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Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna O Waiwhetu 2009
Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna o Waiwhetu 2009 1 BULLETIN EDITOR Bulletin B.156 Autumn DAVID SIMPSON Christchurch Art Gallery March — May Te Puna o Waiwhetu 2009 GALLERY CONTRIBUTORS DIRECTOR: JENNY HARPER CURATORIAL TEAM: KEN HALL, JENNIFER HAY, FELICITY MILBURN, JUSTIN PATON, PETER VANGIONI PUBLIC PROGRAMMES: SARAH AMAZINNIA, LANA COLES PHOTOGRAPHERS: BRENDAN LEE, DAVID WATKINS OTHER CONTRIBUTORS ROBBIE DEANS, MARTIN EDMOND, GARTH GOULD, CHARLES JENCKS, BRIDIE LONIE, RICHARD MCGOWAN, ZINA SWANSON, DAVID TURNER TEL: (+64 3) 941 7300 FAX: (+64 3) 941 7301 EMAIL: [email protected], [email protected] PLEASE SEE THE BACK COVER FOR MORE DETAILS. WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. CURRENT SUPPORTERS OF THE GALLERY AALTO COLOUR CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST COFFEY PROJECTS CREATIVE NEW ZEALAND ERNST & YOUNG FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN HOLMES GROUP HOME NEW ZEALAND LUNEYS PHILIP CARTER PYNE GOULD CORPORATION SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE WARREN TRUST UNIVERSITY OF CANTERBURY UNIVERSITY OF CANTERBURY FOUNDATION VBASE WARREN AND MAHONEY Visitors to the Gallery in front of Fiona Hall’s The Price is Right, installed as part of the exhibition Fiona Hall: Force Field. DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK Front cover image: Rita Angus EDITORIAL DESIGN: ALEC BATHGATE, A Goddess of Mercy (detail) 1945–7. Oil on canvas. Collection CLAYTON DIXON of Christchurch Art Gallery Te PRODUCTION MANAGER: -
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THE COLLECTION OF DAME JUDITH TE TOMAIRANGI O TE AROHA BINNEY AND AND SEBASTIAN BLACK The Collection of Dame Judith te Tomairangi o Te Aroha Binney and Art+Object 4 June 2015 A+O 93 Sebastian Black The Collection of Dame Judith Te Tomairangi o Te Aroha Binney and Sebastian Black Thursday 4 June 6.30pm Art+Object 3 Abbey Street Newton, Auckland PO Box 68 345 Newton, Auckland 1145 Telephone: +64 9 354 4646 Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 [email protected] www.artandobject.co.nz EXHIBITING FJ6A>INA6C9H86E:H WILTON LODGE, FJ::CHIDLC Privately positioned on 3,450 square metres, this substantial 6gXa^cZV`^iX]Zcl^i]i]gZZaVg\Zldg`heVXZh!ZmiZch^kZhidgV\Z north-facing waterfront property overlooks Lake Hayes with GZ[jgW^h]ZYl^i]XdcXgZiZ!hX]^hihidcZ!XZYVgVcYXdeeZg magnificent views to the mountains beyond. Award winning BVhiZgHj^iZl^i]ildheVX^djhlVa`"^cYgZhh^c\gddbh architect John Blair designed this home to achieve maximum :miZgcVa]ZViZYhl^bb^c\edda^hXdbeaZbZciZYWnVÒgZeaVXZ sunshine and lake views from almost every room. Italian marble BZY^Vgddb!\nbcVh^jb!i]gZZhijY^ZhVcY[djgXVg\VgV\^c\ features throughout the spacious and elegant four bedroom home. :miZch^kZbVijgZaVcYhXVe^c\VcYigZZ"a^cZYVXXZhhidaV`Z[gdci luxuryrealestate.co.nz/QT94 434 LOWER SHOTOVER ROAD, FJ::CHIDLC Situated on one of the most sought after land positions in ;djgWZYgddbhZcXdbeVhh^c\hZa["XdciV^cZYbVhiZghj^iZ Queenstown, this 547 square metre Kerry Mason designed 9Zh^\cZg`^iX]Zc!hijYn!ilda^k^c\VgZVh!Y^c^c\gddb!XZaaVg home was built in 2012. -
Fiona Clark Michael Lett 312 Karangahape Road Cnr K Rd
Fiona Clark Michael Lett 312 Karangahape Road Cnr K Rd & East St PO Box 68287 Newton Auckland 1145 New Zealand P+ 64 9 309 7848 [email protected] www.michaellett.com Fiona Clark Born in 1954, Inglewood, Taranaki, New Zealand Lives and works in Tikorangi, Taranaki, New Zealand Fiona Clark was born in Inglewood, Taranaki, in 1959, a rural background which formed the basis for her hands-on approach and direct attitude towards artistic practice, attributes which have aided her in the production of an expansive body of photographic work. While studying at the Elam School of Fine Arts between 1972-5, Clark began to develop a performance-based practice, before moving into photography in her final year. Performativity and the politics of identity would prove to be concepts which informed Clark’s later work, and these interests indirectly led her to document Auckland’s drag and transsexual community. These works provided the methodology for much of Clark’s later practice, especially in their emphasis on a collaborative approach and a sense of responsibility towards the images’ subjects, as seen in the then-controversial Dance Party series, which was subjected to censorship after being included in the Auckland Art Gallery’s 1977 group show The Active Eye. After returning to Taranaki, Clark embarked on a number of artistic projects encompassing a wide variety of subject matter: Maori fishing rights, body building, HIV-Aids and lesbian cultural histories. Recently, the shows Go Girl (2002-6) and For Fantastic Carmen (2016) represent a continuation of the documentary project which began with the Dance Party series, and which now spans four decades. -
A Visual Arts and Art History Education Resource for Secondary Teachers, Inspired by Bill Culbert's 2013 Venice Biennale Exhi
ART IN CONTEXT A VISUAL ARTS AND ART HISTORY EDUCATION RESOURCE FOR SECONDARY TEACHERS, INSPIRED BY BILL CULBERT’S 2013 VENICE BIENNALE EXHIBITION, FRONT DOOR OUT BACK Helen Lloyd, Senior Educator Art, Museum of New Zealand Te Papa Tongarewa and Education Programme Manager for Creative New Zealand (2013) © Museum of New Zealand Te Papa Tongarewa and Creative New Zealand, 2013 CONTENTS BaCKGROUND About this resource ............................................................................................. 3 The Venice Biennale ............................................................................................ 4 Venice – the city ................................................................................................... 4 Bill Culbert ............................................................................................................ 5 Front Door Out Back ........................................................................................... 5 Studying art in context ....................................................................................... 6 Curriculum links ................................................................................................... 7 Useful books ........................................................................................................ 7 Useful websites ................................................................................................... 7 RESOURCES Part 1: Front Door Out Back analysis cards Drop ...................................................................................................................... -
Final Funds Needed for Spectacular City Sculpture
News Release 19 June 2014 Page 1 of 12 Final Funds Needed For Spectacular City Sculpture The SCAPE Public Art Trust of Christchurch has launched a funding initiative to meet the final cost of installing a spectacular Neil Dawson sculpture, Fanfare, at the city’s gateway beside the northern motorway by the end of the year. Fanfare will be New Zealand’s largest public artwork, 24 metres high and weighing 25 tonnes, and featuring 360 wind-powered pinwheels able to be lit up on festive occasions. SCAPE Public Art Director, Deborah McCormick, said all but $360,000 of the $3.3 million needed to install the sculpture has already been raised and the latest initiative is intended to cover the final portion. “People and businesses can join our Fan Club and contribute set amounts from $1,000, $3,000 and $5,000, with a range of benefits and privileges, or donate any amount they wish. Supporters will have a share in an iconic sculptural legacy for the city and make a unique contribution to our changing future landscape.” Deborah McCormick said. Fanfare was made by Christchurch sculptor Neil Dawson for the City of Sydney to celebrate New Year in 2005 and was displayed hanging from the city’s harbour bridge. It was later gifted by the City of Sydney to the Christchurch City Council, which partnered with SCAPE Public Art to re-assemble the sculpture and raise funds to pay for its new installation. The sculptor has produced other large-scale sculptures, including Chalice in Cathedral Square, Christchurch, Ferns in Civic Square, Wellington and Feather from Afar in the International Finance Centre, Pudong, Shanghai. -
Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 at The
Issue 19 Exhibitions Ōtautahi www.artbeat.org.nz July 2020 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 At the Galleries 03 Discover Map 04 Reviews 06 Te Wheke Pathways Across Oceania. Our Public Art Collection but not as we once knew It Polynesia and the Pacific region, and migra- tion and belonging are allocated centre-stage in Te Wheke Pathways Across Oceania, an exhibition that draws from works in the Christ- church Art Gallery Te Puna o Waiwhetū collec- tion. It is exciting and enlightening experience developed by the Gallery’s curators in consul- tation with curator of Cook Islands heritage, Stephanie Oberg. Yet, in many ways Te Wheke Pathways Across Oceania is not entirely unanticipated or without precedent. Since its reopening in December 2015 the Gallery’s perma- ↑ Aotearoa New Zealand, the Christchurch Art but wide knowledge and a different perspec- nent collection has assumed a new-found contemporary. Milburn comments: ‘We really John Pule Not life, rediscovered by its curatorial team who wanted to re-imagine the Gallery’s spaces of This Time Gallery’s had its origins in European works, tive.She helped us to look outside more tradi- seem committed and excited about new and we were also keen to bring in different (Dreamland), particularly British works. The narrative of tional art histories and we found that really ways of thinking about and experiencing perspectives. We were especially conscious 2008. Oil on how those connections shaped our art history valuable.’ canvas. -
Fiona Pardington: a Beautiful Hesitation Comes To
Exhibition partner: Media Release Thursday 21 January 2016 Pause for effect – Fiona Pardington: A Beautiful Hesitation comes to In association with: Auckland Art Gallery The power and potency of photography is revealed in Fiona Pardington: A Beautiful Hesitation which opens at Auckland Art Gallery Toi o Tāmaki on Saturday 5 March. Exhibition supporters: A Beautiful Hesitation is the first comprehensive survey of works by artist Fiona Pardington, one of New Zealand’s leading contemporary photographers. Complex, rich and darkly romantic, the free exhibition spans 30 years of Pardington’s practice in a collection of more than 100 photographs. It conveys key concerns that have shaped the artist’s celebrated work. Presented in association with: Pardington uses the phrase ‘a beautiful hesitation’ to describe photography’s power to pause time and transcend the conditions of the material world. Her Fiona Pardington, Still Life with albatross feathers, pounamu and coral hearts 2014, archival inkjet print, gesso and acrylic practice breathes life into the objects she polymer on canvas. Courtesy of the artist and Starkwhite. encounters. Auckland Art Gallery Director Rhana Devenport says A Beautiful Hesitation will give visitors a deep insight into Pardington’s arresting photography. ‘This exquisite exhibition offers a unique opportunity to explore Fiona’s multi-layered and fascinating body of work,’ she says. Pardington’s early works, including intimate family portraits, through to her photographs of hei tiki (pendants), life casts and historical specimens from museum collections, and her notable still-life images are all shown in A Beautiful Hesitation. The exhibition’s curator Aaron Lister from City Gallery Wellington has divided the exhibition into four themes: Flesh, Becoming, A Language of Skulls and Still Life. -
1989-01-144.Pdf
CSA Preview is registered at PROFILE / PHILLIP TRUSTTUM New Zealand Post Office Headquarters, Wellington, as a magazine. P R I E V JAN/FEB I 1989 I 14 E 4 W The Journal of the Canterbury Society of Arts Gallery Hours 66 Gloucester Street Christchurch, Monday-Saturday I0am-4.30pm New Zealand P.O. Box 77Z Christchurch Sunday 2pm-4.30pm ••A Phone 667-261.667-167. PREVIEW SOCIETY NEW Sotheby's Works of Art Tour Ltd Two experts from Sotheby's London will visit OFFICERS MEMBERS New Zealand for a lecture-tour in late January 1989. There will be a one day seminar given Patron Mark Pickering by David Battie. Director of the Department His Excellency The Governor General Ruth Schwass of Ceramics and Oriental Works of Art. and The Most Reverend Paul Reeves GCMG, DCL Kevin Griggs another by David Bennett who is the Director (Oxon) Mr & Mrs Grigor of the Antique Jewellery Department. Robyne Cory President Please see notice board for details and PAPoff enrolment. David Sheppard. A.N.Z.I.A., M.N.Z.P.I. Boris Bereza Mr & Mrs E J B Cutler South Canterbury Arts Society Vice-Presidents Mrs Lucy Cartwright Award Bill Cumming T.V.N.Z. Congratulations to Kath Von Tunzelmann for Mrs Doris Holland Mr & Mrs G C Denny Garden Series No. I which won the Westpac Jewel Oliver Mr & Mrs A O Hawkins Banking Corporation $500 art awards 1988. Michael Eaton, Dip, F.A., Dip. Tchg, F.R.S.A. Nicola Best Alison Ryde T.T.C. Mr P & Mrs H Williams National Bank Art Award John Coley. -
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Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market. -
South Canterbury Artists a Retrospective View 3 February — 11 March, 1990
v)ileewz cmlnd IO_FFIGIL PROJEEGT South Canterbury Artists A Retrospective View 3 February — 11 March, 1990 Aigantighe Art Gallery In association with South Canterbury Arts Society 759. 993 17 SOU CONTENTS Page LIST OF ILLUSTRATIONS 3 INTRODUCTION 6 BIOGRAPHIES Early South Canterbury Artists 9 South Canterbury Arts Society 1895—1928 18 South Canterbury Arts Society formed 1953 23 South Canterbury Arts Society Present 29 Printmakers 36 Contemporaries 44 CATALOGUE OF WORKS 62 LIST OF ILLUSTRATIONS Page S.C. Arts Society Exhibition 1910 S.C. Arts and Crafts Exhibition 1946 T.S. Cousins Interior cat. I10. 7 11 Rev. J.H. Preston Entrance to Orari Gorge cat. I10. 14 13 Capt. E.F. Temple Hanging Rock cat. 1'10. 25 14 R.M. Waitt Te Weka Street cat. no. 28 15 F.F. Huddlestone Opawa near Albury cat. no. 33 16 A.L. Haylock Wreck of Benvenue and City of Perth cat. no. 35 17 W. Ferrier Caroline Bay cat. no. 36 18 W. Greene The Roadmakers cat. 1'10. 39 2o C.H.T. Sterndale Beech Trees Autumn cat. no. 41 22 D. Darroch Pamir cat. no. 45 24 A.J. Rae Mt Sefton from Mueller Hut cat. no. 7O 36 A.H. McLintock Low Tide Limehouse cat. no. 71 37 B. Cleavin Prime Specimens 1989 cat. no. 73 39 D. Copland Tree of the Mind 1987 cat. 1'10. 74 40 G. Forster Our Land VII 1989 cat. no. 75 42 J. Greig Untitled cat. no. 76 43 A. Deans Back Country Road 1986 cat. no. 77 44 Farrier J. -
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COLLECTORS NEW ART ART+OBJECT 151 2020 ART + OBJECT 23.06.20 Front cover: Laurence Aberhart Taranaki, Midhurst, 11 July 1991 Back cover: Ann Verdcourt Untitled – Ladybird Figure Art+Object 3 Abbey Street Newton Auckland PO Box 68345 Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 [email protected] www.artandobject.co.nz instagram: @artandobject facebook: Art+Object youtube: ArtandObject Photography: Sam Hartnett Design: Fount–via Print: Graeme Brazier Welcome to Art+Object’s third post-lockdown auction, an absorbing collection of art and decorative arts. In particular we are proud to offer an excellent collection of New Zealand photography from a private collector together with many other interesting consignments. Since returning to the office in May we have completed two auctions that had been on hold since April. Both of these events were remarkably successful and we would like to warmly thank our vendors who remained patient during the lockdown and all those who supported us at the viewings and attended the auctions, whether on-line at home or in person. It is extremely heartening to see that even in the most tumultuous of times, there is still a desire for art in our lives. During the recent lockdown period, like many I agreed with the slogans that suggested we should send 2020 back to where it came from. If only we could rewind and start again! The effect on businesses and families, the many disappointments of cancelled events and travel, will be felt for some time to come. -
Walter Reseme
LAYLA WALTER Born 1975, Wellington, New Zealand. EDUCATION 1998 Bachelor of Design 3D-Glass. Unitec Institute of Technology, Auckland, NZ 1995 Introduction to Maori Fibre Weaving, UIT, NZ PUBLIC COLLECTIONS Auckland Museum, New Zealand, Kimono Vase Department of Foreign Affairs, NZ Embassy Washington DC, USA, Woven Rimmed Bowl Department of Foreign Affairs, NZ Embassy in Tehran, Small Woven Rimmed Bowl Department of Foreign Affairs, NZ Embassy in Cairo, Egypt, Water Lily Vessel Department of Foreign Affairs, NZ Embassy, France, Tui For Geoff Department of Foreign Affairs, Wellington, NZ Camellia For Kate Department of Foreign Affairs, Wellington, NZ Mistral's Camellia Glasmuseet Ebletoft, Ebletoft, Denmark, Open Bowl – Woven Interior Museum of New Zealand Te Papa Tongarewa, Wellington, NZ, Open Bowl - Woven Interior, Lucospermum Vase, Emily’s Hydrangea SELECT PRIVATE COLLECTIONS Sir Elton John Sir Peter Jackson and Fran Walsh Peter Gordon, for The Sugar Club, NZ Nigel Brown, NZ artist Stanley Palmer, NZ artist Sandy Adset, Australian collector Bettina Meyer, Dutch collector SOLO EXHIBITIONS 2015 Conversations exhibition of cast glass vessels with New Zealand bird, plant and woven detail, covering 21 years of practice. Milford Galleries, Queenstown, NZ Pacific Light flowers from NZ and the Pacific with NZ birds and woven work, AVID Dealers in Applied Arts, Wellington, NZ 2014 Pacific Flower pacific flower vessels, Corban Estate Arts Centre, Auckland 2010 Second Harvest William Traver Gallery, Seattle, USA Harvest AVID Dealers in Applied