Giovanni Gentile and the State of Contemporary Constructivism
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QUALESTORIA. Rivista Di Storia Contemporanea. L'italia E La
«Qualestoria» n.1, giugno 2021, pp. 163-186 DOI: 10.13137/0393-6082/32191 https://www.openstarts.units.it/handle/10077/21200 163 Culture, arts, politics. Italy in Ivan Meštrović’s and Bogdan Radica’s discourses between the two World Wars di Maciej Czerwiński In this article the activity and discourses of two Dalmatian public figures are taken into consideration: the sculptor Ivan Meštrović and the journalist Bogdan Radica. They both had an enormous influence on how the image of Italy was created and disseminated in Yugoslavia, in particular in the 1920s and 1930s. The analysis of their discourses is interpreted in terms of the concept of Dalmatia within a wider Mediterranean basin which also refers to two diverse conceptualizations of Yugoslavism, cultural and politi- cal. Meštrović’s vision of Dalmatia/Croatia/Yugoslavia was based on his rural hinterland idiom enabling him to embrace racial and cultural Yugoslavism. In contrast, Radica, in spite of having a pro-Yugoslav orientation during the same period, did not believe in race, so for him the idea of Croat-Serb unity was more a political issue (to a lesser extent a cultural one). Keywords: Dalmatia, Yugoslav-Italian relationships, Croatianness, Yugoslavism, Bor- derlands Parole chiave: Dalmazia, Relazioni Jugoslavia-Italia, Croaticità, Jugoslavismo, Aree di confine Introduction This article takes into consideration the activity and discourses of the sculptor Ivan Meštrović and the journalist Bogdan Radica1. The choice of these two figures from Dalmatia, though very different in terms of their profession and political status in the interwar Yugoslav state (1918-41), has an important justification. Not only they both were influenced by Italian culture and heritage (displaying the typical Dalmatian ambivalence towards politics), but they also evaluated Italian heritage and politics in the Croatian/Yugoslav public sphere. -
Representations of Italian Americans in the Early Gilded Age
Differentia: Review of Italian Thought Number 6 Combined Issue 6-7 Spring/Autumn Article 7 1994 From Italophilia to Italophobia: Representations of Italian Americans in the Early Gilded Age John Paul Russo Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Russo, John Paul (1994) "From Italophilia to Italophobia: Representations of Italian Americans in the Early Gilded Age," Differentia: Review of Italian Thought: Vol. 6 , Article 7. Available at: https://commons.library.stonybrook.edu/differentia/vol6/iss1/7 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. From ltalophilia to ltalophobia: Representations of Italian Americans in the Early Gilded Age John Paul Russo "Never before or since has American writing been so absorbed with the Italian as it is during the Gilded Age," writes Richard Brodhead. 1 The larger part of this American fascination expressed the desire for high culture and gentility, or what Brodhead calls the "aesthetic-touristic" attitude towards Italy; it resulted in a flood of travelogues, guidebooks, antiquarian stud ies, historical novels and poems, peaking at the turn of the centu ry and declining sharply after World War I. America's golden age of travel writing lasted from 1880 to 1914, and for many Americans the richest treasure of all was Italy. This essay, however, focuses upon Brodhead's other catego ry, the Italian immigrant as "alien-intruder": travel writing's gold en age corresponded exactly with the period of greatest Italian immigration to the United States. -
Inventing the Lesser Evil in Italy and Brazil
Fascist Fiction: Inventing the Lesser Evil in Italy and Brazil by Giulia Riccò Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Lamonte Aidoo, Supervisor ___________________________ Roberto Dainotto ___________________________ Nicola Gavioli ___________________________ Saskia Ziolkowski Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 i v ABSTRACT Fascist Fiction: Inventing the Lesser Evil in Italy and Brazil by Giulia Riccò Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Lamonte Aidoo, Supervisor ___________________________ Roberto Dainotto ___________________________ Nicola Gavioli ___________________________ Saskia Ziolkowski An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 Copyright by Giulia Riccò 2019 Abstract My dissertation, Fascist Fiction: Inventing the Lesser Evil in Italy and Brazil, accounts for the resilience of fascism by tracing the rhetoric of the “lesser evil”—a discursive practice constitutive of fascism—through contemporary politics and literature in Italy and Brazil. By invoking the looming presence of a graver, more insidious threat the rhetoric of the lesser evil legitimizes fascist violence against dissidents and vulnerable populations. Through an analysis of texts by fascist philosopher Giovanni Gentile and his Brazilian counterpart Miguel Reale, I reveal that the rhetoric of the lesser evil is a constitutive part of fascist discourse and that in Italy and Brazil this aspect of fascist doctrine met a favorable combination of subjective and objective conditions which has allowed it to thrive within democratic structures. -
On Authority and Freedom in the Thought of Giuseppe Rensi
On Authority and Freedom in the Thought of Giuseppe Rensi Marzia A. Coltri Introduction1 One of the skills typically learned in the study of philosophy is how to interrogate a text and ask questions, such as, What does a theory include? What does it exclude? The philosopher is interested, eclectically, in what is represented and what is not represented, between authority and freedom. In this article, a philosophical debate on the nature of democracy will be addressed. The distinction between authority and freedom which I propose is unusual; if human beings were not identical, they could not understand each other, and those who come before could not make any plans for the future to help the needs of people who will come after. If people were not different, each person would be not unique and diverse from the other, and they will never need to think, act and speak in a way that the others can understand (communicate with them). In other words, every individual produces an image, people render themselves visible and naturally of necessity, as an image, to themselves and others. Individual ideas and actions confer their identity, enable them to face their existence, and thus produce either authority or freedom. Therefore, the freedom of the person to become the agent of their actions does not imply that they have control of the consequences of these actions. It is plausible that these actions have a plurality of implications in dynamic human relationships. Giuseppe Rensi: A Short Biography Giuseppe Rensi was born in Villafranca di Verona in 1871 and died in Genoa in 1941. -
Science and Fascism
Science and Fascism Scientific Research Under a Totalitarian Regime Michele Benzi Department of Mathematics and Computer Science Emory University Outline 1. Timeline 2. The ascent of Italian mathematics (1860-1920) 3. The Italian Jewish community 4. The other sciences (mostly Physics) 5. Enter Mussolini 6. The Oath 7. The Godfathers of Italian science in the Thirties 8. Day of infamy 9. Fascist rethoric in science: some samples 10. The effect of Nazism on German science 11. The aftermath: amnesty or amnesia? 12. Concluding remarks Timeline • 1861 Italy achieves independence and is unified under the Savoy monarchy. Venice joins the new Kingdom in 1866, Rome in 1870. • 1863 The Politecnico di Milano is founded by a mathe- matician, Francesco Brioschi. • 1871 The capital is moved from Florence to Rome. • 1880s Colonial period begins (Somalia, Eritrea, Lybia and Dodecanese). • 1908 IV International Congress of Mathematicians held in Rome, presided by Vito Volterra. Timeline (cont.) • 1913 Emigration reaches highest point (more than 872,000 leave Italy). About 75% of the Italian popu- lation is illiterate and employed in agriculture. • 1914 Benito Mussolini is expelled from Socialist Party. • 1915 May: Italy enters WWI on the side of the Entente against the Central Powers. More than 650,000 Italian soldiers are killed (1915-1918). Economy is devastated, peace treaty disappointing. • 1921 January: Italian Communist Party founded in Livorno by Antonio Gramsci and other former Socialists. November: National Fascist Party founded in Rome by Mussolini. Strikes and social unrest lead to political in- stability. Timeline (cont.) • 1922 October: March on Rome. Mussolini named Prime Minister by the King. -
Inventive Translation, Portraiture, and Spanish Hapsburg Taste in the Sixteenth Century
9 © Copyrighted Material Inventive Translation, Portraiture and Spanish Habsburg Taste in the Sixteenth Century Elena Calvillo The Spanish Patron In his autobiography, Benvenuto Cellini recounts how when faced with an angry mob of Spaniards from the household of the bishop of Salamanca, he defiantly pointed his gun into the crowd and cried, ‘You treacherous Moors – so this is how you loot the shops and houses in a city like Rome?’1 According to the artist, the Spaniards had come to collect a vase that had been returned to Cellini to be repaired, but because the patron had not yet paid for it, Cellini declined to release it. The commotion surrounding this exchange soon attracted the attention of a few Roman gentlemen, eager to join the fight. Their offer to help Cellini kill his opponents was made ‘with such vehemence that the Spaniards were terrified out of their wits’ and retreated.2 The Spanish courtiers were subsequently admonished by the bishop, who, Cellini claimed, was angered by both the violence initiated by the brash members of his household and by their failure to finish the job. Cellini’s characterization of the Spanish throughout this part of his text, leading up to the Sack of 1527, is similar to many portrayals of this period.3 For Cellini, such a depiction of the troublesome Spaniards served the rhetorical ends of the autobiography by highlighting his loyalty to Rome and his personal bravery, most spectacularly demonstrated in his account of the defence of the Castel Sant’Angelo against imperial troops. A few themes emerge from Cellini’s anecdote. -
Journal of Comparative Literature and Aesthetics
ISSN: 0252-8169 JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS Vol. XVI Nos. 1-2: 1993 A Special Volume on Italian Aesthetics Since Croce A Vishvanatha Kaviraja Institute Publication Editor: A.C. SUKLA B-8, Sambalpur University, Jyoti Vihar, Orissa India-768019. Fax-0663+430314, Associate Editor: Frank J. Hoffman West Chester University, Pennsylvania Editorial Advisor (Foreign) : Milton H. Snoeyenbos Georgia State University, Atlanta: Georgia. EDITORIAL BOARD Rene Wellek Yale University Peter Lamarque University of Hull Philip Alperson University of Louisville W.I.T. Mitchel University of Chicago Ralph Chohen University of Virginia Denis Dutton University of Canterbury Grazia Marchiano University of Siena Dorothy Figueira University of Illinois Ellen Dissanavake Washington Goran Hermeren University of Lund Ales Erjavec Slovenian Academy of Science & Arts V.K. Chari University Carleton S.K. Saxena University of Delhi Suresh Raval University of Arizona J.N. Mohanty Temple University Salim Kemal University of Dundee All subscriptions / books for review / papers / reviews / notes for publication are to be sent to the Editor Current information about JCLA is available on the Internet web site: http:// www.sas.upenn.edu/~fhoffman/jcla.html JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS Volume: XVI: Nos. 1-2: 1993 A VISHVANATHA KAVIRAJA INSTITUTE PUBLICATION The Prsent Volume is Edited By: GRAZIA MARCHIANO CONTENTS 1 About the Authors Grazia Marchiiano 3 Editorial Gianni Vattimo 9 On the Challenge of Art to Philosophy; Aesthetics at the End of Epistemology Stefano Zecchi 17 The Theory of Art in Italian Idealism Aldo Trione 29 The De Sanctis: Croce line and the Problem of Modernity Stefano Benassi 41 Orientations of Phenomenological Aesthetics in Italy: The Encounter with Marxism and Semiotics Luisa Bonesio 51 Italian Philosophical Aesthetics: A New Generation Grazia Marchiano 59 Ananda Kentish Coomaraswamy: A Short Critical Survey About the Authors . -
Cahiers De La Méditerranée, 94 | 2017 Il Tormento Di Sisifo
Cahiers de la Méditerranée 94 | 2017 Être maire en Méditerranée / Le siècle révolté d'Albert Camus Il tormento di Sisifo. Giuseppe Rensi e Albert Camus Andrea Trabaccone Edizione digitale URL: http://journals.openedition.org/cdlm/8686 ISSN: 1773-0201 Editore Centre de la Méditerranée moderne et contemporaine Edizione cartacea Data di pubblicazione: 15 giugno 2017 Paginazione: 199-208 ISSN: 0395-9317 Notizia bibliografica digitale Andrea Trabaccone, « Il tormento di Sisifo. Giuseppe Rensi e Albert Camus », Cahiers de la Méditerranée [En ligne], 94 | 2017, mis en ligne le 15 décembre 2017, consulté le 08 septembre 2020. URL : http:// journals.openedition.org/cdlm/8686 Questo documento è stato generato automaticamente il 8 settembre 2020. © Tous droits réservés Il tormento di Sisifo. Giuseppe Rensi e Albert Camus 1 Il tormento di Sisifo. Giuseppe Rensi e Albert Camus Andrea Trabaccone Una fonte italiana? 1 Il tempo di Rensi non è quello di Camus e i due uomini mai s’incontrarono. È lecito, dunque, domandarsi che cosa c’entri, di fatto, un filosofo italiano classe 1871, per lungo tempo sconsideratamente abbandonato nel dimenticatoio del pensiero filosofico novecentesco, con uno scrittore franco-algerino classe 1913, che consideriamo tuttora vivente in virtù dell’attualità e vitalità del suo pensiero. Una risposta potrebbe essere questa: li unisce una simpatia, nel senso etimologico di « sentire insieme », per un problema filosofico disorientante e quotidiano come l’assurdo. 2 Il fenomeno assurdo fu esplorato da Rensi nell’opera Interiora rerum, data alle stampe nel 1924. Tale scritto fu in seguito rivisitato, corretto e ripubblicato nel 1937 con una significativa modifica del titolo: l’espressione latina, erudita ed evocativa, fu sostituita da un più esplicito La filosofia dell’assurdo. -
Portrait of Italian Jewish Life (1800S – 1930S) Edited by Tullia Catalan, Cristiana Facchini Issue N
Portrait of Italian Jewish Life (1800s – 1930s) edited by Tullia Catalan, Cristiana Facchini Issue n. 8, November 2015 QUEST N. 8 - FOCUS QUEST. Issues in Contemporary Jewish History Journal of Fondazione CDEC Editors Michele Sarfatti (Fondazione CDEC, managing editor), Elissa Bemporad (Queens College of the City University of New York), Tullia Catalan (Università di Trieste), Cristiana Facchini (Università Alma Mater, Bologna; Max Weber Kolleg, Erfurt), Marcella Simoni (Università Ca’ Foscari, Venezia), Guri Schwarz (Università di Pisa), Ulrich Wyrwa (Zentrum für Antisemitismusforschung, Berlin). Editorial Assistant Laura Brazzo (Fondazione CDEC) Book Review Editor Dario Miccoli (Università Cà Foscari, Venezia) Editorial Advisory Board Ruth Ben Ghiat (New York University), Paolo Luca Bernardini (Università dell’Insubria), Dominique Bourel (Université de la Sorbonne, Paris), Michael Brenner (Ludwig-Maximilians Universität München), Enzo Campelli (Università La Sapienza di Roma), Francesco Cassata (Università di Genova), David Cesarani z.l. (Royal Holloway College, London), Roberto Della Rocca (DEC, Roma), Lois Dubin (Smith College, Northampton), Jacques Ehrenfreund (Université de Lausanne), Katherine E. Fleming (New York University), Anna Foa (Università La Sapienza di Roma), François Guesnet (University College London), Alessandro Guetta (INALCO, Paris), Stefano Jesurum (Corriere della Sera, Milano), András Kovács (Central European University, Budapest), Fabio Levi (Università degli Studi di Torino), Simon Levis Sullam (Università Ca’ -
The Doctrine of Fascism
Benito Mussolini and Giovanni Gentile The Doctrine of Fascism (1932) Like all sound political conceptions, Fascism is action and it is thought; action in which doctrine is immanent, and doctrine arising from a given system of historical forces in which it is inserted, and working on them from within.1 It has therefore a form correlated to contingencies of time and space; but it has also an ideal content which makes it an expression of truth in the higher region of the history of thought.2 There is no way of exercising a spiritual influence in the world as a human will dominating the will of others, unless one has a conception both of the transient and the specific reality on which that action is to be exercised, and of the permanent and universal reality in which the transient dwells and has its being. To know men one must know man; and to know man one must be acquainted with reality and its laws. There can be no conception of the State which is not fundamentally a conception of life: philosophy or intuition, system of ideas evolving within the framework of logic or concentrated in a vision or a faith, but always, at least potentially, an organic conception of the world. Thus many of the practical expressions of Fascism such as party organization, system of education, and discipline can only be understood when considered in relation to its general attitude toward life. A spiritual attitude.3 Fascism sees in the world not only those superficial, material aspects in which man appears as an individual, standing by himself, self-centered, -
An Interpretation on the Ideas of Cesare Brandi in the Theory of Restoration YOLANDA MADRID ALANÍS
An interpretation on the ideas of Cesare Brandi in the Theory of restoration YOLANDA MADRID ALANÍS Translation by Valerie Magar Abstract Some of the fundamental concepts of the Brandi’s theory are analyzed with the aim of producing an interpretation which will detail its content and philosophical guides. The concept of Restoration, of work of art, of cases, of material and image, and of oneness are discussed, using different sources from philosophy, aesthetics, pragmatism, hermeneutics and phenomenology. Keywords: Cesare Brandi, theory of Restoration, philosophical guides, interpretation. Introduction This document is part of a reflection on the uses of the theory of Restoration employeed by the National School of Conservation in Mexico (Escuela Nacional de Conservación, Restauración y Museografía “Manuel del Castillo Negrete”, ENCRyM), which I am formulating as a final project in a Master in Critical Theory.1 Given that Cesare Brandi’s Theory of restoration has been a constant reference in Mexico, I decided to reread and interpret it, with the aim of detailing some of its sources and going deeper into the understanding of his ideas. The analysis is viable because there are explicit references by the author in several sections of the text itself, because his impact at an international level has been extensively studied, and because we are familiar with some of the philosophical sources that he employed to develop his theoretical concepts. Although part of his written production has already been translated into several languages, his philosophical references have seldom been made explicit. I consider it pertinent to make this interpretative reflection, because it is a text that is still valid in the Mexican context, although addenda have been made with other perspectives in mind, and because this can give rise to international multidisciplinary studies aimed at developing an in-depth panorama of Brandi’s thought. -
Redalyc.Temporality and Time in Fascist Experience
methaodos.revista de ciencias sociales E-ISSN: 2340-8413 [email protected] Universidad Rey Juan Carlos España Santoro, Lorenzo Temporality and Time in Fascist Experience methaodos.revista de ciencias sociales, vol. 2, núm. 1, mayo, 2014, pp. 45-58 Universidad Rey Juan Carlos Madrid, España Available in: http://www.redalyc.org/articulo.oa?id=441542971005 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative methaodos.revista de ciencias sociales, 2014, 2 (1): 45-58 Lorenzo Santoro ISSN: 2340-8413 | DOI: http://dx.doi.org/10.17502/m.rcs.v2i1.37 Temporality and Time in Fascist Experience La temporalidad y el tiempo en la experiencia fascista Lorenzo Santoro Università della Calabria, Italia [email protected] Recibido: 23-2-2014 Modificado: 29-4-2014 Aceptado: 15-5-2014 Abstract The article deals with the theme of Temporality in Italian fascism, an argument that is significant in order to analyze its peculiar approach to mass culture, mass rites but also concerning the function of its elite culture. A number of fascist political leaders, intellectuals and agitators insisted in such argument as a fundamental element in the developing of the regime and the approaching of its most peculiar qualities such as new multifaceted imperialism and the necessity to project a new Nation imbued of a new political and monolithic culture. Fascism tried to gain a synthesis between very different cultural elements such as futurism, revolutionarism and classicism, romanità, which deserve a peculiar analysis able to deal with the complexity of mass society.