Religious Architecture As an Instrument for Urban Renewal
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Marrakech Architecture Guide 2020
WHAT Architect WHERE Notes Completed in 2008, the terminal extension of the Marrakech Menara Airport in Morocco—designed by Swiss Architects E2A Architecture— uses a gorgeous facade that has become a hallmark of the airport. Light filters into the space by arabesques made up of 24 rhombuses and three triangles. Clad in white aluminum panels and featuring Marrakesh Menara stylized Islamic ornamental designs, the structure gives the terminal Airport ***** Menara Airport E2A Architecture a brightness that changes according to the time of day. It’s also an ال دول ي ال م نارة excellent example of how a contemporary building can incorporate مراك ش مطار traditional cultural motifs. It features an exterior made of 24 concrete rhombuses with glass printed ancient Islamic ornamental motives. The roof is constructed by a steel structure that continues outward, forming a 24 m canopy providing shade. Inside, the rhombuses are covered in white aluminum. ***** Zone 1: Medina Open both to hotel guests and visitors, the Delano is the perfect place to get away from the hustle and bustle of the Medina, and escape to your very own oasis. With a rooftop restaurant serving ،Av. Echouhada et from lunch into the evening, it is the ideal spot to take in the ** The Pearl Marrakech Rue du Temple magnificent sights over the Red City and the Medina, as well as the شارع دو معبد imperial ramparts and Atlas mountains further afield. By night, the daybeds and circular pool provide the perfect setting to take in the multicolour hues of twilight, as dusk sets in. Facing the Atlas Mountains, this 5 star hotel is probably one of the top spots in the city that you shouldn’t miss. -
Early Islamic Architecture in Iran
EARLY ISLAMIC ARCHITECTURE IN IRAN (637-1059) ALIREZA ANISI Ph.D. THESIS THE UNIVERSITY OF EDINBURGH 2007 To My wife, and in memory of my parents Contents Preface...........................................................................................................iv List of Abbreviations.................................................................................vii List of Plates ................................................................................................ix List of Figures .............................................................................................xix Introduction .................................................................................................1 I Historical and Cultural Overview ..............................................5 II Legacy of Sasanian Architecture ...............................................49 III Major Feature of Architecture and Construction ................72 IV Decoration and Inscriptions .....................................................114 Conclusion .................................................................................................137 Catalogue of Monuments ......................................................................143 Bibliography .............................................................................................353 iii PREFACE It is a pleasure to mention the help that I have received in writing this thesis. Undoubtedly, it was my great fortune that I benefited from the supervision of Robert Hillenbrand, whose comments, -
Review Article
z Available online at http://www.journalcra.com INTERNATIONAL JOURNAL OF CURRENT RESEARCH International Journal of Current Research Vol. 7, Issue, 03, pp.13547-13558, March, 2015 ISSN: 0975-833X REVIEW ARTICLE CONTEMPORARY ARCHITECTURAL TRENDS AND THEIR IMPACT ON THE SYMBOLIC AND SPIRITUAL FUNCTION OF THE MOSQUE *Aida Hoteit Department of Architecture, Institute of Fine Arts Lebanese University – Beirut, Lebanon ARTICLE INFO ABSTRACT Article History: Since the dawn of history, mosque architecture has witnessed changes and developments to meet the Received 13th December, 2014 cultures and civilizations passing through; accordingly, modern contemporary architectural trends Received in revised form have presented bold innovative solutions that affect the stereotypes that have been attributed to 29th January, 2015 mosques over time. At this point, a discussion was initiated on the feasibility of maintaining certain Accepted 28th February, 2015 mosque elements that are considered to be essential for some in the process of going to the mosque, Published online 17th March, 2015 such as the minaret and the dome. However, some trends posed ideas that exceeded the spiritual function of a mosque, as well as the cause and essence of its existence; accordingly, the present Key words: research study was conducted to elucidate those various trends and to discuss and evaluate their conformity with the standards and principles in mosque architecture. The study begins with the Mosque, definition of a mosque and its fundamental elements, determines the most significant mosque styles in Contemporary mosque, the world while highlighting the relationship each has with the culture or civilization it produced, and Islam, subsequently addresses the function of the mosque and the requirements to be considered in Islamic architecture, compliance with the provisions of Sharia. -
Ambiguous Agreement in a Wastewater Reuse Project in Morocco
www.water-alternatives.org Volume 13 | Issue 2 Ennabih, A. and Mayaux, P.-L. 2020. Depoliticising poor water quality: Ambiguous agreement in a wastewater reuse project in Morocco. Water Alternatives 13(2): 266-285 Depoliticising Poor Water Quality: Ambiguous Agreement in a Wastewater Reuse Project in Morocco Amal Ennabih Sciences-po Lyon, UMR Triangle, Lyon, France; [email protected] Pierre-Louis Mayaux CIRAD, UMR G-EAU, Univ Montpellier, Montpellier, France; [email protected] ABSTRACT: How are depoliticising discourses on water issues produced and rendered effective? Research on discursive depoliticisation has focused on the ability of different types of policy networks to generate powerful and reasonably coherent depoliticised narratives. In the paper, by tracing the depoliticisation of poor water quality in a wastewater reuse project in Marrakesh, Morocco, we suggest that depoliticised discourses can also be produced in a much more dispersed, less coordinated way. In the case analysed here, depoliticisation occurred through an 'ambiguous agreement' around a highly polysemic idea, that of innovation. All the key actors understood that the project was innovative but that water quality was not a significant part of the innovation. This encouraged each actor to frame poor water quality as a strictly private matter that the golf courses needed to tackle on their own; however, each actor also had their own, idiosyncratic interpretation of exactly what this innovation was about and why poor water quality was in the end not that important. Showing how depoliticisation can be the product of mechanisms with varying degrees of coordination helps account for the ubiquity of the phenomenon. -
Marrakech – a City of Cultural Tourism Riikka Moreau, Associate Karen Smith, MRICS, Director Bernard Forster, Director
2005 Marrakech – A city of cultural tourism Riikka Moreau, Associate Karen Smith, MRICS, Director Bernard Forster, Director HVS INTERNATIONAL LONDON 14 Hallam Street London, W1W 6JG +44 20 7878-7738 +44 20 7436-3386 (Fax) September 2005 New York San Francisco Boulder Denver Miami Dallas Chicago Washington, D.C. Weston, CT Phoenix Mt. Lakes, NJ Vancouver Toronto London Madrid New Delhi Singapore Hong Kong Sydney São Paulo Buenos Aires Newport, RI HALFWAY THROUGH THE VISION 2010 PLAN TIME-FRAME – WHAT HAS BEEN ACHIEVED SO FAR AND WHAT OF THE FUTURE? Morocco As has been much documented already, Morocco has immense plans and ambitions to become a tourist destination to enable it to compete effectively alongside other Mediterranean countries such as Spain, Italy and Greece. To briefly recap, the king of Morocco announced in January 2001 that tourism had been identified as a national priority; the government’s ‘Vision 2010’ (or ‘Plan Azur’) strategy embodied this strategy. From the outset the key objectives of Vision 2010 were as follows. To increase tourist numbers to 10 million per annum by 2010; The development of six new coastal resorts; The construction of 80,000 new hotel bedrooms, with two-thirds to be in seaside destinations; 600,000 New jobs to be created in the hotel and tourism industry. Alongside these objectives, which were essentially focused on the mass tourism sector, cities such as Marrakech and Casablanca also set out their own strategies to develop their share of the tourism market. These plans were launched at a time when the world economy was continuing to grow; however, this situation very quickly changed in 2001. -
Naser Hassan AI-Rifaei
The Principle of Movement in Moroccan Design; as a source of inspiration for contemporary artistic applications Practice-based research in Art and Design Naser Hassan AI-Rifaei A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy March 2009 University of Brighton Abstract This project focuses on utilizing the principle of movement contained in traditional Moroccan design (PMMD) for the production of new and inventive artworks. The PMMD is one of the main concepts that rules the creation and construction of design elements; it consists of a group of advanced technical procedures applied to achieve the highest levels of unity, harmony, variation and rhythm between lines and shapes. Great consideration in the PMMD is given to the viewer's perception, as all parts are formed to be equally interesting and to work harmoniously together suggesting ways for the viewer's eye to interact with and move in and throughout the composition. The purpose of this research is to examine viable methods for stimulating new ideas by taking the aesthetic and technical significances of the PMMD as a source of creative inspiration. The work involved analyzing the relationship between form, method and perception in traditional compositions by exploring the role of PMMD in 1) the process of creating and shaping design elements separately, 2) methods of relating the lines and shapes of different design components. Data on PMMD was collected from recent literature on Islamic art and Moroccan design, from interviews with master-craftsmen, and from my personal analyses and observations. -
RABBIS of MOROCCO ~15Th Century to 20Th Century Source: Ben Naim, Yosef
RABBIS OF MOROCCO ~15th Century to 20th Century Source: Ben Naim, Yosef. Malkhei Rabanan. Jerusalem, 5691 (1931) Sh.-Col. Surname Given Name Notes ~ Abbu see also: Ben Abbu ~ ~ .17 - 2 Abecassis Abraham b. Messod Marrakech, Lived in the 6th. 81 - 2 Abecassis Maimon Rabat, 5490: sign. 82 - 3 Abecassis Makhluf Lived in the 5th cent. 85 - 3 Abecassis Messod Lived in the 5th cent., Malkhluf's father. 85 - 2 Abecassis Messod b. Makhluf Azaouia, 5527: sign. , Lived in the 5-6th cent., Abraham's father. 126 - 3 Abecassis Shimon Mogador, Lived in the 7th cent. 53 - 2 Abecassis Yehuda Mogador, 5609: sign. 63 - 1 Abecassis Yihye 5471: sign. 61 - 4 Abecassis Yosef Rabat, 5490: sign. 54 - 1 Aben Abbas Yehuda b. Shmuel Fes, born 4840, had a son Shmuel, moved to Aleppo,Syria.D1678 .16 - 4 Aben Danan Abraham Fes, 5508: sign. .17 - 1 Aben Danan Abraham b. Menashe Fes, born :13 Kislev 5556, d. 12 Adar 5593 .16 - 4 Aben Danan Abraham b. Shaul Fes, d.: 5317 39 - 3 Aben Danan Haim (the old) Fes, lived in the end of the 6th cent. & beg. 7th. 3 sons: Moshe. Eliahu, Shmuel. 82 - 1 Aben Danan Maimon b. Saadia Fes, Brother of the Shmuel the old, 5384: sign. 82 - 1 Aben Danan Maimon b. Shmuel Castilla, expulsed, moved to Fes, 5286: killed. 84 - 2 Aben Danan Menashe I b. Abraham Fes, d.: 5527 (very old) 84 - 3 Aben Danan Menashe II b. Shmuel Fes, lived in the 6th cent. 85 - 4 Aben Danan Messod b. Yaakov Fes, lived in the end of 5th cent. -
Andalusian Roots and Abbasid Homage in the Qubbat Al-Barudiyyin 133
andalusian roots and abbasid homage in the qubbat al-barudiyyin 133 YASSER TABBAA ANDALUSIAN ROOTS AND ABBASID HOMAGE IN THE QUBBAT AL-BARUDIYYIN IN MARRAKECH Without any question, I was attracted to the fi eld of Andalusian artisans are known to have resettled in Islamic architecture and archaeology through Oleg Morocco—it seems anachronistic in dealing with peri- Grabar’s famous article on the Dome of the Rock, ods when Andalusia itself was ruled by dynasties from which I fi rst read in 1972 in Riyadh, while contemplat- Morocco, in particular the Almoravids (1061–1147) ing what to do with the rest of my life.1 More specifi cally and the Almohads (1130–1260). More specifi cally, to the article made me think about domes as the ultimate view Almoravid architecture from an exclusively Cor- aesthetic statements of many architectural traditions doban perspective goes counter to the political and and as repositories of iconography and cosmology, cultural associations of the Almoravids, who, in addi- concepts that both Grabar and I have explored in different ways in the past few decades. This article, on a small and fragile dome in Marrakech, continues the conversation I began with Oleg long before he knew who I was. The Qubbat al-Barudiyyin in Marrakech is an enig- matic and little-studied monument that stands at the juncture of historical, cultural, and architectural trans- formations (fi g. 1). Although often illustrated, and even featured on the dust jacket of an important sur- vey of Islamic architecture,2 this monument is in fact very little known to the English-speaking scholarly world, a situation that refl ects its relatively recent dis- covery and its location in a country long infl uenced by French culture. -
JGI V. 14, N. 2
Journal of Global Initiatives: Policy, Pedagogy, Perspective Volume 14 Number 2 Multicultural Morocco Article 1 11-15-2019 Full Issue - JGI v. 14, n. 2 Follow this and additional works at: https://digitalcommons.kennesaw.edu/jgi Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation (2019) "Full Issue - JGI v. 14, n. 2," Journal of Global Initiatives: Policy, Pedagogy, Perspective: Vol. 14 : No. 2 , Article 1. Available at: https://digitalcommons.kennesaw.edu/jgi/vol14/iss2/1 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Journal of Global Initiatives: Policy, Pedagogy, Perspective by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Multicultural Morocco JOURNAL of GLOBAL INITIATIVES POLICY, PEDAGOGY, PERSPECTIVE 2019 VOLUME 14 NUMBER 2 Journal of global Initiatives Vol. 14, No. 2, 2019, pp.1-28. The Year of Morocco: An Introduction Dan Paracka Marking the 35th anniversary of Kennesaw State University’s award-winning Annual Country Study Program, the 2018-19 academic year focused on Morocco and consisted of 22 distinct educational events, with over 1,700 people in attendance. It also featured an interdisciplinary team-taught Year of Morocco (YoM) course that included a study abroad experience to Morocco (March 28-April 7, 2019), an academic conference on “Gender, Identity, and Youth Empowerment in Morocco” (March 15-16, 2019), and this dedicated special issue of the Journal of Global Initiatives. Most events were organized through six different College Spotlights titled: The Taste of Morocco; Experiencing Moroccan Visual Arts; Multiple Literacies in Morocco; Conflict Management, Peacebuilding, and Development Challenges in Morocco, Moroccan Cultural Festival; and Moroccan Solar Tree. -
Important Coins of the Islamic World
Important Coins of the Islamic World To be sold by auction at: Sotheby’s, in the Lower Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1A 2AA Day of Sale: Thursday 2 April 2020 at 12.00 noon Public viewing: Nash House, St George Street, London W1S 2FQ Monday 30 March 10.00 am to 4.30 pm Tuesday 31 March 10.00 am to 4.30 pm Wednesday 1 April 10.00 am to 4.30 pm Or by previous appointment. Catalogue no. 107 Price £15 Enquiries: Stephen Lloyd or Tom Eden Cover illustrations: Lots 1, 2, 3, 4, 5 (front); lots 43, 63 (back); A selection of coins struck in Makka (inside front); lots 26, 27 (inside back) Nash House, St George Street, London W1S 2FQ Tel.: +44 (0)20 7493 5344 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Online Bidding This auction can be viewed online at www.invaluable.com, www.numisbids.com, www.emax.bid and www. biddr.ch. Morton & Eden Ltd offers live online bidding via www.invaluable.com. Successful bidders using this platform will be charged a fee of 3.6% of the hammer price for this service, in addition to the Buyer’s Premium fee of 20%. This facility is provided on the understanding that Morton & Eden Ltd shall not be responsible for errors or failures to execute internet bids for reasons including but not limited to: i) a loss of internet connection by either party ii) a breakdown or other problems with the online bidding software iii) a breakdown or other problems with your computer, system or internet connection. -
The Historic City of Meknes
WORLD HERITACE LIST Meknes No 793 Identification Nomination The Historie City of Meknes Location Wilaya of Meknes State Party Kingdom of Morocco Date 26 October 1995 Justification by State Party The historie city of Meknes has exerted a considerable influence on the development of civil and militarv architecture <the kas/Jan> and works of art. lt also contains the remains of the royal city founded by Sultan Moulay 1smaïl <1672-1727>. The presence of these rare remains within an historie town that is in turn located within a rapidly changing urban environ ment gives Meknes its universal value. Note The State Party does not make any proposais concerning the criteria under which the property sMuid be inscribed on the world Heritage List in the nomination dossier. category of propertv ln terms of the categories of propertv set out ln Article 1 of the 1972 world Heritage convention, the historie city of Meknes is a group of buildings. Historv and Description History The na me of Meknes goes back to the Meknassa, the great Berber tribe that dominated eastern Mo rocco to as far as the Tafililet and which produced Moulay ldriss 1, founder of the Moroccan state and the ldrissid dynasty in the 8th centurv AD. The Almoravid rulers <1053-1147> made a practice of building strongholds for storing food and arms for their troops; this was introduced by Youssef Ben Tachafine, the founder of Marrakech. Meknes was established in this period, at first bearing the name Tagrart <= garrison>. The earliest part to be settled was around the Nejjarine mosque, an Almoravid foundation. -
Moroccan Architecture, Traditional and Modern
Moroccan Architecture, traditional and modern - A field study in Casablanca, Morocco LTH School of Engineering at Campus Helsingborg Housing Development & Management Bachelor thesis: Tove Brunzell Sanaa Duric Copyright Tove Brunzell, Sanaa Duric LTH School of Engineering Lund University Box 882 SE-251 08 Helsingborg Sweden LTH Ingenjörshögskolan vid Campus Helsingborg Lunds universitet Box 882 251 08 Helsingborg Printed in Sweden Media-Tryck Biblioteksdirektionen Lunds universitet Lund 2012 Abstract This thesis is about traditional and modern architecture in Casablanca, Morocco. Morocco is located in north-western Africa and Casablanca is the country's largest city with a population of 3.3 million (2011). Morocco has a long history with many different rulers which have left its mark on the country's architecture. The old, traditional architecture of Casablanca is in the old medina, Medina Qdima, which was built in the late 18th and early 19th century. The medina and the traditional Arabic houses that it is composed of are very similar to those in other Arab countries, and the structure of the medina and the houses follow the Islamic laws on private and public areas. The public areas are commercial streets and squares and the private are residential blocks, all the streets in the medina are narrow and winding and the size of the streets varies with how private or public they are. The buildings in the Medina stand very dense and the residential areas are built around a street from where dead-end alleyways go out, along these alleyways are clusters of dwellings. The traditional Arabic houses are perhaps better known as houses with courtyards, but they are also called dar.