Delta 1010LT

m-audio.com PRODUCT GUIDE 2009

Pro Tools M-Powered 8 Studiophile DSM World-Class Production Software—Now High-Resolution Near-Field More Powerful Than Ever Studio Monitors with DSP PRODUCT GUIDE 2009 2009 - VOL 6 PRODUCT GUIDE 2009

Pistol Youth | Los Angeles, CA TA BLE OF CONTENTS DJ TOOLS 4 SOFTWARE 32 STUDIO MONITORS 58 CONTACT INFORMATION Torq ...... 6 Pro Tools M-Powered 8 ...... 34 Studiophile DSM2...... 60 M-Audio U.S.A. M-Audio UK Torq Xponent ...... 7 Music Production Toolkit 2 ...... 35 Studiophile DSM1...... 60 5795 Martin Rd. Avid Technology - Europe Ltd Irwindale, CA 91706 Pinewood Studios Torq Conectiv Vinyl & CD Pack ...... 8 Producer Factory Bundle ...... 35 M-Audio EX Series EX66...... 62 USA Pinewood Road Torq Control Vinyl & Torq Control CD...... 9 Producer Factory Pro Bundle ...... 35 Studiophile BX8a Deluxe ...... 64 Iver Heath, Bucks web: http://www.m-audio.com SL0 0NH X-Session Pro ...... 9 Hybrid ...... 36 Studiophile BX5a Deluxe ...... 64 e-mail: [email protected] Strike ...... 36 Studiophile BX10s ...... 65 web: http://www.maudio.co.uk tel: (626) 633-9050 e-mail: [email protected] AUDIO INTERFACES 10 Velvet...... 36 Studiophile AV 40 ...... 65 fax: (626) 633-9060 ProFire 2626...... 12 Structure...... 37 Studiophile Q40 ...... 66 tel: +44 1753 655999 fax: +44 1753 654999 ProFire 610...... 14 Transfuser ...... 37 IE-40 ...... 67 M-Audio Canada 1400 St-Jean Baptiste Ave. #195 ProFire Lightbridge ...... 15 Eleven LE ...... 37 IE-30 ...... 67 Quebec City, Quebec G2E 5B7 M-Audio Japan FireWire Solo ...... 15 TimewARP 2600 by Way Out Ware ...... 38 IE-20 XB ...... 67 Canada 4F ATT Bldg. 2-11-7 Akasaka ProjectMix I/O ...... 16 KikAxxe by Way Out Ware ...... 38 IE-10 ...... 67 web: http://www.m-audio.ca Minato-ku Tokyo 107-0052 NRV10 ...... 18 Ozone 4 by iZotope...... 40 Studio Monitor Comparison Chart...... 68 e-mail: [email protected] Japan Fast Track Ultra 8R ...... 20 RX by iZototpe...... 40 tel: (866) 872-0444 web: http://www.m-audio.jp fax: (418) 872-0034 Fast Track Ultra ...... 21 Trash by iZotope...... 41 MICROPHONES / PREAMPS 70 e-mail: [email protected] Fast Track Pro ...... 22 Spectron by iZotope ...... 41 Sputnik ...... 72 M-Audio Germany tel: 03-3505-7963 MobilePre USB ...... 22 Virtual String Machine by GForce ...... 42 Solaris ...... 72 Avid Technology GmbH fax: 03-3505-3417 Fast Track USB ...... 22 Oddity by GForce ...... 42 Luna II ...... 72 Zeppelinstraße 1 Transit ...... 23 M-Tron Pro by GForce ...... 43 Nova ...... 73 D-85399 Hallbergmoos M-Audio Benelux Vreelandseweg 42 A Delta 1010 ...... 24 Minimonsta:Melohman by GForce ...... 43 Aries...... 73 web: http://www.m-audio.de 1216 CH Hilversum e-mail: [email protected] Delta 1010LT ...... 24 impOSCar by GForce ...... 43 Pulsar II...... 73 Benelux tel: +49 811 5520 - 0 Audiophile 2496 ...... 25 Pulsar II Matched Pair...... 73 web: http://www.m-audio.com fax: +49 811 5520 - 999 Audiophile 192 ...... 25 MIDI CONTROLLERS / Microphone Applications Chart...... 74 tel: +31 (0)35 6250093 Delta 44 ...... 25 DIGITAL PIANOS 44 DMP3 ...... 74 M-Audio France Audio Interface Comparison Chart ...... 26 Axiom Pro 61 ...... 46 Audio Buddy ...... 74 c/o Avid Technology M-Audio International 44 avenue Georges Pompidou 5795 Martin Rd. Axiom Pro 49 ...... 46 92300 Levallois-Perret Irwindale, CA 91706 HANDHELD RECORDING 28 Axiom Pro 25 ...... 46 MIDI INTERFACES 76 France USA MicroTrack II ...... 30 Axiom 61 ...... 48 USB MIDISPORT 4x4...... 78 web: http://www.m-audio.fr web: http://www.m-audio.com MicroTrack 10dB Pad ...... 30 Axiom 49 ...... 48 USB MIDISPORT 2x2...... 78 e-mail: [email protected] tel: (626) 633-9050 MicroPack...... 31 Axiom 25 ...... 48 USB MIDISPORT 1x1...... 78 tel: 0810 001 105 (Numéro Azur) fax: (626) 633-9060 Oxygen 61 ...... 49 USB Uno ...... 78 fax: +33 (0)1 72 72 90 52 M-Audio Australia Oxygen 49 ...... 49 MidAir...... 78 web: http://www.m-audio.com Oxygen 8 v2 ...... 49 CO2...... 79 tel: 1300 734 454 Keystation Pro 88...... 50 Accessories ...... 79 Keystation 88es ...... 50 Keystation 61es ...... 50 PRODUCT SPECIFICATIONS 80 KeyRig 49 ...... 51 KeyRig 25...... 51 Trigger Finger...... 52 ProKeys 88...... 54 2 ProKeys 88sx ...... 54 ProKeys Sono 88...... 55 ProKeys Sono 61 ...... 55 KeyStudio 49i ...... 55 Keyboard Comparison Chart...... 56 PRODUCT GUIDE 2009 Photo by Joshua Merrill PRODUCT GUIDE 2009 DJ TOOLS M-Audio’s Torq® DJ line brings you new creative options that are simply impossible with old-school hardware rigs or other digital DJ products. If you’re ready to step into your full creative potential, check out an integrated Torq software and hardware system. Our DJ design group uses proven M-Audio technology to deliver innovative solutions that give you the power to mix, remix, produce and perform your music in endless new ways.

Photo by Joshua Merrill PRODUCTPPRROODUCT GUIDE 2020090 DJ TOOLS 7

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PRODUCT GUIDE 2009 DJ TOOLS 8 PRODUCT GUIDE 2009 AUDIO INTERFACES The name M-Audio is synonymous with the mobile studio revolution. Choose from a wide range of interfaces tailored to the way you work—including mobile production, ﬁ eld recording and desktop recording. Options include PCI, USB or FireWire connectivity, as well as integral mic/instrument preamps, MIDI, digital I/O, multiple headphone outputs and surround pass-through.

Photo by Joshua Merrill PRODUCT GUIDE 2009 AUDIO INTERFACES 13

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PRODUCT GUIDE 2009 14 PRODUCT GUIDE 2009 AUAUDDIOIO INTERFAACCESES 1717

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PRODUCT GUIDE 2009 16 PRODUCT GUIDE 2009 AUDIO INTERFACES 19

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DUCU T GUIDE 2009 AUDIO INTERFACES ROOD PRODUCTPRP GUIDE 2009 18 PRODUCTPRODUCT GGUIDEUIDE 22009009 AUDIO INTERFACES 21

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AUDIO INTERFACES

PRODUCT GUIDE 2009 20 PRODUCT GUIDE 2009 AUDIO INTERFACES 23

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AUDIO INTERFACES

PRODUCT GUIDE 2009 22 PRODUCTPRODUCT GGUIDEUID 2009 AUUUDDIODIIOO INTERFACESC 25

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AUDIO INTERFACES

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ProFire 2 (2 1/4” FireWire yes (7.3 and ASIO, Core 16-channel Lightpipe I/O 34 x 36 none TRS) no 24-bit/96kHz 32 x 32 yes (RCA I/O) 1 x 1 yes yes (1/4”) FireWire no yes no Audio, WDM, at 88.2 or 96kHz using Lightbridge (6 pin only) higher)* MME, GSIF2 S/MUX

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Audiophile ASIO, Core s 6kHz 4 x 42 (2 RCA) 2 (2 RCA) no 24-bit/96kHz no yes (RCA I/O) 1 x 1nono PCI n/a no yes yes no Audio, WDM, software-controlled digital 2496 MME, GSIF2 mixing/routing *Maximum 9 *Maximum HANDHELD PRODUCT GUIDE 2009 RECORDING Sound matters—that’s why MicroTrack® handheld recording technology has been embraced across the digital media production spectrum. From cutting-edge music producers and Hollywood sound designers to top-shelf video game developers and photojournalism agencies, working pros depend on the MicroTrack recorder for reliability and pristine sound quality. A complete selection of custom accessories provides everything you need to capture high-ﬁ delity audio on the go.

Photo by Seamus Conlan PRODUCT GUIDE 2009 HANDHELD RECORDING 31

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GUIDE 2009 HANDHELD RECORDING

PRODUCT GUIDE 2009 30 PRODUCT GUIDE 2009 SOFTWARE Thanks to the power of today’s computers, software goes beyond hardware, delivering the cutting-edge tools that forge much of today’s innovative sound. Software also gives you signiﬁ cantly more functionality for the dollar, not to mention continuous upgrade paths that make planned obsolescence, well, obsolete. The music software era has truly arrived—and M-Audio is proud to bring you the best of the breed from around the world. Most of our software is bi-platform and compatible with a range of operating systems including Windows XP, Vista and Mac OS X.

Photo by Ian Sheehy PRODUCT GUIDE 2009 SOFTWARE 35

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PRODUCT GUIDE 2009 38 PRODUCT GUIDE 2009 SOFTWARE 41

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PRODUCT GUIDE 2009 42 MIDI CONTROLLERS/

PRODUCT GUIDE 2009 DIGITAL PIANOS M-Audio® MIDI controllers are perfect for playing, programming, producing and performing with today’s incredible software instruments and studios. Choose from straightforward keyboard models or those with additional controllers like knobs, sliders and triggers that are easily mapped to control your favorite software. Our lightweight digital stage pianos combine renowned M-Audio control with incredibly authentic and playable instrument sounds that keyboardists need. DJ controllers round out the pack.

Photo by Seamus Conlan PRODUCT GUIDE 2009 MIMIDDII CCOONTRNTROLLEOL RS / DIGITAL PIANOS 47

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PRODUCT GUIDE 2009 46 PRODUCT GUIDE 2009 MIDI CONTROLLERS / DIGITAL PIANOS 49

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PRODUCT GUIDE 2009 48 PRODUCT GUIDE 2009 MIDI CONTROLLERS / DIGITAL PIANOS 51

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MIDI CONTROLLERS / DIGITAL PIANOS

PRODUCT GUIDE 2009 54 PRODUCT GUIDE 2009 MIDI CONTROLLERS / DIGITAL PIANOS 57

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MIDI CONTROLLERS / DIGITAL PIANOS

PRODUCT GUIDE 2009 56 PRODUCT GUIDE 2009 STUDIO MONITORS You can have the best gear in the world and still create less-than-perfect mixes unless you have monitors that tell your ears what’s really happening. With that in mind, our design team set out to prove that world-class reference monitors don’t have to cost a fortune. The result is the M-Audio® EX and Studiophile® line of reference monitors, delivering exceptional quality performance. And when you want to make it personal, check out the Studiophile® headphones and the IE reference earphones.

Photo by Joshua Merrill PRODUCT GUIDE 2009 STUDIO MONITORS 61

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STUDIO MONITORS

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STUDIO MONITORS

PRODUCT GUIDE 2009 62 PRODUCT GUIDE 2009 STUDIO MONITORS 65

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DUCT GUIDE 2000909 STUDIO MONITORS O PRODUCTPR GUIDE 2009 66 PRODUCT GUIDE 2009 STUDIO MONITORS 69

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STUDIO MONITORS

PRODUCT GUIDE 2009 68 PRODUCT GUIDE 2009

MICROPHONES/ PREAMPS Great recordings start with great microphones and preamps. M-Audio fuses the best qualities of history’s greatest microphones into a new generation of unique recording instruments. These award-winning mics balance vintage design principles with modern technology for sound that’s both familiar and freshly original—without the hassle and expense of antique mics. Our value-packed preamps helps you further craft your signature sound. With M-Audio’s selection of microphones and preamps optimized for different applications, you’re sure to ﬁ nd the right tools for the job.

Photo by Seamus Conlan PRODUCT GUIDE 2009 MICROPHONES / PREAMPS 73

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MICROPHONONEESS/P / PRREEAMAMPPSS

PRODUCT GUIDE 2009 74 PRODUCT GUIDE 2009

MIDI INTERFACES/ ACCESSORIES M-Audio’s best-selling USB MIDISPORT line brings MIDI connectivity to any USB computer on whatever scale you need— everything from basic connection of a single device to a sophisticated network of controllers, synthesizers, samplers and more. Most models sport multiple input and output ports that each discretely address a separate 16-channel bus for up to 64 channels. And M-Audio’s line of accessories completes your setup. We even make a variety of bags so you can take your studio on the road.

Photo by Joshua Merrill PRODUCT GUIDE 2009 MIDI INTERFACES / ACCESSORIES 79

a four to cable with sturdy kets, -P pedal more. a rubber EX interfaces electronic nylon and features performance and built-in . Use all , or audio bag hable designed with expression h. sweep he interior T Accessories studio an stretc lter

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PRODUCTP GUIDE 2009 78 PRODUCT GUIDE 2009 PRODUCT SPECIFICATIONS 81 X

hable S, 1kHz F S, 1kHz S, 1kHz S, 1kHz F F F D 0.8 mm) rms), unbalanced rms), unbalanced rms), unbalanced

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B RAM 8% (-82dB) @ -1dB /oct MB

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75% TH S, AU Hz with 512M E, Me, 2000, XP B for V 00M k Mylar with evaporated gold S P2), V

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S, 1kHz S, 1kHz ools F F S, 1kHz rms), unbalanced F rms) rms) rms), unbalanced

rms), min gain ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate 8dB) @ -1dB 6dB) @ -1dB , unbalanced , unbalanced 8kHz s 8kHz s 00 ohms 00 ohms 00 ohms /mW 6kHz s 8kHz s 8kHz s 8kHz s 8kHz s 8kHz s S, 1kHz

6kHz s 6kHz s 6kHz s 9dB F 4% (-8 45% @ -1dB S, 1kHz P- or Mac-based Pro T S, 1kHz S, 1kHz S, 1kHz 4dB, A-weighted 6dB, A-weighted V 0k ohms mW into 32 ohms mW into 4dB, A-weighted 6dB, A-weighted 0 ohms, unbalanced F F F F 8dB, A-weighted 7dB, A-weighted 0dB 0dB 00k ohms 8dB, A-weighted 7dB, A-weighted <-85dB 4 48 28 +12.2dBV 1M ohm -2.2dBu (0.6 V -1.7dBu, balanced -101dB, A-weighted 101dB, A-weighted 20Hz to 13kHz 115dB 13 ohms (@ 1kHz) 26dB -10 10 +/-0.1dB 20Hz to 20kHz, 60 24 to 6 -101dB, A-weighted 101dB, A-weighted 4 +2.2dBV (1.285 V <-110dB @ 1kHz -102dB, A-weighted 102dB, A-weighted 0.005% (-8 -100dB, A-weighted 100dB, A-weighted 22Hz to 22kHz, +/-0.1dB 45dB 5 +8.3dBV (2.6 V +10.1dBu, balanced +1.9dBV <-10 -10 10 24 to 6 -9 32 to 6 9 +2.3dBV (1.3 V 24 +2.0dBV (1.2 V <-92dB -105dB, A-weighted 105dB, A-weighted 0.00 -9 9 0.00 .0 or higher software allation (download-only also available) indows X ools 7 D)

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S, 1kHz S, 1kHz S, 1kHz S, 1kHz F F F F ample rate ample rate 0dB) @ -1dB 4dB) @ -1dB 4dB) @ -1dB , unbalanced , unbalanced , unbalanced 00 ohms , unbalanced , unbalanced 8kHz s 8kHz s , unbalanced ohms, balanced S, 1kHz (min gain, no pad) 6dB, A-weighted 4dB, A-weighted 4dB, A-weighted 0dB 6dB, A-weighted 4dB, A-weighted 4dB, A-weighted S, 1kHz (min gain, no pad) S, 1kHz (min gain, no pad) gain, no (min S, 1kHz S, 1kHz (min gain, no pad) S, 1kHz (min gain, F 00 ohms, balanced F F F from +28dBu, min gain (with pad) to <-110dB 20Hz to 20kHz, +/-0.1dB >53dB (no pad) -20dB pad 1M ohm, unbalanced from +12dBV @ min gain (no pad) to 0.003% (-9 +20.2dBu balanced/unbalanced <-110dB -10 10 20Hz to 20kHz, +/-0.1dB >53dB -20dB pad 18k ohms, balanced; 9k ohms, 20Hz to 20kHz, +/-0.1dB 20Hz to >6 -20dB unbalanced 1M ohm, min gain (no pad) to from +14dBV @ >45dB -20dB <-110dB -103dB, A-weighted 103dB, A-weighted 0.002% (-9 20Hz to 20kHz, +/-0.1dB +10dBu, balanced +1.8dBV <-100dB -10 10 0.002% (-9 20Hz to 20kHz, +/-0.1dB +6dBV +6dBV 20Hz to 20kHz, +/-0.1dB <-55dB 20Hz to 20kHz, +/-0.7dB +2.2dBV 24 to 6 0.0025% (-92dB) @ -1dB 20Hz to 20kHz, +/-0.1dB +2.2dBV <-110dB -10 10 20Hz to 20kHz, +/-0.1dB 0.0022% (-93dB) @ -1dB from max +20dBu, balanced D) D)

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ohms, unbalanced; 940 6dB, A-weighted (min gain, no pad) rack Ultra 8R 7dB, A-weighted (min gain, no pad) 6dB, A-weighted (min gain, no pad) 0 ohms, unbalanced; 3 7dB, A-weighted (min gain, no pad) 0dBV @ max gain (no pad) 0dBV @ max gain 1.6k ohms unbalanced, 3.2k ohms balanced -45dBu, max gain (no pad) Crosst -10 10 0.0028% (-91dB) @ -1dB -41dBV @ max gain (no pad) -10 10 0.003% (-9 20Hz to 20kHz, +/-0.1dB @ 4 unbalanced Crosst 0.002% (-9 0.002% -4 -103dB, A-weighted (min gain, no pad) -103dB, A-weighted (min gain, no pad) 103dB, A-weighted 0.005% (-8 20Hz to 20kHz, +/-0.1dB @ 4 20Hz to 20kHz, 28k ohms, balanced; 20k ohms, unbalanced 28k ohms, balanced; 20k ohms, +3.4dBu, balanced/+1.2dBV Crosst 0.002% (-9 15 Crosst 0dBV @ TH Crosst level, 1kHz 470 Crosst +11.8dBV D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: orking Range: Input Impedance: Max Input Level: Channel-to-Channel Signal-to-Noise Ratio: Dynamic Range: Signal-to-Noise Ratio: TH Frequency Response: Preamp Gain: Pad: Input Impedance: Max Input Level: Dynamic Range: TH TH Frequency Response: Max Input Level: Channel-to-Channel Signal-to-Noise Ratio: Dynamic Range: Frequency Response: Preamp Gain: Pad: Input Impedance: TH Response: Frequency Gain: Preamp Pad: Input Impedance: Max Input Level: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Frequency Response: Preamp Gain: Pad: Input Impedance: Max Input Level: Channel-to-Channel Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Output Impedance: Max Output Level: Channel-to-Channel Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Max Level Send: Max Level Return: TH Frequency Response: Max Output: Channel-to-Channel Frequency Response: W Max Level Send: TH Frequency Response: Max Level Return: Signal-to-Noise Ratio: Dynamic Range: Frequency Response: Output Impedance: TH Max Output Level: Channel-to-Channel Fast T Mic Inputs (A/ Instrument Inputs (A/ Input Inserts (analog) Line Inputs (A/ Instrument Inputs (A/ Instrument Line Inputs (A/ Line Outputs (D/A) Input Inserts (analog) Headphone Output (D/A) Headphone Output (D/A) Line Outputs (D/A)

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<-110dB <-110dB <-110dB from +21dBu @ min gain (with pad) from +24dBu @ min gain (with pad), -101dB, A-weighted 101dB, A-weighted 0.0035 20Hz to 20kHz, +/-0.1dB >4 -20dB pad >220k ohms, unbalanced from +22dBV @ min gain (with pad), -102dB, A-weighted 102dB, A-weighted >4 -20dB pad 20k ohms, balanced and unbalanced -102dB, A-weighted 102dB, A-weighted 0.003 -20dB pad +6dBV MTM studio reference monitor reference studio MTM woofers linear-piston two 6” custom +6dBV 32 to 6 0.00281% (-91dB) @ -1dB from <-10 -10 10 0.00446% (-8 20Hz to 4 +1.8dBV S/ Acoustic Space (full, half, quarter); +10.1dBu, balanced <0.1% (@ 50 RF user select 24.65 lbs (11.18 kg) positive signal @ + input produce -10dBV pink noise @ input yields eld acoustic response) eld acoustic

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anium dome tweeter with waveguide tweeter with anium dome 0dBu @ max gain (no pad) 0dBu @ max gain (no pad) PDI rack Ultra rack Pro 6kHz, 4th-order Linkwitz-Riley maximally fl 6kHz, 4th-order Linkwitz-Riley 0 ohms unbalanced, 3 4 watts (IHF 4 watts (IHF a stereo pair) peak 9dB (115dB for LR balanced (20k ohms), 1/4” TR 0dB S 7Hz to 20kHz (near-fi 7Hz to 20kHz al Inputs: -103dB, A-weighted (min gain, no pad) 1.7k ohms, unbalanced; 3.4k ohms, balanced to -5 Crosst 2.7k ohms, unbalanced; 5.4k ohms, balanced to -4 Crosst to -42dBV @ max gain (no pad) 0.00386% (-8 20Hz to 20kHz, +/-0.1dB @ 4 +4.1dBu, balanced; +1.9dBV Crosst 20Hz to 20kHz, +/-0.1dB @ 4 3 1” tit 2.5 -2.5dBV @ TH max level, 1kHz 15 20Hz to 20kHz, +/-0.3dB @ 4 Mid-Range B Crosst 100Hz); High Frequency Adjustment (+2dB, fl 100Hz); High Frequency Adjustment 10 10 10 X power on/off indicator on front panel 115V ~5 painted high acoustic effi 19” (4 outward LF cone displacement 9 20Hz to 4 20Hz to 4 D+N: D+N: D+N: Driver: D+N: D+N: Amplifi D+N: 66 orking Range: eight: eak SPL ower: olarity: ype: ype: Signal-to-Noise Ratio: Dynamic Range: 103dB, A-weighted (min gain, no pad) Input Impedance: Max Input Level: Channel-to-Channel Input Impedance: Max Input Level: Channel-to-Channel Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Preamp Gain: Pad: Input Impedance: Max Input Level: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Preamp Gain: Pad: Input Impedance: Max Input Level: Channel-to-Channel Signal-to-Noise Ratio: Dynamic Range: TH Pad: Max Level Send: Frequency Response: T LF Driver: HF Response: Frequency Max Level Return: Crossover: Max Output: W TH Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Output Impedance: Max Output Level: Frequency Response: Controls: LF Amplifi Channel-to-Channel HF TH P Analog Inputs: Indicator: P Cabinet: Dimensions: W P Input Sensitivity: ohms), built-in phase loc p-p); S/ Digit 216kHz Protection: limiting, over temperature, turn-on/off transient, subsonic fi limiting, over temperature, turn-on/off external mains fuse Fast T Mic Inputs (A/ EX Fast T Mic Inputs (A/ Instrument Inputs (A/ Line Inputs (A/ Input Inserts (analog) Headphone Output (D/A) Line Outputs (D/A)

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rms), balanced; rms), balanced; /oct rms) balanced, 9 V rms) balanced, 6dB), 20Hz to rms), unbalanced rms) unbalanced 00 ohms, max gain ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate 6.5dB, low gain range .75 V (18dB .75 V NA system 7dB, high gain range 6kHz s S, 1kHz S, 1kHz S, 1kHz S, 1kHz S, 1kHz 8kHz s 8kHz s 8kHz s 8kHz s 8kHz s 8kHz s 6kHz s 6kHz s 6kHz s 6kHz s 6kHz s F F F F vid D S, 1kHz S, 1kHz F 0kHz, +/-0.5dB P- or Mac-based Pro T F F 9dB, A-weighted 7dB, A-weighted 9dB, A-weighted 7dB, A-weighted 8dB, A-weighted 4dB to 6 8dB, A-weighted or A <-100dB @ 1kHz <-100dB @ 1kHz -128dBm @ 6 -3dB @ 72 +13.9dBu (3.85 <-110dB 13.5dB to 4 3 <-105dB @ 1kHz -93dB, A-weighted 93dB, A-weighted 20Hz to 20kHz, +/-0.15dB +14.3dBu (4 V <-110dB @ 1kHz +20.5dBu (8.182 V -100dB, A-weighted 100dB, A-weighted +20dBu (7 +20dBu -26dBu, balanced <-110dB 3k ohms yes <-115dB +14.2dBu (4 V -110dB, A-weighted 110dB, A-weighted 20-8 14.6dBu @ min gain, low range -120dB, A-weighted, min gain -120dB, A-weighted, min gain <0.0005% (-10 -10 10 +20dBu (7 -9 9 -110dB, A-weighted 110dB, A-weighted -11 11 .1 or higher software (Pro T rms), unbalanced indows X rms) unbalanced rms) unbalanced ools 7 9 V rms), unbalanced

press DV .5dB) @ -1dB 4dB) @ -1dB 4dB) @ -1dB 7 8.6dB) @ -1dB ey (sold separately), Internet access and a free 8.5dB) @ -1dB V ed W

T D) D) vid X 0kHz, +/-0.4dB @ 9 0kHz, +/-0.3dB @ 9 0kHz, +/-0.2dB @ 9 0kHz, +/-0.9dB @ 9 0kHz, +/-0.9dB @ 0kHz, +/-0.25dB @ 9 0kHz, +/-0.6dB @ 9 0% (-92.8dB) @ -1dB ower: alk: alk: alk: alk: alk: alk: alk: 71% (-8 Smart K 420% (-8 press, A a 44 a 1010L a 1010 2k ohms balanced, 1k ohm unbalanced 0.00 22k ohms balanced, 11k ohms unbalanced 0.003 20Hz to 20kHz, +/-0.1dB @ 4 Crosst Crosst 22k ohms balanced, 11k ohms unbalanced balanced, 11k 22k ohms 20Hz to 20kHz, +/-0.1dB @ 4 20kHz, 13.6dBu input, min gain 0.00200% (-9 2% (-103dB) @ -1dB 0.00072% (-103dB) @ 2k ohms balanced; 1k ohm unbalanced 0.00377% (-8 20Hz to 20kHz, +/-0.1dB @ 4 +11.7dBV (3.85 Crosst +1.8dBV (1.23 V +1.8dBV Crosst +/-0.3dB @ 4 20Hz to 22kHz, Crosst 0.0023 20Hz to 20kHz, +/-0.1dB @ 4 Crosst Crosst +1.8dBV (1.23 V 20Hz to 22kHz, +/-0.1dB @ 4 0.00200% (-9 P3 Noise Rating: 20Hz to 4 20Hz to 4 20Hz to 4 20Hz to 4 20Hz to 4 20Hz to 4 D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: vid X Low Cut Filter: Impedance: Max Output Level: Gain Range: Dynamic Range: TH Frequency Response: Max Input Level, Min Gain: Impedance: Dynamic Range: TH Frequency Response: Signal-to-Noise Ratio: Signal-to-Noise Ratio: Max Input Level, Min Gain: Channel-to-Channel Channel-to-Channel Impedance: Level: Max Input Phantom P Frequency Response: EIN Input Impedance: Max Output Level: Dynamic Range: TH Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Signal-to-Noise Ratio: Max Input Levels: Dynamic Range: Dynamic Range: TH Impedance: Max Output Level: Dynamic Range: TH Frequency Response: Channel-to-Channel Signal-to-Noise Ratio: Signal-to-Noise Ratio: Channel-to-Channel Signal-to-Noise Ratio: Channel-to-Channel Frequency Response: Dynamic Range: TH Signal-to-Noise Ratio: Frequency Response: Signal-to-Noise Ratio: Channel-to-Channel Channel-to-Channel Dynamic Range: Frequency Response: TH greater recommended for optimal performance) A Digidesign-qualiﬁ Max Input Level: system running Pro T +12.2dBV (4.064 (AudioSuite only) iLok USB iLok.com account (for retrieving and managing iLok licenses) Line Outputs (D/A) Eleven DM Mic Inputs (analog) Line Inputs Delt Line Inputs (A/ Delt Mic Inputs Delt (A/ Inputs Line Line Outputs Main Outputs (D/A)

Pa) 0 mm) 0 ohm load, 7” (4 rms)

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7dBV re 1V/ ample rate ample rate ample rate R rms) balanced, ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate

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0kHz, +/-0.1dB 8 mm) x 1.5 Pa (-3 8kHz s 0kHz, +/-1dB S, 1kHz S, 1kHz S, 1kHz S, 1kHz 8kHz s 8kHz s 8kHz s 8kHz s 6kHz s 6kHz s 6kHz s 6kHz s 6kHz s F F F F 0dB @ 1kHz S, 1kHz 8kHz s F 4dB, A-weighted 8dB, A-weighted 8dB, A-weighted 0” (16 0dB 4dB, A-weighted 9dB, A-weighted 4dB SPL 8dB, A-weighted 8 lbs (.26 kg) 0dB 8V phantom power 7dB A-weighted 0 ohms, unbalanced 10 -10 20Hz to 5 <-100dB -100dB, A-weighted 100dB, A-weighted -116dBu @ max gain, 15 yes 4 +14dBu (4 V 10 <-105dB -10 -113dB, A-weighted 113dB, A-weighted <-13 -95dB, A-weighted 95dB, A-weighted >1,000 ohms 3-pin male XL 13 1 4 6.6 +1.9dBV (1.24 10 <-115dB -10 +2.2dBV (1.3 V <-120dB @ 1kHz -100dB, A-weighted 100dB, A-weighted >6 20 to 5 .5 13.8mV/ 200 ohms cardioid 20Hz to 20kHz class A FE 7dBu @ max gain IONS D:

4dB) @ -1dB AT rms), balanced/unbalanced rms) unbalanced 3dB), 1dB below clipping, 22Hz to 22kHz 3dB), 1dB below clipping, 22Hz D) D) 7 0kHz, +/-0.1dB @ 9 0kHz, +/-0.5dB @ 192kHz s 0kHz, +/-0.1dB @ 9 0kHz, +/-0.5dB @ 192kHz s 0kHz, +/-0.1dB @ 9 0kHz, +/-0.2dB @ 9 0kHz, +/-0.4dB @ 9 FIC ated. 9% (-91.1dB) @ -1dB ower: alk: alk: alk: alk: alk: 61% (-10 7 opology: for 0.5% TH 7% (-83dB), 1dB below clipping, 22Hz to 22kHz cations are measured at 4 measured at cations are

00 ohms, balanced; 15 0.00 Min Gain: 0.002 20Hz to 22kHz, +/-0.1dB @ 4 Min Gain: 20kHz BW (unweighted) +13.9dBu balanced, +5.7dBV unbalanced Crosst 20Hz to 22kHz, +/-0.1dB @ 4 3 0.00235% (-92.6dB) @ -1dB 20Hz to 22kHz, +/-0.1dB @ 4 0.000 0.021% (- +5.8dBV (2 V 20Hz to 22kHz, +/-0.1dB @ 4 Crosst 0.00262% (-91.6dB) @ -1dB 20Hz to 22kHz, +/-0.15dB @ 4 0.00705% (-83dB) @ -1dB Crosst 20k ohms balanced, 10k ohms unbalanced +14.2dBu (4 V -18dBu @ min gain, -3 Mid Gain: Impedance: handheld small-diaphragm condenser small-diaphragm handheld Crosst Crosst Noise Rating: 20Hz to 4 20Hz to 8 20Hz to 4 20Hz to 8 20Hz to 4 20Hz to 4 20Hz to 4 D+N, Min Gain: D+N: D+N: D+N: D+N, Mid Gain: D+N: D+N: eight: ower Requirement: ype: Dynamic Range, Min Gain: TH Signal-to-Noise Ratio,

Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Phantom P Max Gain: Frequency Response, Max Output Level: Channel-to-Channel

Frequency Response: Impedance: Max Output Level: Dynamic Range: TH Signal-to-Noise Ratio:

Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Dynamic Range, Mid Gain: TH EIN Connector: Equivalent Noise Level: Equivalent Noise P Dimensions:

Channel-to-Channel Frequency Response: Max Output Level: Dynamic Range: TH Signal-to-Noise Ratio: Max Input Level: Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Channel-to-Channel Impedance: Max Input Level: Max Gain: Frequency Response: Max Input levels: Signal-to-Noise Ratio, Recommended Load W Sensitivity: Max SPL Output Impedance: Pattern: Frequency Response: Preamp T T Channel-to-Channel Channel-to-Channel speciﬁ st otherwise Please visit m-audio.com for additional product information. All information. product additional for visit m-audio.com Please Instrument Inputs (analog) Monitor Outputs (D/A) Main Outputs (D/A) Main Outputs (D/A) Audiophile 249 Line Inputs (A/ Audiophile 192 Line Inputs (A/ Audio Buddy Mic Inputs (analog) SPECI Aries

PRODUCT SPECIFICATIONS

PRODUCT GUIDE 2009 80 PRODUCT GUIDE 2009 PRODUCT SPECIFICATIONS 83

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4, V B RAM highly recommended) 9.55 mm) x 3” (7 9.55 mm) x 3” (7 ance Ampliﬁ Pa (-3 U, MA S input and 1/8” aux input , XP , x6 drive for inst drive for inst , A ower: hable 2-conductor line cord Smart K Smart K opology: for 0.5% TH X 10.3.9 or later (Univers X 10.3.9 or later ac interference, output current limiting, over temperature, turn 4dB @ 0.5% TH B of RAM (1G e 8.25” (20 Impedance: 3/4” magnetically shielded silk dome tweeter outward LF cone displacement RF 3-micron thic blue power LE 8.25” (20 20 watts continuous, per c 20Hz to 20kHz (both mics matc 20kHz (both mics 20Hz to 13.8 mV/ 13 10k ohms unbalanced, 20k ohms balanced 100mV pink noise input produces 9 100-120V/~5 det Impedance: S, VST S, AudioSuite, HTD kplate: S SPL: X 10.4 or later B RAM (2G

Driver: c 8M A A indows indows XP indows XP eight: eight: andalone VD-ROM VD-ROM olarity: ower: ower: 0Hz 2nd-order (12dB ransconduct ype: ype: ype: indows Signal-to-Noise Ratio: P Dimensions: W RT Mac OS St Equivalent Noise Level: Output Impedance: Recommended Load T Frequency Response: Crossover Frequency: RM Dynamic P Diaphragm: Diaphragm: Equivalent Noise: W W T W T HF meter with volume control @ max Protection: Capsule: Pattern: Frequency Response: Preamp T Capsule: on/off transient, subsonic fi Indicator: P Patterns: 1G D 76 D W Dimensions: P Pattern: Pattern: Ba Electronics: Response: Frequency Sensitivity: Max SPL: Connector: Input Impedance: Input Sensitivity: OS RT Sensitivity: Max SPL: Pad: Frequency Response: Sensitivity: Max SPL Cabinet: Equivalent Noise Level: Output Impedance: Recommended Load LF Rolloff Filter: Attenuation and Rolloff: power supply; 3-pin male X Connectors: Input Connectors: right 1/4” TR 8 LF Driver: curved cone design with high-temperature voice coil Digidesign-qualifi Digidesign-qualifi greater recommended for optimal performance) system running Pro T system running Pro T iLok USB iLok.com account (for retrieving and managing iLok licenses) iLok USB iLok.com account (for retrieving and managing iLok licenses) vacuum tube, wired as a triode, milit T Compatibility Mac Strik Structure Studiophile AV RX Solaris Spectron W Sputnik Mac Compatibility S, 1kHz F S, 1kHz S, 1kHz S, 1kHz S, 1kHz S, 1kHz F F F F F rms) rms) rms), unbalanced rms), unbalanced rms), unbalanced rms), rms), unbalanced V rms), unbalanced Pa) rms), balanced 6dB) @ -1dB able range able range 7 V 7 V , 6-micron Mylar ample rate ample rate 7dB) @ -1dB 7dB) @ 7dB) @ -1dB 6dB) @ -1dB 6dB) @ -1dB ET (transformerless) 00 ohms 00 ohms 00 ohms 00 ohms , unbalanced S, 1kHz S, 1kHz 8kHz s 8kHz s F F 45% (-8 9% (-81dB) @ -1dB 45% (-8 6dB 4dB, A-weighted 4dB, A-weighted 0 ohms, unbalanced 0 ohms, 8dB adjust 4dB adjust 4dB, A-weighted 4dB, A-weighted 0 ohms, unbalanced 0 ohms, unbalanced 9dB, A-weighted 4dB, A-weighted 4dB, A-weighted 4dB, A-weighted 9dB, A-weighted 4dB, A-weighted 4dB, A-weighted 4dB, A-weighted 4dB with -10dB pad -0.4dBV (0.953 V <-9 -101dB, A-weighted 101dB, A-weighted +7dBV +12.9dBV (4.4 V +2.1dBV (1.2 +2.1dBV +2.1dBV (1.3 V -1.9dBV (0.808 <-100dB @ 1kHz -9 9 0.00504% (-8 32 to 6 32 to 6 32 to 6 small-diaphragm condenser 3/4” diameter small-diaphragm condenser -95dB, A-weighted 93dB, A-weighted 0.00 20Hz to 20kHz +/-0.2dB, 24 -10 10 +/-0.75dB, 20Hz to 20kHz 1000 ohms +0.3dBV into 32 ohms 32 ohms -10 10 +/-0.3dB, 20Hz to 20kHz 15 +2.4dBV into 32 ohms 75 ohms -9 9 0.005% (-8 +/-0.2dB, 20Hz to 20kHz 10k ohms, unbalanced -2.2dBu (0.6 V 16dBA 20Hz to 20kHz cardioid solid brass class A F -9 9 0.005% (-8 +/-0.2dB, 20Hz to 20kHz >3 5.4k ohms, balanced +10.0dBV (3.2 V -9 9 0.00 +/-0.2dB, 20Hz to 20kHz >3 1M ohm, unbalanced +2.1dBV (1.2 32 to 6 -95dB, A-weighted 93dB, A-weighted 0.00 +/-0.2dB, 20Hz to 20kHz 24 D, 14

7dB @ 1kHz, 0dB=1V/ .1dB) @ -1dB D+N <0.055% into 32 ohms D+N <0.055% into D+N <0.055% into 32 ohms 4.3dB) @ -1dB 7 D) 8sx Pa (-3 alk: alk: Matched Pair 453% (-8 4dB @ 0.5% TH eys 88 eys 8 eys Sono 88 ar II ar II Headphone Output (D/A) Mic Input (A/ 0.00 20Hz to 22kHz, +/-0.2dB @ 4 20Hz to 22kHz, +/-0.1dB @ 4 Crosst 0.00200% (-9 -2.2dBV @ TH Impedance: Impedance: Impedance: Crosst 13.8 mV/ 13 -2.2dBV @ TH Impedance: kplate: D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: c orking Headphone orking Headphone orking Headphone orking Headphone ype: ype: ransit Max Output Level: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Max Output: Max Output: Max Output: Output: Max Max Input: Max Input Level: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Channel-to-Channel T T Diaphragm: Signal-to-Noise Ratio: Signal-to-Noise Range: Dynamic TH Response: Frequency Impedance: Max Output: Signal-to-Noise Ratio: Dynamic Range: Frequency Response: Impedance: Max Output: Output Impedance: W Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Impedance: Max Output: Output Impedance: W W Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Impedance: Max Input Level, Min Gain: Channel-to-Channel Equivalent Noise: Frequency Response: Sensitivity: Max SPL: Pattern: Ba Electronics: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Preamp Gain: Impedance: Max Input Level, Min Gain: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Preamp Gain: Impedance: Max Output: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Impedance: Max Output: W Line/ ProK Line Outputs ProK Line Outputs Puls Puls Line Outputs Line ProK Line Inputs T Line/ Headphone Outputs Headphone Outputs Headphone Outputs Mic Input Instrument Input Line Outputs Headphone Outputs , FS S, 1kHz S, 1kHz S, 1kHz D+N, 1kHz F F F rms), unbalanced rms), unbalanced rms), balanced rms), unbalanced 8dB) @ -1dB rms), balanced able range able range ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate 6dB) @ -1dB 6dB) @ -1dB , typical @ 16mA 7 % (-9 00 ohms 00 ohms 00 ohms S, 1kHz S, 1kHz S, 1kHz S, 1kHz , unbalanced 8kHz s 8kHz s 8kHz s 8kHz s 8kHz s 6kHz s 6kHz s 6kHz s 6kHz s F F F F 9dB , unbalanced 9% (-81dB) @ -1dB 4dB, A-weighted 4dB, A-weighted 9dB, A-weighted 8dB, A-weighted 8dB adjust 4dB adjust 4dB, A-weighted 4dB, A-weighted 0mW into 32 ohms 0mW into 9dB, A-weighted 8dB, A-weighted 0k ohms, unbalanced 4dB, A-weighted 4dB, A-weighted 4dB, A-weighted 8V DC 4dB, A-weighted 4dB, A-weighted 4dB, A-weighted 0 ohms, unbalanced 0 ohms, unbalanced <-10 -110dB, A-weighted 110dB, A-weighted 24 to 6 <-110dB @ 1kHz -10 10 20Hz to 20kHz, +/-0.1dB 55dB 4 <-110dB @ 1kHz -10 10 -100dB, A-weighted 100dB, A-weighted +6.8dBV +2.1dBV (1.3 V 3.4k ohms -3dBu, balanced +10.2dBu (2.5 V 15 75 ohms 24 to 6 0.0012 -9 9 0.005% (-8 +/-0.2dB, 20Hz to 20kHz 10k ohms, unbalanced -2.2dBu (0.6 V <-110dB @ 1kHz -10 10 +2.0dBV (1.26 V <-85dB -10 10 -9 9 0.005% (-8 +/-0.2dB, 20Hz to 20kHz >3 5.4k ohms, balanced +10.0dBV (3.2 V 32 to 6 75 ohms -9 9 0.00 +/-0.2dB, 20Hz to 20kHz >3 1M ohm, unbalanced .8dBV unbalanced rms) into 32 ohms @ <0.02% TH

D+N <0.03% into 32 ohms 4.6dB) @ -1dB 4.1dB) @ -1dB O

4kHz, +/-0.2dB @ 9 4kHz, +/-0.1dB @ 9 0kHz, +/-0.2dB @ 9 0kHz, +/-0.2dB @ 9 8% (-9 ower: alk: alk: alk: alk: alk: eys Sono 61 00 ohms, balanced; 15 00 ohms, balanced; 15 00 ohms, balanced; 0.00205% (-93.8dB) @ -1dB 20Hz to 22kHz, +/-0.1dB @ 4 -2.9dBV @ TH 0.00201% (-9 20Hz to 22kHz, +/-0.1dB @ 4 3 +10dBu, balanced; +1.8dBV Crosst 20k ohms, balanced; 10k ohms, unbalanced +10dBu balanced/+7 Crosst 0.0018 560k ohms, balanced; 28 +14dBu, balanced; +11.8dBV 0.00243% (-92.3dB) @ -1dB 20Hz to 20kHz, +/-0.1dB @ 4 3 Crosst into 32 Ohms: 32 Ohms: into 20Hz to 20kHz, +/-0.1dB @ 4 1kHz 20Hz to 20kHz, +/-0.1dB @ 4 Crosst -3.0dBV (1.71 V 20Hz to 4 20Hz to 4 20Hz to 4 20Hz to 4 D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: orking Range: orking Range: ower into Ohms: ower into Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response:

Max Output: W TH Frequency Response: Signal-to-Noise Ratio: Dynamic Range: Output Impedance: Max Output Level: Channel-to-Channel Input Impedance: Max Input Level @ Min Gain: Channel-to-Channel TH Frequency Response: Preamp Gain: Phantom P Input Impedance: Max Input Level, Min Gain: Signal-to-Noise Ratio: Dynamic Range: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Max Input: Output Impedance: Input Impedance: Max Input Level, Min Gain: Channel-to-Channel Max Output Level: Max Output Level: Max Output Level Output Max P Output Impedance: Load Impedance: TH Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Impedance: Max Input Level, Min Gain: Signal-to-Noise Ratio: Signal-to-Noise Ratio: Dynamic Range: Signal-to-Noise Ratio: Dynamic Range: Frequency Response:

Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Preamp Gain: Impedance: Max Input Level, Min Gain: Channel-to-Channel Max Output: W Impedance: Crosst Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Preamp Gain: Impedance: Headphone Output Line Outputs Line Inputs Instrument Input ProK Line Inputs ProFire Lightbridge ProFire Line Outputs ProjectMix I/ Mic Inputs Mic Input Instrument Input Headphone Output

FS FS FS FS FS FS FS FS 8kHz) S, 1kHz S, 1kHz

F F allation 0kHz (192kHz) 0kHz (192kHz) 0kHz (192kHz) 0kHz (192kHz) .digidesign.com/ plus Internet access y, 8dB), 1kHz, -1dB 6dB) @ -1dB 9dB), 1kHz, -1dB 7dB), 1kHz, -1dB 0dB), 1kHz, -1dB 4dB), 1kHz, -1dB , typical , typical (no pad) X 10.5.5-based computer X 10.5.5-based 00 ohms 8% (-102dB), 1kHz, -1dB a- (32-bit Business or a- (32-bit 7% (-83dB), 1kHz, -1dB Smart Ke ohms, balanced ist 8dB, A-weighted 8dB, A-weighted 8dB, A-weighted 8dB, A-weighted 9dB, A-weighted 8dB, A-weighted 8dB, A-weighted 8dB, A-weighted 8dB, A-weighted 8dB, A-weighted 9dB, A-weighted 8dB, A-weighted 7dB, A-weighted 7dB, A-weighted 75dB @ 1kHz 00 ohms, balanced 0mW into 32 ohms <-110dB @ 1kHz +20.2dBu, balanced, typical 3 +/-0.4dB, 20Hz to 22kHz 110dB, A-weighted -110dB, A-weighted 0.00 +2.9dBV <- <-110dB @ 1kHz 13.7dBV >53dB (no pad) -20dB +/-0.1dB, 20Hz to 22kHz +/-0.6dB, 20Hz to 8 110dB, A-weighted -110dB, A-weighted 0.0013% (-9 6 75 ohms 24 to 6 <-105dB @ 1kHz +15.9dBu, balanced, typical 940 +/-0.1dB, 20Hz to 22kHz -10 10 0.003% (-9 1M ohm unbalanced >53dB without pad -20dB +/-0.1dB, 20Hz to 22kHz 10 -10 0.0014% (-9 >53dB (no pad) -20dB +/-0.2dB, 20Hz to 22kHz 10 >53dB without pad +/-0.1dB, 20Hz to 22kHz +/-0.2dB, 20Hz to 8 -10 10 0.0016% (-9 <-120dB @ 1kHz +6.5dBu (no pad) 3.7k ohms, balanced (no pad) <-110dB @ 1kHz from +28dBu @ min gain (with pad), 3.7k ohms, balanced (no pad) 10 <-110dB @ 1kHz from +14.5dBV @ min gain (no pad), 1M ohm, unbalanced <-110dB @ 1kHz +16.1dBu, typical >20k ohms, balanced +/-0.2dB, 20Hz to 22kHz -10 10 0.0022% (-93dB) @ -1dB -120dB @ 1kHz +19.6dBu, typical >20k ohms, balanced +/-0.1dB, 20Hz to 22kHz 10 -10 0.0011% (-9 0.0025% (-92dB), 1kHz, -1dB +/-0.1dB, 20Hz to 22kHz (4 +/-0.1dB, 20Hz to 22kHz +/-0.1dB, 20Hz +/-0.2dB, 20Hz to 8 -10 10 0.002% (-9 +/-0.4dB, 20Hz to 8 110dB, A-weighted -110dB, A-weighted 0.000 owered section of www owered indows V P-, or Mac OS P-, or Mac S, AU

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ails) port for iLok USB ools M-P B of RAM indows X or equivalent optical drive for software inst or equivalent optical 2.0, MA 2.0, 8 or higher display resolution 8 or higher display 9dBV @ max gain (no pad) alk: alk: alk: alk: alk: alk: alk: alk: alk: able Gain: able Gain: able Gain: able Gain: ools M-Powered 8 ools M-Powered into 32 Ohms: to -45dBu @ max gain (no pad) to -3 S, VST D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: D+N: A VD-ROM vailable USB ower into Ohms: Max Output Level: Output Impedance: Frequency Response: Dynamic Range: Signal-to-Noise Ratio: TH Max Input Level: Pad: Frequency Response: Dynamic Range: Signal-to-Noise Ratio: TH Crosst P Output Impedance: Load Impedance: Max Output Level Crosst Max Output Level: Output Impedance: Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Crosst Input Impedance: Adjust Pad: Frequency Response: Dynamic Range: Signal-to-Noise Ratio: TH Pad: Frequency Response: Signal-to-Noise Ratio: Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Crosst Max Input Level: Input Impedance: Adjust Max Input Level: Input Impedance: Adjust Dynamic Range: Max Input Level: Input Impedance: Adjust Crosst Max Input Level: Input Impedance: Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Max Input Level: Input Impedance: Frequency Response: Dynamic Range: Signal-to-Noise Ratio: TH Crosst TH Crosst Frequency Response: Crosst RT Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Crosst Dynamic Range: Signal-to-Noise Ratio: TH Supported M-Audio hardware peripheral M-Audio hardware Supported Minimum 1G D 1024 x 76 Digidesign-qualiﬁ W Ultimate), Pro T (visit the support for det A for registration, software updates and activations for registration, software Headphone Outputs (max volume into 32 ohm load) Line Outputs (balanced) Headphone Outputs (@ max volume into 32 ohm load) Instrument Inputs (unbalanced; @ min gain, no pad) Instrument Inputs (unbalanced; @ min gain, no pad) Instrument Inputs (unbalanced; Line Outputs (balanced) Mic Inputs (balanced; @ min gain, no pad) Mic Inputs (balanced; @ min gain, Mic Inputs (balanced; @ min gain, no pad) ProFire 2626 Pro T ProFire 610 Line Inputs (balanced) Compatibility Line Inputs (balanced)

S, 1kHz S, 1kHz S, 1kHz S, 1kHz F F S, 1kHz F F FS FS F

D) 8dB) @ -1dB 4dB) @ -1dB 4dB) @ +4dBu, 1kHz ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate ample rate 8dB) @ -1dB 0kHz, +/-0.1dB 0kHz, +/-0.1dB 0kHz, +/-0.1dB , unbalanced = 0dB RAM = +20dBu balanced = +11.8dBV unbalanced = +20dBu balanced = +11.8dBV unbalanced 00 ohms 4% (-8 6% (-8 8kHz s 8kHz s 8kHz s 8kHz s 8kHz s 6kHz s 6kHz s 6kHz s 6kHz s

han insert output) 4% (-8 FS FS FS FS MB ohms balanced .8dBV unbalanced .8dBV unbalanced .8dBV 0dB 0dB ations 7 7 7 0 ohms 0 ohms unbalanced ohms han insert output) 6dB 6dB c .25” (185 mm) x 1.9” (52 mm) x 1.9” (185 mm) .25” +12dBV unbalanced 15 +12dBV unbalanced 20k ohms balanced +20dBu balanced +1 <-8 -115dB, A-weighted 115dB, A-weighted <0.001% (-9 20Hz to 6 360 +20dBu balanced +1 <-85dB 15 20k ohms unbalanced <-100dB -115dB, A-weighted 115dB, A-weighted <0.001% (-100dB) @ +4dBu, 1kHz 20Hz to 6 5 20k ohm, balanced +20dBu, balanced 20Hz to 6 38 24 to 6 <-85dB -105dB, A-weighted 105dB, A-weighted <0.00 4.5k ohms +13dBu to -43dBu, balanced <-85dB -105dB, A-weighted 105dB, A-weighted <0.00 0dB 0dB <-8 -103dB, A-weighted 103dB, A-weighted 0.00 0dB 5 20k ohms, balanced +20dBu, balanced = 0dB +1 0dB <-100dB -102dB, A-weighted 102dB, A-weighted @ -1dB 0.0025% (-92dB) <-82dB +20dBu balanced = 0dB -102dB, A-weighted 102dB, A-weighted 0.0025% (-92dB) @ -1dB 4.5k ohms balanced +13dBu to -43dBu, 7 kg) lbs (.65 1.43 D <0.01% into 32 ohms Q, min gain) Q, min gain) B RAM e-EQ, min gain) Hz with 64 ations

c 0 (line input to mix A/ D, pr D, pre-E X pp) @ TH

00M 3 E, Me, 2000, XP 0 (D/A) 0kHz, +/-0.5dB @ 9 0kHz, +/-0.3dB @ 9 0kHz, +/-0.4dB @ 9 0kHz, +/-0.1dB @ 9 , unbalanced S alk: alk: alk: alk: alk: alk: alk: Return Level: 8.6, OS .8dBV .2dBu (5 V alk: 7 entium III Crosst +7 Crosst 22Hz to 22kHz, +/-0.2dB @ 4 22Hz to 22kHz, +/-0.2dB @ 4 Crosst 20Hz to 20kHz, +/-0.2dB @ 4 20Hz to 20kHz, +/-0.1dB @ 4 20Hz to 20kHz, Crosst Crosst 20Hz to 20kHz, +/-0.1dB @ 4 Crosst Crosst +1 22Hz to 4 22Hz to 4 20Hz to 4 20Hz to 4 al Audio Interface Speciﬁ al Audio D+N: D+N: D+N: D+N: D+N: D+N: D+N: indows 98 orking Range: eight: eight: owerMac G4 with 128M ariable Gain: ariable Gain: RV10 indows Output Impedance: Nominal Send Level: Input Impedance: Max Level: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Output Impedance: Max Output Level: Output Impedance: Input Impedance: Max Send/ Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: V Max Input Level: Input Impedance: Channel-to-Channel Frequency Response: Max Output: Impedance: W Crosst Signal-to-Noise Ratio: Dynamic Range: TH Input Impedance: Max Input Level: Channel-to-Channel Mic Inputs 1-4 (analog - input to c Frequency Response: Signal-to-Noise Ratio: Dynamic Range: TH Max Output Level:

Frequency Response:

Channel-to-Channel Signal-to-Noise Ratio: Dynamic Range: TH Max Output Level:

Input Impedance: Max Input Level: Frequency Response: V Signal-to-Noise Ratio: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Channel-to-Channel Channel-to-Channel Intel P W P Mac OS Max Input Level: Dynamic Range: TH Frequency Response: Signal-to-Noise Ratio: Max Input Level: Channel-to-Channel Channel-to-Channel Mic Inputs 1-4 (A/ Mic Inputs Input Impedance: Dimensions: Dimensions: W Aux Sends (analog) Aux Returns (analog) Line Outputs (analog) Inserts (analog) Line Inputs (analog - input to c Headphone Output (analog) Analog Mixer Speciﬁ Mix Return 9-1 Channel Returns 1-8 (D/A) Line Inputs 1-8 (A/ Line Inputs 1-8 Mix Line Inputs 9-1 Oddity W Macintosh N Digit

8kHz S, 1kHz 00mA F S, 1kHz , all brass S, 1kHz F F C, 5 4.1 or 4

rms), unbalanced

87 R 6dBV) 00 ohms ample rate ample rate 7dB) @ -1dB ample rate ample rate 0dB) 8dB) @ -1dB

6kHz

0dB) @ -1dB 7 D+N ET preamp 00mA kel plating B RAM or Intel-based Mac B RAM or Pa (-3 00 ohms

, unbalanced hable on/off) andalone operation andalone 8kHz s 8kHz s 7% (-91dB) 6kHz s 6kHz s Hz radio frequency RAM C, 5 8.2 or 9 to 320 kbps @ 4 feet (10 meters) 9dB, A-weighted 8dB, A-weighted 4dB @ 1kHz 4dB, A-weighted MB 8V phantom power 65 ohms 9dB, A-weighted 8dB, A-weighted wire mesh grille and body <-95dB -101dB, A-weighted 101dB, A-weighted 0.002 >1,000 ohms 3-pin male XL 4 silver nic 16 ohms to 6 4 +6dBV <-105dB -9 9 0.0044% (-8 >52dB <-95dB -101dB, A-weighted 101dB, A-weighted 0.003% (-9 20Hz to 20kHz, +/-0.5dB >52dB >5.3k ohms 200 ohms 14dB, A-weighted 128dB 2.2k ohms -3.6dBV 96 -5.2dBu -8 8 0.013% (- large-diaphragm condenser cardioid 20Hz to 18kHz class A F 16 mV/ 2 AA batteries, or 9VD 2 AA batteries, or 2.4G 30 9VD of continuous exceeds 20 hours 24 to 6 +/-0.8dB, 20Hz to 20kHz +2.8dBV (1.3 +/-0.1dB, 20Hz to 20kHz 75 ohms -9 -8 82dB, A-weighted 0.01% (-8 8, 8 a rate and storage medium D)

75% into 32 ohms a D: 4.1, 4 ist

S, AU S, AU Hz with 64 D) D <0.0

P2, V 1G E, Me, 2000, XP a:Melohman 0kHz, +/-0.5dB @ 9 0kHz, +/-0.5dB @ 9 S S D) ody: owerMac G4 with 512M owerMac owerMac G4 indows 2.0, MA 2.0, MA ower: alk: alk: alk: alk: opology: for 0.5% TH Line Inputs (A/ rack II 9 or later (CarbonLib 1.5 or higher required); OS Hz P Hz P B of RAM entium III Recording: ypical Conditions: ypical Conditions: 0dBV @ TH 20Hz to 20kHz, +/-0.3dB @ 4 phantom power enabled (switc 20Hz to 20kHz, +/-0.3dB @ 4 +4.3dBu, balanced/unbalanced Crosst Impedance: Crosst Crosst 16- or 24-bit @ 4 variable based on dat power (variable based on battery brand) power (variable based T -6dBV into 32 ohms @ 0.01% TH Crosst S, VST S, VST 20Hz to 4 20Hz to 4 X 10.4 B available disk space B available osoft W D+N: D+N: D+N: D+N: D+N: A A ireless Platform: indows XP indows indows 98 orking Range: orking Range: P3 Recording: attery Life: O-compatible sound card for st card for sound SIO-compatible ower Requirement: 4” Mic/ ransmitter: ype: Signal-to-Noise Ratio: Dynamic Range: TH Connector: P Grille and B Finishing: W Max Output:

Frequency Response: Output Impedance: Max Output Level: Signal-to-Noise Ratio: Dynamic Range: TH Preamp Gain: Phantom P

Frequency Response: Input Impedance: Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: Preamp Gain: electret condenser power enabled Max Input Level @ Min Gain: Channel-to-Channel Recommended Load Output Impedance: Equivalent Noise Level: Channel-to-Channel Input Impedance: Max Input Level, Min Gain: Channel-to-Channel PCM Storage Capacity: M Max Input Level: Signal-to-Noise Ratio: Dynamic Range: TH T Pattern: Frequency Response: Preamp T Sensitivity: Max SPL Operating Range Under Operating Range T B W Receiver: W A 1.25G 5G OS RT Mac OS RT 1.25G 128M W W Intel P Frequency Response: Max Output Level: Frequency Response: Output Impedance: Max Output: Signal-to-Noise Ratio: Dynamic Range: TH Channel-to-Channel Headphone Output (D/A) Line Outputs (D/A) 1/ Nova Minimonst Micr 1/8” Mic Input (A/ MicroT General Mic Input (A/ MobilePre USB MidAir Macintosh Compatibility Compatibility Macintosh Line Outputs (D/A) Headphone Output (D/A)

PRODUCT SPECIFICATIONS

PRODUCT GUIDE 2009 82 Photo by Joshua Merrill by Joshua Photo 2009 PRODUCT GUIDE

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S, 1kHz F ools ools P1) S, 1kHz F S rms), unbalanced hannel P for U.S. only EM rms), unbalanced 4-Bit S , AU k the minimum system ST vid, M-Audio and hannel 6dB) @ -1dB ample rate ample rate ample ample rate ample rate ample rate P1, 6 ained herein are the hec S, VST SY 4dB) @ -1dB

ohms 7 , unbalanced B of RAM 00 ohms ohms per c S, 1kHz S, 1kHz 8kHz s 8kHz s 8kHz 8kHz s 8kHz s 8kHz s andalone operation F F B RAM 9dB @ 1kHz NG P- or Mac-based Pro T P- or Mac-based Pro T 0dB @ 1kHz 9dB, A-weighted 7dB, A-weighted IAA curve ohms per c a (32-Bit S TI 8k ohms 8k ohms 4dB, A-weighted 7dB, A-weighted <-8 -9 93dB, A-weighted 0.02% (- <-100dB @ 1kHz 75 ohms max 32 to 6 100 ohms min, unbalanced +10dBV <-100dB @ 1kHz >25dB 4 R 43dB 4 V +10dBV (3.162 -100dB, A-weighted 9 <0.005% (-8 16 to 80 -9 <-10 -100dB, A-weighted 95dB, A-weighted 9 100 ohms, unbalanced +11.4dBV (3.711 V ist .0 or higher software .0 or higher software RA pp) into 30 allation (download-only also available) , Inc. All rights reserved. Product features, M, DirectX, MA indows X indows X a P3), V 2 ools 7 ools 7 ist

Hz with 512M 8.2dB) @ -1dB hange without notice. A ey (sold separately), Internet access and a free ey (sold separately), Internet access and a free rms) into 30

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4, V P2, S D OPE hnology E)^ c D) rms, 2.8 V X 10.4.9, 10.5.4 with SP (S , x6 7% (-85.1dB) @ -1dB 7% (-85.1dB) @ owerMac G4 with 512M AR drive for inst alk: alk: alk: alk: , AU , Inc. All other trademarks cont RTE Smart K Smart K ariable Gain: ariable Gain: vid Te X 10.4.x O Hz P DW entium IV 1G 9 A cations, system requirements and availability are subject

+8dBV (2.6 V Crosst 20Hz to 20kHz, +/-0.4dB @ 4 20Hz to 20kHz, +/-0.2dB @ 4 @ +/-0.2dB to 20kHz, 20Hz Crosst 20Hz to 20kHz, +/-0.3dB @ 4 Crosst 0dBV (1 V 0.00390% (-8 20Hz to 20kHz, +/-0.1dB @ 4 Crosst 0.0055 20Hz to 20kHz, +/-0.2dB @ 4 S, VST S, AudioSuite, HTD X 10.4 or later B available disk space B available disk space PP

D+N: D+N: D+N: D+N: tual String Machine A A hange without notice. All prices are USMSR indows XP indows XP indows XP orking Range: orking Range: hnology VD-ROM SIO-compatible soundcard for st Q: c indows indows elvet ransfuser rash orq Xponent Signal-to-Noise Ratio: Dynamic Range: TH 5G W A 1.25G 5G Mac OS RT Output Impedance: W W Intel P Output Impedance: Max Output Level: Max Output: Channel-to-Channel OS RT Frequency Response: W Frequency Response: Response: Frequency V Preamp Input Impedance: E Gain: Input Impedance: Min Gain: Max Input Level, Macintosh OS Channel-to-Channel Signal-to-Noise Ratio: Dynamic Range: TH Frequency Response: W Channel-to-Channel Signal-to-Noise Ratio: Max Output: Signal-to-Noise Ratio: Dynamic Range: TH Dynamic Range: Dynamic Range: Output Impedance: Max Output Level: Frequency Response: TH Channel-to-Channel Frequency Response: iLok USB iLok.com account (for retrieving and managing iLok licenses) D system running Pro T system running Pro T iLok USB Digidesign-qualifi Digidesign-qualifi iLok.com account (for retrieving and managing iLok licenses) See m-audio.com for additional system requirements and information about supported operating systems. ^M-Audio recommends that you also c requirements for your software, as they may be higher than the above. © 200 specifi T T V Vir SU to c T and are subject to c Digidesign are either trademarks or registered trademarks of A Te property of their respective owners. Macintosh Compatibility W W Line Outputs (D/A) Headphone Output Mac Compatibility Phono Inputs (A/ Phono Inputs Line Inputs (A/ (HAR Headphone Output Line Outputs (D/A)

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.5 mm) 7 watts watts C318) ave eteron dome with rms), min gain /EBU F: 80 F: 80 /oct imecode Preferences ave S (1mW IE /oct he user is advised to 0kHz 0kHz 7kHz ect the ability to run T cations.

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F and AE F 0.3 mm) x 10.1” (25 0% 0% ohms uid cooling PDI 7 8dB, A-weighted

LR balanced and 1/4” balanced 6kHz 6kHz 0mm Mylar 8dB, A-weighted 20Hz to 4 >9 20 lbs (9.1 kg) 18dBu 102dB A-weighted 92dB 9 LF: 100 watts, H <0.05% 100dB A-weighted S/ 20k ohms volume trim from -22dB to +10dB -1.0dB, -2.0dB, -3.0dB @ 200Hz X -1.0dB, -2.0dB, -3.0dB @ 1 -1.0dB, -2.0dB, -3.0dB @ 220Hz -1.5dB, -3.0dB, -4.5dB 20Hz to 4 340k ohms +4.1dBu (1.243 V +1.5dB, -1.5dB, -3.0dB >9 42Hz to 2 18dBu 102dB A-weighted 92dB 9 watts, H LF: 100 <0.05% 100dB A-weighted 10Hz to 20kHz 116dB SPL 64 8.8 oz (.25 kg) neodymium 4 1” (25.4 mm) soft T -9 9 111dB 2.7kHz @ 24dB +1.5dB, -1.5dB, -3.0dB B RAM ations ations 8 screen resolution c c B RAM B RAM 2 D): D):

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00 0dB @ 1 meter (trim level set to 0) port (for use by approved M-Audio port (for use by approved M-Audio port (for use by approved M-Audio port (for use by approved M-Audio 0Hz, 100Hz @ 12dB 4-Bit Hz, 512M Hz, 1G Hz, 1G 4-Bit P3)

al Speciﬁ al Speciﬁ D) a 32-Bit a 6 P 26 (S a 32-Bit a 6 85 mm) x 10.6” (2 0Hz, 8 ist ist , AU Hz, 512M ist ist ithout Cable: orq. @ 1 Meter: Filter 3: Filter 2: Filter 1: ower (1% TH ower (1% TH ower (1% X 10.3 or greater X 10.4.11

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uid cooling F and AE h composite (treated paper/ LR balanced inputs; two TR LR balanced outputs for

mm) x 7. LP linked ﬁ / h, phase inverse switc 0/6 interference, output current interference, output current 0 watts average power into 8

watts watts watts watts PDI 4 mm) x 15” (3 LR balanced and 1/4” balanced 9Hz to 2 0Hz to 24kHz 6Hz to 22kHz 6dB 6dB A-weighted 4.6 lbs (24.75 kg) .3mV 20k ohms volume trim from -22dB to +10dB S/ 16.5 lbs (7 -1.0dB, -2.0dB, -3.0dB @ 200Hz X -1.0dB, -2.0dB, -3.0dB @ 1 -1.0dB, -2.0dB, -3.0dB @ 220Hz -1.5dB, -3.0dB, -4.5dB 4 3 2.2kHz 14 lbs (6.3 5 3kHz 110dB 1” (25.4 mm) soft T +1.5dB, -1.5dB, -3.0dB 70 10-inc 40 RF 7 11.0 lbs (5.0 kg) vinyl-laminated MD +1.5dB, -1.5dB, -3.0dB 2.7kHz @ 24dB 20Hz to 200Hz (-3dB points) HP 85mV pink noise input produces 85mV pink noise 85mV pink noise input produces 85mV pink noise input produces 30 A-weighted >100dB (typical 3 8 factory programmed for either 115V RF 26.4 lbs (11.9 24 two X 15 minutes vinyl-laminated MD +20dB vinyl-laminated MD two X volume/gain control, 10dB bass over temperature, turn-on/off dual-volt 5 >100dB (typical A-weighted) positive signal @ + input produce 60 0Hz 81 mm) x 15” (3 andby/bypass (red) ave 4th-order alignment

1 @ one meter with volume control @ max @ one meter with , external mains fuse, DC 0/6 , Mono Mode: @ one meter with volume control @ max lter

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0Hz, 100Hz @ 12dB X10s X8a Deluxe X5a Deluxe hable

S balanced/unbalanced outputs for s 0V ~5 ower ac

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er P er P

Filter 3: Filter 2: Filter 1: 4” (25 er: 0Hz or 23 rim: urn Off T urn On Input

Q: 0Hz, 6 0dBA output SPL h) for either 100-120V/~5 al Inputs: +4dBu yields 9 12.8” (325.5 mm) x 9” (228.7 mm) x 10.3” (261.5 mm) Control Filter: bass-refl 8.75” (222.25 mm) x 6” (152.4 mm) x 7 mm) 6” (152.4 mm) x (222.25 8.75” 6.5” (165.1 mm) domeless anodized aluminum cone 4 9.8 Neodymium magnet and ferrofl 9 20k ohms, balanced; 10k ohms, unbalanced 20k ohms, balanced; displacement positive signal @ + input produces outward LF cone positive signal @ Sensitivity: 12” (304.8 mm) x 10” (25 20k ohms balanced, 10k ohms unbalanced 15” (3 power on (blue) or st 20k ohms, balanced; 10k ohms, unbalanced 20k ohms, balanced; 10k ohms, outward LF cone displacement Driver: Amplifi shelf: Amplifi D @ Rated P 0/6 to 200Hz; 24dB eight: eight: eight: eight: eight: oofer Driver: eak SPL olarity: olarity: ower: ower: ower: 0dBA output SPL atellites; two TR berglass) cone with high-temperature voice coil and damped ype:

Gain T Input Impedance: Input Sensitivity: Dimensions: W Analog Inputs: Digit Desk EQ Desk EQ Desk EQ Frequency Response: Acoustic Space T Crossover Frequency: LF Amplifi Frequency Response: W LF Amplifi Dimensions: Dimensions: Response: Frequency Crossover Frequency: Crossover P LF Driver: HF High-Pass Filter: HF W Cabinet: Dimensions: HF Mid E Crossover Frequency: Frequency Response: Input Impedance: Input Impedance: Input Sensitivity: HF Signal-to-Noise Ratio: Signal-to-Noise Ratio: P W Gain: Signal-to-Noise Ratio: TH Auto T Auto T Cabinet: Dimensions: Input Impedance: Max Input Level: grounded IE Cabinet: Dimensions: W Indicator: Input Impedance: Signal-to-Noise Ratio: P P ~5 factory programmed for either 115V W Protection: limiting, over temperature, turn-on/off transient, subsonic fi limiting, over temperature, turn-on/off external mains fuse Crossover: Input Sensitivity: rubber surround 50 Input Sensitivity: fi 9 P ~5 Protection: limiting, over temperature, turn-on/off transient, subsonic fi 100dBA output SPL Amplifi ohms, discrete transistor design Inputs: external mains fuse balanced/unbalanced inputs Outputs: s Controls: boost switc crossover control, subwoofer bypass footswitc Protection: powered via det P transient, subsonic fi current protection switc Studiophile DSM General Studiophile B Studiophile B Studiophile B Studiophile

PRODUCT SPECIFICATIONS

PRODUCT GUIDE 2009 84