Derek Sherinian Oceana Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Derek Sherinian Oceana Mp3, Flac, Wma Derek Sherinian Oceana mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Oceana Country: Japan Released: 2011 Style: Jazz-Rock, Prog Rock MP3 version RAR size: 1977 mb FLAC version RAR size: 1469 mb WMA version RAR size: 1935 mb Rating: 4.8 Votes: 264 Other Formats: MP2 WMA FLAC TTA DXD DMF MMF Tracklist Hide Credits Five Elements 1 4:37 Guitar – Tony MacAlpine Mercury 7 2 4:29 Guitar – Tony MacAlpine Mulholland 3 5:56 Guitar – Steve Lukather Euphoria 4 5:34 Guitar – Steve Lukather Ghost Runner 5 4:54 Guitar – Steve Stevens El Camino Diablo 6 5:06 Guitar – Doug Aldrich I Heard That 7 4:53 Guitar – Joe Bonamassa Seven Sins 8 5:56 Guitar – Steve Lukather Oceana 9 5:38 Bass – Tony FranklinGuitar – Steve Stevens Companies, etc. Recorded At – Beachwood Manor Studios Recorded At – Phantom Recording, Sherman Oaks, CA Mixed At – Beachwood Manor Studios Mixed At – Phantom Recording, Sherman Oaks, CA Mastered At – Red Mastering Manufactured By – Marquee Inc. Credits Bass – Jimmy Johnson (tracks: 1 to 8) Drums – Simon Phillips Keyboards – Derek Sherinian Liner Notes – 平井毅 Producer – Derek Sherinian, Simon Phillips Notes This record was written and recorded between January 2 - May 31, 2011. Barcode and Other Identifiers Barcode: 4 527516 011888 Other versions Category Artist Title (Format) Label Category Country Year Derek Oceana (LP, Music Theories MTR 7348 1 MTR 7348 1 US 2011 Sherinian Album) Recordings Derek Oceana (CD, Music Theories MTR 7348 2 MTR 7348 2 US 2011 Sherinian Album) Recordings Oceana (CD, Derek Music Theories MTR 7348 2 Album, MTR 7348 2 Russia 2011 Sherinian Recordings Unofficial) Music Theories Derek Oceana (CD, MTR 7348 2 Recordings, Mascot MTR 7348 2 Netherlands 2011 Sherinian Album) Label Group MTR PROMO Derek Oceana (CD, Music Theories MTR PROMO Europe 2011 348 Sherinian Album, Promo) Recordings 348 Related Music albums to Oceana by Derek Sherinian Steve Lukather - Right The Wrong Steve Lukather - Lukather Tony MacAlpine - Edge Of Insanity Derek Sherinian - Inertia Spinal Tap - Break Like The Wind Steve Lukather - Transition Derek Sherinian - Mythology Steve Lukather - All's Well That Ends Well Toto - Mindfields Portnoy, Sheehan, MacAlpine, Sherinian - Live In Tokyo.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Reading Activity Title: Yngwie J. Malmsteen Level. Intermediate +
    Reading activity Title: Yngwie J. Malmsteen Level. Intermediate + Objective. To practice reading comprehension and identify the past form of the verb and the regular and irregular forms. Instructions: Read the text carefully and answer the questions below. Yngwie J. Malmsteen Yngwie Johann Malmsteen (born Lars Johann Yngve Lannerbäck, June 30, 1963) is a Swedish guitarist, composer and bandleader. Widely recognized as a virtuoso, Malmsteen achieved widespread acclaim in the 1980s due to his technical proficiency and his pioneering neo-classical metal. Guitar One magazine rated him the third fastest guitar shredder in the world after Michael Angelo Batio and Chris Impellitteri. Born into a musical family in Stockholm, Yngwie was the youngest child in the family. At an early age, he showed little interest in music. It wasn't until September 18, 1970 when at age seven he saw a TV special on the death of Jimi Hendrix that Malmsteen became obsessed with the guitar. To quote his official website, "The day Jimi Hendrix died, the guitar-playing Yngwie was born". He claims his first name in Swedish means "young Viking chief". Actually, it is a variation of Yngvi, who founded the House of Yngling, which is the oldest known Swedish dynasty. Malmsteen was in his teens when he first encountered the music of the 19th- José Ramón Montero Del Angel | Universidad Veracruzana century violin virtuoso Niccolò Paganini, whom he cites as his biggest classical influence. It has been rumoured that Yngwie believes himself to be the reincarnation of the temperamental, often criticized,and widely misunderstood violinist from Genoa. Through his emulation of Paganini concerto pieces on guitar, Malmsteen developed a prodigious technical fluency.
    [Show full text]
  • Aquiles Priester – Those Who Appreciate My Work Expect Some Kind of Didactic Material to Be Released from Time to Time
    1. In your busy life as a musician you've found time to realize methods and DVDs. What prompted you to dedicate time to their achievement? Aquiles Priester – Those who appreciate my work expect some kind of didactic material to be released from time to time. I’m in no hurry to do many things so as to have a vast catalogue. My greatest concern is to maintain a high level of quality in everything I do. Come to think of it, free time is something that doesn’t exist, but if you want to go ahead in your care er, you have to make time to realize the things that are important and at the right time. 2. Your last instructional DVD (The Infallible Reason Of My Freak Drumming), is very practical with regard to the division of chapters. Did you choose this subdivision by yourself? Aquiles – Yes, I produced the DVD myself and it was based on things that I always studied. Everything I learned with Kiko Freitas at the time when I studied with him is included in the DVD. This goes beyond the exercises themselves because I’m talking about the conception of the work. Many people comment that the way in which the DVD is presented is very good and that makes me very happy. This DVD was released worldwide by Mel Bay Publishing and in 2011 was considered 3rd best instructional DVD of the year according to readers of Modern Drummer magazine . 3. How long did it take to complete it? Aquiles – I did a long pre-production, almost 15 days recording and rehearsing the whole script during 8 hours daily alone on a farm.
    [Show full text]
  • January 1992
    VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments
    [Show full text]
  • GEDDY EASTON 'LEE Master of the ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON the Wat M Tone of a TEXAS TWISTER
    - 802135 MAY 1986 $2.50 Inside This Issue: A SPECIAL Billy Idol's STEVE STEVENS (not -so-secret) CASSETTE Secret See Page 54 Weapon For Details THE CARS' RUSH'S ELLIOT GEDDY EASTON 'LEE Master Of The ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON The Wat m Tone Of A TEXAS TWISTER PLUS: Lonnie Mack Albert Collins Roy Buchanan , 'Tony MacAlpine o Curtis Mayfield MORE BASS, MORE SPACE IN THE MODERN WORLD Power Windows is the best Rush albutn in years because the band ----and the bass---- has returned to the roots of its sound ... tneticulously. BY JOHN SWENSON It has been a long, vertiginous and damn exciting roller coaster ride for Rush over the past decade-and-a-half. The group has gone from being unabashed Led Zeppelinites to kings of the concept album to the thinking man's heavy metal band to an uneasy combination of eighties record­ ing styles and seventies relentlessness. One thing Rush has never done is rest on its collective laurels-bassist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart have always been the first to point out the band's shortcomings when they feel legitimate deficiencies have surfaced. Accordingly, Lee was quick to admit his dissatisfaction with the band's last album, Grace Under Pressure , even though the record , which went platinum, has con­ solidated the band's position as one of Mercury/Polygram's most important acts. "We realized with Grace Under Pres­ sure ," said Lee on completion of the new album , Power Windows, "that we were not a techno-pop band.
    [Show full text]
  • Robert Walser Published Titles My Music by Susan D
    Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
    [Show full text]
  • AQUILES PRIESTER Considered Best Brazilian Heavy Metal Drummer For
    AQUILES PRIESTER Considered best Brazilian heavy metal drummer for twelve years in a row by main specialized magazines and sites, in 2011 Aquiles Priester was the only Brazilian in the history of Brazilian drumming to rank 5th best Prog Metal drummer of the world according to American Modern Drummer magazine next to names such as Neil Peart, Mike Portnoy, Gavin Harrison and Marco Minnemann. Aquiles Priester has already done more than 350 drum clinics in various countries and took part of the biggest drum festivals around the world such as Modern Drummer Festival (United States), Montreal Drum Fest (Canada), Batuka! International Drum Fest (Brazil), La Rioja Festival (Spain), Laguna Drum Fest (Mexico), London Drum Show and Drummer Live (England), International Summer Drum Camp (France), Thomas Lang’s Big Drum Bonanza (United States), Frankfurt Musikmesse (Germany) and Namm Show (United States). Born in South Africa, he moved to Brazil while still a child, spending his childhood and part of his adolescence in Foz do Iguaçu, a city in the state of Paraná. In 1988 he moved to Porto Alegre and in 1997 he founded heavy metal band Hangar where he began developing the style that would make him known worldwide. With Hangar he released five studio albums, an acoustic CD and a live acoustic DVD. The first parallel project while still with the band Hangar were some gigs with Tritone in 1999, a kind of Brazilian G3 with Edu Ardanuy, Frank Solari and Serj Buss. Soon after Aquiles was invited to record and go on tour with Paul Di’Anno, former Iron Maiden singer.
    [Show full text]
  • The Guitar Institute Teacher and Soundtrack Doer Lindsey Boullt Has Come True a Life's Dream with This Album
    Progressive Newsletter Review 092907 Lindsey Boullt – Composition (40:12, Privatpressung, 2007) Der Guitar Institute-Lehrer und Filmmusikmacher Lindsey Boullt hat sich mit diesem Album einen Lebenstraum erfüllt. Allein schon die einzigartige Gästeliste vermag allerdings auch höchste Erwartungen von Proghörern einzulösen: Hier geben sich Jerry Goodman (vln, u. a. The Flock, Mahavishnu Orchestra), Derek Sherinian (keyb., Ex-Dream Theater, Chroma Key, Planet X), Stu Hamm (bss, u. a. Joe Satriani, Steve Vai, Frank Gambale) und Atma Anur (drms, u. a. Tony MacAlpine, Richie Kotzen, Jason Becker, Cacophony, Doppler Inc., Greg Howe) ein Stelldichein. Doch „Composition“ ist mehr, als nur ein Projekt mit ganz großen Namen, es handelt sich hier Omen-mäßig eben auch um zwingende, geradezu in den Bann schlagende Kompositionen aus dem Umfeld Jazzrock, Progmetal und Weltmusik eindeutig orientalisch/indischer Prägung. Beispielsweise die Gitarren- (Tapping)/Keyboard-Duelle, die sich Boullt und Sherinian auf dem einleitenden „Page Revisited“ liefern, brauchen sich vor nichts auf dem legendären Shrapnel-Label Erschienenen zu verstecken. „Chasing the Whirling Dervish“ jagt überwiegend akustisch einen deutlich erkennbar aus der Mclaughlin-Zauberlampe entwichenen Dämon. Und bringt diesen mit Hilfe von Jerrys magischer Geige schließlich auch wunderbar zu einer Art von musikalischer Räson. Auf „Moving Panvishnu“ lässt derselbe Musikerhurricane das Barometer in die gleiche Richtung sacken, während Boullts Solo dann auf's Angenehmste Allan Holdsworth herbeizitiert. Stimmliche Beiträge vom in der Qawwali-/Sham Chorasi-Tradition singenden pakistanischen Künstler Sukhawat Ali Khan sind u. a. auf dem eindringlichen „Call for Peace“ vernehmlich. Stark anbefohlen für Fans von Mahavishnu, Shakti, Sherinian, The Flock, Curved Air. Erhältlich via iTunes, DigStation und www.lindseybullt.com/music.htm.
    [Show full text]
  • Derek Sherinian Graces November Cover
    FOR IMMEDIATE RELEASE October 4, 2011 DEREK SHERINIAN GRACES NOVEMBER COVER OF KEYBOARD Current Member of Black Country Communion, and former Dream Theater Keyboardist is joined by Joe Bonamassa, Steve Stevens, Steve Lukather, Tony MacAlpine, and Simon Phillips on Recently Released Oceana Los Angeles --- Derek Sherinian has been tapped by Keyboard as a “Keyboard Hero for A New Generation.” “In the ‘70s and part of the ‘80’s, demigods like Keith Emerson, Rick Wakeman, and Jon Lord topped the charts and battled each other…for rock supremacy,” and closes “With each new chapter in his career, Sherinian has risen even higher into the rare pantheon of keyboard legends.” As the decades have witnessed drastic evolution in technology and significant innovations in genre-bending and sound, so too is there a widespread variance in public perception that defines a keyboard hero. Inevitably it comes down to delivering indelible compositions and performances, a quality that Keyboard sees in Sherinian’s long resume as they position his legacy well in stating, “ Where you find heavy, you’ll probably find Derek, who’s thick sounds and guitaristic approach to soloing stand as tall as the baddest of six-string slingers.” Sherinian’s latest offering Oceana was just released by Music Theories, a division of the Mascot Label Group. Sherinian has performed for millions via the vehicles of Black Country Communion (of which he is a current member alongside Glenn Hughes, Jason Bonham, Joe Bonamassa), Dream Theater, Alice Cooper, Buddy Miles, and as an off-stage performer accompanying KISS. He also enjoyed tenures with Billy Idol, Yngwie Malmsteen and many others.
    [Show full text]
  • Ryan Bingham Black Country Communion
    NOVEMBER 2012 ISSUE MMUSICMAG.COM SPOTLIGHT risman C hris C oodwin G hristie C BLACK COUNTRY COMMUNION Luminaries from the rock world find their own chemistry together Glenn Hughes, Joe Bonamassa, Derek Sherinian, Jason Bonham BLACK COUNTRY COMMUNION’S thought after doing two albums it would be First Underground Nuclear Kitchen the latest record, Afterglow, wasn’t even out best for me to do another project,” Hughes year before BCC formed. “I had a dream when reports began flying that tension says. “I haven’t made a record in five years about six months before we started between singer and bassist Glenn Hughes on my own, so I started to write what was making the first album that I would be and guitarist Joe Bonamassa could mean the going to be a Glenn album.” making rock music again.” end of the hard-rock supergroup. But in no Instead, producer Kevin Shirley The musicians have translated their time the dustup was quelled. “We’re really convinced Hughes to make a BCC album, respect for one another’s work into a good friends,” Hughes says. “It was just a along with a live DVD. “It’s pretty crazy,” says collaborative chemistry that allows them to small blip there for a moment, but we’re all Hughes. “At this point in my life, I thought work especially fast in the studio. “Joe calls back on track, and long may it continue.” I’d slow down a bit. I’m not really great at it the comet,” says Hughes, who wrote the The album is the third that Hughes and multitasking, so I ended up concentrating bulk of the tunes.
    [Show full text]
  • Personal Music Collection
    Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros.
    [Show full text]
  • Derek Sherinian Inertia Mp3, Flac, Wma
    Derek Sherinian Inertia mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Inertia Country: Japan Released: 2001 Style: Prog Rock, Heavy Metal, Fusion MP3 version RAR size: 1349 mb FLAC version RAR size: 1387 mb WMA version RAR size: 1368 mb Rating: 4.7 Votes: 166 Other Formats: VQF MP3 ADX MP1 MPC AIFF MIDI Tracklist Hide Credits Inertia 1 Bass – Tom Kennedy Drums – Simon PhillipsGuitar – Steve LukatherViolin [Electric] – Jerry 4:37 Goodman Frankenstein 2 3:31 Bass – Tony FranklinDrums – Simon PhillipsGuitar – Zakk Wylde Mata Hari 3 6:33 Bass – Tony FranklinDrums – Simon PhillipsGuitar, Sitar [Electric] – Steve Lukather Evel Knievel 4 4:22 Bass – Tony FranklinDrums – Simon PhillipsGuitar – Zakk Wylde La Pera Loca 5 5:04 Bass – Jimmy Johnson Drums – Simon PhillipsGuitar – Steve Lukather Goodbye Porkpie Hat 6 6:44 Bass – Tom Kennedy Drums – Simon PhillipsGuitar – Steve Lukather Astroglide 7 4:35 Bass – Jimmy Johnson Drums – Simon PhillipsViolin [Electric] – Jerry Goodman What A Shame 8 Bass – Tony FranklinDrums – Simon PhillipsGuitar – Steve LukatherGuitar, Acoustic Guitar 5:07 – Zakk Wylde Rhapsody Intro 9 1:41 Guitar – Steve Lukather Rhapsody In Black 10 6:20 Bass – Tom Kennedy Drums – Simon PhillipsGuitar – Steve Lukather Credits Artwork By [Graphic Illustration, Design] – Chuck Wright Engineer [Additional] – Albert Law, Derek Sherinian, Mitchel Forman, Phil Soussan, Tom Fletcher Keyboards – Derek Sherinian Mastered By – Brad Vance Other [Assistant To Derek Sherinian] – Albert Law Photography – John Harrell Producer
    [Show full text]