Split Enz One Step Ahead Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Split Enz One Step Ahead mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: One Step Ahead Country: Australia Released: 1980 Style: Pop Rock MP3 version RAR size: 1810 mb FLAC version RAR size: 1560 mb WMA version RAR size: 1349 mb Rating: 4.2 Votes: 742 Other Formats: AU MP1 AA AHX DMF WMA MIDI Tracklist Hide Credits One Step Ahead A 2:55 Written-By – N. Finn* In The Wars B 3:05 Written-By – T. Finn* Companies, etc. Made By – Festival Records Pty. Ltd. Recorded At – AAV Mixed At – Farmyard Studios Phonographic Copyright (p) – Mushroom Records Pty. Ltd. Credits Producer, Engineer – David Tickle Notes Released in a limited picture sleeve. Recorded at AAV, Australia. Mixed at Farmyard Studios, UK. ℗ 1980 Mushroom Records Australia. Made in Australia by Festival Records Pty. Ltd. Other versions Category Artist Title (Format) Label Category Country Year POLY 100, One Step Ahead (7", Polydor, POLY 100, New Split Enz 1980 K8103 Single, Ltd) Mushroom K8103 Zealand One Step Ahead (7", AM-2339 Split Enz A&M Records AM-2339 US 1981 Single, Las) One Step Ahead (7", AMS 8146 Split Enz A&M Records AMS 8146 UK 1981 Single, Promo) One Step Ahead (7", AMS 8146 Split Enz A&M Records AMS 8146 UK 1981 Single, Las) One Step Ahead (7", 2339-S Split Enz A&M Records 2339-S US 1981 Single, Etch, Promo) Related Music albums to One Step Ahead by Split Enz Thick Skin / Step Down - Galapagos Split Split Enz - Enz Of An Era Tim Finn - Made My Day Split Enz - The Beginning Of The Enz Split Enz - True Colours / Corroboree Debbie Gibson - One Step Ahead Split Enz - Time and Tide Split Enz - The Best Of: History Never Repeats.

Copy Link

Recommended publications

Split Enz One Step Ahead Mp3, Flac, Wma
Split Enz One Step Ahead mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: One Step Ahead Country: US Released: 1981 Style: Pop Rock MP3 version RAR size: 1739 mb FLAC version RAR size: 1190 mb WMA version RAR size: 1305 mb Rating: 4.7 Votes: 108 Other Formats: AHX MP4 VOC ADX DXD APE MP2 Tracklist Hide Credits One Step Ahead (Stereo) A 2:55 Written-By – N. Finn* One Step Ahead (Mono) A 2:55 Written-By – T. Finn* Credits Management – Nathan Brenner Producer, Engineer – David Tickle Notes ℗1981 A Boomerang Records Production USA. From The A&M Album " Waiata" (SP-4848) B-side is laser-etched with a pattern, but is still playable. Other versions Category Artist Title (Format) Label Category Country Year POLY 100, One Step Ahead (7", Polydor, POLY 100, New Split Enz 1980 K8103 Single, Ltd) Mushroom K8103 Zealand One Step Ahead (7", K -8103 Split Enz Mushroom K -8103 Australia 1980 Single, Ltd) One Step Ahead (7", AM-2339 Split Enz A&M Records AM-2339 US 1981 Single, Las) One Step Ahead (7", AMS 8146 Split Enz A&M Records AMS 8146 UK 1981 Single, Promo) One Step Ahead (7", AMS 8146 Split Enz A&M Records AMS 8146 UK 1981 Single, Las) Related Music albums to One Step Ahead by Split Enz Nik Kershaw - One Step Ahead (Industrial Mix) Split Enz - The Best Of Split Enz, Enz Of An Era Step Ahead - Step Ahead Split Enz - The Best Of Split Enz - History Never Repeats Debbie Gibson - One Step Ahead Step Ahead - There's Always Hope Nik Kershaw - One Step Ahead 2 Step Ahead - Implosion Split Enz - History Never Repeats (The Best Of Split Enz) The Last Cause - Step Ahead E.P.
[Show full text]
Sexual Harassment
S^^^M^itoilS^il^ The only difference they say, between hip and hype is pronunci THE STATE OF THE LABOR PARTY 5 ation. So has the popularisation of the hip hippy world of 'alternatives' A.L.P. Stalwart, STEVE STOCKWELL, describes the current situation in Queensland. only added to the hype in our society? STUDENT LOANS TO REPLACE T.E.A.S. 7 in this issue we examine some of the 'alternatives' available to ui today. Razor Gang cuts to Education will make student loans commonplace The cont:ept of an alternative approach to the world must have developed in LYN TAYLOR assesses the Implications. the floral sixties. Peace, love and brovm rice went with communes, wind energy and herbal teas. Hippies knew something was wrong with our society, so all its THE PROPHET OF POWER 12 facets were tackled In new or at least different ways. Given dwindling resources, we must look to alternative forms of energy. ASHLEY BOWEN reportt. In the last few years the practise of alternative medicine has grown astoundingly in western society. Whether this is because of the inadequacy of western medicine ALTERNATIVE MEDICINE 15 or increasing hypochondria no one knows, but 'alternative' medicine offers a range of new, very old, and bizarre treatments. These different approaches to medicine SHELLEY DEMPSEY reviews various forms of medicine from Acupuncture to colour therapy. are being used by a surprisingly broad range of people who in many cases, are seek ing cures that western medicine just can't give. FEELIN' GROOVY 17 Perhaps more importantly in terms of altering the structure of society, is the The Hippies in retrospect, A.
[Show full text]
Split Enz the Best of Split Enz - History Never Repeats (30Th Anniversary Edition) Mp3, Flac, Wma
Split Enz The Best Of Split Enz - History Never Repeats (30th Anniversary Edition) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Best Of Split Enz - History Never Repeats (30th Anniversary Edition) Country: New Zealand Released: 2002 Style: New Wave, Pop Rock MP3 version RAR size: 1729 mb FLAC version RAR size: 1984 mb WMA version RAR size: 1122 mb Rating: 4.5 Votes: 386 Other Formats: APE XM AA RA VOC MP2 MMF Tracklist Hide Credits History Never Repeats 1 2:58 Engineer – David TickleProducer – David Tickle Dirty Creature 2 4:03 Producer – Hugh Padgham, Split Enz I See Red 3 3:14 Producer – David Tickle, Split Enz My Mistake 4 3:01 Producer – Geoff Emerick, Split Enz I Walk Away 5 3:49 Producer – Jim Barton*, Split Enz I Got You 6 3:29 Engineer – David TickleProducer – David Tickle Shark Attack 7 2:58 Engineer – David TickleProducer – David Tickle One Step Ahead 8 2:53 Engineer – David TickleProducer – David Tickle Pioneer 9 1:30 Producer – Hugh Padgham, Split Enz Six Months In A Leaky Boat 10 4:21 Producer – Hugh Padgham, Split Enz Poor Boy 11 3:26 Engineer – David TickleProducer – David Tickle I Hope I Never 12 4:31 Engineer – David TickleProducer – David Tickle Message To My Girl 13 4:02 Producer – Eddie Rayner, Hugh Padgham Strait Old Line 14 4:00 Producer – Eddie Rayner, Hugh Padgham Late Last Night 15 4:02 Producer – Phil Manzanera Give It A Whirl 16 2:52 Producer – Mallory Earl, Split Enz Charlie 17 5:46 Producer – Eddie Rayner, Nigel Griggs Companies, etc.
[Show full text]
Cash Box Circulation
Tina Turner RCA AND PEPSI-COLA PLAN MULTI-MILLION DOLLAR PROJECT DATES SET FOR SUMMER SPRINGSTEEN SHOWS COLLEGE RADIO CULTIVATES LABELS' COMMERCIAL SUCCESS WELK MUSIC EMBRACES HIGH TECHNOLOGY FUTURE RADIO: DEVELOPING AND REFLECTING CONSUMERS’ TASTES (Ed.) " 4 4 4 -*» In 1981, Red Rider broke out of Canada with a tough rock track, "White Hot," which became an airplay staple. They followed it in 1982 with "Lunatic Fringe the Number One AOR track in the country for six consecutive weeks. Last year they became MTV favorites on the strength of a stunning video clip for "Light In The Tunnel/Human Race." Now Red Rider are shifting into overdrive, with their strongest album yet, BREAKING CURFEW, and its first hit single, "Young Thing, Wild Dreams," already an AOR Breaker and'top airplay track. With a new video clip and a major tour BREAKING CURFEW sdfor this summer, Red Rider are set to explode Yiarlcetplace. produced by David Tickle with Tom Cochrone ctnd Ken Greer -Vi ’V.' # One ride you don't want to miss... LAon BOX THE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLVII — NUMBER 1 — JUNE 9, 1984 — Developing Reflecting Tastes C4SHBCK EDITORIAL Radio And Consumer’s The development and exposure of new product receptiveness on the part of leading radio stations GEORGE ALBERT is the life blood of our industry. With singles by in playing new and developing artists. President and Publisher ~ MARK ALBERT such diverse new artists as Madonna, Slade, Ollie Restricted and “play it safe” playlists cut off our Vice President and General Manager & Jerry and Night Ranger in this week’s Cash Box circulation.
[Show full text]
EUGENE O'whatshisname BACK in Rightwingers at U.Q.U
EUGENE O'WHATSHISNAME BACK IN Rightwingers at U.Q.U. Beaten Again (XniTENTS The cenlreJeft incumbents, calling themselves the 1 Active Student Team, romped home in the recent Univer sity of Queensland Union elections. Allegations of fmancial mismanagement by the main opposing ticket, the Moderate Student Alliance (or, as it became known, the Moderately Stupid Alliance), failed to win strong voting support from the students, their biggest problems GRAFFITI LIVES OK 3 being a lack of atfractive executive candidates and their the sidcwaU humorists get a Uttle exposure of their own production of some farcical voting propaganda riddled OTHER SOCIETIES 4 with errors. The Moderate Student Alliance also suffered a leading social commentator penetrates the myths from a right-wing image and the nast>' taint of the surrounding aid to impovcrislicd nations National Civic Council, The election was similar House Committee: L. BANANA RADIO 5 to last year's, witli Eugene Bradley, D. Phillips, R. two looks at Triple Zed O'Sullivan standing for a Jeeves, P. Steinheuer, E. second term as President, Fried, M. Podobnik. WHATEVER HAPPENED TO THE RED PERIL? 6 and John Herzog organising an individual view of the "lefl" from inside 4ZZZ Directors: L the right-wingers. Bradley, I. Dearden, E. GENETIC INTELLIGENCE 7 The students of U.Q.U. O'Sullivan, P. Steinheuer. some of the popular misconceptions/deceptions exploded also voted to secede from Anne Warner was elected ..A v^^^^^^^^^Hj the Australian Union of unopposed as Union Sec ^^*" » IRAN: US TAKEOVER TARGET? 10 Students in a referendum retary following the late could Khomeini's Iran be invaded? brought on by petitions withdrawal of John Herzog.
[Show full text]
Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright
Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David).
[Show full text]
Warner Music Group Senior VP New Business & Ventures Alex Kamins
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 12, 2021 Page 1 of 33 Leader; Travis Denning Makes History INSIDE Executive of the Week: Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupWarner Nashville), debuts at No. Music 1 on Billboard’s lion Group audience impressions, Senior up 16%). VP New Top Country• Fare Play: Albums Could chart dated April 18. In its first week (ending April 9), it earnedSoundCloud’s 46,000 equivalent User- album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingCentric to Nielsen Streaming Music/MRC Data. Business & Venturesand total Country Airplay No. Alex 1 as “Catch” (Big Kamins Machine Label Group) ascends SouthsidePayouts Catchmarks On?Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart and fourth top 10. It follows freshman LP BY DAN RYS Young’s first of six chart entries, “Sleep With- Montevallo• Are Real, which MCs arrived in at the summit in No - out You,” reached No. 2 in December 2016. He vemberGermany 2014 and Getting reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Over the weekend, Atlantic Records band Why Don’t senior vp new business and ventures Alex Kamins — MontevalloFake hasStreams? earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved million in album sales.
[Show full text]
Smash Hits Volume 66
J5pUSA$l75 June 11 -24 1981 -^W# Vol. 3 No. 12 SPRINGSTEEN'S PLAYING Wembley/Hepworth's gorn all trembly/ la la la/la la la la!!" "Orlrlght, guv? Don't mind me. I'm sick as a moon, mate. Over the parrot. I'm just trying' to wrap me eyeballs round this 'ere new issue Knoworrlmean?" "Orlright, I'll just talk you through the important parts. I gets th ball, right, I heads it into the Squeeze feature (making a hell of a deni in me new perm), chips it across The Human League colour shot, tap it out to an Ant on the wing and then whacks it straight between couple of Whitesnake mike stands and smack into the top corner o\ the Linx centrespread. One — nil. Won meself a motorbike and ." Specials songbook too . ." "Oh, and I'm opening a . boutique, Brian . GHOST TOWN The Specials 2 WOULD I LIE TO YOU Whitesnake 8 YOU'LL NEVER BE SO WRONG Hot Chocolate 8 ALL STOOD STILL Ultravox 9 SPELLBOUND Siouxsie&The Banshees 9 THROW AWAY THE KEY Linx 14 BODY TALK Imagination 14 NOBODY WINS Elton John 18 ALL THOSE YEARS AGO George Harrison 19 GOING BACK TO MY ROOTS Odyssey 21 1 1 O'CLOCK TICK TOOK U2 23 ONE DAY IN YOUR LIFE Michael Jackson 31 MORE THAN IN LOVE Kate Bobbins 31 WILL YOU Hazel O'Connor 36 LET'S JUMP THE BROOMSTICK Coast To Coast 43 ADAM AND THE ANTS: Feature 4/5/6 WHITESNAKE: Feature 16/17 LINX: Colour Poster 24/25 SQUEEZE: Feature 34/35 HUMAN LEAGUE: Colour Poster 44 BITZ 11/12/13 TOYAH/MADNESS POSTER COUPON 12 SPECIALS SONGBOOK COMPETITION 20 DISCO 21 YAMAHA BIKE/ BOOMTOWN RATS COMPETITION 27 CROSSWORD 30 INDEPENDENT BITZ 33 LETTERS 39/40 COMPETITION WINNERS 41 GIGZ 42 Special thanks this issue to Tel Seago (design) The charts appearing in Smash Hits are compiled by Record Business Research from information supplied by panels of specialist shcps.
[Show full text]
Smash-Hits-1981-06-1
GHOST TOWN The Specials ......................................... 2 WOULD I LIE TO YOU Whitesnake ............................... 8 YOU'LL NEVER BE SO WRONG Hot Chocolate .......... 8 ALL STOOD STILL Ultravox ........................................... 9 SPELLBOUND Siouxsie & The Banshees ................... 9 THROW AWAY THE KEY Linx ...................................... 14 BODY TALK lmagination .............................................. 14 NOBODY WINS Elton John ......................................... 18 ALL THOSE YEARS AGO George Harrison ................ 19 GOING BACK TO MY ROOTS Odyssey ....................... 21 11 O'CLOCK TICK TOCK U2 .......................................... 23 ONE DAY IN YOUR LIFE Michael Jackson ............... 31 MORE THAN IN LOVE Kate Robbins .......................... 31 WILL YOU Hazel O'Connor ........................................... 36 LET'S JUMP THE BROOMSTICK Coast To Coast. .... 43 ADAM AND THE ANTS : feature ........................... 4/5/6 WHITESNAKE: Feature ........................................... 16/17 LINX: Colour Poster.. ...............................................24/25 SQUEEZE: Feature ...................................................34/35 HUMAN LEAGUE: Colour Poster.. .............................. 44 BITZ ...................................................................... 11/12/13 TOYAH/MADNESS POSTER COUPON ..................................................................... 12 SPECIALS SONGBOOK COMPETITION ..................... 20 DISCO .............................................................................
[Show full text]
Read Ebook {PDF EPUB} Neil Finn
Read Ebook {PDF EPUB} Neil Finn--Once Removed by Neil Finn Crowded House – “Don’t Dream It’s Over” It starts with that magical guitar riff, so unmistakable that it takes us back to the Fab Four days of the sixties—but no it’s not The Beatles but New Zealand’s Crowded House; Unbeknownst to Neil Finn who penned this already tender classic— “Don’t Dream It’s Over,” to my ears, is a modern day, 1980’s reimagining of John Lennon’s “A Day in the Life.” When asked about his Beatles influence Finn replied, “ Not directly, although I’m sure he’s in there somewhere – he’s always in my thoughts. My songs never have clear narratives. I describe moments, work in some feelings and hope for empathy. Growing up, that was my appreciation of music. When I first heard John Lennon singing Help! I thought he sounded really happy; I didn’t know he was seriously in trouble. To me, a good song is about intent, delivery and little resonances. I’m not interested in an intellectual process .” When talking about his craft, Neil Finn said this about songwriting, “I t’s like working with clay. You’ve just got to mould the words until they fit the type of rhythm and meter of the song really well. That’s where the craft comes in .” Neil delved further inside his gift of song when he told writer Graham Reid, “ I like to incorporate different events into the one thing, the formula of truth and reality and in-between is different for every song, but there’s always an element of all three.
[Show full text]
Real Rock: Authenticity and Popular Music in Canada, 1984-1994
REAL ROCK: AUTHENTICITY AND POPULAR MUSIC IN CANADA, 1984-1994 PAUL DAVID AIKENHEAD A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HISTORY YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2018 © PAUL DAVID AIKENHEAD, 2018 Abstract This dissertation investigates the production and reception of English-Canadian rock music sound recordings, from 1984 to 1994, in relation to mutually constitutive understandings of race, ability, gender, sexuality, class, age, and place. It examines how different forms of domestic Anglo rock served to reinforce or subvert the dominant ideologies undergirding the social order in Canada during the late twentieth century. This study analyzes a multifaceted discourse about authenticity that illustrates the ways in which a host of people – including musicians, music journalists, record label representatives and other professionals from across the music industries, government administrators, and consumers – categorized recorded sound, defined bodily norms, negotiated commerce and technology, and evaluated collective communication in Canada. This study finds that the principle of originality fundamentally structured the categorization of sound recordings in Canada. Originality, according to rock culture, encompassed the balancing of traditionalism with innovation. This dissertation determines that Whiteness organized English-Canadian rock culture in terms of its corporeal standards. White bodies functioned as the norm against which racialized Others were compared and measured. This study also shows how the concept of autonomy encouraged the proper negotiation of commerce and technology in an increasingly neoliberal political and economic condition. Independence of will fostered acceptable behaviour. Finally, this dissertation reveals that the rock status of a given concert rested upon the actions of the performers as well as the composition and reactions of ticket holders in the audience.
[Show full text]
Roadrunner 5(3) April 1982 Donald Robertson Editor
University of Wollongong Research Online Roadrunner Historical & Cultural Collections 4-1-1982 Roadrunner 5(3) April 1982 Donald Robertson Editor Follow this and additional works at: http://ro.uow.edu.au/roadrunner Recommended Citation Robertson, Donald, (1982), Roadrunner 5(3) April 1982, Kent Town, South Australia, 24pp. http://ro.uow.edu.au/roadrunner/45 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Roadrunner 5(3) April 1982 Description Contents: 3. The Drum. 4. Split Enz. 5. Perth. 6. B.E.F. 7. The aP rticles. 8. New York, New York. 10. The Comic Strip. 11. Japan. 12. The umH an League. 14. Fay Weldon. 16. Film Reviews. 18. Live Reviews—The Dagoes/ Government Drums/ Brenton Roberts/ The crS eaming Believers. 19. Live Reviews—The eD ad Travel Fast/ Laughing Clowns/ Lunatic Fringe/ Pel Mel/ The aS me/ Sardine v/ Splendid Mess/ The Tablewaiters/ The wS ingers/ Ya Ya Choral. 21. Album Reviews. 22. Single Reviews/ Tape Reviews. Publisher Kent Town, South Australia, 24pp This serial is available at Research Online: http://ro.uow.edu.au/roadrunner/45 " '■■ ''"ft '. '4- ? -A Vol 5 No 3 Apr 81 $1.00 The Comic Strip novelist Heaven 17 'fe Nick Lowe ■ %■.'. '■■.' i The Cars S r ih Tnz^^^ Particles Japan Phillip = f = F R l A New Film directed by Scott Hicks The Original Soundtrack Album Produced by Matt Carroll and Starring by DON WALKER Jon B lak e with Billy Rogers, Ian Moss, Peter Walker, with Candy Raymond, Jad Capelja, Mark Collins, Liz Watters, Phil Small, Charles 'Bud’ Tingwell, Max Cullen, Dave Blight, Steve Prestwich, Chris Haywood, Reg Lye & John Clayton and Michael Hutchence of INXS.
[Show full text]