indd 2-3 8/02/17 10:59 am 4 LISA REIHANA EMISSARIES 5 ALASTAIR CARRUTHERS PLATES COMMISSIONER’S FOREWORD 6 PORTRAITS IN PURSUIT OF VENUS [INFECTED] VIDEO STILLS 90 WITI IHIMAERA MIHI 8 VIVIENNE WEBB LES SAUVAGES DE LA MER PACIFIQUE: A DECORATIVE COMPOSITION IN WALLPAPER 116 RHANA DEVENPORT PREFACE 10 ANDREW CLIFFORD UNMUTING HISTORY: A POLYPHONIC TABLEAU 124 RHANA DEVENPORT EMISSARIES: A NEW PACIFIC OF THE PAST FOR TOMORROW 14 KEITH MOORE TEARDROPS, TIME AND MARINERS 130 NIKOS PAPASTERGIADIS ARCADIA AND THE IMAGINED MEMORIES 30 MEGAN TAMATI-QUENNELL ARTIST BIOGRAPHY 134 ANNE SALMOND VOYAGING WORLDS 42 SELECTED EXHIBITIONS AND PUBLICATIONS 136 JENS HOFFMANN REANIMATION 66 CONTRIBUTORS 140 CAST AND CREW 141 BROOK ANDREW & LISA REIHANA IN CONVERSATION 74 ACKNOWLEDGEMENTS 143 EMISSARIES.indd 4-5 8/02/17 10:59 am 6 ALASTAIR CARRUTHERS COMMISSIONER’S FOREWORD LISA REIHANA EMISSARIES 7 Lisa Reihana: Emissaries is the most ambitious project in Lisa Reihana’s Special thanks must also go to the exhibition catalogue contributors: Witi Ihimaera, longstanding digital practice. Much like Captain James Cook’s three epic and world- Rhana Devenport, Anne Salmond, Nikos Papastergiadis, Lisa Reihana, Brook changing Pacific voyages, each iteration of its centrepiece – the video in Pursuit of Andrew, Jens Hoffmann, Vivienne Webb, Keith Moore, Andrew Clifford, and Megan Venus [infected], 2015–17 – became more ambitious in scale, required more resources Tamati-Quennell. -
A Comparative Analysis of Content in Maori
MATTERS OF LIFE AND DEATH: A COMPARATIVE ANALYSIS OF CONTENT IN MAORI TRADITIONAL AND CONTEMPORARY ART AND DANCE AS A REFLECTION OF FUNDAMENTAL MAORI CULTURAL ISSUES AND THE FORMATION AND PERPETUATION OF MAORI AND NON-MAORI CULTURAL IDENTITY IN NEW ZEALAND by Cynthia Louise Zaitz A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, Florida August 2009 Copyright by Cynthia Louise Zaitz 2009 ii CURRICULUM VITA In 1992 Cynthia Louise Zaitz graduated magna cum laude with a Bachelor of Arts in Drama from the University of California, where she wrote and directed one original play and two musicals. In 1999 she graduated with a Masters in Consciousness Studies from John F. Kennedy University. Since 2003 she has been teaching Music, Theatre and Dance in both elementary schools and, for the last two years, at Florida Atlantic University. She continues to work as a composer, poet and writer, painter, and professional musician. Her original painting, Alcheme 1 was chosen for the cover of Volume 10 of the Florida Atlantic Comparative Studies Journal listed as FACS in Amazon.com. Last year she composed the original music and created the choreography for Of Moon and Madness, a spoken word canon for nine dancers, three drummers, an upright bass and a Native American flute. Of Moon and Madness was performed in December of 2008 at Florida Atlantic University (FAU) and was selected to represent FAU on iTunesU. In April 2009 she presented her original music composition and choreography at FAU in a piece entitled, Six Butts on a Two-Butt Bench, a tongue-in- cheek look at overpopulation for ten actors and seventy dancers.