2017 Adam Frey Depends on Yamaha
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CENTURY ORGAN MUSIC for the Degree of MASTER of MUSIC By
ol 0002 -T-E CHACONNE AND PASSACAGLIA IN TVVENTIETH CENTURY ORGAN MUSIC THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By U3arney C. Tiller, Jr., B. M., B. A. Denton, Texas January, 1966 TABLE OF CONTENTS Chapter Page I. INTRODUCTION . II. THE HISTORY OF THE CHACONNE AND PASSACAGLIA . 5 III. ANALYSES OF SEVENTEEN CHACONNES AND PASSACAGLIAS FROM THE TWENTIETH CENTURY. 34 IV. CONCLUSIONS . 116 APPENDIX . 139 BIBLIOGRAPHY. * . * . * . .160 iii LIST OF TABLES Table Page I. Grouping of Variations According to Charac- teristics of Construction in the Chaconne by Brian Brockless. .. 40 TI. Thematic Treatment in the Chaconne from the Prelude, Toccata and Chaconne by Brian Brockless. .*0 . 41 III. Thematic Treatment in the Passacaglia from the Passacaglia and Fugue by Roland Diggle. 45 IV. Thematic Treatment in the Passacaglia from the Moto Continuo and Passacglia by 'Herbert F. V. Thematic Treatment in the Passacaglia from the Introduction and Passacaglia by Alan Gray . $4 VI. Thematic Treatment in the Passacaglia from the Introduction and Passacaglia b Robert . .*. -...... .... $8 Groves * - 8 VII. Thematic Treatment in the Passacaglia by Ellis B. Kohs . 64 VIII. Thematic Treatment in the Passacaglia from the Introduction and Passaglia in A Minor by C. S. Lang . * . 73 IX. Thematic Treatment in the Passacaglia from the Passaca a andin D Minor by Gardner Read * . - - *. -#. *. 85 X. Thematic Treatment in the Passacaglia from the Introduction, Passacgland ugue by Healey Willan . 104 XI. Thematic Treatment in the Passacaglia from the Introduction, Passacaglia and F by Searle Wright . -
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op. -
The Composer's Guide to the Tuba
THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love. -
Catering Storm Blows Up
UNION NEWS No. 233 __________17th Year_________________ LEEDS UNIVERSITY UNION Friday, 1st March, 1963 Price 3d. Another SGM may be called after debates motion criticises food facilities CATERING STORM BLOWS UP ‘I'm Powerless1 HEADROW AT NIGHT SGM Will Decide says Bonney Army Issue Today By A STAFF REPORTER By THE NEWS EDITOR A T the end of one and a half hours of often heated FTER hearing criticism of the length of discussion at last week’s Union Committee A queues of students waiting to eat in the meeting, it was decided to call an SGM of the Union Union and of the standard of food provided to decide the future relationship of the Union and Debating Society decided on a show of the .OTC and the Air factions in the Union have hands on Wednesday to call for a Special Squadron. The SGM will g i ' L S “ fully oTthe General Meeting of the Union to discuss the be held at 1-15 today in * t . ^ whole problem of catering and eating the Riley Smith. the case against the OTC and the UAS were due to be dis- facilities. The question of the military tributed yesterday and today. bodies was first raised at last They were sponsored by a But on Wednesday evening, an announcement week’s Private Members’ group of people supporting over the tannoy gave Union members the news that Business debate. The House the motions to be discussed. passed three motions which Refec. is now to be open half-an-hour longer at then came up for discussion A t the end of a lecture in night— until 6-30. -
Georgia Music Teachers Association
Georgia Music Teachers Association 2012 Conference Program 1 2 GMTA 2012 Conference Program . . . . . . . . . .. . . . .. . . ... . 3 November 1, 2012 Dear Georgia MTA members: Welcome to your state conference! Your state conference committee has planned an exceptional program for you to enjoy, to broaden your knowledge, to experience new ideas, and to hear students and master teachers/recitalists. Please be sure to take a moment to thank your colleagues for their time and work in making this a successful conference. Conferences are such a wonderful opportunity to network with colleagues, renew friendships, and meet some of the new members in your association. Please share with them your rich experiences within the MTNA Triangle: Local Associations, State Associations, and National Association, all of which support, mentor and nurture us as teachers. Each of us has special gifts and talents. Reach out to those in your state association and volunteer to help in whatever way you can. Working and sharing together we can impact the future of music in America! There is no greater time for us to support music and the arts than now with the budget cuts that so many local and state governments are facing. In addition to attending the Georgia MTA Conference, we hope you will make plans to attend the 2013 MTNA National Conference in Anaheim, California, March 9-13. It promises to be an outstanding conference, featuring high caliber artists and master teachers, as well as sessions and workshops emphasizing offerings for teachers in all areas. In addition, the piano duo Anderson and Roe will perform a recital on Tuesday evening. -
DR. BRIAN L. BOWMAN COMPLETE VITA LISTING January 20, 2017
DR. BRIAN L. BOWMAN COMPLETE VITA LISTING January 20, 2017 Table of Contents EDUCATION ......................................................................................................................2 TEACHING EXPERIENCE ................................................................................................2 COLLEGE TEACHING ......................................................................................................2 SUMMER MUSIC CAMPS ................................................................................................3 ADJUDICATION EXPERIENCE .......................................................................................3 OUTSTANDING STUDENTS ............................................................................................5 GUEST CLINICS, RECITALS AND SOLO PERFORMANCES ......................................6 Colleges and Universities ...................................................................................................6 Music Conferences and Workshops ....................................................................................9 High School Bands ...........................................................................................................13 Municipal Bands and Orchestra Solo Performances .........................................................13 Tenor Tuba Appearances ...................................................................................................15 OTHER PROFESSIONAL APPEARANCES ...................................................................15 -
ITEC Program Book
ITEC 2019 Program Addendum Voxman Building Notes - The Voxman School of Music’s facilities will be open every day from 7am – 10pm for the duration of the conference - The registration desk will be available on the 2000 level in the Pearl West Lobby from 8am-8pm for the duration of the conference - Instrument storage will be available in the Stark Opera Theater (0151) from Tuesday through Saturday, 8am-8pm and for 30 minutes after the end of the evening concerts o Exception: instrument storage will close at 4:30pm on Thursday to allow volunteers time to prepare for and attend the Banquet - No instruments or cases are allowed in the Concert Hall or Recital Hall audience during performances - No food or drink (except water) in any classroom or performance space - Lessons with students under 18 years of age require a parent or guardian in the room Schedule Corrections Monday, May 27 Correction 9:00am – Recital Hall (2301) – Competition: Mock Band - Tuba Incorrectly listed as taking place in Stark Opera Theater (pg. 17, pg. 27) Correction 9:00am – Stark Opera Theater (0151) – Competition: Electronics Incorrectly listed as starting at 5:00pm (pg. 27) Correction 3:00pm – Recital Hall (2301) – Competition: Young Artist Euphonium Final Round Incorrectly listed as Artist Euphonium Final Round (pg. 27) Correction 3:30pm – Concert Hall (2101) – Competition: Ensemble Final Round Incorrectly listed as starting at 3:00pm (pg. 17, omitted on pg. 27) Tuesday, May 28 Cancellation 9:00am – James Dixon Room (0002) – Presentation: Samuel Adler – David Saltzman (pg. 18, 32) Correction 2:00pm – James Dixon Room (0002) – Presentation: Young at Heart – Velvet Brown and Roger Bobo (pg. -
NERTEC 2020 Program.Pdf (13.58
Table of Contents Welcome Letters Pages 1-2 NERTEC Schedule of Events Pages 3-5 NERTEC Daily Events Schedule Pages 6-17 Biographies Pages 22-46 Dear Friends, It was in the seventh grade that the band director, Mr. Geary, decided that while I already played the piano and the violin, I was going to take up the tuba. I was the biggest kid in the school, unusually big at an early age, and this was not only pre-internet, but pre-fiberglass. Real sousaphones—the brass kind—weigh close to 50 pounds (at least mine did). It was assigned to me; I didn’t exactly choose it. While it was an arranged marriage, we did manage to fall in love. As college approached and even through my freshman year in music school, it was a toss-up between the piano (my other instrument) and my Miraphone 184. Two more different instruments have never existed. The piano has over ten thousand moving parts, requires a whole extra person to play in tune, and is for many people a cross between a piece of furniture and a typewriter. Not so the tuba. This is not something you sit in front of. This, you wrap your arms around and hold lovingly on your lap. The piano produces sound by hitting things; the tuba, we sing through, sometimes to the point where I couldn’t tell whether the vibration was in the tuba or in my body. The two become one. And on a good day, we can play in tune all by ourselves, thank you. -
Anniversary10 June 23-29, 2013
The IEI Festival for th EUPHONIUM and TUBA Anniversary10 June 23-29, 2013 Emory University in Atlanta, Georgia The 2013 IEI Festival for Euphonium and Tuba! Welcome • Bienvenidos • Tervetuloa Dobre doshli • Willkommen Welcome to our 10th Anniversary of IEI Festival‼ My vision of the fi rst event in 2004 remains crystal clear with humble beginnings of 14 participants and 4 staff . My heartfelt thanks go to those 14 that had the courage to att end and help start something special that has helped create a lifetime of friendships around the world, a trail of inspiration that has led to numerous professional musicians, and a plethora of players that have gained insight into being the best they can be. It warms my heart and soul to see this dream achieved and I thank YOU for being a part of this grand tradition of excellence, motivation, and global camaraderie. You join a special group of people from around the world. I am pleased to say Presenting and that 2013 represents our largest year ever with 72 registered participants. When combined Major Sponsors with our participant numbers from the previous nine years, our registrations number just over 400‼ For this 10th Anniversary Festival, I wanted to feature a number of great aspects of our time together. Th ese range from our fi rst international guest artist, Jukka Myllys, to two of the original participants from the 2004 IEI Festival that are now world class performing artists, Jamie Lipton and Chris Buckley. Th en some of our most popular teachers Brian Bowman and David Childs are paired with some new faces of James Jackson, Dan Perantoni, Petri Keskitalo, and Patricio Cosentino. -
Brian Bowman's Playing Has Thrilled Audiences for More Than a Quarter of a Century
Brian Biography Bowman Biography Characterized by a virtuosic technique and a warm, rich, velvet tone, Brian Bowman's playing has thrilled audiences for more than a quarter of a century. His superb musicianship and dedication to fine brass playing have made him one of the foremost euphonium soloists in the world today. His history of euphonium "firsts" is impressive: First euphonium recital in New York's Carnegie Recital Hall 1976 First euphoniumist to serve as president of the TUBISTS UNIVERSAL BROTHERHOOD ASSOCIATION (T.U.B.A) First euphonium concert tour of Japan First Guest Euphonium Artist-Falcone International Euphonium Competition First euphonium master class at the Paris Conservatory Superior of Music, France Master teacher at the first Deutsche Tubaforum workshop to include the euphonium, tenor horn and bariton, Hammelburg, Germany 1991 Dr. Brian L. Bowman enjoys a distinguished career as a soloist, clinician, recording artist, educator and administrator. Dr. Bowman has held the principal euphonium position, in addition to being a featured soloist in each of the bands he has been associated with: THE UNIVERSITY OF MICHIGAN SYMPHONY BAND, THE UNITED STATES NAVY BAND, THE UNITED STATES BICENTENNIAL BAND, THE UNITED STATES AIR FORCE BAND and THE RIVER CITY BRASS BAND in Pittsburgh, Pennsylvania. He is in demand as a guest soloist with high school, university, municipal and professional ensembles. He has performed as a soloist in all 50 states, Canada, Mexico, The Virgin Islands, Norway, Finland, Germany, Belgium, Great Britain, France, Italy, Switzerland, Australia, Japan, Taiwan, and the People's Republic of China. He has appeared as tenor tubist with the National Symphony, the Pittsburgh Symphony Orchestra, the Colorado Symphony and the San Francisco Symphony. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Department of Music The English Voice of the Mid-Twentieth Century: Ferrier, Deller and Pears by Xin Ying Ch'ng Thesis for the Degree of Doctor of Philosophy March 2016 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the Degree of Doctor of Philosophy THE ENGLISH VOICE OF THE MID-TWENTIETH CENTURY: FERRIER, DELLER, PEARS Xin Ying Ch’ng This thesis explores how the reception of Kathleen Ferrier, Alfred Deller and Peter Pears’s voices gave new insights into the constructions of national musical identity in mid- twentieth century Britain. I highlight how an exploration of the ‘national voice’ constitutes both an idealisation of musical sound and national belonging. Through voice, I offer not only a new methodological approach to the question of musical nationalism, but also an understanding of its embodiment through concepts of gender and sexuality. -
2019 WIND14173 IET Festival YEP-842S Vert.Qxp Layout 1 6/7/18 2:08 PM Page 1
The International Euphonium Tuba Festival 2019 WIND14173 IET Festival YEP-842S Vert.qxp_Layout 1 6/7/18 2:08 PM Page 1 The 842TS Euphonium The New Tradition for Euphonium The newly expanded line of Yamaha euphoniums features a main tuning slide trigger that was designed in partnership with top musicians in the UK and Europe. Players will experience an unmatched playability and comfort needed to achieve the highest level of precision and accuracy. Features: • Main tuning slide trigger • Adjustable plate and stroke length • Compensating system • Brilliant and flexible tone • Slightly shorter leadpipe for quick, light response • Thinner material for brilliance of response • Silver-plated finish with gold trim Welcome to our 16th Anniversary of the International Euphonium and Tuba Festival!! I am regularly inspired by the level of musicians and their intense love of music making on the euphonium and tuba. Sharing and connecting professionals and students from around the world remains so important and this year we welcome many friends from Colombia. Thank you for being a part of this event and hope you hear outstandings performances and learn amazing insights into your musical future! Adam Frey, Artistic Director Presenting Sponsors Major Sponsors Bienvenidos • Tervetuloa • Dobrodošli • Willkommen • • Dobrodošli Tervetuloa • Bienvenidos Supporting Sponsors WELCOME Program of Events Sunday, June 16 M 2:00 P Registration - Tharp Rehearsal Hall 5:30 PM Meeting, Social, and Dinner – Emerson Hall 7:30 PM Opening Recital – Meet the Staff of IET Recital