List of Performances and Broadcasts of Musical Works by Kaikhosru Shapurji Sorabji List of Performances and Broadcasts of Musical Works by Kaikhosru Shapurji Sorabji
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Sunday, March 8 and 22, 2020
Sunday, March 8 and 22, 2020 THE METROPOLITAN YOUTH ORCHESTRA OF NEW YORK ADELPHI UNIVERSITY PERFORMING ARTS CENTER Sunday, March 8, 2020 at 4 PM NASSAU STRING ORCHESTRA Michelina Sobolewski, Music Director Phantom Tangos .........................................................................................Brian Balmages (b. 1975) Estella Doytch, Violin Capriol Suite ...........................................................................................Peter Warlock (1894–1930) II. Pavane III. Tordion Two Bridges Young Composers Compositions Morning Ken Aida Metamorphosis Tina He The Flower Life Valerie Tang Dark Mind Minh Anh Pham In the Tide of Battle Nathaniel Tang Iditarod ................................................................................................. Soon Hee Newbold (b. 1986) NASSAU CONCERT ORCHESTRA Peggy Ho, Music Director Coronation March from Le prophète ............................................Giacomo Meyerbeer (1791–1864) Blast Off! ..........................................................................................................Daniel Dorff (b. 1956) Elmore James, Narrator Carmen Suite No. 1 ................................................................................. Georges Bizet (1838–1875) Prélude Aragonaise Intermezzo Les Toréadors The cover art features a design from the 2019-2020 MYO T-Shirt Design Contest, created by Nassau Principal Orchestra member Victoria Lu. 3 4 THE METROPOLITAN YOUTH ORCHESTRA OF NEW YORK ADELPHI UNIVERSITY PERFORMING ARTS CENTER Sunday, March 8, 2020 at -
August 1935) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1935 Volume 53, Number 08 (August 1935) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 53, Number 08 (August 1935)." , (1935). https://digitalcommons.gardner-webb.edu/etude/836 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE AUGUST 1935 PAGE 441 Instrumental rr Ensemble Music easy QUARTETS !£=;= THE BRASS CHOIR A COLLECTION FOR BRASS INSTRUMENTS , saptc PUBLISHED FOR ar”!S.""c-.ss;v' mmizm HIM The well ^uiPJ^^at^Jrui^“P-a0[a^ L DAY IN VE JhEODORE pRESSER ^O. DIRECT-MAIL SERVICE ON EVERYTHING IN MUSIC PUBLICATIONS * A Editor JAMES FRANCIS COOKE THE ETUDE Associate Editor EDWARD ELLSWORTH HIPSHER Published Monthly By Music Magazine THEODORE PRESSER CO. 1712 Chestnut Street A monthly journal for teachers, students and all lovers OF music PHILADELPHIA, PENNA. VOL. LIIINo. 8 • AUGUST, 1935 The World of Music Interesting and Important Items Gleaned in a Constant Watch on Happenings and Activities Pertaining to Things Musical Everyw er THE “STABAT NINA HAGERUP GRIEG, widow of MATER” of Dr. -
Wilson's Series of Powerful Recurrent Stage Images Drawn From
to a degree. which Simoon is the last part. Based on a Thread of Winter If there is no story, then what’s the work short play by August Strindberg, Simoon Leslie Fagan; Lorin Shalanko about? Wilson’s series of powerful recurrent was never performed in a full version during Canadian Art Song Series stage images drawn from the famous physi- the composer’s lifetime. The subject matter, (canadianartsong.ca) cist Albert Einstein’s life serve as the work’s as gloomy as the uprooted Scot’s preferred L/R frame. The dramatic device is imaginatively music, is a tale of revenge and “murder by ! When reviewing underpinned by Glass’ composition for solo- suggestion,” as Chisholm has referred to it. (in early 2004) the ists, chorus and his instrumental ensemble. Polished orchestral characterizations, Bartók- first solo album by It’s further explored by the masterfully like cascading moods and an overlapping of Leslie Fagan, I stated conceived and movingly performed modern Western and Eastern musical idioms are just that “she is in a dance sequences choreographed by Childs. three reasons why this opera should have class of her own.” This new DVD release accurately reflects been recorded long ago. As it is, with the What a pleasure to the superb 2012 production I saw at Toronto’s help of the Erik Chisholm Trust, it is making conclude, some 12 Luminato that same year. Highlights of that its long overdue debut – and rightfully years later, that she performance included violin virtuoso Jennifer in Scotland! remains just as original. Her career has taken Koh made up to resemble Einstein – a life- Robert Tomas her to the world’s most important concert long amateur violinist – and the impres- stages, providing Fagan with opportunities to sively precise chorus masterfully conducted Derek Holman – A Play of Passion present both traditional (Handel, Mahler) and by the veteran Glass Ensemble member Colin Ainsworth; Stephen Ralls; Bruce contemporary (Poulenc, Kulesha) repertoire. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Pace, I. (2017). Michael Finnissy - The Piano Music (10 and 11) - Brochure from Conference 'Bright Futures, Dark Pasts'. This is the other version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17523/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] BRIGHT FUTURES, DARK PASTS Michael Finnissy at 70 Conference at City, University of London January 19th-20th 2017 Bright Futures, Dark Pasts Michael Finnissy at 70 After over twenty-five years sustained engagement with the music of Michael Finnissy, it is my great pleasure finally to be able to convene a conference on his work. This event should help to stimulate active dialogue between composers, performers and musicologists with an interest in Finnissy’s work, all from distinct perspectives. It is almost twenty years since the publication of Uncommon Ground: The Music of Michael Finnissy (Aldershot: Ashgate, 1998). -
Broadcast Actions 5/29/2014
Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 48249 Broadcast Actions 5/29/2014 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N AM STATION APPLICATIONS FOR RENEWAL GRANTED NY BR-20140131ABV WENY 71510 SOUND COMMUNICATIONS, LLC Renewal of License. E 1230 KHZ NY ,ELMIRA Actions of: 04/29/2014 FM STATION APPLICATIONS FOR MODIFICATION OF LICENSE GRANTED OH BMLH-20140415ABD WPOS-FM THE MAUMEE VALLEY License to modify. 65946 BROADCASTING ASSOCIATION E 102.3 MHZ OH , HOLLAND Actions of: 05/23/2014 AM STATION APPLICATIONS FOR RENEWAL DISMISSED NY BR-20071114ABF WRIV 14647 CRYSTAL COAST Renewal of License. COMMUNICATIONS, INC. Dismissed as moot, see letter dated 5/5/2008. E 1390 KHZ NY , RIVERHEAD Page 1 of 199 Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 48249 Broadcast Actions 5/29/2014 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N Actions of: 05/23/2014 AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE GRANTED NY BAL-20140212AEC WGGO 9409 PEMBROOK PINES, INC. Voluntary Assignment of License From: PEMBROOK PINES, INC. E 1590 KHZ NY , SALAMANCA To: SOUND COMMUNICATIONS, LLC Form 314 NY BAL-20140212AEE WOEN 19708 PEMBROOK PINES, INC. -
Birdsong in the Music of Olivier Messiaen a Thesis Submitted To
P Birdsongin the Music of Olivier Messiaen A thesissubmitted to MiddlesexUniversity in partial fulfilment of the requirementsfor the degreeof Doctor of Philosophy David Kraft School of Art, Design and Performing Arts Nfiddlesex University December2000 Abstract 7be intentionof this investigationis to formulatea chronologicalsurvey of Messiaen'streatment of birdsong,taking into accountthe speciesinvolved and the composer'sevolving methods of motivic manipulation,instrumentation, incorporation of intrinsic characteristicsand structure.The approachtaken in this studyis to surveyselected works in turn, developingappropriate tabular formswith regardto Messiaen'suse of 'style oiseau',identified bird vocalisationsand eventhe frequentappearances of musicthat includesfamiliar characteristicsof bird style, althoughnot so labelledin the score.Due to the repetitivenature of so manymotivic fragmentsin birdsong,it has becomenecessary to developnew terminology and incorporatederivations from other research findings.7be 'motivic classification'tables, for instance,present the essentialmotivic featuresin somevery complexbirdsong. The studybegins by establishingthe importanceof the uniquemusical procedures developed by Messiaen:these involve, for example,questions of form, melodyand rhythm.7he problemof is 'authenticity' - that is, the degreeof accuracywith which Messiaenchooses to treat birdsong- then examined.A chronologicalsurvey of Messiaen'suse of birdsongin selectedmajor works follows, demonstratingan evolutionfrom the ge-eralterm 'oiseau' to the preciseattribution -
Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
The Songs of Michael Head: the Georgian Settings (And Song Catalogue)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The onS gs of Michael Head: The Georgian Settings (And Song Catalogue). Loryn Elizabeth Frey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Frey, Loryn Elizabeth, "The onS gs of Michael Head: The Georgian Settings (And Song Catalogue)." (1990). LSU Historical Dissertations and Theses. 4985. https://digitalcommons.lsu.edu/gradschool_disstheses/4985 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Annual Review 2007-2008
• ABRSM ANN.REV. 07-08 23/4/08 15:53 Page 40 Annual Review 2007-2008 The Associated Board of the Royal Schools of Music • ABRSM ANN.REV. 07-08 17/4/08 12:48 Page 1 Contents About the Associated Board n 3 Who’s Who n 3 Highlights of the Year n 4 Chief Executive’s Review n 5 Message from the Chairman n 8 Exams and Assessments n 9 Online Innovation n 13 Commitment to Excellence n 15 Publishing n 16 Professional Development n 19 Nurturing Relationships n 22 Financial Summary n 24 New Diploma Holders n 25 Scholarships, Bursaries and Awards n 29 New CT ABRSM Holders n 30 Prize Winners n 30 Examiners n 34 CT ABRSM Course Leaders and Mentors n 36 Representatives n 37 Editor-in-chief n Leslie East Editor n Ruth Garner Design n www.9thplanetdesign.co.uk Print n Caligraving Ltd Annual Review for the year ended 31 January 2008 2 n • ABRSM ANN.REV. 07-08 17/4/08 12:48 Page 2 About the Who’s Who Associated Board The Associated Board of the Royal Schools of Music is a Patron charitable company established for the benefit of music Her Majesty The Queen education by four Royal Schools of Music in the UK: President Royal Academy of Music His Royal Highness The Prince of Wales Royal College of Music Royal Northern College of Music Governing Body Royal Scottish Academy of Music and Drama Lord Sutherland of Houndwood KT, Chairman The Associated Board’s core activity is the operation of an Professor Edward Gregson, Principal of RNCM authoritative and internationally recognized system of Dr Colin Lawson, Director of RCM exams and assessments to encourage and motivate players Professor Sir Curtis Price KBE, Principal of RAM and singers at all levels through the provision of goals and Philip Ramsbottom the measurement of progress. -
Late Fall 2020 Classics & Jazz
Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases. -
Cmb Bio Mus Xxxiv Stag 2018
GLI INTERPRETI DELLA XXXIV STAGIONE 2018 DEL CIRCOLO DELLA MUSICA IVAN DONCHEV è stato definito da Aldo Ciccolini “artista di eccezionali qualità tecniche e musicali” e dalla critica internazionale come “raffinato e concentrato” (“Qobuz Magazine”, Francia), “pieno di temperamento” (“Darmstadter Echo”, Germania), dotato di “tecnica impeccabile e incredibile capacità di emozionare” (“Il Cittadino”, Italia). Nasce nella città di Burgas (Bulgaria) nel 1981. Intraprende lo studio del pianoforte all’età di cinque anni, dopo tre anni tiene il suo primo recital solistico e vince il secondo premio al Concorso Internazionale “Città di Stresa”. A dodici anni debutta con l’Orchestra Filarmonica di Burgas eseguendo il Concerto in re maggiore di Haydn. Per meriti artistici nel 1997 gli viene assegnato il premio “Talento dell’anno” di Burgas. Vincitore di 19 premi in concorsi nazionali e internazionali fra cui “Svetoslav Obretenov” ; (Bulgaria,1994) ; “EMCY” (Dublino, 1996), Carl Filtsch (Romania, 1997), "Città di Monopoli –Gran Prize Ecomusic, 2000” , "S.Fiorentino", (Morcone, 2004) ; "G. Terracciano", 2005 , "Società Umanitaria" , (Milano, 2008) . A soli 16 anni vince il“Premio Chopin” della Società “Chopin” di Darmstadt e debutta alla nota sala “Gasteig” di Monaco di Baviera. Da allora è regolarmente invitato a suonare nelle maggiori città europee, negli Stati Uniti, Giappone e Corea del Sud. Essenziali i concerti tenuti a New York, Sofia, Berlino, Darmstadt, Kitzingen, Dublino, Londra, Seoul, Milano (alla Sala Verdi – per “La Società dei Concerti” e all'Università Bocconi), Firenze, Livorno, Napoli, Taranto, Palermo, Messina, Oradea, Daegu, Yamagata, Montpellier (per il Festival de Radio France), Festival dei Due Mondi di Spoleto, San Sepolcro Symphonia Festival, Apollonia Music Festival, “Franz Liszt” Festival di Albano e molti altri.