DOCSLIB.ORG

1989-01-144.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1989-01-144.Pdf CSA Preview is registered at PROFILE / PHILLIP TRUSTTUM New Zealand Post Office Headquarters, Wellington, as a magazine. P R I E V JAN/FEB I 1989 I 14 E 4 W The Journal of the Canterbury Society of Arts Gallery Hours 66 Gloucester Street Christchurch, Monday-Saturday I0am-4.30pm New Zealand P.O. Box 77Z Christchurch Sunday 2pm-4.30pm ••A Phone 667-261.667-167. PREVIEW SOCIETY NEW Sotheby's Works of Art Tour Ltd Two experts from Sotheby's London will visit OFFICERS MEMBERS New Zealand for a lecture-tour in late January 1989. There will be a one day seminar given Patron Mark Pickering by David Battie. Director of the Department His Excellency The Governor General Ruth Schwass of Ceramics and Oriental Works of Art. and The Most Reverend Paul Reeves GCMG, DCL Kevin Griggs another by David Bennett who is the Director (Oxon) Mr & Mrs Grigor of the Antique Jewellery Department. Robyne Cory President Please see notice board for details and PAPoff enrolment. David Sheppard. A.N.Z.I.A., M.N.Z.P.I. Boris Bereza Mr & Mrs E J B Cutler South Canterbury Arts Society Vice-Presidents Mrs Lucy Cartwright Award Bill Cumming T.V.N.Z. Congratulations to Kath Von Tunzelmann for Mrs Doris Holland Mr & Mrs G C Denny Garden Series No. I which won the Westpac Jewel Oliver Mr & Mrs A O Hawkins Banking Corporation $500 art awards 1988. Michael Eaton, Dip, F.A., Dip. Tchg, F.R.S.A. Nicola Best Alison Ryde T.T.C. Mr P & Mrs H Williams National Bank Art Award John Coley. Dip. F.A., Dip. Tchg. Mary & Malcolm Cox Abstractions The winner of this years award of $2000 is Council Marie Bain Margaret Matheson Josie Jay. John Drawbridge was also a recipient Penny Orme Ian Fox of the equal prize. Josie jay. Dip. Hon. Jackie Gannaway W.j. Parsons, B. Com. A.C.A. J P Cowey John Mackintosh, L.LB. Ron L Bruce David Page, B. Sc. (Hons) M F & E R Anderson HOLIDAY lain Harvey, M.S.I.A.D. Mr & Mrs Norbert-Munns Grant Banbury, Dip. F.A. (Hons) HOURS G B & P G S Penlington Simon Ogden, M.A.R.CA. Alan Turner Chris Taylor, Dip. F.A. (Hons). Dip. Tchg. The gallery closes at 4.30pm on Lynda Tallott Thursday 22nd December. We will re­ Miss L Russell & Mr I H Fox Hon. Secretary open on 4 January until 15th January David Ellison-Smith Bruce Finnerty from 2~4.30pm 7 days a week. M S Marks Full time hours will resume on the Mr & Mrs J A Schneideman Hon. Treasurer 16th January 1989. These are Monday to Ms Elizabeth Smyth John Wilson. A.C.A. Saturday 10-4.30pm. Sunday Mr & Mrs B Mules 2-4.30pm. •• Auditor Kate Wilkinson John Midgley, B. Com. A.C.A. Anna Hollings Craig Seagar & Ross Palmer Rose Weingartner DIRECTORS GALLERY Gerard M Pinn REPORT PERSONNEL Given to Annual General Meeting on 24 MIXED November CSA 1988 Director s 1988 rapidly draws to a close, and Chris Taylor, Dip. F.A. (Hons), Dip. Tchg. MEDIA A Christmas looms ahead, it is revealing to Consultant Exhibitions reflect on the year at the CSA since the last AGM. Rona Rose The NZ Academy of Fine Arts I think it goes without saying to anybody Exhibitions Officer who has been in some way involved with the Private Bag CSA, particularly exhibiting artists, it has been Grant Banbury Wellington a very busy 12 months. Gallery Assistants BP Art Award 1989 There is a wonderful irony about art galleries, Joanna Braithwaite, B.F.A. On The Move it seems the more you present an environment that appears unruffled and calm, the more Blair Jackson, B.F.A. An exhibition in which artists interpret the energy and effort is going on behind the scenes. Louise Johns, S. Mus. theme in painting and sculpture. Receiving days 30-31 January This is especially true of the CSA where we present such a wide range of exhibitions in such Accounts Exhibition 26 Feb-12 March quantity, with a small staff. Since the last AGM Grania McKenzie, B.A. BNZ Art Award 1989 this has certainly been the case, in the period I October 1987 to the 30 September 1988 Office For Prints: Ceramics: Sculpture. we presented 105 exhibitions. Sharyn Creighton Receiving days 13-14 March The facts are that there is no gallery in New Exhibition 9-30 April Zealand showing this amount of exhibitions and Editor Entry forms available from above address or in doing so the CSA Gallery provides a Josie Jay CSA Gallery. remarkable range of art; amateur, professional, Design The House of Humour and Satire individual, group working members, interna­ tional touring shows, photography, craft, Ralph Lawrence, Dip F.A. Bulgaria traditional, controversial and I'm sure each of May 20-28 1989 us will have ideas about the good, bad and Biennial Competitions & Exhibitions in all forms indifferent. of the arts. Visitors to the CSA Gallery are often literally Enquire at gallery for brochure if interested in amazed by what is achieved here and quality Cover: Lawrence I Jay participating. of the operation. Amazement turns to virtual mm* incredulity when they are told that the gallery or attractive as those of the New Zealand Art also, and demand a high quality in its exhibitions. has 4 full time staff and two part time to run Gallery Directors Council, and the Art Galleries Quality not only in craft or technical facility the gallery. When I say gallery, I refer to the and Museum Association of New Zealand, to is important, but so is quality in concept and previously mentioned 105 exhibitions in 12 which the CSA both belongs. originality. months, a bi-monthly magazine, administration The refurbishment of the gallery is now Finally I wish to thank the Council of the of a membership of approximately 2000, a Hire beginning to become a reality, after months CSA. In particular David Sheppard who has Collection of just under 700 works hired out of discussion and planning by the House provided so much of his time, particularly in to 80 businesses in the city and the Selling Committee of the Council. The gallery has matters to do with refurbishment planning, and Gallery which has about 500 works in stock. basically remained unchanged in its public areas John Wilson for his work and advice as the No mean feat. since being completed in January 1968, over Society's treasurer. The membership can be So a special mention needs to be made of 20 years ago. The refurbishment programme sure that it has been served very well by the the staff. Rona Rose the gallery consultant, will take place in 3 stages over the next 2 years Council, who have devoted much time and Natham Crossan gallery assistant, Jane Macleod to provide a more contemporary and attractive energy to their responsibilities. In retiring from secretary and part timers, Grania McKenzie environment to gallery visitors, as well as more council, Nola Barron ends an involvement with accounts and Joanna Braichwaice gallery efficient storage and administration the CSA in that capacity. On behalf of the assistant. We have also used the talents of accommodation. Society I would like to thank her for the Louise Johns and Diane Miller on a more Economically it has been a tough year, and devotion and commitment she has given to the occasional basis. All of whom have dedicated I believe the CSA has responded to the difficult CSA, her efforts have provided a secure a great deal of energy in their work for the economic times well. It is my observation that foundation for the future. Speaking of the CSA. Later in the year Jane Macleod and the New Zealand public are becoming more future, I wish all the members a very happy Natham Crossan left and they have recently sophisticated and discerning in the art works Festive Season, and look forward to seeing you been replaced by Sharyn Creighcon in the office, purchased, with a much greater acceptance of in the gallery in 1989. and Blair Jackson as gallery assistant. Grant contemporary art. To maintain a healthy Banbury returns next year as Exhibitions financial state the CSA will have to be discerning Chris Taylor — Officer, after his year as recipient of the Olivia Spencer Bower Foundation Award. It has become more evident over this year that the CSA would benefit greatly as would artists, members and public from the services PHILIP of a publicity officer on the staff. This is nothing new, back in 1984 a sub-committee was formed PROFILE TRUSTTUM by the then council and recommendations made. Just prior to my directorship, a number PAT UNGER of people had been employed in succession to handle publicity. They had been funded through schemes, such as PEP and VOTP. When these I n August the 1988 Montana Art Award was side issues or indiscretions". It also shows came to an end so did the jobs. Through tight I held in Auckland. It has been restructured ". .Matisse's bourgeois life revolving around budgetary control and careful planning, we will "to highlight the excellence of New Zealand ordinary domestic things". As does Trusttum's. be employing a publicity officer as from January painting". Now a strictly limited event, only " 15 "You have to paint something" he says and 1989 without any government assistance. I am of New Zealand's finest painters (were) invited his somethings are always the same only certain that this will enable the gallery to to participate".
Load more

Recommended publications
  • Download PDF Catalogue
    THE COLLECTION OF DAME JUDITH TE TOMAIRANGI O TE AROHA BINNEY AND AND SEBASTIAN BLACK The Collection of Dame Judith te Tomairangi o Te Aroha Binney and Art+Object 4 June 2015 A+O 93 Sebastian Black The Collection of Dame Judith Te Tomairangi o Te Aroha Binney and Sebastian Black Thursday 4 June 6.30pm Art+Object 3 Abbey Street Newton, Auckland PO Box 68 345 Newton, Auckland 1145 Telephone: +64 9 354 4646 Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 [email protected] www.artandobject.co.nz EXHIBITING FJ6A>INA6C9H86E:H WILTON LODGE, FJ::CHIDLC Privately positioned on 3,450 square metres, this substantial 6gXa^cZV`^iX]Zcl^i]i]gZZaVg\Zldg`heVXZh!ZmiZch^kZhidgV\Z north-facing waterfront property overlooks Lake Hayes with GZ[jgW^h]ZYl^i]XdcXgZiZ!hX]^hihidcZ!XZYVgVcYXdeeZg magnificent views to the mountains beyond. Award winning BVhiZgHj^iZl^i]ildheVX^djhlVa`"^cYgZhh^c\gddbh architect John Blair designed this home to achieve maximum :miZgcVa]ZViZYhl^bb^c\edda^hXdbeaZbZciZYWnVÒgZeaVXZ sunshine and lake views from almost every room. Italian marble BZY^Vgddb!\nbcVh^jb!i]gZZhijY^ZhVcY[djgXVg\VgV\^c\ features throughout the spacious and elegant four bedroom home. :miZch^kZbVijgZaVcYhXVe^c\VcYigZZ"a^cZYVXXZhhidaV`Z[gdci luxuryrealestate.co.nz/QT94 434 LOWER SHOTOVER ROAD, FJ::CHIDLC Situated on one of the most sought after land positions in ;djgWZYgddbhZcXdbeVhh^c\hZa["XdciV^cZYbVhiZghj^iZ Queenstown, this 547 square metre Kerry Mason designed 9Zh^\cZg`^iX]Zc!hijYn!ilda^k^c\VgZVh!Y^c^c\gddb!XZaaVg home was built in 2012.
    [Show full text]
  • Download PDF Catalogue
    Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market.
    [Show full text]
  • South Canterbury Artists a Retrospective View 3 February — 11 March, 1990
    v)ileewz cmlnd IO_FFIGIL PROJEEGT South Canterbury Artists A Retrospective View 3 February — 11 March, 1990 Aigantighe Art Gallery In association with South Canterbury Arts Society 759. 993 17 SOU CONTENTS Page LIST OF ILLUSTRATIONS 3 INTRODUCTION 6 BIOGRAPHIES Early South Canterbury Artists 9 South Canterbury Arts Society 1895—1928 18 South Canterbury Arts Society formed 1953 23 South Canterbury Arts Society Present 29 Printmakers 36 Contemporaries 44 CATALOGUE OF WORKS 62 LIST OF ILLUSTRATIONS Page S.C. Arts Society Exhibition 1910 S.C. Arts and Crafts Exhibition 1946 T.S. Cousins Interior cat. I10. 7 11 Rev. J.H. Preston Entrance to Orari Gorge cat. I10. 14 13 Capt. E.F. Temple Hanging Rock cat. 1'10. 25 14 R.M. Waitt Te Weka Street cat. no. 28 15 F.F. Huddlestone Opawa near Albury cat. no. 33 16 A.L. Haylock Wreck of Benvenue and City of Perth cat. no. 35 17 W. Ferrier Caroline Bay cat. no. 36 18 W. Greene The Roadmakers cat. 1'10. 39 2o C.H.T. Sterndale Beech Trees Autumn cat. no. 41 22 D. Darroch Pamir cat. no. 45 24 A.J. Rae Mt Sefton from Mueller Hut cat. no. 7O 36 A.H. McLintock Low Tide Limehouse cat. no. 71 37 B. Cleavin Prime Specimens 1989 cat. no. 73 39 D. Copland Tree of the Mind 1987 cat. 1'10. 74 40 G. Forster Our Land VII 1989 cat. no. 75 42 J. Greig Untitled cat. no. 76 43 A. Deans Back Country Road 1986 cat. no. 77 44 Farrier J.
    [Show full text]
  • No. Forty One January 1972 President: Miles Warren. Secretary-Manager: Russell Laidlaw
    COA No. Forty one January 1972 president: Miles Warren. Secretary-Manager: Russell Laidlaw. Exhibitions Officer: Tony Geddes. news The Journal of the Canterbury Society of Arts Receptionist: Jill Goddard. News Editor: A. J. Bisley. 66 Gloucester Street Telephone 67-261 Registered at the Post Office Headquarters, Wellington, as a magazine P.O. Box 772 Christchurch Bill Cummings—Oil Marlborough Sounds Series—Kohanga - Marlborough Sounds. March Brian Holmewood and Subject to Adjustment Gallery Calendar Elizabeth Hancock Art School Drawings To 6 January Phillippa Blair National Safety Posters Carl Sydow To 12 January 10 Big Paintings Peter Mardon 6-20 January Manawatu Prints Frits Krijgsman 8-21 January Touring Reproductions April Susan Chaytor Early N.Z. Painting Tom Taylor 26 January Architects (Preview) British Paintings - 13 February Cranleigh Barton Exhibitions mounted with the assistance of the 14-29 February Philip Trusttum Queen Elizabeth II Arts Council through the 11-27 February Annual Autumn Exhibition agency of the Association of N.Z. Art Societies. PAGE ONE C. W. GROVER President's Comment Landscape Design I write this as your new, green as grass presi­ And Construction dent much aware of the series of distinguished and talented people who have run the Society in the past and wondering if I will be able to 81 Daniels Rd, Christchurch measure up to them. I am quickly beginning to Phone 527-702 appreciate what it means in time and involve­ ment. Fortunately the Society is in the expert hands of its famous Tweedle-dee and Tweedle­ dum, the secretary and the treasurer who kindly help the new boy and gently tell him what to do.
    [Show full text]
  • New Zealand Painting
    New Zealand Painting 1 f g. • w w. H i 1 New Zealand Painting Since 1957 the Auckland City Art Gallery has assembled an annual anthology of contemporary New Zealand painting. These exhibitions have particular objectives: to gather from all parts of the country the work of thinking artists being painters who are not content to continue year after year with an adopted formula and repeating this ad nauseum, nor those who switch styles as easily and frequently as a man changes his coat; but rather, the artists who think about painting and consider it a vital means of communicating ideas. And not so much other people's ideas (although all sensitive painters are aware of their debt to history and the work of other creative artists) but, the deeply felt and thought-out ideas of the artist's personal responses to the world. This approach to painting calls for tenacity of thought and quite a bit of courage. Consequently, it is surely the duty of a public art gallery to foster these vital and thinking artists within our national life. To encourage their development and growth for the national good — if for no other reason. These exhibitions are then offered as travelling units. Galleries accepting the exhibition share the cost of touring. As these costs are steadily rising and no grant-in-aid is involved, organizations presenting this exhibition will need to exert even greater efforts to ensure the continuance of the exhibition on a travelling basis. Here is a visible demonstration of some of the current trends and movements in New Zealand painting.
    [Show full text]
  • Download PDF Catalogue
    THE 21st CENTURY AUCTION HOUSE A+O 7 A+O THE 21st CENTURY AUCTION HOUSE 3 Abbey Street, Newton PO Box 68 345, Newton Auckland 1145, New Zealand Phone +64 9 354 4646 Freephone 0800 80 60 01 Facsimile +64 9 354 4645 [email protected] www.artandobject.co.nz Auction from 1pm Saturday 15 September 3 Abbey Street, Newton, Auckland. Note: Intending bidders are asked to turn to page 14 for viewing times and auction timing. Cover: lot 256, Dennis Knight Turner, Exhibition Thoughts on the Bev & Murray Gow Collection from John Gow and Ben Plumbly I remember vividly when I was twelve years old, hopping in the car with Dad, heading down the dusty rural Te Miro Road to Cambridge to meet the train from Auckland. There was a special package on this train, a painting that my parents had bought and I recall the ceremony of unwrapping and Mum and Dad’s obvious delight, but being completely perplexed by this ‘artwork’. Now I look at the Woollaston watercolour and think how farsighted they were. Dad’s love of art was fostered at Auckland University through meeting Diane McKegg (nee Henderson), the daughter of Louise Henderson. As a student he subsequently bought his first painting from Louise, an oil on paper, Rooftops Newmarket. After marrying Beverley South, their mutual interest in the arts ensured the collection’s growth. They visited exhibitions in the Waikato and Auckland and because Mother was a soprano soloist, and a member of the Hamilton Civic Bev and Murray Gow Choir, concert trips to Auckland, Tauranga, New Plymouth, Gisborne and other centres were in their Orakei home involved.
    [Show full text]
  • Quarterly AUCKLAND CITY ART GALLERY Quarterly AUCKLAND CITY ART GALLERY NUMBER 58
    NUMBER 58 Quarterly AUCKLAND CITY ART GALLERY Quarterly AUCKLAND CITY ART GALLERY NUMBER 58 Some recently-acquired drawings by Frances Hodgkins The drawings by Frances Hodgkins acquired in the past three years form an interesting addition to the Gallery's large and varied collection of her work. They include examples of still life, landscape, and portraiture; they are in several of her favourite media; and, though all are undated, they seem to range through three or four decades of her career. First in chronological sequence - and the earliest Frances Hodgkins in the Gallery - is the watercolour George. It is a good specimen of the informal portraits which she produced in large numbers and apparently with little effort during the later Dunedin years. Since it bears no signature or date, the probability is that it was never shown in public. The title and the initials F.M.H. are in the handwriting of the artist's sister, Mrs Field. The watercolour remained in Mrs. Field's possession until inherited by her daughter, the late Mrs Pharazyn, from whose estate it passed, through a local dealer, to the Gallery. I have been unable to FRANCES HODGKINS Qeorge trace this particular George in the family Watercolour, 16 x 12 inches correspondence, but Mrs Field's annotations (Ace. 1972/2). are usually accurate and he may yet be identified as a member of the vast Hodgkins circle of Cover friends and relatives. I see no reason to change FRANCES HODGKINS Cassis my original dating of 1896 or thereabouts. Black chalk, 13£ x 15 inches Signed Frances Hodgkins The largest group is a series of still lifes in (Ace.
    [Show full text]
  • Art History Theses (Updated November 2015)
    Art History Theses (updated November 2015) These theses are held in the Department Library. MA and PhD theses are also held in the main University Library, and many are available in PDF format online from (http://otago.ourarchive.ac.nz/). Many BA(Hons) and PGDip disserations are also held in the Hocken Collections. For more information, please contact [email protected]. Art History Theses Alfaro, Armando. "Imaginary Men: Genre, Masculinity, and Natural Identity in Canadian and New Zealand Cinemas." PhD, 2016. Allen, Elise. "The Paradox of the Picture Plane." BA(Hons), 2008. Armistead, Michelle. "Nothing to Latch Onto: The Black Paintings of Ralph Hotere, 1968-69." BA(Hons), 2005. Atkinson, Claire. "The Fashionable Artist and the Artist as Fashion: The Structuring of Fashion and the Feminine in the Female Sculptural Groups of Marisol Escobar." PGDip Arts, 2004. Bagnall, Lorna Alice. "Contemporary Flesh: Transgressing Boundaries in the Bodies of Jenny Saville." BA(Hons), 2013. Ballard, Susan. "Reading the leaves: an approach to some artists' books." PGDip, 1996. Ballard, Susan. "Feminist and postmodernist intersections with New Zealand photography: a study of four artists." PGDip, 1996. Barr, Adrian. "Kazimir Malevich: A Creative Relationship of Word and Image." MA, 2001. Barry, Briar. "Journeys in Imagery: The Art and Illustration of Gavin Bishop." BA(Hons), 2009. Bath, David. "Conflicting Tensions: Eight Works of Elizabeth rees." BA(Hons), 1998. Baxendall, Lydia. "Nigel Brown and NZ National Identity." MA, 2011. Bell, David. "Art in Education: A survey exhibition to celebrate one hundred and twent-five years of art at the Duendin College of Education." PGDip, 1999.
    [Show full text]
  • A Matter of Passion Marilyn Rea-Menzies
    A Matter of Passion Marilyn Rea-Menzies What drives your need to seek out learning experiences? I have always had the need to be the very best that I could possibly be, and as I am self-taught I have always motivated myself to learn about other artists mainly through reading about them, visiting art galleries wherever possible to see original art works, and also through attending exhibition openings. I became quite an exhibition opening “junkie”. I am a bit of a “bookaholic” and love art books. Any spare money that I may have is often spent on books about artists working in many different mediums, and over the years, I have built up quite a collection in my library. Some of the artists who have influenced my work are New Zealand artists Colin McCahon, Louise Henderson, and John Weeks, and international artists Chuck Close, Jasper Johns, Robert Rauschenberg, and David Hockney. When I came to Christchurch to live in 1994, I decided that I would try to develop my reputation as an artist as well as that of a weaver. I was known as a tapestry weaver in many circles and it is often a surprise to people when they discover that I also work in a number of other mediums such as photography, painting, drawing, and digital design. I believe that my skills as a painter and photographer, as well as my drawing abilities, inter-relate closely with my weaving; they are inseparable. To be a successful tapestry weaver I realised that I needed to keep on developing my proficiency in drawing and painting.
    [Show full text]
  • B.150 Bulletin of Christchurch Art Gallery Te Puna O Waiwhetu
    BULLETIN OF CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU spring september – november 2007 Exhibitions Programme b.150 September, October, November Bulletin Editor: Sarah Pepperle 2 Foreword Gallery Contributors A few words from the Director Director: Jenny Harper JULIAN DASHPER: TO THE UNKNOWN NEW ZEALANDER Curator: Peter Vangioni An exhibition by one of New Zealand’s leading Burdon Family Gallery, Balcony Assistant Curator: Ken Hall 3 My Favourite contemporary artists. & Collection Galleries Public Programmes Officer: Ann Betts Christopher Moore makes his choice • until 14 October Gallery Photographer: Brendan Lee • publication available PHIL DADSON: AERIAL FARM Friends of Christchurch Art Gallery: Cheryl Comfort, Paul Deans 4 Noteworthy Video and audio material recorded in the Dry Valleys of Tait Electronics Other Contributors News bites from around the Gallery Antarctica explore an environment through sound and image. Antarctica Gallery Andrew Clifford, Julian Dashper, Christopher Moore, Bruce Russell • until 14 October BILL HAMMOND: JINGLE JANGLE MORNING Tel (+64-3) 941 7300 Fax (+64-3) 941 7301 8 The Year in Review The long-awaited spectacular survey exhibition of more than Email [email protected] [email protected] Touring Exhibition Galleries Please see the back cover for more details. A summary of business, 1 July 2006 – 30 June 2007 two decades of work by one of New Zealand’s most sought-after & Borg Henry Gallery contemporary painters. • until 22 October We welcome your feedback and suggestions for future articles. Principal Exhibition Sponsor: Ernst & Young. The exhibition and accompanying • publication available 10 To the Unknown New Zealander publication are supported by the Friends of Christchurch Art Gallery, Creative New Peter Vangioni interviews Julian Dashper Zealand and Spectrum Print.
    [Show full text]
  • Philip Trusttum: Development and Style
    THE ART OF SURPRISE PHILIP TRUSTTUM: DEVELOPMENT AND STYLE. A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS OF THE DEGREE OF MASTER OF ARTS IN ART HISTORY AT THE UNIVERSITY OF CANTERBURY BY HELEN JOY TAYLOR. UNIVERSITY OF CANTERBURY 1992. 1\1 1 U~)8 ,-l \{/ ACKNOWLEDGEMENTS. First, I especially wish to thank Philip Trusttum for his patience, interest and co-operation, and Jonathan Mane-Wheoki for both his guidance and encouragement throughout the preparation of this thesis. Particular thanks are due to the C. S. A. Gallery, . Christchurch, for its generosity in awarding me the Canterbury Society of Arts Research Grant at a time when it was greatly needed. I am also grateful to the following individuals, galleries, and museums for both their time and informative response to my enquiries. Their contribution towards my research has been invaluable: Bill Milbank, Director, Richard Wotton, Photographer, and Celia Thompson, Registrar, Sarjeant Gallery, Wanganui; linda Tyler, formerly Curator of Art Collections, and David Cook, Photographer, Waikato Museum of Art and History, Hamilton; Geraldine Taylor, Registrar, Ron Brownson, Curator of Research Collections, Christina Barton, Assistant Curator of Collections, Auckland City Art Gallery; Robert Leonard, Curator of Contemporary New Zealand Art, Jane Vial, Research Assistant, Fritha Marriage, Assistant Registrar, and Jenny Harper, Acting Director, National Art Gallery, Wellington; Barbara Mare, Registrar 1 Collections Manager, Govett-Brewster Art Gallery, New Plymouth; Jo Torr, Registrar, Manawatu Art Gallery, Palmers ton· North; Grant Banbury, Exhibitions Officer, C S. A. ·Gallery, Christchurch; Neil Roberts, Curator, Robert McDougall Art Gallery, Christchurch; Meg Parkin, Director, Aigantighe Art Gallery, Timaru; Paula Newton, formerly Registrar, and J.
    [Show full text]
  • In This Issue: Let's Take This Online 02 Art Chemist 04 Tribute To
    Issue 28 Exhibitions Ōtautahi www.artbeat.org.nz May 2021 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: Let’s Take This Online 02 Art Chemist 04 Tribute to Grant Lingard 05 Reviews 08 Artists Continue to work in Difficult Conditions 09 Wild-Taste Walk 09 Hang in There Mate – Saving Ng Building Property owners Roland Logan and (Land Information New Zealand, handling Sharon Ng both emphasise that they land titles), stating that they wanted to are just here to save their building at 212 purchase the Ng Building and the land Madras Street. ‘The last thing we want to was later followed by the Christchurch City do is hold up the stadium’. Council inferring that NG Building could 212 Madras Street is the last remaining be incorporated into the stadium design. Edwardian warehouse building in Ōtautahi In April 2020, the Crown announced Christchurch and has been the recipient that Ng Building could not be incorpo- of several heritage awards over the past rated, even though plans for the project still decade. Acquired in 2005 by Logan and depicted its incorporation within its design. Ng, for the past sixteen years it has been Then, in March 2021, a compulsory notice a multifaceted centre for contemporary of acquisition was sent to Logan and Ng, art and design in numerous and varied and new plans were released which now manifestations. On its ground floor, Ng showed that the Ng Building could not be Boutique, a distinct and unique cloth- incorporated. Not surprisingly, writing in ing and design store with an integrated The Press at that time, journalist Steven gallery space and upstairs, artists’ studios Walton commented that the outcome of and office spaces representing various this sequence of events ‘has had massive creative practices, tenanted by designers, implications for its owners, who are now architects and artists.
    [Show full text]