Selected Online Resources Ressources Numériques
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Perspective Actualité en histoire de l’art 2 | 2013 Le Brésil Selected online resources Ressources numériques Alexander Gaiotto Miyoshi Electronic version URL: http://journals.openedition.org/perspective/3911 DOI: 10.4000/perspective.3911 ISSN: 2269-7721 Publisher Institut national d'histoire de l'art Printed version Date of publication: 31 December 2013 Number of pages: 409-414 ISSN: 1777-7852 Electronic reference Alexander Gaiotto Miyoshi, « Selected online resources », Perspective [Online], 2 | 2013, Online since 13 January 2014, connection on 01 October 2020. URL : http://journals.openedition.org/perspective/ 3911 ; DOI : https://doi.org/10.4000/perspective.3911 Selected online resources SELECTED ONLINE RESOURCES ologia em Debate and the Revista de Arqueologia. The first Alexander Gaiotto Miyoshi one is a small bulletin available at http://sabnet.com. br/jornal, while the Revista de Arqueologia, the society’s official journal, was founded in 1983 to publish Brazil- There are few institutions wholly devoted to art history ian and foreign contributions. Issues are available in in Brazil, although many initiatives, such as web com- PDF format at http://sabnet.com.br/revista. munities and study groups, are increasingly taking the matter in different ways. Of course this selection, made – Associação Nacional de Pesquisadores em mostly according to the online resources provided related Artes Plásticas (ANPAP) to the subject, including art museums and connected www.anpap.org.br (in Portuguese) activities, does not exhaust the wide range of approaches Established in 1987, the National Association of adopted by the electronic resources available. This selec- Researchers in Fine Arts draws together professionals tion is not intended as the very best or even the most in different fields. One of its five committees is devoted consistent one. Arranged by topic and in chronological to art history, theory, and criticism. Every year ANPAP order of institutional creation, it is only a partial refer- organizes a meeting in a preselected Brazilian city. The ence to the growing art-historical discipline in Brazil. website furnishes information on subjects debated in the meetings since its foundation and also links to the papers presented (www.anpap.org.br/anais.html). ASSOCIATIONS – Associação Brasileira de Críticos de Arte (ABCA) LIBRARIES AND ARCHIVES www.abca.art.br (in Portuguese and eventually English) Created in Rio de Janeiro in 1949 following the estab- – Biblioteca Nacional lishment of the Association internationale des critiques www.bn.br (in Portuguese) d’art (AICA) in Paris, the Brazilian Art Critics Associa- http://bndigital.bn.br (digital collection, in Portuguese) tion’s headquarters are currently located in São Paulo. Roughly 9 million items make up the collection of The website advises that the activities of ABCA com- Brazil’s major library. Its collection of visual materi- prise “regional, national, and international seminars, als is significant, namely the important collection the edition of its Journal [...] the organization of its that formerly belonged to the emperor of Brazil, Dom archive, the publication of the ‘Crítica de Arte’ Collec- Pedro II. The roughly 100,000 books and objects from tion, and studies of its Art Criticism Laboratory.” The the Royal Library, including maps, scores, drawings, ABCA also organizes an annual prize awarded to art photographs, and engravings, were donated to the critics, artists, and personalities, and its Journal has BN by Pedro II after 1889, the first year of the Bra- been published online since December 2012 (http:// zilian Republic. Almost 23,000 photographs – one of abca.art.br/jornalabca_n26.html). the emperor’s favored media – were integrated into the Thereza Christina Collection, thus named in homage to – Associação Brasileira de Museologia (ABM) the empress. According to the BN website, its holdings www.museologia.org.br (in Portuguese) of nineteenth-century photographs from Brazil, Africa, Although related to museums in general, the website Europe, and North America are the best in the country of the Brazilian Association of Museums provides a and “portray the reality of the period and reflect the relevant space for news and updated information on personality of the emperor and his interests.” A dis- art museums and art history in Brazil. The ABM was tinctive example is the “Collecção de 44 Vistas Photo- founded in 1963 with the purpose of bringing together graphicas da Estrada de Ferro D. Pedro 2,” with views museum professionals and individuals interested in from the 1880s taken around the Railway D. Pedro II museum studies. (http://objdigital.bn.br/acervo_digital/div_iconografia/ icon381909/galeria/index.htm). – Comitê Brasileiro de História da Arte (CBHA) www.cbha.art.br (in Portuguese) – Biblioteca Mario de Andrade The Brazilian Committee of Art History was founded in www.prefeitura.sp.gov.br/cidade/secretarias/cultura/bma 1972 as an association of researchers dedicated to the (in Portuguese) study of Brazilian and international art. Its website pro- www.prefeitura.sp.gov.br/cidade/secretarias/cultura/bma/ vides links to the annual thematic seminar organized by tesouros_da_cidade (digital collection, in Portuguese) the CBHA since the early 2000s (www.cbha.art.br/colo- Founded as the São Paulo Municipal Library in 1925, quios_anteriores.html). From there, it is possible to down- the BMA is the second major public library in Brazil. load a number of the papers presented at the seminars. The hemerotheque has nearly 12,000 titles of news- papers and journals from the nineteenth century to – Sociedade de Arqueologia Brasileira (SAB) the present. The map collection contains about 7,000 www.sabnet.com.br (in Portuguese) items, including remarkable manuscript plans of many The Brazilian Archaeology Society began its activities Brazilian regions dating from the late eighteenth cen- in 1980. Nowadays the SAB has two periodicals, Arque- tury. Urban drawings of São Paulo from between 1810 PERSPECTIVE 2013 - 2 act UALITÉ409 LE BRÉSIL and 1870 are also available for research. In addition, – Museu de Arte Moderna de São Paulo (MAM-SP) the Sérgio Milliet Hall houses over 29,000 books and www.mam.org.br (in Portuguese and English) 10,000 periodicals specialized in art, as well as about Inside the Ibirapuera Park in São Paulo city, the 3,000 documents such as calendars, invitations, exhibi- Museum of Modern Art has a dynamic and varied pro- tion catalogs, posters, and artistic reproductions. gram of public outreach. The MAM’s well-organized and very complete website provides links to the asso- – Arquivo Público do Estado de São Paulo ciations and the collectors club (engraving, photogra- www.arquivoestado.sp.gov.br (in Portuguese) phy, and design), and to information on the collection. The Public Archive of the State of São Paulo has an MAM-SP was created in 1948, but the modern art- iconographic and cartographic collection with nearly works were later moved to the MAC-USP (see entry), 1.5 million images, including photographs, illustrations, and the MAM-SP had to start a new collection, mostly maps, and urban drawings, primarily from the twen- of contemporary art. tieth century. A portion of those images, such as the Guilherme Gaensly photographic collection, has been – Museu Victor Meirelles digitized and is available on the Public Archive website, www.museuvictormeirelles.gov.br (in Portuguese) (www.arquivoestado.sp.gov.br/guilherme_gaensly.php). Victor Meirelles de Lima was the first great painter from Brazil. The house where he was born in Flori- anópolis has been the museum’s headquarters since ART MUSEUMS, INSTITUTES, AND PROJECTS 1956. It holds paintings, drawings, and watercolors by – Pinacoteca do Estado de São Paulo Meirelles, as well as works by artists from the twen- tieth and twenty-first centuries. The website offers a www.pinacoteca.org.br (in Portuguese, English, and range of images, texts, and information related not Spanish) only to Meirelles but also to art and museums in gen- Among the most vibrant art institutes in Brazil the Pina- eral. The e-magazine Ventilando Acervos (www.museu- coteca do Estado occupies two buildings in the neighbor- victormeirelles.gov.br/revista-eletronica-ventilando- hood of Luz, in São Paulo. Though officially inaugurated acervos) is promoting knowledge on the management in 1905, the painting collection was begun around 1893 of museum collections. with paintings thematically connected to the history of the state of São Paulo. One of its buildings houses the Estação Pinacoteca, which mostly shows modern and – Museu de Arte do Rio Grande do Sul Ado contemporary art but also features a memorial on resis- Malagoli (MARGS) tence to the Brazilian military dictatorship. The other www.margs.rs.gov.br (in Portuguese) building, beside the Luz Park, contains the main col- The MARGS is sited in Porto Alegre city and was inau- lections and exhibitions of the Pinacoteca. Lastly, it is gurated in 1957 with a retrospective on the painter worth noting the web pages of the “Museu para Todos” Pedro Weingärtner. The museum has roughly 2,700 (www.museuparatodos.com.br), an initiative of the works in large part made by gaúcho Brazilian artists but Pinacoteca’s art-education division to promote pedagogic also including works by Rosa Bonheur, Henry Geoffroy, activities linked to the institution. and Käthe Kollwitz, among others. Since the beginning, MARGS has recorded its activities and art criticism in its – Museu Nacional de Belas Artes (MNBA) own journals. One of them is the Jornal do MARGS, pub- http://www.mnba.gov.br/2_colecoes/colecoes.htm lished as a paper magazine since 1993 and online since (in Portuguese) 2008 (www.margs.rs.gov.br/revista_baixar.php). Containing the art collection that belonged to the National School of Fine Arts, the National Museum of – Museu de Arte Sacra de Salvador Fine Arts was founded in 1937 and is situated in Rio de www.mas.ufba.br (in Portuguese) Janeiro. Poor and puzzled, the MNBA website unfortu- The Luso-Brazilian sculptures in gold, silver, ivory, nately does not reflect the importance of its collections wood, and terracotta are some of the treasures in the and activities.