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Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
The True Story of Rastafari Lucy Mckeon
The True Story of Rastafari Lucy McKeon A mural of Leonard Howell in Tredegar Park, near where the first Rastafari community was formed in the 1930s, Spanish Town, Jamaica, January 4, 2014 In the postcard view of Jamaica, Bob Marley casts a long shadow. Though he’s been dead for thirty-five years, the legendary reggae musician is easily the most recognizable Jamaican in the world—the primary figure in a global brand often associated with protest music, laid-back, “One Love” positivity, and a pot-smoking counterculture. And since Marley was an adherent of Rastafari, the social and spiritual movement that began in this Caribbean island nation in the 1930s, his music—and reggae more generally—have in many ways come to be synonymous with Rastafari in the popular imagination. For Jamaica’s leaders, Rastafari has been an important aspect of the country’s global brand. Struggling with sky-high unemployment, vast inequality, and extreme poverty (crippling debt burdens from IMF agreements haven’t helped the situation), they have relied on Brand Jamaica—the government’s explicit marketing push, beginning in the 1960s—to attract tourist dollars and foreign investment to the island. The government-backed tourist industry has long encouraged visitors to Come to Jamaica and feel all right; and in 2015, the country decriminalized marijuana— creating a further draw for foreigners seeking an authentic Jamaican experience. The Jamaica Property Office (JIPO), part of the government’s larger Jamaican Promotions Agency (JAMPRO), works to protect the country’s name and trademarks from registration by outside entities with no connection to Jamaican goods and 2 services. -
O. Lake the Many Voices of Rastafarian Women
O. Lake The many voices of Rastafarian women : sexual subordination in the midst of liberation Author calls it ironic that although Rasta men emphasize freedom, their relationship to Rasta women is characterized by a posture and a rhetoric of dominance. She analyses the religious thought and institutions that reflect differential access to material and cultural resources among Rastafarians. Based on the theory that male physical power and the cultural institutions created by men set the stage for male domination over women. In: New West Indian Guide/ Nieuwe West-Indische Gids 68 (1994), no: 3/4, Leiden, 235-257 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/01/2021 06:46:12PM via free access OBIAGELE LAKE THE MANY VOICES OF RASTAFARIAN WOMEN: SEXUAL SUBORDINATION IN THE MIDST OF LIBERATION Jamaican Rastafarians emerged in response to the exploitation and oppres- sion of people of African descent in the New World. Ironically, although Rasta men have consistently demanded freedom from neo-colonialist forces, their relationship to Rastafarian women is characterized by a pos- ture and a rhetoric of dominance. This discussion of Rastafarian male/ female relations is significant in so far as it contributes to the larger "biology as destiny" discourse (Rosaldo & Lamphere 1974; Reiter 1975; Etienne & Leacock 1980; Moore 1988). While some scholars claim that male dom- ination in indigenous and diaspora African societies results from Ëuropean influence (Steady 1981:7-44; Hansen 1992), others (Ortner 1974; Rubin 1975; Brittan 1989) claim that male physical power and the cultural institu- tions created by men, set the stage for male domination over women in all societies. -
Advocate, Fall 2016, Vol. 28, No. 1
City University of New York (CUNY) CUNY Academic Works The Advocate Archives and Special Collections Fall 2016 Advocate, Fall 2016, Vol. 28, No. 1 How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_advocate/22 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] VolumeVolume 28 27 Fall Spring no. 1n. 2016 2 2016 www.GCadvocate.comwww.GCadvocate.com [email protected]@cunydsc.org Donald Trump and the Death Rattle of Liberal Civility pg. 31 Stranger in my Skin: Racial (un)belonging in the US pg. 18 Gil Bruvel, Dichotomy, Stainless Steel sculpture editorial The Difficulty of www.GCadvocate.com Making a Voting Decision [email protected] Contents Who to vote for in the upcoming election? That is be able to keep calm as most of us have been doing? the question. In past elections, the most important Or will I punch back if I am hit—sweetly punch back things that influenced how I vetted presidential can- in the tradition of the ancestors who recognized the EDITORIAL FEATURES didates included their positions on wars, national need to deploy counter strategies that have given me security, economy, the LGBTQ community, and their the liberties I cherish today. Indeed, how powerfully The Difficulty of Stranger in my Skin: plans for developing regions like the Caribbean, where will I punch back with fists, body, talk, and silence until Making a Voting Racial (un)belonging I am from. -
West Indian Intellectuals in Britain
INTRODUCTION Crossing the seas Bill Schwarz There exists a moving photographic record of West Indian emigrants arriving in British cities in the 1950s, first by steamship and steam train, then later, by the end of the decade and into the 1960s, by plane. We still see, in our own times, these images of men and women who, for all their apprehensions, were stepping across the threshold into new lives, bringing with them a certain presence. These are images which evoke a sense of hardships in the past overcome and hardships just around the corner yet to confront. They give form to the dreams which had compelled a generation of migrants to pack up and cross the seas. And they capture too a sensibility founded on the conviction that these dreams were rightfully theirs: a dream, in other words, of colonials who believed that the privileges of empire were their due.1 These photographic images, and those of the flickering, mono- chrome newsreels which accompany them, have now come to compose a social archive. They serve to fix the collective memory of the momen- tous transformation of postwar migration. At the same time, however, their very familiarity works to conceal other angles of vision. We become so habituated to the logic of the camera-eye that we are led to forget that the vision we are bequeathed is uncompromisingly one-way. The images which fix this history as social memory are images of the West Indians. The camera is drawn to them. The moment they enter the field of vision, the focal point adjusted, they become fixed as something new: as immigrants. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
The Rastafarian Movement in Jamaica Bachelor’S Diploma Thesis
Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky Bakalářská diplomová práce Michal Šilberský Michal 2010 Michal Šilberský 20 10 10 Hřbet Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Michal Šilberský The Rastafarian Movement in Jamaica Bachelor’s Diploma Thesis Supervisor: Mgr. Martina Horáková, Ph. D. 2010 - 2 - I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature - 3 - I would like to thank my supervisor Mgr. Martina Horáková, Ph.D. for her helpful advice and the time devoted to my thesis. - 4 - Table of Contents 1. Introduction 6 2. History of Jamaica 8 3. The Rastafarian Movement 13 3.1. Origins 13 3.2. The Beginnings of the Rastafarian Movement 22 3.3. The Rastafarians 25 3.3.1. Dreadlocks 26 3.3.2. I-tal 27 3.3.3. Ganja 28 3.3.4. Dread Talk 29 3.3.5. Ethiopianism 30 3.3.6. Music 32 3.4. The Rastafarian Movement after Pinnacle 35 4. The Influence of the Rastafarian Movement on Jamaica 38 4.1. Tourism 38 4.2. Cinema 41 5. Conclusion 44 6. Bibliography 45 7. English Resumé 48 8. Czech Resumé 49 - 5 - 1. Introduction Jamaica has a rich history of resistance towards the European colonization. What started with black African slave uprisings at the end of the 17th century has persisted till 20th century in a form of the Rastafarian movement. This thesis deals with the Rastafarian movement from its beginnings, to its most violent period, to the inclusion of its members within the society and shows, how this movement was perceived during the different phases of its growth, from derelicts and castaways to cultural bearers. -
The Desert Trod the Transcendence of Self And
THE DESERT TROD THE TRANSCENDENCE OF SELF AND OTHER IN RASTAFARI IN GUYANA A THESIS SUBMITTED ON THE SIXTH OF APRIL 2018 TO THE DEPARTMENT OF LATIN AMERICAN STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE SCHOOL OF LIBERAL ARTS OF TULANE UNIVERSITY FOR THE DEGREE OF MASTER OF ARTS BY ERIN LIERL APPROVED: Grete Viddal, Ph.D. THE DESERT TROD THE TRANSCENDENCE OF SELF AND OTHER IN RASTAFARI IN GUYANA AN ABSTRACT SUBMITTED ON THE SIXTH OF APRIL 2018 TO THE DEPARTMENT OF LATIN AMERICAN STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE SCHOOL OF LIBERAL ARTS OF TULANE UNIVERSITY FOR THE DEGREE OF MASTER OF ARTS BY _______________________________ ERIN LIERL APPROVED: ________________________________ ________________________________ Grete Viddal, Ph.D. ________________________________ ABSTRACT This thesis addresses the relationship between self and other within Rastafari culture in Guyana. Heirs of a tradition of resistance against the dichotomous, hierarchical approach to nature and humanity embodied by European colonialism, Rastas in Guyana have conceptualized the individual self as an integral aspect of a divine, universal whole comprising the natural world and its diverse, interdependent constituents. This has involved the transcendence of conceptual dichotomies between self and other, humanity and divinity, physical and spiritual worlds, and people of different gender and ethnic identities. The transcendence of these conceptual divisions has supported the development of socially nonviolent and ecologically sustainable communities tied to soil, charting a course for global communities seeking to mitigate social and environmental crises. The transcendence of conceptual dichotomy is symbolized in this thesis by the “desert trod”—the journey of the Israelites of the Old Testament from captivity to the promised land. -
The Church of Scientology's View of the Relationship Between God And
The significance of the use of ganja as a religious ritual in the Rastafari movement S P Pretorius (University of South Africa) ABSTRACT The significance of the use of ganja as a religious ritual in the Rastafari movement In 2000, the South African Constitutional Court ruled that religious freedom, including the exercise of religious rituals, may not contradict the laws of the country. This ruling came as a result of the Western Cape Law Society’s refusal to admit a Rastafarian as lawyer because of his habit of smoking marijuana. He appealed to the Constitutional Court and claimed that the ruling infringed upon his right to religious freedom. The Constitutional Court upheld the decision that no exception may be made for one religion. The smoking of marijuana or “ganja” as it is better known is viewed as a deeply religious ritual element in the worship of the Rastafarian movement. But what significance and value does this ritual have in the Rastafari religion? The conclusion of this article is that irrespective of the negative connotations often associated with the use of ganja, it remains an important religious ritual in Rasta spirituality. The significance lies in the experience associated with an altered state of consciousness when ganja is used. A spiritual enlightenment or revelation of God is obtained during this altered state of consciousness, that is, a closeness or oneness with Jah. A type of spiritual/psychological healing or transformation also takes place during this period of altered consciousness in terms of establishing the self-worth of a person through what is known as the “I-and-I” consciousness. -
Una Marson: Feminism, Anti-Colonialism and a Forgotten fight for Freedom Alison Donnell
CHAPTER FIVE Una Marson: feminism, anti-colonialism and a forgotten fight for freedom Alison Donnell When we think about the factors that have contributed to the begin- nings of a West Indian British intellectual tradition, we would com- monly bring to mind the towering figure of C. L. R. James and his comrades of the pre-Windrush generation, such as George Padmore. It would also be important to acknowledge the generation of nationalist writers and thinkers based in the Caribbean itself, such as Roger Mais and Victor Stafford Reid. We might also think of the BBC’s Caribbean Voices which provided a much needed outlet, as well as a valuable source of income, for new writers and writings, and also, of course, of the talented community of male writers and intellectuals, such as George Lamming, Sam Selvon and V. S. Naipaul, who had come to London in the 1950s. Yet what is so commonly neglected in accounts of West Indian and black British literary and intellectual histories of the first half of the twentieth century is mention of Una Marson, a black Jamaican woman whose experiences and achievements provided a link to all these major movements and figures. It is perhaps not surprising that Marson’s identity as an intellectual is not straightforward. As an educated, middle-class daughter of a Baptist minister, Marson’s intellectual development took place within the context of a religious home where the activities of playing music and reading poetry were prized, and the conservative and colonial Hampton High School where she received an ‘English public-school education’.1 However, as one of a small number of black scholarship girls, Marson was apprenticed in the operations of racism by the time she left school.