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Investigating the Patterns of Islamic Architecture in Architecture Design of Third Millennium Mosques
European Online Journal of Natural and Social Sciences 2014; www.european-science.com Vol.3, No.4 Special Issue on Architecture, Urbanism, and Civil Engineering ISSN 1805-3602 Investigating the Patterns of Islamic Architecture in Architecture Design of Third Millennium Mosques Parvin Farazmand1*, Hassan Satari Sarbangholi2 1Young Researchers and Elite Club, Tabriz Branch, Islamic Azad University, Tabriz, Iran; 2Architecture Group of Azad-e-Eslami University, Tabriz Branch *Email: [email protected] Abstract Islamic architecture, which is based on the Islamic school, has been shaped by the total awareness of architects’ of techniques of architecture and adherence to the principles of geometry and inspired by religious beliefs. Principles of geometry and religious beliefs caused certain patterns to take shape in Islamic architecture that were used in designing buildings including mosques. With the advancements in technology, architecture entered a new stage considering the form of construction and the buildings. Islamic architecture and mosque, which is the primary symbol of Islamic architecture, are not different and consequently went through changes in forms and patterns. In this paper, the purpose is to express the place of patterns of Islamic Architecture in the mosques of the third millennium. The method used is descriptive-analytic and the mosques of the third millennium are the statistical population and ten of them are the statistical sample. The tools used are the library studies and the data has been analyzed using chars obtained from Excel. The result indicated that in the architecture of the mosques of the third millennium, the patterns of Islamic architecture have been fixed and proposed, and yet do create different designs that would be novel. -
Marrakech Architecture Guide 2020
WHAT Architect WHERE Notes Completed in 2008, the terminal extension of the Marrakech Menara Airport in Morocco—designed by Swiss Architects E2A Architecture— uses a gorgeous facade that has become a hallmark of the airport. Light filters into the space by arabesques made up of 24 rhombuses and three triangles. Clad in white aluminum panels and featuring Marrakesh Menara stylized Islamic ornamental designs, the structure gives the terminal Airport ***** Menara Airport E2A Architecture a brightness that changes according to the time of day. It’s also an ال دول ي ال م نارة excellent example of how a contemporary building can incorporate مراك ش مطار traditional cultural motifs. It features an exterior made of 24 concrete rhombuses with glass printed ancient Islamic ornamental motives. The roof is constructed by a steel structure that continues outward, forming a 24 m canopy providing shade. Inside, the rhombuses are covered in white aluminum. ***** Zone 1: Medina Open both to hotel guests and visitors, the Delano is the perfect place to get away from the hustle and bustle of the Medina, and escape to your very own oasis. With a rooftop restaurant serving ،Av. Echouhada et from lunch into the evening, it is the ideal spot to take in the ** The Pearl Marrakech Rue du Temple magnificent sights over the Red City and the Medina, as well as the شارع دو معبد imperial ramparts and Atlas mountains further afield. By night, the daybeds and circular pool provide the perfect setting to take in the multicolour hues of twilight, as dusk sets in. Facing the Atlas Mountains, this 5 star hotel is probably one of the top spots in the city that you shouldn’t miss. -
CV > Rapport D'activité Sur Les Recherches Effectuées
Rapport final d’activité et de recherche Décembre 2016 Contrat de recherche post-doctorale Laboratoire européen d’histoire et anthropologie des savoirs, des techniques et des croyances (HASTEC) 31 octobre 2015 – 1er novembre 2016 Savoir et croire au sein d’une communauté musulmane de langue chinoise (fin du XIXe siècle à nos jours) Marie-Paule HILLE Correspondant scientifique : Vincent Goossaert * Unité de recherche de rattachement : Groupe Société, Religion, Laïcité (EPHE-CNRS) Axes de recherche : « Religions et sociétés en Asie », « Islam, Politiques et sociétés » * Programme collaboratif n°2 : Savoirs scientifiques, savoirs religieux, savoirs sociaux Programme collaboratif n°3 : Techniques du (faire) croire Axe 1. Savoirs religieux, savoirs sociaux : une érudition religieuse pragmatique Cet axe a fait l’objet d’une présentation orale intitulée « La vie, l’œuvre et l’influence de la pensée de Ma Qixi (1857-1914), lettré musulman chinois du Gansu » en collaboration avec Wang Huayan (postdoctorante au GSRL) dans le cadre d’un séminaire commun des programmes « Religions et sociétés en Asie » et « Islam, politiques, sociétés » du GSRL le 28 juin 2016. Les résultats de ce premier axe de recherche vont être publiés sous la forme de deux articles (chapitre 12 et 13) dans le prochain numéro d’Etudes orientales (nos 27/28) à paraître en décembre 2016, que je coordonne avec Françoise Aubin. Le premier article (Annexe 1), intitulé « Les Han kitab et le Xidaotang. Réception et usage d’une littérature musulmane en chinois à la fin du XIXe siècle à Taozhou (Gansu) » (pp. 335- 382), retrace la trajectoire intellectuelle du lettré musulman néo-confucéen, Ma Qixi 马启西 (1857-1914) – fondateur du Xidaotang 西道堂 (« Hall de la Voie de l’Ouest » ou « Salle/Hall de l’Ouest »). -
The Correct Qibla
The Correct Qibla S. Kamal Abdali P.O. Box 65207 Washington, D.C. 20035 [email protected] (Last Revised 1997/9/17)y 1 Introduction A book[21] published recently by Nachef and Kadi argues that for North America the qibla (i.e., the direction of Mecca) is to the southeast. As proof of this claim, they quote from a number of classical Islamic jurispru- dents. In further support of their view, they append testimonials from several living Muslim religious scholars as well as from several Canadian and US scientists. The consulted scientists—mainly geographers—suggest that the qibla should be identified with the rhumb line to Mecca, which is in the southeastern quadrant for most of North America. The qibla adopted by Nachef and Kadi (referred to as N&K in the sequel) is one of the eight directions N, NE, E, SE, S, SW, W, and NW, depending on whether the place whose qibla is desired is situated relatively east or west and north or south of Mecca; this direction is not the same as the rhumb line from the place to Mecca, but the two directions lie in the same quadrant. In their preliminary remarks, N&K state that North American Muslim communities used the southeast direction for the qibla without exception until the publication of a book[1] about 20 years ago. N&K imply that the use of the great circle for computing the qibla, which generally results in a direction in the north- eastern quadrant for North America, is a new idea, somehow original with that book. -
Naser Hassan AI-Rifaei
The Principle of Movement in Moroccan Design; as a source of inspiration for contemporary artistic applications Practice-based research in Art and Design Naser Hassan AI-Rifaei A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy March 2009 University of Brighton Abstract This project focuses on utilizing the principle of movement contained in traditional Moroccan design (PMMD) for the production of new and inventive artworks. The PMMD is one of the main concepts that rules the creation and construction of design elements; it consists of a group of advanced technical procedures applied to achieve the highest levels of unity, harmony, variation and rhythm between lines and shapes. Great consideration in the PMMD is given to the viewer's perception, as all parts are formed to be equally interesting and to work harmoniously together suggesting ways for the viewer's eye to interact with and move in and throughout the composition. The purpose of this research is to examine viable methods for stimulating new ideas by taking the aesthetic and technical significances of the PMMD as a source of creative inspiration. The work involved analyzing the relationship between form, method and perception in traditional compositions by exploring the role of PMMD in 1) the process of creating and shaping design elements separately, 2) methods of relating the lines and shapes of different design components. Data on PMMD was collected from recent literature on Islamic art and Moroccan design, from interviews with master-craftsmen, and from my personal analyses and observations. -
Andalusian Roots and Abbasid Homage in the Qubbat Al-Barudiyyin 133
andalusian roots and abbasid homage in the qubbat al-barudiyyin 133 YASSER TABBAA ANDALUSIAN ROOTS AND ABBASID HOMAGE IN THE QUBBAT AL-BARUDIYYIN IN MARRAKECH Without any question, I was attracted to the fi eld of Andalusian artisans are known to have resettled in Islamic architecture and archaeology through Oleg Morocco—it seems anachronistic in dealing with peri- Grabar’s famous article on the Dome of the Rock, ods when Andalusia itself was ruled by dynasties from which I fi rst read in 1972 in Riyadh, while contemplat- Morocco, in particular the Almoravids (1061–1147) ing what to do with the rest of my life.1 More specifi cally and the Almohads (1130–1260). More specifi cally, to the article made me think about domes as the ultimate view Almoravid architecture from an exclusively Cor- aesthetic statements of many architectural traditions doban perspective goes counter to the political and and as repositories of iconography and cosmology, cultural associations of the Almoravids, who, in addi- concepts that both Grabar and I have explored in different ways in the past few decades. This article, on a small and fragile dome in Marrakech, continues the conversation I began with Oleg long before he knew who I was. The Qubbat al-Barudiyyin in Marrakech is an enig- matic and little-studied monument that stands at the juncture of historical, cultural, and architectural trans- formations (fi g. 1). Although often illustrated, and even featured on the dust jacket of an important sur- vey of Islamic architecture,2 this monument is in fact very little known to the English-speaking scholarly world, a situation that refl ects its relatively recent dis- covery and its location in a country long infl uenced by French culture. -
The Marwani Musalla in Jerusalem
Bridgewater State University Virtual Commons - Bridgewater State University Art Faculty Publications Art Department 2013 The aM rwani Musalla in Jerusalem: New Findings Beatrice St. Laurent Bridgewater State University, [email protected] Isam Awwad Virtual Commons Citation St. Laurent, Beatrice and Awwad, Isam (2013). The aM rwani Musalla in Jerusalem: New Findings. In Art Faculty Publications. Paper 8. Available at: http://vc.bridgew.edu/art_fac/8 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Marwani Shortly after Caliph ‘Umar ibn al- Khattab’s (579-644, caliph 634-644) Musalla in arrival in Jerusalem in 638, he is said to Jerusalem: have constructed a rudimentary mosque 1 or prayer space south of the historical New Findings Rock now contained within the Dome of Beatrice St. Laurent the Rock (completed 691) on the former and Isam Awwad Temple Mount or Bayt al-Maqdis known popularly since Mamluk and Ottoman times as the Haram al-Sharif.2 (Fig.1) Though later textual evidence indicates that ‘Umar prayed somewhere south of the “rock” and later scholars suggest that he constructed a rudimentary prayer space on the site, there is no surviving physical evidence of that initial structure. After his appointment as Governor of Syria (bilad al-sham) by ‘Umar in 639/40, Mu‘awiya ibn Abi Sufyan (602-680, caliph Figure 1: Air view of the Haram al-Sharif from 660-680)3 either expanded upon the Mosque the north showing the eastern area of the Haram al-Sharif. Source: Matson Collection, Library of of ‘Umar or constructed an entirely new Congress. -
The Central Islamic Lands
77 THEME The Central Islamic 4 Lands AS we enter the twenty-first century, there are over 1 billion Muslims living in all parts of the world. They are citizens of different nations, speak different languages, and dress differently. The processes by which they became Muslims were varied, and so were the circumstances in which they went their separate ways. Yet, the Islamic community has its roots in a more unified past which unfolded roughly 1,400 years ago in the Arabian peninsula. In this chapter we are going to read about the rise of Islam and its expansion over a vast territory extending from Egypt to Afghanistan, the core area of Islamic civilisation from 600 to 1200. In these centuries, Islamic society exhibited multiple political and cultural patterns. The term Islamic is used here not only in its purely religious sense but also for the overall society and culture historically associated with Islam. In this society not everything that was happening originated directly from religion, but it took place in a society where Muslims and their faith were recognised as socially dominant. Non-Muslims always formed an integral, if subordinate, part of this society as did Jews in Christendom. Our understanding of the history of the central Islamic lands between 600 and 1200 is based on chronicles or tawarikh (which narrate events in order of time) and semi-historical works, such as biographies (sira), records of the sayings and doings of the Prophet (hadith) and commentaries on the Quran (tafsir). The material from which these works were produced was a large collection of eyewitness reports (akhbar) transmitted over a period of time either orally or on paper. -
Andalusian Roots and Abbasid Homage in the Qubbat Al-Barudiyyin 133
andalusian roots and abbasid homage in the qubbat al-barudiyyin 133 YASSER TABBAA ANDALUSIAN ROOTS AND ABBASID HOMAGE IN THE QUBBAT AL-BARUDIYYIN IN MARRAKECH Without any question, I was attracted to the fi eld of Andalusian artisans are known to have resettled in Islamic architecture and archaeology through Oleg Morocco—it seems anachronistic in dealing with peri- Grabar’s famous article on the Dome of the Rock, ods when Andalusia itself was ruled by dynasties from which I fi rst read in 1972 in Riyadh, while contemplat- Morocco, in particular the Almoravids (1061–1147) ing what to do with the rest of my life.1 More specifi cally and the Almohads (1130–1260). More specifi cally, to the article made me think about domes as the ultimate view Almoravid architecture from an exclusively Cor- aesthetic statements of many architectural traditions doban perspective goes counter to the political and and as repositories of iconography and cosmology, cultural associations of the Almoravids, who, in addi- concepts that both Grabar and I have explored in different ways in the past few decades. This article, on a small and fragile dome in Marrakech, continues the conversation I began with Oleg long before he knew who I was. The Qubbat al-Barudiyyin in Marrakech is an enig- matic and little-studied monument that stands at the juncture of historical, cultural, and architectural trans- formations (fi g. 1). Although often illustrated, and even featured on the dust jacket of an important sur- vey of Islamic architecture,2 this monument is in fact very little known to the English-speaking scholarly world, a situation that refl ects its relatively recent dis- covery and its location in a country long infl uenced by French culture. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
Dan Gibson, Early Islamic Qiblas: a Survey of Mosques Built Between 1AH/622 C.E
Dan Gibson, Early Islamic Qiblas: A Survey of mosques built between 1AH/622 C.E. and 263 AH/876 C.E. (with maps, charts and photographs), 296 pp., Vancouver BC: Independent Scholars Press, 20171 The Qurʾān enjoins Muslims to pray toward the ‘sacred precincts’, which they have considered to mean the Kaʿba in Mecca. This sacred direction is called qibla in all the languages of the Muslim commonwealth. Thus mosques should face the Kaʿba, the miḥrāb or prayer-niche indicating the qibla. In fact, Muslims all over the world have been praying toward the Kaʿba in Mecca for over 1,400 years. The Canadian amateur archaeologist Dan Gibson’s new book claims to turn upside down all of what we know about one aspect of early Islamic practice, namely, the observance of a sacred direction (qibla) toward the Kaʿba in Mecca. He believes that Islam began in Petra, not Mecca, and that the focus of Muslim prayer for the first two centuries was toward Petra, not Mecca. As evidence for this he attempts to show that dozens of early mosques face Petra with remarkable accuracy. His revolutionary ideas ignore what modern scholarship has established about the early qibla. He has misunderstood most of the data at his disposal, com- paring medieval mosque orientations with modern directions of Petra and Mecca. In brief, he has wrought havoc with information that he cannot master, and has —wittingly or unwittingly— produced an amateurish, non-scholarly document that is both offensive to Muslims and also an insult to Muslim and Western schol- arship. None of the mosques investigated by Gibson has anything to do with Pe- tra. -
Triumphant Towers and Sites of Spolia in Almohad Spain And
TRIUMHANT TOWERS AND SITES OF SPOLIA IN ALMOHAD SPAIN AND MOROCCO: THE CASE OF THE SEVILLIAN MINARET by Nausheen Hoosein APPROVED BY SUPERVISORY COMMITTEE: ___________________________________________ Sarah Kozlowski, Chair ___________________________________________ Ali Asgar Alibhai ___________________________________________ Maximilian Schich ___________________________________________ Rebecca Quinn Teresi Copyright 2019 Nausheen Hoosein All Rights Reserved To Kabeer & Albus. TRIUMHANT TOWERS AND SITES OF SPOLIA IN ALMOHAD SPAIN AND MOROCCO: THE CASE OF THE SEVILLIAN MINARET by NAUSHEEN HOOSEIN, BA, MA, MTEACH THESIS Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ART HISTORY THE UNIVERSITY OF TEXAS AT DALLAS December 2019 ACKNOWLEDGMENTS I take this opportunity to express my gratitude to the people who have been instrumental in the successful completion of this project. This research endeavor would not have been possible without the Teaching Assistantship from the School of Arts and Humanities. I would like to also extend my special gratitude to the Edith O’Donnell Institute of Art History for their generous support in funding my research travel. I am most grateful to my academic committee. Dr. Sarah Kozlowski, for your constructive advice and your profound belief in my work. Dr. Ali Alibhai, for your expertise in the field and in the Arabic language. Dr. Maximilian Schich, for allowing me to begin my work on minarets in your spring seminar. Rebecca Quinn Teresi, for your insightful feedback and recommendations for travel in Spain. Lastly, my acknowledgments would be incomplete if not for the mention of my loving family. Mom and Dad, for believing in me.