Filmy Biograficzne - Fabularne (DVD)
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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Thailand's Moment of Truth — Royal Succession After the King Passes Away.” - U.S
THAILAND’S MOMENT OF TRUTH A SECRET HISTORY OF 21ST CENTURY SIAM #THAISTORY | VERSION 1.0 | 241011 ANDREW MACGREGOR MARSHALL MAIL | TWITTER | BLOG | FACEBOOK | GOOGLE+ This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. This story is dedicated to the people of Thailand and to the memory of my colleague Hiroyuki Muramoto, killed in Bangkok on April 10, 2010. Many people provided wonderful support and inspiration as I wrote it. In particular I would like to thank three whose faith and love made all the difference: my father and mother, and the brave girl who got banned from Burma. ABOUT ME I’m a freelance journalist based in Asia and writing mainly about Asian politics, human rights, political risk and media ethics. For 17 years I worked for Reuters, including long spells as correspondent in Jakarta in 1998-2000, deputy bureau chief in Bangkok in 2000-2002, Baghdad bureau chief in 2003-2005, and managing editor for the Middle East in 2006-2008. In 2008 I moved to Singapore as chief correspondent for political risk, and in late 2010 I became deputy editor for emerging and frontier Asia. I resigned in June 2011, over this story. I’ve reported from more than three dozen countries, on every continent except South America. I’ve covered conflicts in Iraq, Afghanistan, Pakistan, Lebanon, the Palestinian Territories and East Timor; and political upheaval in Israel, Indonesia, Cambodia, Thailand and Burma. Of all the leading world figures I’ve interviewed, the three I most enjoyed talking to were Aung San Suu Kyi, Xanana Gusmao, and the Dalai Lama. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
DACIN SARA Repartitie Aferenta Trimestrului III 2019 Straini TITLU
DACIN SARA Repartitie aferenta trimestrului III 2019 Straini TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 R10 R11 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 Greg Pruss - Gregory 13 13 2010 US Gela Babluani Gela Babluani Pruss 1000 post Terra After Earth 2013 US M. Night Shyamalan Gary Whitta M. Night Shyamalan 30 de nopti 30 Days of Night: Dark Days 2010 US Ben Ketai Ben Ketai Steve Niles 300-Eroii de la Termopile 300 2006 US Zack Snyder Kurt Johnstad Zack Snyder Michael B. Gordon 6 moduri de a muri 6 Ways to Die 2015 US Nadeem Soumah Nadeem Soumah 7 prichindei cuceresc Broadway-ul / Sapte The Seven Little Foys 1955 US Melville Shavelson Jack Rose Melville Shavelson prichindei cuceresc Broadway-ul A 25-a ora 25th Hour 2002 US Spike Lee David Benioff Elaine Goldsmith- A doua sansa Second Act 2018 US Peter Segal Justin Zackham Thomas A fost o data in Mexic-Desperado 2 Once Upon a Time in Mexico 2003 US Robert Rodriguez Robert Rodriguez A fost odata Curly Once Upon a Time 1944 US Alexander Hall Lewis Meltzer Oscar Saul Irving Fineman A naibii dragoste Crazy, Stupid, Love. 2011 US Glenn Ficarra John Requa Dan Fogelman Abandon - Puzzle psihologic Abandon 2002 US Stephen Gaghan Stephen Gaghan Acasa la coana mare 2 Big Momma's House 2 2006 US John Whitesell Don Rhymer Actiune de recuperare Extraction 2013 US Tony Giglio Tony Giglio Acum sunt 13 Ocean's Thirteen 2007 US Steven Soderbergh Brian Koppelman David Levien Acvila Legiunii a IX-a The Eagle 2011 GB/US Kevin Macdonald Jeremy Brock - ALCS Les aventures extraordinaires d'Adele Blanc- Adele Blanc Sec - Aventurile extraordinare Luc Besson - Sec - The Extraordinary Adventures of Adele 2010 FR/US Luc Besson - SACD/ALCS ale Adelei SACD/ALCS Blanc - Sec Adevarul despre criza Inside Job 2010 US Charles Ferguson Charles Ferguson Chad Beck Adam Bolt Adevarul gol-golut The Ugly Truth 2009 US Robert Luketic Karen McCullah Kirsten Smith Nicole Eastman Lebt wohl, Genossen - Kollaps (1990-1991) - CZ/DE/FR/HU Andrei Nekrasov - Gyoergy Dalos - VG. -
Andrzej Wajda Polski Film Dokumentalny
CMY CY MY CM K Y M C plakat_50_LAT_205x280_3mm.pdf 12016-01-1113:04:13 MAGAZYN FILMOWY 3 (55) / marzec 2016 Polski film dokumentalny film Polski NUMERU TEMAT okino walka wygrana Wajda Andrzej WYWIAD ISSN 2353-6357 WWW.SFP.ORG.PL 3 (55) / marzec 2016 nr 55 marzec 2016 Spis treści SFP/ZAPA 3 RYNEK FILMOWY Wydział Radia i Telewizji Uniwersytetu Śląskiego 46 POLSCYROZMOWA NUMERU Rozmowa z Rafałem Syską 50 Andrzej Wajda 4 Fundacja Wspierania Kultury Filmowej Cyrk Edison 52 Wytwórnia Scenariuszy 54 FILMOWCY Rozmowa z Simonem Stone’em 56 Film Factory w Sarajewie 58 MISTRZOWIE Krzysztof Kieślowski – projekty niezrealizowane 60 REFLEKSJE Audiowizualna historia kina 64 10 000 dni filmowej podróży 66 notacje Nie ma stolika 68 Fot. Kuba Kiljan/SFP Fot. Kuba MOJA (FILMOWA) MUZYKA Przemysław Gintrowski 69 TEMAT NUMERU Polski film dokumentalny12 SWOICH NIE ZNACIE archiwalneJoanna Klimkiewicz i Kamila Klimas-Przybysz 70 NIEWIARYGODNE PRZYGODY POLSKIEGO FILMU Maddalena 72 MIEJSCA Kino Narew 74 STUDIO MUNKA 76 Rys. Zbigniew Stanisławski Rys. PISF 78 WYDARZENIA KSIĄŻKI 80 Złote Taśmy 20 Nagrody PSC 21 DVD/CD 84 Dyplomaci w Kulturze 22 IN MEMORIAM 85 FESTIWALE W POLSCE Zoom-Zbliżenia 24 VARIA 87 Prowincjonalia 25 List DO redakcji 94 NAGRODY Honorowy Jańcio Wodnik 26 BOX OFFICE 95 WYSTAWY plakat_50_LAT_205x280_3mm.pdf 1 2016-01-11 13:04:13 Krzysztof Kieślowski. Ślady i pamięć 28 2016 marzec (55) / 3 POLSKIE PREMIERY ISSN 2353-6357 WWW.SFP.ORG.PL Kalendarz premier 30 2016 Rozmowa z Jerzym Zalewskim 32 marzec / ) 55 ( 3 Rozmowa z Maciejem Adamkiem 34 C M Y CM W PRODUKCJI 36 MY CY CMY K FESTIWALE ZA GRANICĄ Rotterdam 37 MAGAZYN FILMOWY Berlin 38 WYWIAD Andrzej Wajda Santiago de Chile 40 wygrana walka o kino TEMAT NUMERU Polski film dokumentalny POLSCY FILMOWCY NA ŚWIECIE 42 Na okładce: Andrzej Wajda Rys. -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
Portrayal of Thailand: a Comparative Study of American and Chinese Films
PORTRAYAL OF THAILAND: A COMPARATIVE STUDY OF AMERICAN AND CHINESE FILMS PORTRAYAL OF THAILAND: A COMPARATIVE STUDY OF AMERICAN AND CHINESE FILMS Huang Shang This Independent Study Manuscript Presented to The Graduate School of Bangkok University in Partial Fulfillment of the Requirements for the Degree Master of Communication Arts (Global Communication) 2015 ©2015 Huang Shang All Rights Reserved Huang, S. Master of Communication Arts, December 2015, Graduate School, Bangkok University. Portrayal of Thailand: A Comparative Study of American and Chinese Films (67 pp.) Advisor: Asst. Prof. Ratanasuda Punnahitanond, Ph.D. ABSTRACT This study evolved from the question of how Thailand was portrayed by foreign films. A primary objective of this study is to specifically examine how Thailand was characterized and portrayed in American films as well as a control comparison with Chinese films. To this end, a comparative textual analysis of 8 films- - from the period of 2000 to 2015 was performed. The study identified the stereotypes of Thailand in foreign films, and tabulated the semiotics was used to portray Thailand in different films. The portrayal of Thailand in American films is abundant and complicated. It is not only portrayed as a beautiful country, but also a chaotic place. Thai people have no exception; they are portrayed as poor, smart, friendly. The portrayal of Thailand in Chinese films is relatively small and simple. Thailand is portrayed as a beautiful travel destination. Thai people are portrayed as friendly. Keywords: Portrayal, Thailand, American film, Chinese film, Semiotic, Stereotyping v ACKNOWLEDGEMENT This independent study consumed huge amount of work, research and time. Still, implementation would not have been possible if I did not have a support from Asst. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
At Eternity's Gate
ENS Louis-Lumière La Cité du Cinéma - 20, rue Ampère BP 12 - 93213 La Plaine Saint-Denis Tel. 33 (0) 1 84 67 00 01 www.ens-louis-lumiere.fr Mémoire de Master Spécialité cinéma, promotion 2016-2019 Soutenance de juin 2019 EXPRESSIONS SENSIBLES PAR LE CADRE ET APPROCHES DE LA CAMÉRA PORTÉE Naomi AMARGER Ce mémoire est accompagné de la partie pratique intitulée : SALE TEMPS Directrice de mémoire : Sylvie Carcedo Présidente du jury cinéma et coordinatrice des mémoires : Giusy Pisano Page !1 sur ! 129 ENS Louis-Lumière La Cité du Cinéma - 20, rue Ampère BP 12 - 93213 La Plaine Saint-Denis Tel. 33 (0) 1 84 67 00 01 www.ens-louis-lumiere.fr Mémoire de Master Spécialité cinéma, promotion 2016-2019 Soutenance de juin 2019 EXPRESSIONS SENSIBLES PAR LE CADRE ET APPROCHES DE LA CAMÉRA PORTÉE Naomi AMARGER Ce mémoire est accompagné de la partie pratique intitulée : SALE TEMPS Directrice de mémoire : Sylvie Carcedo Présidente du jury cinéma et coordinatrice des mémoires : Giusy Pisano Page !2 sur ! 129 REMERCIEMENTS Des remerciements infinis à toutes les personnes qui ont participé à la concrétisation de ce mémoire de fin d’études : Sylvie Carcedo Giusy Pisano Peter Deming Benoît Delhomme Philippe Roussilhe Myriam Vinocour Thomas Hardmeier Yves Angelo Dominique Villain Franck Pavloff et les Éditions Cheyne Natasca Chroscicki et Thibault Ribéreau-Gayon chez Arri France Didier Nové et Jean-Michel Moret Terra Bliss, Sal Giarratano et John Blackwood de Panavision New-York Yoann Gotthilf et toute l’équipe d’Everoad Christine Aubry Anne-Laure Huet Agnès et Antoine Amarger Emmanuelle et Marie-Catherine Raynaut Ma merveilleuse équipe de tournage : Guillaume, Denis, JM, Léa, Kelly, Réjane, Ariane, Marianne, Valentin, Martin, Louise, Chloé, les figurants, les chats et leurs adorables propriétaires… Page !3 sur ! 129 RÉSUMÉ EN FRANÇAIS Le sujet de ce mémoire de fin d’études est né de mon questionnement sur le travail d’un opérateur et sa manière de transmettre une émotion par un cadrage, en particulier dans le cas de la caméra portée. -
Parcourez Le Guide Techniques 2011 [Pdf]
couv TECHNICIENSCe?sar2011:Miseenpage120/12/1017:20Page Académie des Arts et Techniques duCinéma Techniques desArtsAcadémie et 16 avenue EliséeReclus-75007 Paris 16 avenue www.lescesarducinema.com césar2011&techniques Les Guides de l’Académie Les chefs de postes Costumes, Décors, Montage, PhotoetSon Montage, Décors, depostesCostumes, chefs Les Trophée César&Techniques des filmssortis en2010 danslessallesfrançaises et les sociétés de prestations techniques et lessociétésdeprestations Les Guidesdel’Académie Les couv TECHNICIENS Ce?sar 2011:Mise en page 1 20/12/10 17:20 Page 2 Ce guide recense les chefs de postes Costumes, Décors, Montage, Photo, et Son des films concourant pour le César du Meilleur Film 2011, ainsi que les sociétés de prestations techniques qui ont collaboré à au moins un de ces films. Toutes les informations contenues dans ce guide correspondent aux données communiquées par les sociétés de production ou le CNC. L'APC ne pourra pas être tenue responsable des informations inexactes qui lui auraient été communiquées. Association pour la Promotion du Cinéma 16, avenue Elisée Reclus 75007 Paris Président : Alain Terzian Directeur de la publication : Alain Rocca www.lescesarducinema.com Conception : Maria Torme et Jérôme Grou-Radenez [email protected] Réalisation et impression: Global Rouge et Imprimerie Deux-Ponts Guide imprimé sur papier labélisé issu de forêts gérées durablement © APC, toute reproduction, même partielle, interdite. sommaire Éditorial d’Alain Terzian page 3 Éditorial de Thierry de Segonzac page 5 Le -
Polsk Filmkunst – Fra Den Tidlige Efterkrigstid Frem Til Begyndelsen Af Det Enogtyvende Århundrede
Polsk filmkunst – fra den tidlige efterkrigstid frem til begyndelsen af det enogtyvende århundrede. Ib Johansen. 1 2 Indholdsfortegnelse. Forord. Indledning. Kapitel 1: Jerzy Zarzycki, Aleksander Ford, Jerzy Kawalerowicz og Andrzej Munk. Kapitel 2: Andrej Wajda og Wojciech J. Has. Kapitel 3: Kazimierz Kutz, Krzysztof Zanussi, Krzysztof Kieślowski og Andrzej Żuƚawski. Kapitel 4: To grænsegængere inden for polsk filmkunst: Roman Polański og Jerzy Skolimowski. Kapitel 5: Polsk filmkunst i det tidlige enogtyvende århundrede. Epilog. Bibliografi. 3 4 Forord. I tidens løb – dvs. fra min tidlige ungdom i begyndelsen af tresserne og frem til i dag – har jeg på talrige rejser til Polen haft rig lejlighed til at stifte bekendtskab med landets interessante og mangespektrede kulturliv, herunder ikke mindst med eksempler på polsk filmkunst, som inden for dette tidsrum (men derudover allerede i den tidlige efterkrigstid) har fostret en række store instruktører, hvoraf nogle (men dog langtfra alle) har vundet anerkendelse i den vestlige verden, i.e. i Vesteuropa, U.S.A. og Kanada. Da der i begyndelsen af nittenfirserne blev afholdt en polsk filmuge i København (nærmere bestemt i biografen Grand fra d. 25. til d. 31. august 1980) – hvor jeg i parentes bemærket selv var til stede – var det forholdsvis få af vores hjemlige filmkritikere og -anmeldere, der viede denne begivenhed nogen særlig opmærksomhed. På den baggrund – og for så vidt man stadigvæk i nogen grad hér på hjemmefronten forsømmer, hvad der kommer til os østfra – har jeg fundet det relevant på sæt og vis at rette op på denne hyppige underprioritering af netop polsk filmkunst hér og i andre vestlige lande, som desværre stadigvæk er karakteristisk for det brede filmpublikums (og i nogen grad også den akademiske og anden kritiks) indstilling til tingene. -
Télécharger La Lettre 292 (Pdf)
décembre 2018 la lettre n° 292 u entretiens AFC Dominique Colin > p. 42 Alfonso Cuarón > p. 22 AFC, ASC Bruno Delbonnel > p. 16 AFC Benoît Delhomme > p. 10 Diego Garcia > p. 38 BSC Florian Hoffmeister > p. 18 FSF Linus Sandgren > p. 19 BSC, ISC Robbie Ryan > p. 21 David Ungaro AFC > p. 36 p Jean-Pierre Beauviala, "ASC Special Award" > p. 3 - 5 Films AFC sur les éCrAns > p. 2 ACtuAlités AFC > p. 5, 29 CAmerimAge 2018 > p. 6 - 27 çà et là > p. 28, 30, 31, 35 vie proFessionnelle > p. 28 in memoriAm > p. 32 - 34 Association Française des directeurs de la photographie Cinématographique lA Cst > p. 31 nos AssoCiés > p. 44 - 50 leCture > p. 50 sur les éCrAns : Les Confins du monde Maya de Guillaume Nicloux, photographié par de Mia Hansen-Løve, photographié par David Ungaro AFC Hélène Louvart AFC Avec Gaspard Ulliel, Guillaume Gouix, Avec Roman Kolinka, Aarshi Banerjee, Gérard Depardieu Alex Descas Sortie le 5 décembre 2018 Sortie le 19 décembre 2018 [ u p. 36 ] [ u p. 40 ] Ma mère est folle The Book Shop de Diane Kurys, photographié par d’Isabel Coixet, photographié par Gilles Henry AFC Jean-Claude Larrieu AFC Avec Fanny Ardant, Vianney, Avec Emily Mortimer, Bill Nighy, Patrick Chesnais Patricia Clarkson Sortie le 5 décembre 2018 Sortie le 19 décembre 2018 production : Alexandre Films Coproduction : nexus Factory opérateur steadicam : Benoît theunissen Au bout des doigts 1ers assistants opérateur : luc Frisson, Benjamin Hautenauve de Ludovic Bernard, photographié par es 2 assistants opérateur : olivier martin, guillaume epars Thomas Hardmeier AFC Chef électricien : vincent piette - Chef machiniste : Dimitri Doulkeridis effets numériques : Christophe laya Avec Jules Benchetrit, Lambert Wilson, monteur : manu de souza - mixeur : Christian Fontaine Kristin Scott Thomas matériel Caméra, lumière et machinerie : tsF Bruxelles Sortie le 26 décembre 2018 (Arri Alexa Xt et Alexa mini, master prime) [ u p.