The Songs of Midsummerfest 2005

Total Page:16

File Type:pdf, Size:1020Kb

The Songs of Midsummerfest 2005 THE SONGS OF MIDSUMMERFEST “Never forget that music is much too important to be left entirely in the hands of professionals.” -- ROBERT FULGHUM, Maybe (Maybe Not) 2005 Edition 1.17 The Do-It-Yourself Instant Country Lyric Kit how to get your achy breaky heart to beat in 4/4 time by Larry Tritten You left me... and I'm but it really don't matter and you'll... because... (pick one) (pick one) (pick one) •taking soap and water to the back • I got my bottle and I got my dog • know I'm not a pig when you're seat of my car, and we're all goin' out tonight, makin' bacon without me, • having a Wild Turkey sandwich, • life's a two-lane blacktop and I'm • find my love among the leftovers hold the bread a goosed-up pickup Ford, in the icebox of your heart, • gonna chase Chastity till she ain't • you've been recycled-- you're • go on saving whales and chaste no more such a slut -- you've got NO redwoods, too, while I try to save DEPOSIT stamped on your butt, me from the memory of you, • sending you a postcard from • you called me donkey face for the • realize you can't get me out of Death Valley: Wish you were last time and now I'm hauling ass, your head (and you can't get me here, out of your pants), • flying out to Debbie, the gal who • my love's biodegradable (it gets • find that hell is all your old just did Dallas and Fort Worth, more degrading every day), flames burning brightly in one place, • in a state of confusion in a town • while you were dancing with the • find my Dewar's profile down on named Splitsville (and I'm living wolves, I was playing with the the post-office wall, on Civil Court), beavers, • getting used to being abused by • I'm a two-timing guy who just • regret taking the Bronco and you, met some triplets, going to Rodeo Drive, feelin' like a sheep in wolf's clothing without ewe, (pick one) angel, honky-tonk woman, baby, because... because... (pick two, alternate freely) (pick one, growl) • I don't like it when my girlfriend has a boyfriend, • your in-laws are outlaws but your own kin don't sin, • my life's an empty book without your name on every • heartache isn't something that a doctor can cure, page, • there's life after the death of love, at least below the • the only way I'd miss you is with a .45, waist, • my heart is broken badly but my liver's holding the • the safest sex I ever knew is the sex we never had, line, • you got the Midas touch: You made a muffler out of • we ain't Roy and Dale and this ain't no Happy Trail, me, and/but I'll... and/but (pick one and weep) (pick one, return to top) • rise from my ashes like the fabled phoenix does. • my new girl's husband bought the farm and now she's buying rounds. • never be able to give my heart to science now that • I guess the baby-sitter's my baby now. it's broke. • sure enjoy that Moosehead (though the antlers poke • I'll bury you not on the lone prairie but near the new my thighs). mall in Kankakee. • this is the end I want -- it sure looks good in shorts. •I'll give free love a try because it sounds like a good buy. Table of Contents ACCOUNTANCY SHANTY...........................1 A WHOLE NEW WORLD ................................17 YOU’LL BE IN MY TENT................................17 ADDAMS FAMILY THEME ..........................1 BE A MAN...............................................17 THE AERISH BALLAD.................................1 GET ON STAGE ..........................................17 THE AGE OF MIDSUMMERFEST..................1 DANNY'S SONG ........................................ 18 AIN'T GONNA RAIN NO MORE ....................2 DON'T WORRY, BE HAPPY........................ 18 ALISON • ....................................................2 DON'T WORRY, GO CAMPING................... 18 ALL THINGS DULL AND UGLY ...................3 DOWN BY THE STATION .......................... 19 ALPHABET SONGS......................................3 END OF THE WORLD • .............................. 19 THE ALPHABET SONG.................................... 3 ENGINEERS’ DRINKING SONG •................ 20 THE MUPPET ALPHABET SONG ......................... 3 LUMBERMAN’S ALPHABET.............................. 3 ERIC THE HALF-A-BEE ............................. 22 THE SAILOR'S ALPHABET I.............................. 4 EVERY SPERM IS SACRED........................ 22 SAILOR'S ALPHABET II .................................. 4 EXISTENTIAL BLUES................................ 23 ALWAYS LOOK OF THE BRIGHT SIDE FAST FOOD............................................... 24 OF LIFE....................................................4 FESTERELLA & FRIENDS: THE ARISE ALL YE OF MIT ................................5 PRINCESS COLLECTION ........................ 25 ARHUS SONG .............................................5 A SCREAM IS THE SOUND YOUR VOICE MAKES.....25 ARISE YE OF MIDSUMMERFEST ONCE AT A LATRINE ....................................25 (ORIGINAL) .............................................5 I WANT ADVENTURE ...................................25 COLORS OF THE MIND ..................................25 ARISE YE OF MIDSUMMERFEST .................5 PARTNER MY WORLD ..................................25 ARISE YE SONS OF MIT ..............................6 FIFTY WAYS TO HOSE YOUR CODE.......... 25 AULD LANG SYNE •....................................6 FIFTY WAYS TO LEAVE YOUR LOVER THE BALLAD OF BUBBA • ..........................6 •............................................................. 26 THE BALLAD OF 5.60 .................................7 FIRE AND RAIN • ...................................... 27 THE BALLAD OF IAN DOWELL • .................7 FOUND A PEANUT.................................... 27 THE BARBARA SONG .................................8 FUSION GIRL • .......................................... 28 BICYCLE BUILT FOR TWO ..........................8 FUZZY WUZZY ......................................... 28 BICYCLE BUILT FOR TWO ..........................9 GALAXY SONG......................................... 28 THE BARBARA SONG .................................9 GOOD MORNING MERRY SUNSHINE ........ 29 THE BILLBOARD SONG ............................ 10 GREAT GREEN GOBS................................ 29 BILLBOARDS............................................ 10 GREEN EGGS & HAM................................ 29 BLACKBIRD • ........................................... 10 THE GRINCH............................................. 30 BLOWIN' IN THE WIND • ........................... 11 HELLO DELI ............................................. 31 BOSOM BUDDIES...................................... 11 THE HERRING SONG................................. 31 BROTHERS’ RAP....................................... 12 THE HONEYMOONING COUPLE................ 31 BROWN EYED GIRL •................................ 12 THE HOUSE AT POOH CORNER................. 32 A BUSHEL AND A PECK............................ 13 HOW MUCH IS THAT DOGGIE IN THE CAMPING CASANOVA.............................. 13 WINDOW ............................................... 33 CAMPING • ............................................... 14 HUNDRED ACRES..................................... 33 CATCH A FALLING STAR.......................... 15 HUNDRED ACRES (PART 2)....................... 33 CATCH A PICKLED HERRING.................... 15 HUNK OF TIN............................................ 34 THE CLEAN SONG .................................... 15 HUNTING SONG, THE • ............................. 34 COW IMAGINATION ................................. 16 HYPOTHERMIA! ....................................... 35 CRAWDAD SONG (VERSION 1).................. 16 HYPOTHERMIA ........................................ 36 CRAWDAD SONG (VERSION 2).................. 16 ICE CREAM............................................... 36 DANNY BOY............................................. 17 I DON’T KNOW WHETHER TO KILL MYSELF OR GO BOWLING..................... 36 DISNEY DOES MIDSUMMERFEST ............. 17 I LOVE TRASH .......................................... 37 IF ALL OF THE RAINDROPS ...................... 37 M.I.T. ........................................................ 56 IF I HAD $1,000,000.................................... 38 MISS POLLY ............................................. 57 IF IT'S RAINING ........................................ 38 MR. TANNER ............................................ 57 I KNOW AN OLD WOMAN WHO MORAL MAJORITY, THE •......................... 58 SWALLOWED A FLY.............................. 38 THE MTA SONG ........................................ 59 IF I WERE A MOOSE.................................. 39 THE MUPPET SHOW THEME SONG ........... 59 I KNOW YOU RIDER • ............................... 40 MY BLUE HEAVEN ................................... 59 I’M A CAMPER.......................................... 40 MY DING-A-LING...................................... 59 I'M A WOMAN........................................... 40 MY DOG ROVER ....................................... 60 IMMANUEL KANT .................................... 41 MY FAVORITE THINGS............................. 60 INTO THE AIR, JUNIOR BIRDMEN ............. 41 MY FAVORITE MSF THINGS ..................... 60 I WANT TO KISS HER •.............................. 41 MYSTERIOUS WAYS •............................... 60 THE IRISH BALLAD • ................................ 42 NEVER SAY NO ........................................ 61 ISN'T IT AWFULLY NICE TO HAVE A NEW MATH • ............................................ 62 PENIS .................................................... 42 NORWEGIAN HOT DOG SONG IT'S NOT EASY BEING GREEN..................
Recommended publications
  • Keyword Analysis of Bruno Mars' Song Lyrics
    Materialism Construction: Keyword Analysis of Bruno Mars’ Song Lyrics Arisara Thongnopphakhun Wannapa Trakulkasemsuk Thanis Bunsom King Mongkut’s University of Technology Thonburi, Bangkok, Thailand Corresponding author’s email: [email protected] Received 21 January 2019; revised 26 June 2019; accepted 31 July 2019; online 30 August 2019 Abstract Music has long been an effective way to communicate to the masses, and lyrics play an essential role in delivering this communication. Lyrics may contain an ideology and influence listeners. This study aims to conduct a keyword analysis to investigate the materialistic ideology connoted in Bruno Mars’ song lyrics. The corpus of Bruno Mars’ lyrics was compiled from lyrics of 30 Bruno Mars songs in three albums released between 2010 and 2016. The corpus was then compared against the British National Corpus (BNC) to obtain a keyword list. The top 100 keywords were selected based on their statistical values for further analysis. They were classified according to their part of speech, and concordance lines of each keyword were obtained so as to discuss the representation of Bruno Mars’ songs. Materialistic concepts found in the corpus include an emphasis on, or preference for, 49 Vol. 14 No. 2 (2019) luxury objects, brand-name items, a lavish lifestyle, parties, economic power, physical appearance, and objectifying women. Keywords: Aboutness, Bruno Mars lyrics, Keyword analysis, Materialism Introduction In this age of great technological advancement, popular culture (or pop culture) is widespread. As citizens of the globalised world, it is difficult for us to escape from the influence of mass media and popular culture (Monk, Winslade & Sinclair, 2008).
    [Show full text]
  • An Analysis of the Graded Property Tax Robert M
    TaxingTaxing Simply Simply District of Columbia Tax Revision Commission TaxingTaxing FairlyFairly Full Report District of Columbia Tax Revision Commission 1755 Massachusetts Avenue, NW, Suite 550 Washington, DC 20036 Tel: (202) 518-7275 Fax: (202) 466-7967 www.dctrc.org The Authors Robert M. Schwab Professor, Department of Economics University of Maryland College Park, Md. Amy Rehder Harris Graduate Assistant, Department of Economics University of Maryland College Park, Md. Authors’ Acknowledgments We thank Kim Coleman for providing us with the assessment data discussed in the section “The Incidence of a Graded Property Tax in the District of Columbia.” We also thank Joan Youngman and Rick Rybeck for their help with this project. CHAPTER G An Analysis of the Graded Property Tax Robert M. Schwab and Amy Rehder Harris Introduction In most jurisdictions, land and improvements are taxed at the same rate. The District of Columbia is no exception to this general rule. Consider two homes in the District, each valued at $100,000. Home A is a modest home on a large lot; suppose the land and structures are each worth $50,000. Home B is a more sub- stantial home on a smaller lot; in this case, suppose the land is valued at $20,000 and the improvements at $80,000. Under current District law, both homes would be taxed at a rate of 0.96 percent on the total value and thus, as Figure 1 shows, the owners of both homes would face property taxes of $960.1 But property can be taxed in many ways. Under a graded, or split-rate, tax, land is taxed more heavily than structures.
    [Show full text]
  • Architecture and Literature in Victorian Britain by Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof
    Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed. Long before literature asked “what is an author?” Victorian architecture theory asked: “who can be said to have made this?” Figures like John Ruskin, Owen Jones, and James Fergusson radicalize this question into what I call a redistribution of intention, an ethically charged recognition of the value of other makers.
    [Show full text]
  • The Mountaineers Players Present the Wizard of Oz at the Magical Kitsap Forest Theater in Bremerton
    The Mountaineers Players present The Wizard of Oz at the magical Kitsap Forest Theater in Bremerton May 28-29, June 3-4, 10-11, 17-18; 2017 – 2:00 pm Contact: 206-542-7815; [email protected] FOR IMMEDIATE RELEASE BREMERTON, WA – The tradition of outdoor theater is alive and well at the Kitsap Forest Theater, and continues this spring with The Wizard of Oz. Each weekend from Memorial Day through Father’s Day the Mountaineers Players will present this beloved classic musical. Both residents of the Kitsap Peninsula and visitors from Seattle and beyond will delight in this family-friendly production at the beautiful Kitsap Forest Theater, located just west of Bremerton. A quarter-mile trail transports visitors to another time and place where stories for all ages have come to life since 1923. The presentation of our spring show coincides with the blooming of the wild rhododendrons that grow along the hillsides and down the trail to the theater. Generations of theatergoers have enjoyed the scenic drive or ferry ride to the theater, and often come early to picnic under the firs before the trail to the theater opens at 1:00 pm. Enjoy our treehouse play structure or hike to Big Tree before or after the show. With The Wizard of Oz in the spring and Tarzan in the summer, the Kitsap Forest Theater’s 2017 season brings two popular shows to life on our unique stage. These uplifting and family-friendly musicals will appeal to young and old alike – treat yourself to a “day away” in the forest and enjoy theater inspired by a magical place.
    [Show full text]
  • HALO 31 Dokument Nepredstavuje Konečnou Podobou Časopisu
    HALO 31 Dokument nepredstavuje konečnou podobou časopisu. Obsahuje iba texty, použité v HALO 31. Hello Friends, Zdravíme Vás opět s novým číslem časopisu Halo. Máme za sebou vydání posledního nosiče Depeche Mode a před sebou velké letní prázdniny a dovolenou. Připravili jsme pro Vás v tomhle čísle doplnění k 2DVD/VHS One Night in Paris, dále jsme pro Vás připravili nabídku nového oblečení, spousty perliček v okénku do minulosti, pár novinek k připravovaným sólovým deskám a spousty jiných informací. Přejeme Vám krásné počtení tohoto čísla, které Vám doufáme zkrátí dlouhou cestu na dovolenou v letadle či v jiném dopravním prostředku. see you next time DMF Adresa DMF: Depeche Mode Friends, P. O. BOX 239, 160 41 Praha 6, tel. (+420) 603/420 937, 0608/208 342 http://www.dmfriends-silence.cz http://www.depechemode.cz http://www.depechemode.sk e-mail: [email protected], [email protected] Pobočky DMF: DMF Slovensko: DM FC Friends, Kozmonautov 26/28, 036 01 Martin, Slovensko 0903/531 015, 0903/547 978 http://www.dmfdepechemode.host.sk e-mail: [email protected] 1 HALO 31 Dokument nepredstavuje konečnou podobou časopisu. Obsahuje iba texty, použité v HALO 31. DM NEWS Mute Records přechází pod EMI V pátek 10. května EMI Recorded Company slavnostně oznámila, že získala nezávislou gramofonovou firmu Mute Records rozšířením již 15 let trvající smlouvy, na jejímž základě dosud Mute spolupracovala s Virgin Records, která je rovněž jednou z akvizicí EMI. Daniel Miller bude nadále pokračovat v jedné z vedoucích funkcí ve společnosti. Není tajemstvím, že EMI zaplatí za Mute Records celkem 23 miliónů liber plus 19 miliónů liber během nejbližších 4 let.
    [Show full text]
  • Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of 8-26-2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/musicfacpub Part of the African American Studies Commons, American Popular Culture Commons, and the Music Commons Lefferts, Peter M., "Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography" (2016). Faculty Publications: School of Music. 64. http://digitalcommons.unl.edu/musicfacpub/64 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 08/26/2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln This document is one in a series---"Chronology and Itinerary of the Career of"---devoted to a small number of African American musicians active ca. 1900-1950. They are fallout from my work on a pair of essays, "US Army Black Regimental Bands and The Appointments of Their First Black Bandmasters" (2013) and "Black US Army Bands and Their Bandmasters in World War I" (2012/2016). In all cases I have put into some kind of order a number of biographical research notes, principally drawing upon newspaper and genealogy databases. None of them is any kind of finished, polished document; all represent work in progress, complete with missing data and the occasional typographical error.
    [Show full text]
  • IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
    MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril.
    [Show full text]
  • Christmas Carol Lyrics
    1 COMMUNITY CHORUS PROJECT, KIDZU CHILDREN’S MUSEUM & UNIVERSITY PLACE PRESENT A HOLIDAY SING ALONG! Conducted by Caroline Miceli & Accompanied by Scott Schlesinger JINGLE BELLS A pair of hopalong boots and a pistol that shoots Is the wish of Barney and Ben; Refrain: Jingle bells, jingle bells, jingle all the way Dolls that will talk and will go for a walk Oh, what fun it is to ride in a one horse open sleigh Is the hope of Janice and Jen; Jingle bells, jingle bells, jingle all the way And Mom and Dad can hardly wait for school to start again. Oh, what fun it is to ride in a one horse open sleigh It's beginning to look a lot like Christmas ev'rywhere you go; Dashing through the snow in a one horse open sleigh There's a tree in the Grand Hotel, one in the park as well, Over fields we go, laughing all the way The sturdy kind that doesn't mind the snow. Bells on bob tail ring, making spirits bright. It's beginning to look a lot like Christmas; What fun it is to ride & sing a sleigh song tonight! (Refrain) Soon the bells will start, And the thing that will make them ring is the carol that you A day or two ago I thought I'd take a ride sing right within your heart And soon Miss Fanny Bright was seated by my side; The horse was lean and lank. Misfortune seemed his lot, Santa Claus is Coming to Town We ran into a drifted bank and there we got upsot.
    [Show full text]
  • The Songs of Bob Dylan
    The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
    [Show full text]
  • How to Re-Shine Depeche Mode on Album Covers
    Sociology Study, December 2015, Vol. 5, No. 12, 920‐930 D doi: 10.17265/2159‐5526/2015.12.003 DAVID PUBLISHING Simple but Dominant: How to Re­shine Depeche Mode on Album Covers After 80’s Cinla Sekera Abstract The aim of this paper is to analyze the album covers of English band Depeche Mode after 80’s according to the principles of graphic design. Established in 1980, the musical style of the band was turned from synth‐pop to new wave, from new wave to electronic, dance, and alternative‐rock in decades, but their message stayed as it was: A non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. As a graphic design product, album covers are pre‐print design solutions of two dimensional surfaces. Graphic design, as a design field, has its own elements and principles. Visual elements and typography are the two components which should unite with the help of the six main principles which are: unity/harmony; balance; hierarchy; scale/proportion; dominance/emphasis; and similarity and contrast. All album covers of Depeche Mode after 80’s were designed in a simple but dominant way in order to form a unique style. On every album cover, there are huge color, size, tone, and location contrasts which concluded in simple domination; domination of a non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. Keywords Graphic design, album cover, design principles, dominance, Depeche Mode Design is the formal and functional features graphic design are line, shape, color, value, texture, determination process, made before the production of and space.
    [Show full text]
  • Brodie, Students Observe Earth
    THE CHRONICLE MONDAY, APRIL 23, 1990 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 85, NO. 142 Brodie, students observe Earth Day Women's tennis wins President details efforts to save environment third consecutive title By HELEN DOOLEY Members of the University By ANDY LAYTON According to Preyer, O'­ community joined hands on Sun­ Despite playing without its Reilly suffered cartilage dam­ day to celebrate the Earth. top player, sebior Patti O'Reil­ age to her knee during an ear­ Approximately 75 people ly, ninth-ranked Duke cap­ lier match. Preyer was unsure turned out for "Hands Across tured its third consecutive At­ how long O'Reilly would be Duke," the University's final lantic Coast Conference sidelined. program in observance of "Earth women's tennis title. The top- "I don't know what the fu­ Week." seeded Blue Devils defeated ture holds for her," Preyer "Earth Week" is in­ second-seeded and 22nd- said. "Patti's injury was more ternationally recognized as a ranked Clemson, 5-1, in Sun­ of a surprise to happen so time to promote awareness of the day's finals at College Park, close to the fACCl tour­ environment and how we can Md. nament. We had to regroup." protect it. Celebrations and "The third was really With all of its players mov­ awareness programs have taken sweet," head coach Jane ing up a notch in the seventh- place around the world, cul­ Preyer said. "It felt better ranked O'Reilly's absence, minating on Sunday, the twenti­ than the second one. freshman Julie Exum became eth anniversary of the first MARK WASMER/THE CHRONICLE "We were favored to win it, Duke's new catalyst.
    [Show full text]
  • Iberian-Romance-Choral-Concert.Pdf
    The Belhaven University Department of Music Dr. Stephen W. Sachs, Chair presents Iberian Romance Vocal Music in Spanish and Portuguese A Choral and Vocal Arts Concert Dr. Christopher Shelt, Director Saturday, April 16, 2011 7:30 p.m. Belhaven University Center for the Arts Concert Hall BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC MISSION STATEMENT The Music Department seeks to produce transformational leaders in the musical arts who will have profound influence in homes, churches, private studios, educational institutions, and on the concert stage. While developing the God-bestowed musical talents of music majors, minors, and elective students, we seek to provide an integrative understanding of the musical arts from a Christian world and life view in order to equip students to influence the world of ideas. The music major degree program is designed to prepare students for graduate study while equipping them for vocational roles in performance, church music, and education. The Belhaven University Music Department exists to multiply Christian leaders who demonstrate unquestionable excellence in the musical arts and apply timeless truths in every aspect of their artistic discipline. The Music Department would like to thank our many community partners for their support of Christian Arts Education at Belhaven University through their advertising in “Arts Ablaze 2010-2011”. Special thanks tonight to Bo-Kays Florist for our reception table flowers. It is through these and other wonderful relationships in the greater Jackson community that makes an evening like this possible at Belhaven. We praise God for our friends and are truly thankful for their generosity. Please mention The Arts at Belhaven University when you visit our community partners.
    [Show full text]