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Moogerfooger® MF-107 Freqbox™
Understanding and Using your moogerfooger® MF-107 FreqBox™ TABLE OF CONTENTS Introduction.................................................2 Getting Started Right Away!.......................4 Basic Applications......................................6 FreqBox Theory........................................10 FreqBox Functions....................................16 Advanced Applications.............................21 Technical Information...............................24 Limited Warranty......................................25 MF-107 Specifications..............................26 1 Welcome to the world of moogerfooger® Analog Effects Modules. Your Model MF-107 FreqBox™ is a rugged, professional-quality instrument, designed to be equally at home on stage or in the studio. Its great sound comes from the state-of-the- art analog circuitry, designed and built by the folks at Moog Music in Asheville, NC. Your MF-107 FreqBox is a direct descendent of the original modular Moog® synthesizers. It contains several complete modular synth functions: a voltage-controlled oscillator (VCO) with variable waveshape, capable of being hard synced and frequency modulated by the audio input, and an envelope follower which allows the dynamics of the input signal to modulate the frequency of the VCO. In addition the amplitude of the VCO is controlled by the dynamics of the input signal, and the VCO can be mixed with the audio input. All performance parameters are voltage-controllable, which means that you can use expression pedals, MIDI-to-CV converter, or any other source of control voltages to 'play' your MF-107. Control voltage outputs mean that the MF-107 can be used with other moogerfoogers or voltage controlled devices like the Minimoog Voyager® or Little Phatty® synthesizers. While you can use it on the floor as a conventional effects box, your MF-107 FreqBox is much more versatile and its sound quality is higher than the single fixed function "stomp boxes" that you may be accustomed to. -
[email protected] LAKER
THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 CAMPUS LIVING SPORTS Seniors get ready for Men’s and women’s graduate school soccer makes NCAA admissions playoff s Page 5 Page 12 Vol. 80 No. 7 Mercyhurst College 501 E. 38th St. Erie Pa. 16546 November 1, 2006 THE ERCIAD M County Council is considering a ban on smoking 15th career fair that could affect restaurants, bars and students biggest in history The record number of employers By Merissa Frank this year may indicate a better market, Contributing writer Curb your butt Rizzone believes. “After 9/11, campus recruiting took a hit. An improvement From freshmen to seniors, now is the in the economy is being shown,” Riz- time in life when we must defi ne who zone said. we are in terms of a career. Those of us Students can expect to see employers who didn’t become an astronaut or an from the CIA, Border patrol, WJET TV actor will be looking for other options and Enterprise Car Rental. at the Career Fair this week. In addition, there are 26 nursing A record number of employers, from companies, several police departments, local to national, will gather at the Ath- 25 HRIM companies and 20-25 groups letic Center on Nov. 2 from 1-4 p.m. geared towards Intel. What does that mean to us? Children’s Hospital of Pittsburgh and Well, for those seniors, it means fi nd- Cleveland Clinic will make their fi rst ing a niche for after graduation. For appearances at the Career Fair. -
El Padre Del Sinte Y, Quizá, El Hombre Más Influyente En La
Pioneros FM BOB MOOG La gente corriente conoce muy pocos nombres de creadores de instrumentos –Stradivarius, Hammond, Wurlitzer, Fender, Gibson… y por supuesto, Moog OB MOOG, en una revista de electrónica. EL padre del De repente, en plena adolescencia, sintetizador y, “El padre del sinte y, ya estaba haciendo y vendiendo kits con quizá, el hombre su pequeña empresa R.A. Moog Co. más influyente quizá, el hombre más En 1961, siendo todavía un estudiante, en la música publicó un diseño de theremin a durante las transistores del cual vendió más de mil últimas cinco influyente en la música unidades, bien como kits de montaje Bdécadas, murió el pasado 21 de Agosto. de los últimos 50 años” o como instrumentos finalizados. Tenía 71 años –una edad respetable para A partir de entonces, conoció muchos, pero no para él. Cualquiera al pionero de la música electrónica que haya podido compartir algún Raymond Scott, quien producía jingles momento con el entrañable Bob antes para importantes cadenas de TV de que le diagnosticaran un tumor cerebral en disfrutar durante unas horas de su inspiradora, con su enorme muro de equipos electrónicos. Abril de este mismo año, te confirmará que carismática y entrañable compañía. Es posible que aquello le inspirase, porque estaba lleno de energía, humor y vitalidad, así Por no molestar, Moog prefería viajar en tren a principios de los 60, Moog presentó, que es una auténtica pena que no haya podido o en autobús antes que aceptar el ofrecimiento de posiblemente, la mayor revolución de la música seguir algunas décadas más entre nosotros. -
Line 6 POD Go Owner's Manual
® 16C Two–Plus Decades ACTION 1 VIEW Heir Stereo FX Cali Q Apparent Loop Graphic Twin Transistor Particle WAH EXP 1 PAGE PAGE Harmony Tape Verb VOL EXP 2 Time Feedback Wow/Fluttr Scale Spread C D MODE EDIT / EXIT TAP A B TUNER 1.10 OWNER'S MANUAL 40-00-0568 Rev B (For use with POD Go Firmware 1.10) ©2020 Yamaha Guitar Group, Inc. All rights reserved. 0•1 Contents Welcome to POD Go 3 The Blocks 13 Global EQ 31 Common Terminology 3 Input and Output 13 Resetting Global EQ 31 Updating POD Go to the Latest Firmware 3 Amp/Preamp 13 Global Settings 32 Top Panel 4 Cab/IR 15 Rear Panel 6 Effects 17 Restoring All Global Settings 32 Global Settings > Ins/Outs 32 Quick Start 7 Looper 22 Preset EQ 23 Global Settings > Preferences 33 Hooking It All Up 7 Wah/Volume 24 Global Settings > Switches/Pedals 33 Play View 8 FX Loop 24 Global Settings > MIDI/Tempo 34 Edit View 9 U.S. Registered Trademarks 25 USB Audio/MIDI 35 Selecting Blocks/Adjusting Parameters 9 Choosing a Block's Model 10 Snapshots 26 Hardware Monitoring vs. DAW Software Monitoring 35 Moving Blocks 10 Using Snapshots 26 DI Recording and Re-amping 35 Copying/Pasting a Block 10 Saving Snapshots 27 Core Audio Driver Settings (macOS only) 37 Preset List 11 Tips for Creative Snapshot Use 27 ASIO Driver Settings (Windows only) 37 Setlist and Preset Recall via MIDI 38 Saving/Naming a Preset 11 Bypass/Control 28 TAP Tempo 12 Snapshot Recall via MIDI 38 The Tuner 12 Quick Bypass Assign 28 MIDI CC 39 Quick Controller Assign 28 Additional Resources 40 Manual Bypass/Control Assignment 29 Clearing a Block's Assignments 29 Clearing All Assignments 30 Swapping Stomp Footswitches 30 ©2020 Yamaha Guitar Group, Inc. -
About Icon Collective
ICON COLLECTIVE Music Production School BLUEPRINT MUSIC PRODUCTION ONLINE CATALOG 2017-2018 4620 W Magnolia Blvd. Burbank CA 91505 818.299.8013 www.iconcollective.com This catalog is effective February 24, 2017 TABLE OF CONTENTS WELCOME TO ICON COLLECTIVE ............................................................................................................ 1 ABOUT ICON COLLECTIVE ....................................................................................................................... 2 History ........................................................................................................................................... 2 Mission .......................................................................................................................................... 2 Vision ............................................................................................................................................ 2 Objective ....................................................................................................................................... 2 Approvals and Accreditation ........................................................................................................ 3 Disclosures ................................................................................................................................... 3 Ownership and Control ................................................................................................................. 3 FACILITIES ............................................................................................................................................. -
Dahka Brakha Insert V2.Indd
COMING UP AT CAP UCLA Zakir Hussain, Dave Holland & Butler, Bernstein & The Hot 9 Shankar Mahadevan plus Red Baraat CROSSCURRENTS Mardi Gras Bhangra Tue, Oct 6 at 8pm Tues, Feb 9 at 8pm Royce Hall Royce Hall DakhaBrakha plus Huun Huur Tu Fri, Sep 25 at 8pm PROGRAM Royce Hall Huun Huur Tu Kaygal-ool Khavalva Arturo O’Farrill’s Pussy Riot Art, Sex & Disobedience Radik Tyulyush RUNNING TIME: Sayan Bapa Afro Latin Jazz Orchestra in conversation with Edward Goldman Approximately two hours Alexey Saryglar Sat, Nov 7 at 8 pm Thu, Feb 11 at 8pm including intermission. Royce Hall Royce Hall — INTERMISSION — Pre-Show Party on the Royce Terrace 6:30pm DakhaBrakha Featuring music and dancing from Nina Garenetska Firebird Balalaika Ensemble, part of the amazing Los Angeles Balalaika Iryna Kovalenko Orchestra. Olena Tsybulska Marko Halanevych ABOUT THE ARTISTS DAHKHABRAHKA DakhaBrakha is music quartet from Kyiv, Ukraine. Refl ecting fundamental elements MEDIA SPONSOR: of sound and soul, Ukrainian “ethno chaos” band DakhaBrakha creates a world of unexpected new music. Tigran Hamasyan Luys i Luso Noura Mint Seymali & Tal National featuring the Yerevan State Chamber DakhaBrakha was created in 2004 at the Kyiv Center of Contemporary Art “DAKH” Desert Rock Revue by the avant-garde theatre director – Vladyslav Troitskyi – and given the name that Choir means “give/take” in the old Ukrainian language. Theatre work has left its mark on Sat, Dec 5 at 8pm Sat, Mar 5 at 8pm the band performances – their shows have never been staged without a strong visual Royce Hall Royce Hall element. Iryna Kovalenko – vocals, djembe, bass drums, accordion, In 2011, Huun Huur Tu collaborated with prominent Russian MESSAGE FROM THE CENTER: percussion, bugay, zgaleyka, piano composer Vladimir Martynov, who drew on the works by Ira has played Ukrainian ethnic music since her early the visionary early 20th-century avant-garde poet Velimir Tonight’s headlining group DakhaBrakha uses the childhood. -
Rack Mount Edition by R.Stephen Dunnington
USER’s MANUAL for the Rack Mount Edition By R.Stephen Dunnington Here it is – the Minimoog Voyager Rack Mount Edition®. Moog Music has put more than 30 years of experience with analog synthesizer technology into the design of this instrument to bring you the fattest lead synthesizer since the minimoog was introduced in 1970. We’ve done away with the things that made 30-year- old analog synthesizers difficult – the tuning instability, the lack of patch memory, and the lack of compatibility with MIDI gear. We’ve kept the good parts – the rugged construction, the fun of changing a sound with knobs in real time, and the amazing, warm, fat, pleasing analog sound. The Voyager is our invitation to you to explore analog synthesis and express yourself. It doesn’t matter what style of music you play – the Voyager is here to help you tear it up in the studio, on stage, or in the privacy of your own home. Have fun! Acknowledgements – Thanks to Bob Moog for designing yet another fantastic music making machine! Thanks are also due to the Moog Music Team, Rudi Linhard of Lintronics for his amazing software, Brian Kehew, Nigel Hopkins, and all the great folks who contributed design ideas, and of course, you – the Moog Music customer. TABLE OF CONTENTS: I. Getting Started……………………………………………………... 2 II. The Basics of Analog Synthesis…………………………………… 5 III. Basic MIDI................................................................................ 12 IV. The Voyager’s Features…………………………………………… 13 V. The Voyager’s Components A. Mixer……………………………………………………………... 17 B. Oscillators……………………………………………………….. 19 C. Filters…………………………………………………………….. 22 D. Envelope Generators………………………………………….. 26 E. Audio Outputs…………………………………………………… 28 F. -
Il Sintetizzatore Analogico Modelli, Caratteristiche E Possibilità Dal Neo-Analogico Al Vintage
Roberto Raineri-Seith Il sintetizzatore analogico Modelli, caratteristiche e possibilità dal neo-analogico al vintage Prima edizione ottobre 1993 Seconda edizione riveduta e aggiornata 2012 E' permessa la riproduzione per estratti unicamente a scopi didattico-divulgativi non commerciali e con citazione della fonte © Prolitteris 2012 2 Sommario Introduzione 5 Filosofia della musica elettronica Il suono analogico Il sintetizzatore analogico 8 I moduli principali: VCO, VCF, VCA, ADSR, LFO, modulatore ad anello, Sample&Hold, Noise Generator, Frequency shifter, Fixed Filter Bank, Analog sequencer, moduli ausiliari Tecniche di musica elettronica sperimentale 15 Caratteristiche dei principali strumenti vintage 17 I classici: Moog, Arp, Oberheim, Sequential Circuits Inc., Roland, Korg,Yamaha, EMS, Serge Tcherepnin, Buchla, EMU Systems Di tutto, di piu' Processori esterni Drum machines Il ritorno dei morti viventi 32 L'analogico virtuale I sintetizzatori neo-analogici Neo-analogico o vintage? Guida all'acquisto Un'alternativa all'acquisto: il DIY Referenze 43 Discografia, videografia e bibliografia essenziale Nota sull'autore 3 "Per musica elettronica si deve intendere non soltanto un generico ricorso a strumenti il cui suono viene prodotto elettronicamente, bensi quell'esperienza compositiva che, muovendo dalle virtualità materiche intrinseche ai nuovi mezzi, ha realmente allargato e approfondito l'area delle possibilità foniche unitamente ai processi operazionali di composizione e ai moduli costruttivi" (Armando Gentilucci) "La sintesi analogica -
Synthesizer-Guide 2018
Synthesizer 1 Guide 2018 Guide Nr. 9 Guide Nr. Synthesizer Sonnenstraße 15 Tel: 0049/(0)89/55146-116 D-80331 München www.hieber-lindberg.de www.hieber-lindberg.de [email protected] www.hieber-lindberg.de [email protected] Vorwort Novation PEAK Seite 4 Liebe Synthesizer-Freunde! 2 8-stimmiger Hybrid-Synthesizer 3 Jedes Jahr scheint ein neuer, überraschender Höhepunkt im Synthesizer-Sektor Roland SH-01A Seite 8 erreicht. Überraschend insofern, als man eine Sättigung des Marktes annehmen Analoger Klassiker im Boutique Format könnte. Gibt es nicht schon genug monophone Analogsynthesizer? (Nein.) Sind neue Eurorack-Module überhaupt noch möglich? (Ja.) Und was ist mit den poly- Arturia MatrixBrute Seite 10 phonen Analogen, sind diese endlich mal auf der Überholspur unterwegs? (Korg Paraphoner Analog-Synthesizer steigt zu DSI in den Poly-Ring: Die Überholspur ist eröffnet.) Hätte man als Musi- ker die nötigen Zeitressourcen, würde man umgehend (!) einen MatrixBrute samt Korg Prologue Seite 14 einiger der neuen Eurorack-Module ins Studio holen, dazu noch einen Peak und 8- bzw. 16-stimmiger Analog-Synthesizer einen Prologue. Dann Türe zu und genüssliches Klang-Forschen - für mindestens Roland/Studio Electronics SE-02 Seite 16 drei Jahre (oder mehr). Das Potenzial dazu hätten alle genannten Instrumente. Monophoner Analog-Synthesizer Doch natürlich sieht das wahre Leben anders aus. Hier heißt es Entscheidungen Hieber Lindberg Shop Seite 19 treffen - für dieses oder für jenes Instrument. Neuer „Polyphonic Eurorack Syn- Preisliste Synthesizer / Modularsysteme / Module thesizer“ von Doepfer gefällig, zusammen mit Vermonas randomRHYTHM- und twinCussion-Modul - alles im Arturia RackBrute-System verbunden mit dem Mini- Hieber Lindberg News Seite 26 Brute 2? Klingt nicht schlecht. -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185 -
Bomb Factory Plug-Ins
Bomb Factory Plug-ins Version 7.3 Copyright © 2007 Digidesign, a division of Avid Technology, Inc. All rights reserved. This guide may not be duplicated in whole or in part without the express written consent of Digidesign. AudioSuite, Avid, Avid DNA, Avid Xpress, Digidesign, Pro Tools, Pro Tools Academic, Pro Tools HD, Pro Tools LE, Pro Tools M-Powered, RTAS, and VENUE are either trademarks or registered trademarks of Avid Technology, Inc. in the US and other countries. All other trademarks contained herein are the property of their respective owners. Product features, specifications, system requirements, and availability are subject to change without notice. “bombfactory,” “Bomb Factory,” BF76, BF2A, BF3A, “Digital Done Right,” “Classic Compressors,” “BF Essentials,” “Fairchild,” “Cosmonaut Voice,” “Plutonium Pack,” “Slightly Rude Compressor,” and “Tel-Ray” are trademarks of Digidesign, a division of Avid Technology, Inc. “JOEMEEK” trademarks owned by PMI Audio LTD, used under license. “Moogerfooger” trademarks owned by Moog Music, Inc., used under license. “SansAmp” and “SansAmp PSA-1” trademarks owned by Tech 21, Inc., used under license. “Voce” trademarks owned by Amels and Alonso Electronic Design, used under license. “Funk Logic” and “Mastererizer” trademarks owned by Derek Choice dba Funk Logic, used under license. “Purple Audio” and “MC-77” trademarks owned by Purple Audio, used under license. All other trademarks are property of their respective owners. Names of sample settings are intended for descriptive purposes only and should not be construed as an endorsement by or affiliation with any company, product, song title, or artist. Product features, specifications, system requirements and availability are subject to change without notice. -
Azam Ali Loga Ramin Torkian Carmen Rizzo Satnam Ramgotra James Mahlis
Friday, November 3 at 8pm, 2006 Bowker Auditorium NIYAZ Azam Ali Loga Ramin Torkian Carmen Rizzo Satnam Ramgotra James Mahlis Program will be announced from the stage Sponsored by Apple Computer, the Valley Advocate, The River 93.9FM and the UMass Amherst Campus Center Hotel About the Artists Three prominent artists, Azam Ali, best known as the vocalist of the successful world music group Vas, Loga Ramin Torkian, the multi-instrumentalist and composer for the critically acclaimed group Axiom of Choice, and Carmen Rizzo, a two time Grammy Award nominee producer/ remixer, have joined forces to create a globe-spanning sound that the trio calls "world music for the 21st century." Known collectively as Niyaz, which means yearning in both Farsi and Urdu, the trio's first eponymous release is a hypnotic, ecstatic, and eminently danceable album that represents the best of both traditional world music and electronic music. All three of these musicians have built impressive individual careers. Iranian born, Indian raised Azam Ali is internationally recognized for her work with Vas, the best- selling world music duo she co-founded in 1996 with percussionist Greg Ellis. In a career which spans over a decade and includes eight collaborative and solo albums, Azam Ali has confirmed her place as one of the most prolific, versatile, and gifted singers on the world music stage today. Billboard magazine has described her voice as, “a glorious, unforgettable instrument." Azam's dedication to defying cultural specificity in music, her unwillingness to settle into one form of musical expression, and her emotive performances on each of her albums have earned her not only the respect of her piers, but much critical acclaim and have solidified her place as a highly respected singer in the World music scene.