Brian Bowman's Playing Has Thrilled Audiences for More Than a Quarter of a Century
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The Composer's Guide to the Tuba
THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love. -
DR. BRIAN L. BOWMAN COMPLETE VITA LISTING January 20, 2017
DR. BRIAN L. BOWMAN COMPLETE VITA LISTING January 20, 2017 Table of Contents EDUCATION ......................................................................................................................2 TEACHING EXPERIENCE ................................................................................................2 COLLEGE TEACHING ......................................................................................................2 SUMMER MUSIC CAMPS ................................................................................................3 ADJUDICATION EXPERIENCE .......................................................................................3 OUTSTANDING STUDENTS ............................................................................................5 GUEST CLINICS, RECITALS AND SOLO PERFORMANCES ......................................6 Colleges and Universities ...................................................................................................6 Music Conferences and Workshops ....................................................................................9 High School Bands ...........................................................................................................13 Municipal Bands and Orchestra Solo Performances .........................................................13 Tenor Tuba Appearances ...................................................................................................15 OTHER PROFESSIONAL APPEARANCES ...................................................................15 -
ITEC Program Book
ITEC 2019 Program Addendum Voxman Building Notes - The Voxman School of Music’s facilities will be open every day from 7am – 10pm for the duration of the conference - The registration desk will be available on the 2000 level in the Pearl West Lobby from 8am-8pm for the duration of the conference - Instrument storage will be available in the Stark Opera Theater (0151) from Tuesday through Saturday, 8am-8pm and for 30 minutes after the end of the evening concerts o Exception: instrument storage will close at 4:30pm on Thursday to allow volunteers time to prepare for and attend the Banquet - No instruments or cases are allowed in the Concert Hall or Recital Hall audience during performances - No food or drink (except water) in any classroom or performance space - Lessons with students under 18 years of age require a parent or guardian in the room Schedule Corrections Monday, May 27 Correction 9:00am – Recital Hall (2301) – Competition: Mock Band - Tuba Incorrectly listed as taking place in Stark Opera Theater (pg. 17, pg. 27) Correction 9:00am – Stark Opera Theater (0151) – Competition: Electronics Incorrectly listed as starting at 5:00pm (pg. 27) Correction 3:00pm – Recital Hall (2301) – Competition: Young Artist Euphonium Final Round Incorrectly listed as Artist Euphonium Final Round (pg. 27) Correction 3:30pm – Concert Hall (2101) – Competition: Ensemble Final Round Incorrectly listed as starting at 3:00pm (pg. 17, omitted on pg. 27) Tuesday, May 28 Cancellation 9:00am – James Dixon Room (0002) – Presentation: Samuel Adler – David Saltzman (pg. 18, 32) Correction 2:00pm – James Dixon Room (0002) – Presentation: Young at Heart – Velvet Brown and Roger Bobo (pg. -
NERTEC 2020 Program.Pdf (13.58
Table of Contents Welcome Letters Pages 1-2 NERTEC Schedule of Events Pages 3-5 NERTEC Daily Events Schedule Pages 6-17 Biographies Pages 22-46 Dear Friends, It was in the seventh grade that the band director, Mr. Geary, decided that while I already played the piano and the violin, I was going to take up the tuba. I was the biggest kid in the school, unusually big at an early age, and this was not only pre-internet, but pre-fiberglass. Real sousaphones—the brass kind—weigh close to 50 pounds (at least mine did). It was assigned to me; I didn’t exactly choose it. While it was an arranged marriage, we did manage to fall in love. As college approached and even through my freshman year in music school, it was a toss-up between the piano (my other instrument) and my Miraphone 184. Two more different instruments have never existed. The piano has over ten thousand moving parts, requires a whole extra person to play in tune, and is for many people a cross between a piece of furniture and a typewriter. Not so the tuba. This is not something you sit in front of. This, you wrap your arms around and hold lovingly on your lap. The piano produces sound by hitting things; the tuba, we sing through, sometimes to the point where I couldn’t tell whether the vibration was in the tuba or in my body. The two become one. And on a good day, we can play in tune all by ourselves, thank you. -
2019 WIND14173 IET Festival YEP-842S Vert.Qxp Layout 1 6/7/18 2:08 PM Page 1
The International Euphonium Tuba Festival 2019 WIND14173 IET Festival YEP-842S Vert.qxp_Layout 1 6/7/18 2:08 PM Page 1 The 842TS Euphonium The New Tradition for Euphonium The newly expanded line of Yamaha euphoniums features a main tuning slide trigger that was designed in partnership with top musicians in the UK and Europe. Players will experience an unmatched playability and comfort needed to achieve the highest level of precision and accuracy. Features: • Main tuning slide trigger • Adjustable plate and stroke length • Compensating system • Brilliant and flexible tone • Slightly shorter leadpipe for quick, light response • Thinner material for brilliance of response • Silver-plated finish with gold trim Welcome to our 16th Anniversary of the International Euphonium and Tuba Festival!! I am regularly inspired by the level of musicians and their intense love of music making on the euphonium and tuba. Sharing and connecting professionals and students from around the world remains so important and this year we welcome many friends from Colombia. Thank you for being a part of this event and hope you hear outstandings performances and learn amazing insights into your musical future! Adam Frey, Artistic Director Presenting Sponsors Major Sponsors Bienvenidos • Tervetuloa • Dobrodošli • Willkommen • • Dobrodošli Tervetuloa • Bienvenidos Supporting Sponsors WELCOME Program of Events Sunday, June 16 M 2:00 P Registration - Tharp Rehearsal Hall 5:30 PM Meeting, Social, and Dinner – Emerson Hall 7:30 PM Opening Recital – Meet the Staff of IET Recital -
2017 Adam Frey Depends on Yamaha
The International Euphonium Tuba Festival 2017 Adam Frey Depends on Yamaha. “The YEP-842S combines incredibly precise tuning, superb response and an evenness of tone that is unmatched…exactly what I need as a musician.” Welcome to our 14th Anniversary of the International Euphonium and Tuba Festival!! Each year, I am reminded about the inspiration that my teachers and fi rst conferences brought to me. That slight (or dramatic) nervous feeling to be speaking with one of my musical idols!! I was always motivated and my goals galvinized, but I was also a little frazzeled! I try to recreate these opportunities for the participants of the IET Festival each year and it in turn continues to motiviate and energize me. Thank you for being a part of this event and hope it does for you what it has done for the many others: create a lifetime of friendships, a trail of inspiration that may led to professional musicial employment, and help players be the best they can be!! Adam Frey, Artistic Director Presenting Sponsors Bienvenidos • Tervetuloa • Dobrodošli • Willkommen • • Dobrodošli Tervetuloa • Bienvenidos Major Sponsors Supporting Sponsors WELCOME Program of Events Sunday, June 18 1:00-5:00 PM Competitions/Registration at Tharp Rehearsal Hall 5:30 PM Meeting, Social, and Dinner – Tharp Rehearsal Hall 7:30 PM Opening Recital – Meet the Staff of IET Recital Monday, June 19 7:30 AM Breakfast – Dining Hall (DUC) 8:30 AM Warm-up and Fundamentals – Baadsvik/Van Looy 9:15 AM Massed Ensemble Rehearsal 11:00 AM Master Class – Glenn Van Looy 12:30 -
2018 MASTER FILE.Indd
The International Euphonium Tuba Festival 2018 15TH ANNIVERSARY The New Tradition for Euphonium The newly expanded line of Yamaha euphoniums features a main tuning slide trigger that was designed in partnership with top musicians in the UK and Europe. Players will experience an unmatched playability and comfort needed to achieve the highest level of precision and accuracy. Features: • Main tuning slide trigger • Adjustable plate and stroke length • Compensating system • Brilliant and flexible tone • Slightly shorter leadpipe for quick, light response • Thinner material for brilliance of response • Silver-plated finish with gold trim Welcome to our 15th Anniversary of the International Euphonium and Tuba Festival!! I cannot believe it has been 15 years! It is amazing to see the success of our participants with positions in the US Army Band, US Air Force Band, various universities around world, and successful careers!! Its hard to believe the impact as the festival has grown from 14 participants to 130 and the teaching staff from 4 to 14!! Know that by being a part of the IET Festival, each participant walks in the shoes of professionals that have been a student, sought inspiration, desired to learn, worked with great artists, and became motivated to be their absolute best and chart a path for success and achievement!! It is my honor to be a part of helping guide euphonium and tuba players succeed at their goals. Adam Frey, Artistic Director Presenting Sponsors Bienvenidos • Tervetuloa • Dobrodošli • Willkommen • • Dobrodošli Tervetuloa -
ITEC Conference Program
Monday, June 26 Thursday, June 29 12:00pm Prelude: Euphoniums Unlimited 8:00am Rehearsal High School All-Star Ensemble Opening Remarks 8:00am Reading Session/Rehearsal for Red Rocks: Performance: Gene Pokorny Dennis AsKew Chat with the Legends: Gene Pokorny 9:00am New Ideas in Ensemble Performance: 3:00pm Clinic: Alan Baer & Tommy Johnson S Watson & L Young 4:00pm Clinic Gabrieli: Carole Nowicke 9:00am Clinic Creativity: 5:30pm Welcome Reception J Skillen, O Baadsvik, J Sass & J Self 7:30pm Prelude: University of Texas at Austin 10:00am Great Musicianship Time: 8:00pm Concert: Modern Jazz Tuba Project John Griffiths & Dan Perantoni 10:00pm Lodge: J Manning, T Heasley, Trio Akimbo 11:00am Recital: Alessandro Fossi & Roland Szentpáli Tuesday, June 27 11:30am Rehearsal College All-Star Ensemble 12:00pm Plaza Concert: Texas Tech University 8:00am Reading Session 12:00pm Clinic Teachings of Arnold Jacobs: Dennis AsKew Brian Frederiksen 9:00am Recital: Alan Baer & Jens Bjørn-Larsen 1:00pm Prelude: Ohio Univ Tuba-Euphonium Ens 9:00am Recital/Clinic: Competition Recognition & Awards: Studios of Brian Bowman & Steven Mead Louis Young, Dennis AsKew 10:00am Great Musicianship Perception: Concert: David Childs & Carol Jantsch Warren Deck & Marty Erickson 3:00pm Clinic Jazz Tuba: 11:00am Clinic Orchestral Careers: Marty Erickson & Jerry Young Warren Deck & Jens Bjørn-Larsen 3:00pm Clinic Jazz Euphonium: 11:00am Clinic Military Careers: Marc Dickman & Tom Ball Roger Behrend, Jason Ham, Tom Powell 4:15pm Colorado Barbecue: TubaKvartetten 12:00pm High -
Mentors Slide
NIKKI ABISSI Nicole Abissi is a professional trombonist and teacher living in New York City. She is Second Trombone of the historic American Symphony Orchestra, Principal Trombone and Mentor of the Montclair Orchestra, performs on Broadway and with professional orchestras around the world. Nicole is also an inventor. She has created an extension handle for the trombone called, Extendabone. As a short trombonist, she knew this is a tool that needs to be available for herself, and other students around the world. Nicole received her Bachelor of Music degree from The Juilliard School under the instruction of Joseph Alessi, Principal Trombonist of the New York Philharmonic. She received her Master of Music Degree from Stony Brook University under the instruction of Michael Powell, Principal Trombonist of the Orchestra of St. Luke’s and member of the world renowned American Brass Quintet. Nicole’s other teachers include Per Brevig, Warren Deck, Glenn Dodson, Ian Bousfield, and Thomas Riccobono. In September of 2007, she began the first of two seasons as a fellow the New World Symphony. While there, she had the opportunity to work with one of the premier conductors of our time, Michael Tilson Thomas. Nicole won her first professional position as the Second Trombonist of the Alabama Symphony for the 2009-2012 seasons. In September of 2012 she joined the Colorado Symphony as the acting Principal trombonist for the 2012-2013 season. In the same year, she also filled in as acting Principal Trombone in the Macon Symphony under the direction of Ward Stare. Nicole has also had the pleasure of performing with the Atlanta Symphony Orchestra, National Symphony Orchestra, St. -
A Categorization of Events at the International Tuba‐Euphonium Conferences: 1973 to 2014
BLACK, JR., DOUGLAS CHRISTOPHER, D.M.A. A Categorization of Events at the International Tuba‐Euphonium Conferences: 1973 to 2014. (2016) Directed by Dr. Dennis AsKew. 183 pp. I. Solo Recital: Sunday, April 27, 2014, 1:30 p.m., Recital Hall. Ricercari 4 (Domenico Gabrieli, trans. Douglas Black); Romeo and Juliet Suite No. 1 Op. 64 (Sergei Prokofiev, arr. Charles Vernon, ed. Erik Saras); Yorkshire Ballad (James Barnes); Sonata for Tuba and Piano (Donald White). II. Solo Recital: Sunday, April 26, 2015, 3:30 p.m., Recital Hall. Sonata No. 2 (Johann Sebastian Bach, trans. Floyd Cooley); Syrinx (Claude Debussy, arr. Brinkman); Concerto (James Woodward); Due tempi Nr. 1(Kjell Roikjer); Sonata (Thomas Benjamin); Variations on Barnacle Bill, the Sailor (Carson Robinson and Frank Luther, ad. Steven Frank). III. Solo Recital: Friday, December 4, 2015, 5:30 p.m., Recital Hall. Concerto in One Movement (Alexi Lebadev, ed. Allen Ostrander); Salve Venere, Salve Marte (John Stevens); Concerto Nr. 1 in g‐moll (Georg Friderich Händel, trans. Walter Hilters); Concerto for Tuba and Orchestra (Alexander Arutiunian); Sonatine pour Tuba Ut, ou Saxhorn basse Si, et Piano (Jacques Castérède). IV. D.M.A. Research Project. A CATEGORIZATION OF EVENTS AT THE INTERNATIONAL TUBA‐EUPHONIUM CONFERENCES: 1973 TO 2014. The purpose of this document was to categorize how the International Tuba Euphonium Conferences have been used to meet the goals stated in the International Tuba Euphonium Association’s constitution during the conferences from 1973 to 2014. Definitions of the parameters are included in the final document. The original constitution of Tubists United Brotherhood Association (TUBA) were used in writing the definition of the parameters and gave clearly defined area of focus. -
Vtec Schedule
www.iteaonline.org/VTEC2021 Table of Contents Conference Credits ………………………………………………… 1 Awards Committees and Finalists ………………………………… 5 Master Schedule ……………………………………………………. 8 Daily Schedules Saturday, May 29 …………………………………………….. 16 Sunday, May 30 ………………………………………………. 26 Monday, May 31 ……………………………………………… 33 Tuesday, June 1 ………………………………………………. 43 Wednesday, June 2 ………………………………………….. 52 Featured Artists …………………………………………………….. 60 Collegiate Ensembles ……………………………………………… 125 Conference Credits VTEC was a true team effort, and took months of planning and preparation. We would like to thank the following people who volunteered and contributed to the success of our first virtual tuba euphonium conference: THE VTEC TEAM John Manning, Conferences Coordinator, VTEC Video Editor, After Hours Coordinator Steph Frye-Clark, Conferences Committee member-at-large, Wellness Classes Coordinator Chris Vivio, Regional Conference Coordinator, Warm-Up Classes Coordinator Genevieve Clarkson, ITEC Manager Jason Smith, ITEA Online Editor, VTEC Website Designer Martin Lee Thomson and Danielle Price, After Hours Consultants VTEC PROGRAM EDITORS VTEC MASS ENSEMBLE PROJECT Genevieve Clarkson, Head Editor Gail Robertson, composer of Jeremy Crawford Persistence Fanfare and March Christopher Dickey Scott Sutherland, video editor Sarah Dunbar Brian Gallion VTEC IN MEMORIAM TRIBUTE VIDEO Sarah Miller Jerry Young, research Albert Miller Danielle Van Tuinen, video editing VTEC ZOOM WEBINAR HOSTS ITEA STAFF Saturday – Steph Frye-Clark and Ben Pierce Matthew Shipes, Membership