35-36 Prof. Adam Makkai SOME of the BETTER KNOWN
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![HUNGARIAN STUDIES 11. No. 2. Nemzetközi Magyar Filológiai Társaság. Akadémiai Kiadó Budapest [1996]](https://docslib.b-cdn.net/cover/7251/hungarian-studies-11-no-2-nemzetk%C3%B6zi-magyar-filol%C3%B3giai-t%C3%A1rsas%C3%A1g-akad%C3%A9miai-kiad%C3%B3-budapest-1996-607251.webp)
HUNGARIAN STUDIES 11. No. 2. Nemzetközi Magyar Filológiai Társaság. Akadémiai Kiadó Budapest [1996]
PETÖFPS POETRY IN SLOVAK TRANSLATIONS (186W918) KAROL TOMlS Institute of World Literature of the Slovak Academy of Sciences, Bratislava, Slovakia Requiring practically one hundred and fifty years in the Slovak cultural environment, the reception of Alexander Petőfi's poetry (1823-1849) has passed through various peripeteia. Periods of unconcern, reserve and even inimical refusal alternated with stages of a positive attitude towards his work. This was apparent both in the impulses which it gave to some Slovak poets, particularly at the start of their literary career, and in the number of translations of his poems that appeared in journals or books. This ebb and flow of interest cannot be explained through literature alone. The relationship of the Slovaks to Alexander Petőfi's personality and work was determined right from the beginning by extraliterary factors which had their roots in the Slovak-Hungarian political, national and cultural contradic tions and conflicts of the time. The relationship of the Slovaks to Petőfi was partly conditioned by this Hungarian poet's Slovak origin, partly by the strong Magyar nationalistic charge of his poetry and partly by his key position in the development of Hungarian romantic poetry. Slovak intellectuals with a deep sense of national consciousness could never forgive him his "treachery" - his becoming a "renegade" - the fact that he, the son of Slovak parents, Stefan Petrovic and Mária Hrúzová, had changed his name to Sándor Petőfi and became one of the foremost representatives of Hungarian national, political and cultural efforts directed against the existential interests of the Slovak nation. These facts affected Petőfi's reception in Slovakia from the forties of the last century until 1948. -
Budapest, 1900-1918
The First Nyugat Generation and the Politics of Modern Literature: Budapest, 1900-1918 Maxwell Staley 2009 Central European University, History Department Budapest, Hungary Supervisor: Gábor Gyáni Second Reader: Matthias Riedl In partial fulfillment of the requirements for the degree of Masters of Arts CEU eTD Collection 2 Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection 3 Abstract This thesis investigates the connections between arts and politics in fin-de-siècle Hungary, as expressed in the writings of the First Nyugat Generation. Various elements of the cultural debate in which the Nyugat writers participated can illustrate the complexities of this relationship. These are the debate over the aesthetics of national literature, the urban-versus-rural discourse, and the definition of the national community. Through close reading of the Nyugat group’s writings on these topics, two themes are explored, relating to the ambivalence with which the Nyugat writers implemented their project of westernizing Hungarian culture. The first is the dominant presence of the nationalist discourse within an ostensibly cosmopolitan endeavor. This fits in with a general artistic trend of Hungarian modernism, and can be explained with reference to the ambiguous position of Hungary within Europe and the subsequent complexities present in the national discourse. -
The Ends of an Empire: Pier Antonio Quarantotti Gambiniʼs Il Cavallo Tripoli and Joseph Rothʼs Radetzkymarsch
7KH(QGVRIDQ(PSLUH3LHU$QWRQLR4XDUDQWRWWL*DPELQLV ,OFDYDOOR7ULSROLDQG-RVHSK5RWKV5DGHW]N\PDUVFK 6DVNLD(OL]DEHWK=LRONRZVNL Comparative Literature Studies, Volume 52, Number 2, 2015, pp. 349-378 (Article) 3XEOLVKHGE\3HQQ6WDWH8QLYHUVLW\3UHVV For additional information about this article http://muse.jhu.edu/journals/cls/summary/v052/52.2.ziolkowski.html Access provided by Duke University Libraries (3 Aug 2015 12:23 GMT) the ends of an empire: pier antonio quarantotti gambini’s IL CAVALLO TRIPOLI and joseph roth’s RADETZKYMARSCH Saskia Elizabeth Ziolkowski abstract Italian Triestine literature tends to be seen as somewhat foreign to the Italian literary tradition and linguistically outside of Austrian (or Austro-Hungarian) literature. Instead of leaving it as “neither nor,” viewing it as “both and” can help shape the critical view of the Italian literary landscape, as well as add to the picture of Austro-Hungarian literature. Joseph Roth’s Radetzkymarsch (Radetzky March) and Pier Antonio Quarantotti Gambini’s novel Il cavallo Tripoli (The Horse Tripoli) depict the experience of loss brought on by the fall of the Austro-Hungarian Empire in similar ways, although they do so from different linguistic and national sides. However, the writings of the Italian author are generally categorized as representing a pro-Italian perspective and those of the Austrian as pro-Austro-Hungarian. This article argues that their novels provide a more nuanced portrayal of the world and identities than just their nationalities or political views do. Because of assumptions about the authors, the complexity of the novels’ representations of layered linguistic and cultural interactions have often been missed, especially those of Il cavallo Tripoli. -
Hungary and the Holocaust Confrontation with the Past
UNITED STATES HOLOCAUST MEMORIAL MUSEUM CENTER FOR ADVANCED HOLOCAUST STUDIES Hungary and the Holocaust Confrontation with the Past Symposium Proceedings W A S H I N G T O N , D. C. Hungary and the Holocaust Confrontation with the Past Symposium Proceedings CENTER FOR ADVANCED HOLOCAUST STUDIES UNITED STATES HOLOCAUST MEMORIAL MUSEUM 2001 The assertions, opinions, and conclusions in this occasional paper are those of the authors. They do not necessarily reflect those of the United States Holocaust Memorial Council or of the United States Holocaust Memorial Museum. Third printing, March 2004 Copyright © 2001 by Rabbi Laszlo Berkowits, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Randolph L. Braham, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Tim Cole, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by István Deák, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Eva Hevesi Ehrlich, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Charles Fenyvesi; Copyright © 2001 by Paul Hanebrink, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Albert Lichtmann, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by George S. Pick, assigned to the United States Holocaust Memorial Museum In Charles Fenyvesi's contribution “The World that Was Lost,” four stanzas from Czeslaw Milosz's poem “Dedication” are reprinted with the permission of the author. Contents -
Szerb, Antal. 2017. Reflections in the Library: Selected Literary Essays 1926–1944 (Ed
Farkas, Ákos. “Szerb, Antal. 2017. Reflections in the Library: Selected Literary Essays 1926–1944 (ed. Zsuzsanna Varga, trans. Peter Sherwood). Cambridge, UK: Legenda. Studies in Comparative Literature 46. 132 pp.” Hungarian Cultural Studies. e-Journal of the American Hungarian Educators Association, Volume 10 (2017) DOI: 10.5195/ahea.2017.311 Szerb, Antal. 2017. Reflections in the Library: Selected Literary Essays 1926–1944 (ed. Zsuzsanna Varga, trans. Peter Sherwood). Cambridge, UK: Legenda. Studies in Comparative Literature 46. 132 pp. * Reviewed by Ákos Farkas , Eötvös Loránd University, Budapest Bearing the title “Gondolatok a könyvtárban,” (translated into English as “Reflections in the Library”) of a major philosophical poem by Mihály Vörösmarty, the collection subtitled Selected Literary Essays 1926–1944, skillfully translated from Hungarian by Peter Sherwood, edited with utmost circumspection by Zsuzsanna Varga, provided with a magisterial Introduction by Ágnes Péter and a foreword by Galin Tihanov, reveals much about its author, the novelist, scholar, and man of letters Antal Szerb and his mindset. Vörösmarty’s national background, his concerns as a poet-thinker, and the period he represents were either shared or consistently revisited by Szerb, who in 1930 devoted a substantial study to Hungary’s foremost Romantic poet. The international array of Szerb’s scholarship and views is well documented by the range of his writings included in the collection under review, with essays drawing the portraits of French, Spanish, German, Russian and – predominantly – English writers and poets. However, Szerb’s abiding interest in world literature was coupled with an equally enduring commitment to his own country’s literature and culture. -
The Hungarian Holocaust Memorial Year 2014 and the Ongoing Debate About How to Assess Hungary’S Involvement in the Holocaust
Hungary and the Distortion of Holocaust History: The Hungarian Politics in Central Europe (ISSN: 1801-3422) Holocaust Memorial Year 2014 Vol. 11, No. 2 DOI: 10.1515/pce-2015-0010 HENRIETT Kovács AND URSULA K. MINDLER ‑STEINER Abstract: This paper deals with the Hungarian Holocaust Memorial Year 2014 and the ongoing debate about how to assess Hungary’s involvement in the Holocaust. By introducing the Holocaust Memorial Year 2014, erecting the Monument on the German Occupation and initiating a Memorial to Child Victims of the Holocaust (the House of Fates), the Hungarian government tried to establish a common narrative about the Holocaust in Hungary. For various reasons, however, this attempt failed. Instead, it turned out that the anniversary year 2014 fostered the emergence of diverse new cul‑ tures of commemoration at different levels of society. This study discusses the reasons for these developments and provides an overview of the (public) events surrounding commemorations in the Holocaust Memorial Year, thus exploring Hungary’s process of coming to terms with its past. The events in 2014 were accompanied by disputes at mul‑ tiple levels that were held in the public domain and involved all types of traditional and modern media. This study highlights the reactions to several statements and explains how they came about. Our aim is to engender interest in further scholarly examination. Keywords: Hungary, Budapest, Holocaust, memory, memorial, museum Research Context The subject of this paper is the Hungarian Holocaust Memorial Year 2014 and the debate about how to assess Hungary’s involvement in the Holocaust, a politically charged topic that is the focus of current discussions about Hun‑ gary’s history. -
The Role of Art and Poetry in Religion Dr
1 The Role of Art and Poetry in Religion Dr. Margit Köves Dept. of Slavonic and Finno-Ugrian Studies University of Delhi The impact of media on religion and culture is an important theme because media with its technological conditions constantly expands as industry and technology. The new forms of media compared to art and poetry look to be in a win-win position, deterministic for the viewers. This is also the reason why the subject of my paper is connected to relating to religion through art and poetry. An additional reason is that I grew up in socialist Hungary in the nineteen sixtees where our connection to religion was mainly through art and poetry. In Hungary there is a rich tradition of poets searching for God independently from their Catholic, Calvinist or Lutheran background. However there is a particular group of poets and writers I would like to mention today. A number of Hungarian poets and writers of Jewish origin converted to the Catholic Church in the early twentieth century because of the attraction of the spiritual and cultural assets of the Catholic Church and wishing to assimilate with majority Hungarians. At the time of the Anti-Jew Laws in 1938, 1939 and 1941 before and during World War II some of the best Hungarian poets, artists and musicians Miklós Radnóti, György Sárközi, Gábor Hajnal1, the musicians Sándor Vándor, György Justus, László Weiner2 and others were singled out, sacked from their jobs and called up to forced labour camps. One of them, Antal Szerb, the author of a history of Hungarian literature, the author of a history of world literature, the author of wonderful novels – - was removed from his job as Professor of world literature in Szeged University, his books were pulped in , as were books of all Jewish authors though he was baptized catholic at the age of six. -
Patterns, Ideologies, Networks of Memory, and the Kazinczy Commemoration
Levente T. Szabó Patterns, ideologies, networks of memory, and the Kazinczy commemoration The basics: Ferenc Kazinczy, the first modern Hungarian literary hero 1859 has recently been discovered in Hungarian literary history as a premier in matters of literary events: the first occasion with most en‐ thusiasts of literature, forms of literary communities and communi‐ cative strategies that had never been seen before.1 The large‐scale celebration of the hundredth of birthday of Ferenc Kazinczy was the first literary event which seemed to magnetize tens of thousands of people, and placed literature in the forefront of public life. There is no complete inventory of the events, but the series of 120–150 com‐ memorations opened in Pest on the 27th of October, and lasted till the end of January of the following year. The central figure of these unprecedented events was born in 1759 into a noble family, he followed the typical life of a late 18th‐ century literate, combining several political and administrative duties with a strong literary interest. Appointed to the supervisor of the schools of several Hungarian administrative regions, he began an intensive literary networking in the second half of the 1780s. These literary connections led to the founding of two major Hungarian pioneering periodicals, the Magyar Museum and the Orpheus in the same period. Fallen out of favour with the imperial administration, he concentrated to his literary projects, beginning a prolific life of wirting, translation, and literary networking characteristic to the republic of letters of the time. Under the inspiration of the French Jacobins, a group of Hungarian noblemen and literate founded a complex network to propagate their views. -
![XI–XIII. Század Közepe) [The Writing and Writers of History in Árpád- Era Hungary, from the Eleventh Century to the Middle of the Thirteenth Century]](https://docslib.b-cdn.net/cover/7540/xi-xiii-sz%C3%A1zad-k%C3%B6zepe-the-writing-and-writers-of-history-in-%C3%A1rp%C3%A1d-era-hungary-from-the-eleventh-century-to-the-middle-of-the-thirteenth-century-2187540.webp)
XI–XIII. Század Közepe) [The Writing and Writers of History in Árpád- Era Hungary, from the Eleventh Century to the Middle of the Thirteenth Century]
Hungarian Historical Review 10, no. 1 (2021): 155–159 BOOK REVIEWS Történetírás és történetírók az Árpád-kori Magyarországon (XI–XIII. század közepe) [The writing and writers of history in Árpád- era Hungary, from the eleventh century to the middle of the thirteenth century]. By László Veszprémy. Budapest: Line Design, 2019. 464 pp. The centuries following the foundation of the Christian kingdom of Hungary by Saint Stephen did not leave later generations with an unmanageable plethora of written works. However, the diversity of the genres and the philological and historical riddles which lie hidden in these works arguably provide ample compensation for the curious reader. There are numerous textual interrelationships among the Gesta Hungarorum by the anonymous notary of King Béla known as Anonymus, the Gesta Hunnorum et Hungarorum by Simon of Kéza and the forteenth-century Illuminated Chronicle consisting of various earlier texts, not to mention the hagiographical material on the canonized rulers. For the historian, the relationships among these early historical texts and the times at which they were composed (their relative and absolute chronology) are clearly a matter of interest, since the judgment of these links affects the credibility of the historical information preserved in them. In an attempt to establish the relative chronology, philological analysis is the primary tool, while in our efforts to determine the precise times at which the texts were composed, literary and legal history may offer the most reliable guides. László Veszprémy has very clearly made circumspect use of these methods in his essays, thus it is hardly surprising that many of his colleagues, myself included, have been eagerly waiting for his dissertation, which he defended in 2009 for the title of Doctor of Sciences, to appear in the form of a book in which the articles he has written on the subject since are also included. -
Bangor University DOCTOR of PHILOSOPHY Space Beyond Place
Bangor University DOCTOR OF PHILOSOPHY Space Beyond Place: Welsh Settings in European Fiction, 1900–2010 Les, Christina Award date: 2019 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 Space Beyond Place: Welsh Settings in European Fiction, 1900–2010 Christina Les PhD Modern Languages Bangor University Christina Les Welsh Settings in European Fiction, 1900–2010 Abstract This thesis examines the way Wales has been portrayed in European fiction between 1900 and 2010. The research process has revealed that, within seemingly disparate texts, Welsh space appears to be more important than Welsh people, and Wales’s physical presence more prominent than its language, history and culture. There is also duality of place and space in these Welsh settings. Wales as a named, known, bordered entity is superficially present, but through this the protagonists gain access to very different, even otherworldly, surroundings. -
Hungarian Literature in Russian: the (Un)Natural Selection
UDK: 821.511.141.03=161.1 DOI: https://doi.org/10.18485/25bghun.2021.ch10 OKSANA IAKIMENKO St. Petersburg State University, Faculty of Philology, Department of Finno- Ugric Studies Hungarian Literature in Russian: The (Un)Natural Selection Abstract Despite close cultural relations between the two cultures, Hungarian literature had for a long period remained an unknown territory for the Russian readers. The article explores the ways Hungarian literature was perceived in Russia and in the Soviet Union and the reasons it was underrepresented in the literary canon of world literature translated into Russian language in the late 19th – first half of the 20th century. The author presents and analyses key publications, editors, translators, and authors that defined the image of Hungarian literature within Russian and later Soviet cultural environment and compares various approaches to Hungarian literature representation in the Russian corpus of translated literature. Keywords: Hungarian literature in translation, Russian literature, Soviet literature, literary translation, target culture reception. It has always remained an issue for literary and translation studies scholars why particular literature does or does not become part of the recipient culture when translated into a given language. In the 1980s and 1990s, research within the Manipulation School (or Descriptive Translation Studies) produced many studies exploring relations between literary systems with the help of descriptive study of literary translation and considering the systemic nature of translational phenomena. The DTS approach developed by James S. Holmes, André Lefevre, Oksana Iakimenko Gideon Toury and others, is the concept I find valuable when studying translational relationship between two literatures and the way one literature is seen in another language culture, since it goes beyond the purely linguistic, prescriptive concepts and considers historical, cultural and socio-political factors as well. -
HUNGARIAN STUDIES 12. Nemzetközi Magyar Filológiai
TWO POEMS OF DISCOVERY: MIKLÓS RADNÓTTS "HYMN TO THE NILE" AND "COLUMBUS" EMERY GEORGE Trenton, NJ, U.S.A. I. Two Poems, Four Sources When in the spring of 1944 Miklós Radnóti received his copy of the 15 March issue of Magyar Csillag (Hungarian Star), in which his poem "Columbus" first appeared,1 well might he have meditated on the almost three years that had elapsed since his first encounter with its source, Antal Szerb's translated edition of the explorer's ship log. Szerb's Columbus uti naplója (Columbus' Travel Jour nal) appeared with Officina Publishers, Budapest, in 1941, presumably during autumn of that year; in view of the mutual esteem that existed between literary historian and poet, there can be no doubt that Radnóti acquired a copy almost immediately. Twenty months later, he reacted to the volume in the form of a poem. The decisive moment of stimulation came on Sunday, 2 May 1943, when the Radnótis, under the officiating hand of the poet's former professor, the pia- rist father Sándor Sík, were baptized in the Roman Catholic faith. Now was the time to turn to the achievement of Christopher Columbus, one of Radnóti's most unmistakably Catholic subjects. The completed poem dates from 1 June 1943. It does not seem too much to suggest that its opening line, which quotes the opener of the ship log, also sounds like the priest administering the Radnótis' baptismal sacrament: "In Nomine DominiNostri Jhesu Christi"1 Those twenty months of study, waiting, meditation, and writing stand at the opposite extreme from the often all but instantaneous reaction and speed with which Radnóti responds to an invitation to write and important poem.3 One fine example of encounter with a source for a poem and nearly hair-trigger response to it is "Hymn to the Nile." As did "Columbus," the poem most probably had a double instigation: a "5,000-year-old" AEgyptian hymn, and (my discovery) a distinguished first translation into Hungarian of part of a book on the subject of the river Nile.