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73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English FILM AND TELEVISION THE YOUNG POPE Wig/Hair Designer Wildside, Indigo Film Director: Paolo Sorrentino ZOOLANDER 2 Department Head of Hair / Hair Stylist & Wig Designer Paramount Director: Ben Stiller CAESAR Department Head of Hair and Make-Up Kallope Films Director: Tiago Mesquita Cast: Sean Bean, Isaac Hempstead Wright, Mackenzie Crook THE EARLY YEARS Wig/Hair Designer Indigo Film Director: Paolo Sorrentino Cast: Rachel Weisz, Michael Cane, Jane Fonda HERCULES: THE THRACIAN WARS Wig/Hair Designer Film 44, MGM, Paramount, Radical Pictures Director: Brett Ratner Cast: Dwayne Johnson, Ian Mcshane, John Hurt LA GRANDE BELEZZA (THE GREAT BEAUTY) Wig/Hair Designer Indigo Film, Medusa Film, Babe Film, Pathé Director: Paolo Sorrentino Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli David di Donatello Award - Won - Best Hair Design/Styling BORGIA (SERIES 1,2 & 3) Co-Designer: Wig/Hair ETIC Films Directors: Philippe Haim, Oliver Hirschbiegel CONAN THE BARBARIAN Wig/Hair Designer Lionsgate Director: Marcus Nispel WE BELIEVED Hair Designer Palomar Director: Mario Martone David di Donatello Award - Won - Best Hair Design/Styling VEDA – ATATÜRK Wig/Hair Designer Kamera Film Director: Zülfü Livaneli IO, DON GIOVANNI Wig/Hair Designer Edelweiss Cinematografica, Lucky Red Director: Carlos Saura IL DIVO Wig/Hair Designer Indigo Film, Lucky Red Director: Paulo Sorrentino Academy Award - Nominee - Best Achievement In Make-Up David di Donatello Award - Best Hair Design/Styling 2061 Wig/Hair -
CAMILLE BILLOPS B. 1933 Los Angeles, CA D. 2019 New York, NY
CAMILLE BILLOPS b. 1933 Los Angeles, CA d. 2019 New York, NY Education 1973 MFA, City College of New York 1960 BA, California State College Solo Exhibitions 2016 Still Raising Hell: The Art, Activism, and Archives of Camille Billops and James V. Hatch, Atlanta, GA 2012 Camille Billops: Prints & Posters, Leeway Foundation, Philadelphia, PA 2011 Films by Camille Billops, Hammer Museum at the University of California at Los Angeles 1997 Inside the Minstrel Mask, Noel Fine Art Acquisitions, Charlotte, North Carolina 1993 University of North Carolina at Charlotte 1990 Clark College, Atlanta University 1986 Calkins Gallery, Hofstra University, Hempsted, N.Y. Gallery at Quaker Corner, Plainfield, NJ 1984 Southeast Arkansas Arts & Science Center, Pine, Bluff 1993 University of North Carolina at Charlotte 1990 Clark College, Atlanta University 1986 Calkins Gallery, Hofstra University, Hempstead, N.Y. Gallery at Quaker Corner, Plainfield, NJ 1984 Southeast Arkansas Arts & Science Center, Pine, Bluff 1983 Pescadores Hsien Library, Making, Taiwan Chau Yea Gallery, Kaohsiung, Taiwan American Cultural Center, Taipei, Taiwan American Center, Karachi, Pakistan Otto Rene Castillo Center, New York 1981 The Bronx Museum of Art, Bronx, NY 1980 Harlem Book of the Dead Performance Piece, Buchhandlung Welt, Hamburg, West Germany 1977 Faculty Exhibition, Rutgers University, Newark, NJ 1976 Foto-Falle Gallery, Hamburg, West Germany 1974 Winston Salem North Carolina State University 1973 Ornette Coleman’s Artist House, SOHO, New York 1965 Galerie Akhenaton, Cairo, -
THR 327 | African American Theater Performance Department of Theatre, the University of Kansas Professor: Dr
THR 327 | African American Theater Performance Department of Theatre, The University of Kansas Professor: Dr. Nicole Hodges Persley | Spring 2010 Office Hours: Tuesday & Thursday: 3:30 – 4:30 PM or by appointment GTA: Jeff List [email protected] Office: Murphy Hall, Room 229 Contact Phone (785) 864-2820 Email: [email protected] Class Blog: www.kuafamtheater2010.blogspot.com Course Description This course will introduce students to key plays and performances that have produced the African American Theatre repertoire from 1958 to the present. From A Raisin in the Sun to the Urban Theater Circuit, students will engage in a wide range of theater and performance texts that reflect expressions of African American life in performance. Broad themes of the course include but are not limited to the performance of black subjectivity; double consciousness; performing race; racial essentialism; color politics; cultural nationalism; racial stereotypes; civil rights; and social protest. Students are encouraged to attend performances of African American plays, spoken word events and performance art in Lawrence (or the surrounding area) for class participation credit. This course employs an inter-textual perspective that privileges texts for the stage as it engages African American Theatre as a site of performance that continues to strongly influence other theatrical genres of performance such as television, film, fine art and performance art. Goals: The goals of the course are to help students: 1) understand the key playwrights, actors and general history of African American Theater and performance of the time period discussed; 2) understand the specific social, cultural, political factors that produce a play; 3) critically and artistically articulate verbally and in writing, the genealogy of African American Theatre; 4) identify how African American Theatre shapes popular culture and influences and contributes to mainstream American Theatre. -
Essence and the Paley Center for Media Present: “The
ESSENCE AND THE PALEY CENTER FOR MEDIA PRESENT: “THE POWER OF OUR PRESENCE – AN EXHIBITION CELEBRATING THE 10-YEAR ANNIVERSARY OF THE ESSENCE BLACK WOMEN IN HOLLYWOOD AWARDS” NEW YORK (February 2, 2017)—Time Inc.’s (NYSE:TIME) Essence, the preeminent brand for African-American women, and the Paley Center for Media are excited to announce “The Power of Our Presence – An Exhibition Celebrating the 10 Year Anniversary of the Essence Black Women in Hollywood Awards.” The exhibit will commemorate the 10th anniversary of Essence’s esteemed Black Women in Hollywood Awards—the annual Oscar-week luncheon at the forefront of spotlighting Hollywood’s most creative and accomplished visionaries. A private opening reception for the exhibit will take place on Tuesday, February 7, 2017. The exhibit, a highlight of this year’s Black History Month celebration at the Paley Center, is set to feature costumes from the lead female characters from each of their hit television series, including one of the iconic white coats worn by Kerry Washington in Scandal, Tracee Ellis Ross’s scrubs from Black-ish and a costume from Taraji P. Henson’s “Cookie Lion” of Empire. Archived memorabilia, photos and footage from the luncheon’s nine-year history will be on display, including re-creations of the event’s extraordinary tablescapes, images from past honorees, special video messages from Angela Bassett and Lynn Whitfield, a compilation footage of some the event’s most touching acceptance speeches and much more. “We are beyond thrilled to partner with the Paley Center to present the Power of Our Presence exhibit—as Essence prepares to celebrate the 10th anniversary of the Black Women in Hollywood Awards," said Essence President Michelle Ebanks. -
Global Colorism: an Ethical Issue and Challenge in Bioethics
ANEKWE, GLOBAL COLORISM, VOICES IN BIOETHICS, VOL. 1 (2014) Global Colorism: An Ethical Issue and Challenge in Bioethics Obiora Anekwe Keywords: colorism, discrimination, African ancestry, divisions within race Global colorism is seldom discussed in the field of bioethics, but it affects almost every facet of medical practice. The ethical challenge of colorism has global implications that are psychologically, physiologically, sociologically, and medically related. One impacts the other, sometimes without much notice. My goal for this paper is to bring issues related to colorism to light in order to begin the process of holistic healing for people of color who are often the most vulnerable in health care and medicine. Secondly, I hope that this discussion of global colorism will bring forth a greater realization that more research needs to be conducted on the various impacts of colorism in medical practice. What is Colorism? According to Baruti (2000), colorism is a global prejudice that people of African ancestry have toward each other and seemingly use against or to the advantage of themselves and others with relatively similar complexion. Herring (2004) also defines colorism as “discriminatory treatment of individuals falling within the same ‘racial’ group on the basis of skin color” (p. 21). In order to provide a more expansive definition of global colorism, I would like to emphasize in this paper that global colorism may also be promoted and practiced by the oppressed (in this case, people of color) and the oppressor (post-colonialist Caucasians). As such, the term racism, for the purpose of this paper, is referred to as discriminatory power dynamics externally expressed by post-colonialists of European descent through conscious decision-making practices based on the skin tone and complexion of oppressed people of color. -
Non-State Actors Reparations Commission Inc
Non-State Actors Reparations Commission Inc. A Chronology of reparations, racial justice, and equality: by Rev. Buddy A. Larrier Introduction This paper is my contribution in response to the request for submissions to the United Nations Special Rapporteur on contemporary forms of racism, racial discrimination, xenophobia, and related intolerance. It is written not from an established historian, an educator or an intellectual perspective; simply as a person who is convinced that he has been commissioned either by God or the ancestors to assist in the search for truth, justice, peace, healing, and reconciliation towards the world becoming a better place. The paper does not seek to address history prior to the 14th century; its primary objective is to assist in the understanding of history from the 15th century - 1492 to present. This chronology is one aspect of the claim for reparatory justice and is based on my life’s experiences and research from 1977, which has led me to the understanding that there are two dates that are of major importance to every person living in the world today and will continue to be of importance for the rest of our lives. The first is the date on which that person is born, and the second is October 12. This being a fact of life my proposal to Her Excellency Ms. E. Tendayi Achiume, Special Repporteur is that in her report to the United Nations General Assembly for 2019 the date October 12 be recommended to be observed as the International Day for Reparations, for truth, justice, peace, healing, and reconciliation. -
S/E(F% /02 R/E',A F- B/Uez
-: s/e(f% /02 r/e',A f- B/uez- Page No. 03/24/93 MALCOLMDEBATES IN 1992-93: Spike Lee's Movie and the Problematic of Mainstreaming Malcolm X Compiled by Abdul Alkalimat, aesisted by Mei-Ling McWorter AUTHOR TITLE SOURCE DATE Abrams, Garry The X Factor Los Angeles Times 02-06-92 Abrams, Garry The X Factor Los Angeles Times O2-L8-92 AIim, Dawud R Abdul What's in a Name? Malcolm "X" The American Muslim Journal 09-18-92 Man Not The Image Alkalimat, Abdul "Malcolm X: A warrior for these People's Tribune Volume tt-23-92 tlmeE" 19 Number 47 p.1 of special supplement Alkalimat, Abdul "Malcolm X and the struggle for the People's Tribune Volume Ll-16-92 future" 19 Number 46 p.4 AIkaIimat, Abdul "Did spike Lee do the right thing? People's Tribune Volume 12-28-92 I think not, and here's whyl" 19 Number 52 p.3 AIs, Hilton "Picture This: On the Set, the vilLage Voice tt/tolg2 Street, and at Dinner with X \*L-- Director Spike Lee" Ansen, David "From Sinner to Martyr: A Man Of Newsweek p.74 Lt-t5-92 4\ Many Faces" Armstrong, Jenice "X Marks Profit for Merchants" The Philadelphia Daily LO/30/92 News Atkins, Clarence "Trumpeter Terence Blanchard New York Amsterdam News l-L/14/92 Composes 'Malcolm X, Soundtrack" Austin, Curtis "Daughter's View of Malcolm X" USA Today tt / t6/e2 BaiIey, Ester "MaIcoIm X Rebel Without A pause" Spare Rib Magazine fssue 05-01-92 234 p.28-36 Bailey, Peter A. -
Frances Cress Welsing: Decoding and Deconstructing the Cultural Logic of White Supremacy
Frances Cress Welsing: Decoding and Deconstructing the Cultural Logic of White Supremacy by DeReef F. Jamison, Ph.D. [email protected] Assistant Professor, African American Studies Program University of Alabama, Birmingham If you do not understand White Supremacy (Racism)-what it is, and how it works-everything else that you understand, will only confuse you. Neely Fuller (1969) Frances Cress Welsing was born Frances Luella Cress, March 18, 1935, in Chicago, Illinois. Welsing continued in her family tradition of obtaining an education and eventually received her B.S. from Antioch College in 1957 and her M.D. from Howard University College of Medicine in 1962. She worked in several capacities during her academic and professional career. Some of these positions include being an assistant professor of pediatrics at Howard University College of Medicine from 1968-75, serving as staff physician at the Department of Human Services from 1967-1991, and operating her own private practice in Washington, DC. She was also involved with professional organizations in her field such as the National Medical Association, the American Medical Association, and the American Psychiatric Association. While these descriptions and titles are important to understanding who and what Frances Cress Welsing was as a professional, it is her role as social and psychological theorist that brought her national and international recognition. Her life’s work, dedicated to the systematic study of white supremacy and its impact on the thinking and behaviors of both white and black people, is a contribution that leaves an intellectual legacy that cannot be ignored. 42 Africology: The Journal of Pan African Studies, vol.10, no.6, August 2017 This examination of Frances Cress Welsing’s work situates her in the radical school of Black psychology. -
Optimizing the Functional Utility of Afrocentric Intellectual Production
I OPTIMIZING THE FUNCTIONAL UTILITY OF AFROCENTRIC INTELLECTUAL PRODUCTION: THE SIGNIFIGANCE OF SYSTEMIC RACE CONSCIOUSNESS & NECESSITY OF A SEPARETIST EPISTEMOLOGICAL STANDPOINT A Thesis Submitted to The Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree Master of Arts By Zachary Brooks May 2018 II ABSTRACT This research aims to reinforce the functional aspect of the Afrocentric paradigm by coupling the development of Afrocentric consciousness with a systemic race consciousness so that the intellectual production coming out of the discipline of Africology can more practically address the needs of Afrikan people under the contemporary system of white supremacy. By examining strengths and limitations of some existing theories and concepts within Black Studies, the goal of this examination becomes to more effectively address the problems of the epistemic convergence Eurocentrism structurally imposes on Afrikan people seeking liberation. Through an examination of how the cultural logic of racism/white supremacy has determined the shape and character of institutions within the United States, this work will argue that the most constructive political disposition for an Afrocentrist to take is one of separatist nationalism. The argument being made is that this ideological component is a necessary catalyst to produce Afrocentric scholarship that has optimal functional utility toward the goal of achieving sustainable liberation for Afrikan people from the Maafa. Keywords: Afrocentricity, Separatism, Race -
Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto
THE REVOLUTION: THE WHOLENESS OF BLACKNESS by Yafet Tewelde A thesis submitted in conformity with the requirements For the degree of Master of Arts Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto ©Copyright by Yafet Tewelde 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-45233-2 Our file Notre reference ISBN: 978-0-494-45233-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Louisiana Weekly
Week of November 5 - November 11, 2018 Celebrating 93 years of providing ‘News that matters’ VOL.. XCIIIIII NO.. 8 Since 1925 www.louisianaweekly.com 50 cents Council votes Report: Violence by white Nationalists is for potential at least equal to if not worse than ISIS By Stacy M. Brown Director Chris Wray told a Senate investigated and that was approxi - Florida, who has been charged NNPA Newswire Correspondent Homeland Security and mately the same as the number of with five Federal crimes, includ - $5 million Government Affairs Committee cases related to Islamic terrorism ing mailing an incendiary device (NNPA) — The threat America meeting on Wednesday, Oct. 24. under investigation. and threatening a former presi - faces from white nationalist vio - Wray reportedly told senators The report comes on the heels of dent. Sayoc was arrested at an fine on lence is at least equal to that posed that “about 1000” cases of domes - the arrest of Cesar Sayoc, a white Entergy by radical Islamist group, ISIS, FBI tic terrorism were currently being American male from Aventura, Continued on Pg. 13 By Michael Isaac Stein The Lens At a special meeting on Wednesday, the City Council passed two resolutions that The killings in a aim to, in the words of one of the resolu - tions, engender a “sea-change in the corpo - rate culture” at Entergy New Orleans. Kentucky Kroge r’s The special meeting was convened two days after the Council released the damning results of its investigation into last week, are Entergy’s “astroturfing” campaign, which concluded that Entergy “knew or should have known” that actors were paid to attend City Council meetings and being investigated support Entergy’s proposed power plant in eastern New Orleans.