Early Communist China: Two Studies
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kūnqǔ in Practice: a Case Study
KŪNQǓ IN PRACTICE: A CASE STUDY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE OCTOBER 2019 By Ju-Hua Wei Dissertation Committee: Elizabeth A. Wichmann-Walczak, Chairperson Lurana Donnels O’Malley Kirstin A. Pauka Cathryn H. Clayton Shana J. Brown Keywords: kunqu, kunju, opera, performance, text, music, creation, practice, Wei Liangfu © 2019, Ju-Hua Wei ii ACKNOWLEDGEMENTS I wish to express my gratitude to the individuals who helped me in completion of my dissertation and on my journey of exploring the world of theatre and music: Shén Fúqìng 沈福庆 (1933-2013), for being a thoughtful teacher and a father figure. He taught me the spirit of jīngjù and demonstrated the ultimate fine art of jīngjù music and singing. He was an inspiration to all of us who learned from him. And to his spouse, Zhāng Qìnglán 张庆兰, for her motherly love during my jīngjù research in Nánjīng 南京. Sūn Jiàn’ān 孙建安, for being a great mentor to me, bringing me along on all occasions, introducing me to the production team which initiated the project for my dissertation, attending the kūnqǔ performances in which he was involved, meeting his kūnqǔ expert friends, listening to his music lessons, and more; anything which he thought might benefit my understanding of all aspects of kūnqǔ. I am grateful for all his support and his profound knowledge of kūnqǔ music composition. Wichmann-Walczak, Elizabeth, for her years of endeavor producing jīngjù productions in the US. -
I Want to Be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition
Volume 6 Issue 1 2020 “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v6i1.2020.4398 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan The years leading up to the political handover of Hong Kong to Mainland China surfaced issues regarding national identification and intergroup relations. These issues manifested in Hong Kong films of the time in the form of film characters’ language ideologies. An analysis of six films reveals three themes: (1) the assumption of mutual intelligibility between Cantonese and Putonghua, (2) the importance of English towards one’s Hong Kong identity, and (3) the expectation that Mainland immigrants use Cantonese as their primary language of communication in Hong Kong. The recurrence of these findings indicates their prevalence amongst native Hongkongers, even in a post-handover context. 1 Introduction The handover of Hong Kong to the People’s Republic of China (PRC) in 1997 marked the end of 155 years of British colonial rule. Within this socio-political landscape came questions of identification and intergroup relations, both amongst native Hongkongers and Mainland Chinese (Tong et al. 1999, Brewer 1999). These manifest in the attitudes and ideologies that native Hongkongers have towards the three most widely used languages in Hong Kong: Cantonese, English, and Putonghua (a standard variety of Mandarin promoted in Mainland China by the Government). -
Tissue-Restricted Genome Editing in Vivo Specified by Microrna-Repressible Anti-CRISPR Proteins
Downloaded from rnajournal.cshlp.org on September 29, 2021 - Published by Cold Spring Harbor Laboratory Press REPORT Tissue-restricted genome editing in vivo specified by microRNA-repressible anti-CRISPR proteins JOOYOUNG LEE,1 HAIWEI MOU,1,4 RAED IBRAHEIM,1 SHUN-QING LIANG,1 PENGPENG LIU,2 WEN XUE,1,3 and ERIK J. SONTHEIMER1,3 1RNA Therapeutics Institute, University of Massachusetts Medical School, Worcester, Massachusetts 01605, USA 2Program in Molecular, Cell and Cancer Biology, University of Massachusetts Medical School, Worcester, Massachusetts 01605, USA 3Program in Molecular Medicine, University of Massachusetts Medical School, Worcester, Massachusetts 01605, USA ABSTRACT CRISPR-Cas systems are bacterial adaptive immune pathways that have revolutionized biotechnology and biomedical ap- plications. Despite the potential for human therapeutic development, there are many hurdles that must be overcome be- fore its use in clinical settings. Some clinical safety concerns arise from editing activity in unintended cell types or tissues upon in vivo delivery (e.g., by adeno-associated virus (AAV) vectors). Although tissue-specific promoters and serotypes with tissue tropisms can be used, suitably compact promoters are not always available for desired cell types, and AAV tis- sue tropism specificities are not absolute. To reinforce tissue-specific editing, we exploited anti-CRISPR proteins (Acrs) that have evolved as natural countermeasures against CRISPR immunity. To inhibit Cas9 in all ancillary tissues without compro- mising editing in the target tissue, we established a flexible platform in which an Acr transgene is repressed by endoge- nous, tissue-specific microRNAs (miRNAs). We demonstrate that miRNAs regulate the expression of an Acr transgene bearing miRNA-binding sites in its 3′′′′′-UTR and control subsequent genome editing outcomes in a cell-type specific manner. -
Self-Study Syllabus on China’S Domestic Politics
Self-Study Syllabus on China’s domestic politics www.mandarinsociety.org PrefaceAbout this syllabus. syllabus aspires to guide interested non-specialists in Thisthe study of some of the most salient and important aspects of the contemporary Chinese domestic political scene. The recommended readings survey basic features of China’s political system as well as important developments in politics, ideology, and domestic policy under Xi Jinping. Some effort has been made to promote awareness of the broad array of available English language scholarship and analysis. Reflecting the authors’ belief that study of official documents remains a critical skill for the study of Chinese politics, an effort has been made as well to include some of these important sources. This syllabus is organized to build understanding in a step-by-step fashion based on one hour of reading five nights a week for four weeks. We assume at most a passing familiarity with the Chinese political system. The syllabus also provides a glossary of key terms and a list of recommended reading for books and websites for those seeking to engage in deeper study. American Mandarin Society 1 Week One: Building the Foundation The organization, ideology, and political processes of China’s governance • “Chinese Politics Has No Rules, But It May Be Good if Xi Jinping Breaks Them” Overview ,Christopher Johnson, Center for Strategic and International Studies, August 9, 2017. Mr. Johnson argues that the institutionalization of This week’s readings review some of the basic and most distinctive features of China’s Chinese politics was less than many foreign political system. -
Xue Song's Art by Jiang Mei Download
The Inspiration from Fire: Regenerated Images – Xue Song’s Art By Jiang Mei The meaning of image looks so intricate and profound in Xue Song’s art, that from a certain perspective, he is both the terminator of the readymade image as well as the creator of the regenerated image and its meaning. In the realm of Chinese contemporary art, Xue Song’s artworks are unique. The uniqueness is apparent in two aspects: first, a creation method different from the majority; and secondly, the cultural tolerance, criticism and metaphorical colour of his works. The creation of the former is like some kind of divine enlightenment, while the latter is like the consequential extension of a lush, pictorial scene after the divine enlightenment. Readymade pictorial images and texts go through a process of selection, disintegration, burning, restructuring, collage and drawing, to eventually produce a new image which meets Xue Song’s requirements in both the creative process, as well as the necessary process for us to read and understand his works. The production procedure, which seems like pipeline to outsiders, includes, in each of its steps, the historical thinking and judgment of the artist, based on current culture and reality. Through this process, Xue Song’s sensitive grasp and clever creation of complex images, all kinds of old, new, Chinese and foreign elements are embraced. It is precisely this kind of creative process, in which meanings are generated from the production method itself, that makes Xue Song’s art an integral part of the Chinese contemporary art scene since the 1990s. -
Participant List
Participant List 10/20/2019 8:45:44 AM Category First Name Last Name Position Organization Nationality CSO Jillian Abballe UN Advocacy Officer and Anglican Communion United States Head of Office Ramil Abbasov Chariman of the Managing Spektr Socio-Economic Azerbaijan Board Researches and Development Public Union Babak Abbaszadeh President and Chief Toronto Centre for Global Canada Executive Officer Leadership in Financial Supervision Amr Abdallah Director, Gulf Programs Educaiton for Employment - United States EFE HAGAR ABDELRAHM African affairs & SDGs Unit Maat for Peace, Development Egypt AN Manager and Human Rights Abukar Abdi CEO Juba Foundation Kenya Nabil Abdo MENA Senior Policy Oxfam International Lebanon Advisor Mala Abdulaziz Executive director Swift Relief Foundation Nigeria Maryati Abdullah Director/National Publish What You Pay Indonesia Coordinator Indonesia Yussuf Abdullahi Regional Team Lead Pact Kenya Abdulahi Abdulraheem Executive Director Initiative for Sound Education Nigeria Relationship & Health Muttaqa Abdulra'uf Research Fellow International Trade Union Nigeria Confederation (ITUC) Kehinde Abdulsalam Interfaith Minister Strength in Diversity Nigeria Development Centre, Nigeria Kassim Abdulsalam Zonal Coordinator/Field Strength in Diversity Nigeria Executive Development Centre, Nigeria and Farmers Advocacy and Support Initiative in Nig Shahlo Abdunabizoda Director Jahon Tajikistan Shontaye Abegaz Executive Director International Insitute for Human United States Security Subhashini Abeysinghe Research Director Verite -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
Mao's War on Women
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 8-2019 Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976 Al D. Roberts Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Roberts, Al D., "Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976" (2019). All Graduate Theses and Dissertations. 7530. https://digitalcommons.usu.edu/etd/7530 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. MAO’S WAR ON WOMEN: THE PERPETUATION OF GENDER HIERARCHIES THROUGH YIN-YANG COSMOLOGY IN THE CHINESE COMMUNIST PROPAGANDA OF THE MAO ERA, 1949-1976 by Al D. Roberts A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: ______________________ ____________________ Clayton Brown, Ph.D. Julia Gossard, Ph.D. Major Professor Committee Member ______________________ ____________________ Li Guo, Ph.D. Dominic Sur, Ph.D. Committee Member Committee Member _______________________________________ Richard S. Inouye, Ph.D. Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2019 ii Copyright © Al D. Roberts 2019 All Rights Reserved iii ABSTRACT Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976 by Al D. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Names of Chinese People in Singapore
101 Lodz Papers in Pragmatics 7.1 (2011): 101-133 DOI: 10.2478/v10016-011-0005-6 Lee Cher Leng Department of Chinese Studies, National University of Singapore ETHNOGRAPHY OF SINGAPORE CHINESE NAMES: RACE, RELIGION, AND REPRESENTATION Abstract Singapore Chinese is part of the Chinese Diaspora.This research shows how Singapore Chinese names reflect the Chinese naming tradition of surnames and generation names, as well as Straits Chinese influence. The names also reflect the beliefs and religion of Singapore Chinese. More significantly, a change of identity and representation is reflected in the names of earlier settlers and Singapore Chinese today. This paper aims to show the general naming traditions of Chinese in Singapore as well as a change in ideology and trends due to globalization. Keywords Singapore, Chinese, names, identity, beliefs, globalization. 1. Introduction When parents choose a name for a child, the name necessarily reflects their thoughts and aspirations with regards to the child. These thoughts and aspirations are shaped by the historical, social, cultural or spiritual setting of the time and place they are living in whether or not they are aware of them. Thus, the study of names is an important window through which one could view how these parents prefer their children to be perceived by society at large, according to the identities, roles, values, hierarchies or expectations constructed within a social space. Goodenough explains this culturally driven context of names and naming practices: Department of Chinese Studies, National University of Singapore The Shaw Foundation Building, Block AS7, Level 5 5 Arts Link, Singapore 117570 e-mail: [email protected] 102 Lee Cher Leng Ethnography of Singapore Chinese Names: Race, Religion, and Representation Different naming and address customs necessarily select different things about the self for communication and consequent emphasis. -
“A Place of Reflection: Po-Wen Liu,” Ceramics Monthly
A Place of Reflection: Po-Wen Liu By: Elizabeth Perrill Elizabeth Perrill, “A Place of Reflection: Po-Wen Liu,” Ceramics Monthly. v62 n8 (Oct 2014) 34-37. Originally published in the October 2014 issue of Ceramics Monthly, pages (34–37). http://www.ceramicsmonthly.org. Copyright, The American Ceramic Society. Reprinted with permission. Abstract: The article discusses the work of ceramic artist Po-Wen Liu. Topics include the influence of North Carolina's Blue Ridge Piedmont region on Liu's work, Buddhist influence on Liu's works, and the use of the lotus as a motif in his pottery. He use of glazing techniques including celadon glazing, monochromatic glazing, and alkaline-glaze formulas is noted. Keywords: Po-Wen Liu | ceramics | pottery Article: ***Note: Full text of article below Po-Wen Liu by Dr. Elizabeth Perrill Uprooting one’s self and moving to a new physical location is often a moment for transformation and reflection. This truism can be even more poignant for ceramicists; those who are invested in the history of local ceramic traditions or inspired by specificities of land and architecture are par ticularly vulnerable to the travails of displace ment. Amidst the exigencies of professional or academic life, the question, “Where is your place?” can become a source of unsettling challenges. In the past decade, Po-Wen Liu, has been no stranger to moving both his home and his studio. Relocating from his native Taiwan, where he earned a degree in ceramic engineering at the competitive National Lian-Ho University, Liu first acquired a BFA in ceramics from the School of American Craft in Rochester, New York in 2000. -
Kampen MAO ZEDONG, ZHOU ENLAI and the CHINESE COMMUNIST
Kampen MAO ZEDONG, ZHOU ENLAI AND THE EVOLUTION OF THE CHINESE COMMUNIST LEADERSHIP MAO ZEDONG, ZHOU ENLAI Thomas Kampen MAO ZEDONG, ZHOU ENLAI AND THE CHINESE COMMUNIST LEADERSHIP NIAS AND THE EVOLUTION OF This book analyses the power struggles within the leadership of the Chinese Communist Party between 1931, when several Party leaders left Shanghai and entered the Jiangxi Soviet, and 1945, by which time Mao Zedong, Liu THE CHINESE COMMUNIST Shaoqi and Zhou Enlai had emerged as senior CCP leaders. In 1949 they established the People's Republic of China and ruled it for several decades. LEADERSHIP Based on new Chinese sources, the study challenges long-established views that Mao Zedong became CCP leader during the Long March (1934–35) and that by 1935 the CCP was independent of the Comintern in Moscow. The result is a critique not only of official Chinese historiography but also of Western (especially US) scholarship that all future histories of the CCP and power struggles in the PRC will need to take into account. “Meticulously researched history and a powerful critique of a myth that has remained central to Western and Chinese scholarship for decades. Kampen’s study of the so-called 28 Bolsheviks makes compulsory reading for anyone Thomas Kampen trying to understand Mao’s (and Zhou Enlai’s!) rise to power. A superb example of the kind of revisionist writing that today's new sources make possible, and reminder never to take anything for granted as far as our ‘common knowledge’ about the history of the Chinese Communist Party is concerned.” – Michael Schoenhals, Director, Centre for East and Southeast Asian Studies, Lund University, Sweden “Thomas Kampen has produced a work of exceptional research which, through the skillful use of recently available Chinese sources, questions the accepted wisdom about the history of the leadership of the CCP.