Trussville, Alabama – with the Intense Evolution of DSP and Processing
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Opus 910 UHF: Flexible, Reliable, and Future-Proof with Superior Audio Quality At the NAMM show in Anaheim/USA (January 13 to 16, 2011) German audio specialist beyerdynamic celebrates the launch of its new wireless flagship Opus 910. Designed for use either on tour or in fixed installations, the Opus 910 professional UHF wireless system offers the highest levels of reliability, audio and transmission quality and a package of features that is unique in its class. A wide selection of receivers (single, double and quad channels), transmitters and interchangeable microphone heads are available for the system, plus an extensive range of accessories and the option for PC control for advanced system set-up. The receiver offers UHF bandwidth of 72 MHz and up to 2880 selectable frequencies per frequency range plus an automatic channel targeting function (ACT), making the system both future-proof and highly flexible, regardless of the venue it is used in. For the US, the system is offered in different frequency ranges between 482 MHz and 698 MHz. Receivers Three receivers (single, dual and quad channel) are available, each offering 2880 freely selectable UHF frequencies per frequency range and a number of pre- programmed frequency groups to ease the set up of multi-channel systems. The front panel of the receiver has a volume-controlled headphone output for monitoring individual receiver channels. All other system settings, such as squelch or the output level of the receiver are made centrally by the optimized jog wheel. The color LCD is easily readable from any angle and shows important system information such as frequency, group/channel, user name, field strength, audio level and remaining battery capacity of the transmitter. All receivers are fitted with an internal switching power supply (100-240 V), while the dual and quad channel receivers each contain an integrated antenna splitter. Handheld Transmitters & Interchangeable Microphone Heads There are two ergonomically designed handheld transmitters available for use with the Opus 910 wireless system each with different frequency ranges. The handheld transmitters feature a 36 MHz UHF bandwidth to reduce the number and strength of intermodulation products, guaranteeing optimum HF performance even in large multi-channel systems and difficult environmental conditions. The handheld transmitters are equipped with an ACT interface to detect the carrier frequency from the receiver and set up the transmitter automatically. They also have a noiseless on/off switch and LCD showing channel/group and remaining battery capacity. Two 1.5 V AA alkaline batteries power the S 910 M (with metal housing) for over 20 hours, whilst the S 910 C (with plastic housing) has integrated charging contacts and is delivered with built-in rechargeable batteries (2 x Mignon AA NiMH) which provide an operating time of over 23 hours. The transmitter’s four microphone gain settings provide a high degree of flexibility in even the most diverse applications. In order to maximize the flexibility of the Opus 910 system, both transmitters can be combined with five top quality interchangeable beyerdynamic microphone heads. Among others the RM 510, the world’s only ribbon capsule for wireless applications which delivers fantastic, unobtrusive vocal sound even on the loudest stages. The transmitter’s four microphone gain settings provide a high degree of flexibility in even the most diverse applications. Pocket Transmitters The TS 910 M (with metal housing) and TS 910 C (with plastic housing) pocket transmitters have been designed for use with clip-on lavaliere and headset microphones as well as electric guitars. The 4-pin mini XLR threaded plug can be used to connect either microphones or instruments and the input signal can be optimised using the receiver’s gain control. An onboard MT/GT setting lets you switch between microphones and instruments: in GT (guitar) mode, the gain control is inactive; in MT mode it is active. As with the handheld transmitters, the pocket transmitters also have a 36 MHz UHF bandwidth The TS 910 C is fitted with two built-in rechargeable batteries (2 x Mignon AA NiMH) providing an operating time of over 23 hours. The batteries can be recharged using the SLG 900 battery charger with two charging compartments. Two 1.5 V AA batteries power the S 910 M for at least 20 hours. The Opus 910 UHF wireless system is available as of February 2011. For more information please visit our website at www.beyerdynamic.com. Further information: beyerdynamic GmbH & Co. KG Oliver Senghaas Marketing Manager ProAudio Theresienstraße 8 D-74072 Heilbronn - Germany Phone +49 (0)7131 / 617 - 230 Fax +49 (0)7131 / 617 - 299 Email [email protected] www.beyerdynamic.com beyerdynamic Launches DT 1350, First Professional Monitoring Headphones with Tesla technology At the NAMM show in Anaheim/USA (January 13 to 16, 2011) German audio specialist beyerdynamic launches another innovative product highlight. Handcrafted in Heilbronn, the DT 1350 is the first professional monitoring headphone in beyerdynamic’s new generation of headphones that feature Tesla technology. The completely re-engineered Tesla drivers create a headphone which delivers an enormous degree of efficiency with extremely low levels of distortion, allowing the DT 1350 to produce a perfectly balanced, accurate sound even at the highest volumes. A combination of highly efficient ambient noise reduction and an impressive maximum sound pressure level of 129 dB make the DT 1350 an ideal compact over-ear headphone for any environment. Regardless of whether you are a sound engineer monitoring PA systems, a live musician, or a DJ, the DT 1350 delivers every time. The perfectly balanced, accurate sound means the headphone works perfectly for every day studio use or when simply enjoying music at home or on the move. The Tesla system provides enormous power for a dynamic, undistorted sound. Stylish, yet functional in design, the DT 1350 is manufactured in Germany using high quality materials to create a headphone that is both extremely durable and easy to use. The removable, soft ear cushions and flexible headband ensure the headphones sit securely and remain comfortable even during prolonged periods of use. The ear cups swivel 90° allowing “single-ear” monitoring. Tesla Technology The completely re-engineered Tesla sound transducers help achieve almost lossless magnetic flux. This is made possible by the brand new system geometry, which allows the transfer of magnetic force to the voice coil to be as efficient as possible. Traditional dynamic systems use a neodymium magnet at the centre of the system, the size of which was inevitably limited inside the headphone cup. The Tesla principle sees the magnet mounted as a ring around the coil, allowing more energy to be directed to the membrane, which is where it is actually required. The exceptionally pure sound produced by our Tesla systems is the result of the close attention to countless small details. Especially noteworthy is the ring- shaped magnet which allows our engineers to place a drill-hole directly behind the centre of the membrane in order to minimise disruptive resonances. The use of a special, multilayer membrane effectively suppresses unwanted partial vibrations and resultant distortion. Another special feature of the Tesla systems is their full-metal design. This prevents any uncontrolled resonances in any part of the casing, which might in turn distort the sound. The metal also protects the device against electrical interference. The DT 1350 is available as of late January 2011. For more information about the DT 1350 and the Tesla technology please visit our website at www.beyerdynamic.com. Characters in total (including space characters): 3,124 Lines in total: 60 Further information: beyerdynamic GmbH & Co. KG Oliver Senghaas Marketing Manager ProAudio Theresienstraße 8 D-74072 Heilbronn Phone +49 (0)7131 / 617 - 230 Fax +49 (0)7131 / 617 - 299 Email [email protected] www.beyerdynamic.com PRESS RELEASE – For Immediate Release beyerdynamic Presents the World’s First Wireless Ribbon Microphone for Live Vocals German audio specialist beyerdynamic is very pleased to present the world’s first wireless ribbon microphone to this year’s NAMM audience. The RM 510 interchangeable ribbon capsule for beyerdynamic’s OPUS 900 and OPUS 600 wireless systems is a giant leap forward in ribbon technology and brings a new dimension to live vocal performances. The RM 510’s sophisticated capsule design features an ultra-light, barely 3 micrometre thick aluminium ribbon that delivers spectacular frequency response and exceptional transient behavior. A unique sound channelling technology provides the capsule with its cardioid polar pattern making the RM 510 the very first ribbon capsule perfect for use on stage with wireless microphone systems. The capsule’s treble resonator delivers rich high-frequency reproduction and also serves to protect against “plosives.” In keeping with beyerdynamic’s manufacturing philosophy, every RM 510 wireless microphone capsule is handmade in Germany. By employing a sound labyrinth on the rear of the diaphragm and using an advanced acoustic fabric, beyerdynamic has succeeded in improving not only the sound characteristics but also the technical specifications of the RM 510. A subtle attenuation in the 6.5 kHz range effectively suppresses sibilant sounds and supports the balanced and unobtrusive sound of the RM 510. The RM 510’s forerunner is the legendary M 500 ribbon microphone, famous during the 70s and 80s. The lineage is especially noticeable in the RM 510’s elegant housing design, stainless steel mesh basket with multilayer metal gauze, and the use of robust, high quality materials throughout. This combination of delicate engineering and precision build quality provides a new standard for ruggedness and reliability for the stage. RM 510 offers a detailed, colouration-free sound with the same exceptional treble reproduction that characterizes all beyerdynamic ribbon microphones, and the capsule’s design delivers significant rear attenuation resulting in feedback suppression ideal for live vocals on even “loud” stages.