Literary Architecture and Meaning in Orkneyinga Saga
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3 St Magnus Earl of Orkney
UHI Research Database pdf download summary Storyways Gibbon, Sarah Jane; Moore, James Published in: Open Archaeology Publication date: 2019 Publisher rights: © 2019 Sarah Jane Gibbon et al., published by De Gruyter. The re-use license for this item is: CC BY The Document Version you have downloaded here is: Peer reviewed version The final published version is available direct from the publisher website at: 10.1515/opar-2019-0016 Link to author version on UHI Research Database Citation for published version (APA): Gibbon, S. J., & Moore, J. (2019). Storyways: Visualising Saintly Impact in a North Atlantic Maritime Landscape. Open Archaeology, 5(1), 235-262. https://doi.org/10.1515/opar-2019-0016 General rights Copyright and moral rights for the publications made accessible in the UHI Research Database are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights: 1) Users may download and print one copy of any publication from the UHI Research Database for the purpose of private study or research. 2) You may not further distribute the material or use it for any profit-making activity or commercial gain 3) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 06. Oct. 2021 Open Archaeology 2019; 5: 235–262 Original Study Sarah Jane Gibbon*, James Moore Storyways: Visualising Saintly Impact in a North Atlantic Maritime Landscape https://doi.org/10.1515/opar-2019-0016 Received February 28, 2019; accepted May 17, 2019 Abstract: This paper presents a new methodological approach and theorising framework which visualises intangible landscapes. -
THE VIKINGS in ORKNEY James Graham-Campbell
THE VIKINGS IN ORKNEY James Graham-Campbell Introduction In recent years, it has been suggested that the first permanent Scandinavian presence in Orkney was not the result of forcible land-taking by Vikings, but came about instead through gradual penetration - a period which has been described as one of'informal' settlement (Morris 1985: 213; 1998: 83). Such would have involved a phase of co-existence, or even integration, between the native Picts and the earliest Norse settlers. This initial period, it is supposed, was then followed by 'a second, formal, settlement associated with the estab lishment of an earldom' (Morris 1998: 83 ), in the late 9'h century. The archaeological evidence advanced in support of the first 'period of overlap' is, however, open to alternative interpretation and, indeed, Alfred Smyth has com mented ( 1984: 145), in relation to the annalistic records of the earliest Viking attacks on Ireland, that these 'strongly suggest that the Norwegians did not gradually infiltrate the Northern Isles as farmers and fisherman and then sud denly tum nasty against their neighbours'. Others have supposed that the first phase of Norse settlement in Orkney would have involved, in the words of Buteux (1997: 263): 'ness-taking' (the fortifying of a headland by means of a cross-dyke) and the occupation of small off-shore islands. Crawford ( 1987: 46) argues that headland dykes on Orkney can be interpreted as indicating ness-taking. However many are equally likely to be prehistoric land boundaries, and no bases on either headlands or small islands have yet been positively identified. Buteux continues his discussion by observing, most pertinently, that: While this can not be taken as suggesting that such sites do not remain to be uncovered, the striking fact is that almost all identified Viking-period settlements in the Northern Isles are found overlying or immediately adjacent to sites which were occupied in the preceding Pictish period and which, furthermore, had frequently been settlements of some size and importance. -
Brough of Birsay Statement of Significance
Property in Care (PIC) ID: PIC278 Designations: Scheduled Monument (SM90034) Taken into State care: 1933 (Guardianship) Last reviewed: 2004 STATEMENT OF SIGNIFICANCE BROUGH OF BIRSAY We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office:Longmore House, Salisbury Place, Edinburgh EH9 1SH © Historic Environment Scotland 2018 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3/ or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot You can download this publication from our website at www.historicenvironment.scot Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office:Longmore House, Salisbury Place, Edinburgh EH9 1SH BROUGH OF BIRSAY BRIEF DESCRIPTION The monument comprises an area of Pictish to medieval settlement and ecclesiastical remains, situated on part of a small tidal island off the NW corner of Mainland Orkney. -
Scripta Islandica 66/2015
SCRIPTA ISLANDICA ISLÄNDSKA SÄLLSKAPETS ÅRSBOK 66/2015 REDIGERAD AV LASSE MÅRTENSSON OCH VETURLIÐI ÓSKARSSON under medverkan av Pernille Hermann (Århus) Else Mundal (Bergen) Guðrún Nordal (Reykjavík) Heimir Pálsson (Uppsala) Henrik Williams (Uppsala) UPPSALA, SWEDEN Publicerad med stöd från Vetenskapsrådet. © Författarna och Scripta Islandica 2015 ISSN 0582-3234 Sättning: Ord och sats Marco Bianchi urn:nbn:se:uu:diva-260648 http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-260648 Innehåll LISE GJEDSSØ BERTELSEN, Sigurd Fafnersbane sagnet som fortalt på Ramsundsristningen . 5 ANNE-SOFIE GRÄSLUND, Kvinnorepresentationen på de sen vikinga- tida runstenarna med utgångspunkt i Sigurdsristningarna ....... 33 TERRY GUNNELL, Pantheon? What Pantheon? Concepts of a Family of Gods in Pre-Christian Scandinavian Religions ............. 55 TOMMY KUUSELA, ”Den som rider på Freyfaxi ska dö”. Freyfaxis död och rituell nedstörtning av hästar för stup ................ 77 LARS LÖNNROTH, Sigurður Nordals brev till Nanna .............. 101 JAN ALEXANDER VAN NAHL, The Skilled Narrator. Myth and Scholar- ship in the Prose Edda .................................. 123 WILLIAM SAYERS, Generational Models for the Friendship of Egill and Arinbjǫrn (Egils saga Skallagrímssonar) ................ 143 OLOF SUNDQVIST, The Pre-Christian Cult of Dead Royalty in Old Norse Sources: Medieval Speculations or Ancient Traditions? ... 177 Recensioner LARS LÖNNROTH, rec. av Minni and Muninn: Memory in Medieval Nordic Culture, red. Pernille Herrmann, Stephen A. Mitchell & Agnes S. Arnórsdóttir . 213 OLOF SUNDQVIST, rec. av Mikael Males: Mytologi i skaldedikt, skaldedikt i prosa. En synkron analys av mytologiska referenser i medeltida norröna handskrifter .......................... 219 PER-AXEL WIKTORSSON, rec. av The Power of the Book. Medial Approaches to Medieval Nordic Legal Manuscripts, red. Lena Rohrbach ............................................ 225 KIRSTEN WOLF, rev. -
Heimskringla III.Pdf
SNORRI STURLUSON HEIMSKRINGLA VOLUME III The printing of this book is made possible by a gift to the University of Cambridge in memory of Dorothea Coke, Skjæret, 1951 Snorri SturluSon HE iMSKrinGlA V oluME iii MAG nÚS ÓlÁFSSon to MAGnÚS ErlinGSSon translated by AliSon FinlAY and AntHonY FAulKES ViKinG SoCiEtY For NORTHErn rESEArCH uniVErSitY CollEGE lonDon 2015 © VIKING SOCIETY 2015 ISBN: 978-0-903521-93-2 The cover illustration is of a scene from the Battle of Stamford Bridge in the Life of St Edward the Confessor in Cambridge University Library MS Ee.3.59 fol. 32v. Haraldr Sigurðarson is the central figure in a red tunic wielding a large battle-axe. Printed by Short Run Press Limited, Exeter CONTENTS INTRODUCTION ................................................................................ vii Sources ............................................................................................. xi This Translation ............................................................................. xiv BIBLIOGRAPHICAL REFERENCES ............................................ xvi HEIMSKRINGLA III ............................................................................ 1 Magnúss saga ins góða ..................................................................... 3 Haralds saga Sigurðarsonar ............................................................ 41 Óláfs saga kyrra ............................................................................ 123 Magnúss saga berfœtts .................................................................. 127 -
The Norse Waterways of West Mainland Orkney, Scotland
The Norse Waterways of West Mainland Orkney, Scotland Martin Bates, Richard Bates, Barbara Crawford, and Alexandra Sanmark1 landscape will be that of loss of navigable Summary waterways. The potential existence of a line of This purpose of the study was to investigate the these in the West Mainland of Orkney was an idea originally developed by Barbara Crawford existence of navigable waterways in the West (Crawford 2006 a, b). This has been further Mainland of Orkney, Scotland, in the Norse period examined in recent research (Sanmark 2017; (790―1350). In the parish of Harray, a Norse farm Crawford and Sanmark 2016) to highlight an named Houseby is found. Farms with this name important gap in our knowledge of the past are known from Scandinavia and Orkney and are landscape of Orkney. usually situated by major water routes. An After the initial Norse settlement, the Orkney inspection of the oldest geographically referenced Earldom was created in the late 9th century AD maps for the parish suggests that in the past and gradually integrated into the kingdom of significant waterways across wetlands may have Norway, where it remained until the islands were extended north from the loch of Harray towards mortgaged to the Scottish kingdom in 1468. The Houseby in an area close to the power centre of fertile West Mainland of Orkney was a key area of the earldom at Birsay. The main aim of this project power for the Norse Earls, and this is where many was to test this hypothesis using palaeo- of the Earls’ seats of power were located, such as geographic reconstructions and further study of the residence at the Brough of Birsay, as well as a place-names. -
The Making of a Frontier: Thefirthlands from the Ninth to Twelfth Centuries
THE MAKING OF A FRONTIER: THEFIRTHLANDS FROM THE NINTH TO TWELFTH CENTURIES Barbara E. Crawford The clash between Norse and Scots (or Picts) was a perennial feature of the northern and western parts of this country for most of the Middle Ages. Wherever the Norseman settled he came into contact, and most probably conflict, with the indigenous population. Although the apparent dis appearance of the Picts in the Northern Isles is something of a mystery, it does not seem likely that they disappeared without putting up at least a show of resistance. But the impact of the Norse was so overwhelming that the Pictish population failed to retain any hold of their lands in those islands. The Hebrides provide rather more evidence of resistance at the outset, and then intermingling between the native Gaelic population and the Norse raiders and settlers. But native Gaelic culture re-asserted itself, and Scottish political control was established by the medieval kings of Scotland, ambitious to control the islands round their coasts. The north Scottish mainland provides an area where Norse and Scots also clashed although it was never, in recorded history, under Norwegian political control. However both Caithness and Sutherland were firmly under the rule of the Norwegian earls of Orkney until their power was undermined by the advancing Scottish kings in the thirteenth century. The earls' political control was based on widespread settlement by Norse speaking peoples as far south as the Dornoch Firth or Kyle of Sutherland, so that to all intents and purposes the territory north of that waterway was part of the Norse world from the ninth to the thirteenth century. -
Scalloway Castle Statement of Significance
Property in Care (PIC) ID: PIC262 Designations: Scheduled Monument (SM90273) Taken into State care: 1908 (Guardianship) Last reviewed: 2021 STATEMENT OF SIGNIFICANCE SCALLOWAY CASTLE We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH © Historic Environment Scotland 2021 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3 or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot You can download this publication from our website at www.historicenvironment.scot Cover image: © Crown Copyright HES. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh -
Historical Notes & Maps: Saga of the Light Isles
SAGA OF THE LIGHT ISLES Maps & Historical Notes JOURNEY TO THE LIGHT ISLES MAP - 1 - SOMERLED’S MAP - 2 - WOLFSKIN HISTORICAL NOTE Orkney’s history exists in the very bone of the islands. Culture overlays culture: Neolithic houses, chambered cairns and stone circles, Bronze Age burial cists, Iron Age brochs lying cheek by jowl with remnants of later settlement by those elusive and independent people, the Picts, whose most stunning legacy is their symbol stones. After them came the Vikings, and with their arrival, the rapid establishment of a Norse culture in the islands. By AD 880 Orkney had become a Norse earldom ruled by Rognvald of More. The Orkneyinga Saga, written by an Icelandic chronicler in around AD 1200, tells the story of Norse settlement in Orkney. Prior to that, we have only the archaeological remains and passing references from sources of varying reliability. The Saga tells us nothing of the people who lived in the islands prior to the Norse arrival. It is likely they bore the blood of both Iron Age ancestors and more recent Celtic immigrants. The archaeological evidence points to a Pictish-style culture. Their kings owed a token allegiance to the Pictish kings of Caithness, but geographic isolation gave them a certain degree of independence. So what happened? Did a Viking invasion wipe them out in battle, or did the newcomers arrive gradually, welcoming the opportunity to settle in a place that offered good grazing land and sheltered fishing grounds? The transition to the dominance of Norse blood and Norse ways may have been peaceable, intermarriage eventually causing the absorption of one culture into another. -
Medieval Self-Fashioning: Rǫgnvaldr Kali Kolsson and Orkneyinga Saga
Scandinavica Vol 54 No 2 2015 Medieval Self-Fashioning: Rǫgnvaldr Kali Kolsson and Orkneyinga saga Erin Michelle Goeres UCL Abstract This article investigates the process of self-fashioning depicted in the medieval Icelandic text Orkneyinga saga, the ‘Saga of the Orkney Islanders’. It argues that the character of R gnvaldr Kali Kolsson, ǫ Earl of Orkney, is shown to fashion himself in the model of previous Scandinavian rulers as a means of asserting his right to govern, and that the relationship between poetry and prose is key to this process. Through the composition and recitation of verse, the character of R gnvaldr asserts the power to craft his own story and thus to fashion ǫ his own identity and that of his subjects. In particular, the article demonstrates that R gnvaldr’s expedition to Jerusalem is central to ǫ the construction of the earl’s story and of his self. It concludes by suggesting that such a depiction of self-fashioning may have been particularly resonant in medieval Iceland, itself a site of hybrid and shifting identities following Norwegian colonisation. Keywords Orkneyinga saga, Orkney Islands, skaldic verse, Iceland, R gnvaldr ǫ Kali Kolsson 6 Scandinavica Vol 54 No 2 2015 The Icelandic saga of the Orkney Islanders, Orkneyinga saga, introduces the young nobleman Kali Kolsson with a description typical of many a saga hero: ‘Kali […] var inn efniligsti maðr, meðalmaðr á v xt, kominn ǫ vel á sik, limaðr manna bezt, ljósjarpr á hár; manna var hann vinsælastr ok atgørvimaðr meiri en velflestir menn aðrir’ (Finnbogi Guðmundsson 1965: 129-30) (Kali was the most promising man, average in stature, well-proportioned, with longer limbs than most, with light chestnut hair; he was the most popular of men and more accomplished than many others).1 In this instance, however, third-person narration alone does not suffice, and Kali’s voice bursts into the saga prose declaiming a verse of his own composition: Tafl emk rr at efla; ǫ íþróttir kannk níu; týnik trauðla rúnum; tíðs mér bók ok smíðir. -
BIRSAY the BROUGH of BIRSAY T
ogb 3 collated.qxp 26/10/2005 20:21 Page 290 WEST MAINLAND - BIRSAY THE BROUGH OF BIRSAY t h verted to solar power in g i r y 2001 and stands above low p o c cliffs on the seaward side. n w o Puffins breed in rabbit bur- r C rows along the top of these cliffs, one of the very few places on the Mainland where they can be seen. Brough Head is a good place for sea watching dur- ing bird migration times. Killer, Minke and Pilot Whales are occasionally seen from here, possibly attracted by the rich feeding where tides meet. Aerial view of the Norse settlement and church on the Brough of Birsay BIRSAY The Vikings called described in the Orkneyinga The island is only accessible Pictish leader in the 7th or 8th glass were found around the the whole area of Birsay and Saga), he built Orkney's first when the tide is out via a century. well, suggesting that it may Harray "Byrgisherad" (ON cathedral, Christchurch, at concrete path which leads have been used to quench Byrgisey, island of the Birsay for his new Bishop, across the rocks of Brough The only Pictish structure work. On some moulds the enclosure or rampart and in about 1057. Most of the Sounds. This path can be visible is the small well east design of the piece to be cast Herad, district). Birsay was north of Birsay became slidy and should not be of the church wall. However, could be seen, confirming important in Viking times known as “The Barony” crossed if it is covered, as excavations have revealed that the designs were and was a favourite resi- and was Bishopric land from the strong tide can be dan- many Pictish artefacts. -
Viking Artefacts This Is a Guide to Help Learners Investigate Specific Items
1 Viking Artefacts This is a guide to help learners investigate specific items on the SCRAN database through the detailed study of the materials, design, form and function as well as in the context of individual items or groups of items. The guide comprises a list of things to consider when examining an object, together with a set of sample answers based on a steatite bowl, a bone/antler comb, a gaming piece from Caithness, a silver hoard, an oval brooch and a Viking sword. Things to consider when looking at an object: 1. Describe what you are looking at. 2. What is the object used for? 3. What material is it made from? 4. How was it used? 5. How was it made? 6. Where was it made? 7. What might it be associated with? 8. Do you know of other examples of the type? VikingsArtefacts by Dr Colleen Batey. This material and a massive digital resource base 1can be found at www.scran.ac.uk Text and images are copyright - details available from SCRAN, Abden © House, 1 Marchhall Crescent, Edinburgh EH16 5HW tel: +44 [0]131 662 1211 [email protected] 2 9. What kind of site might it be found on? 10. How do we know it is Viking? 11. Related links within SCRAN 12. Further reading VikingsArtefacts by Dr Colleen Batey. This material and a massive digital resource base 2can be found at www.scran.ac.uk Text and images are copyright - details available from SCRAN, Abden © House, 1 Marchhall Crescent, Edinburgh EH16 5HW tel: +44 [0]131 662 1211 [email protected] 3 1.