Junwen Jia, Soprano and Alto Saxophone Junwen Jia
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Emma Lou Diemer's Solo Piano Works Through 2010: a Study Of
Emma Lou Diemer’s Solo Piano Works Through 2010: A Study of Pedagogy and Performance in the Context of 20th- and 21st-Century Music Making A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Studies Division of the College-Conservatory of Music By Kristal Bang Kim B.A., University of California, Los Angeles, 2000 M.M., San Francisco Conservatory of Music, 2003 Committee Chair: Jeongwon Joe, Ph.D. Readers: Elizabeth Pridonoff, MM Michael Chertock, MM ABSTRACT The document presents a comprehensive survey of the solo piano works by an eminent contemporary woman composer Emma Lou Diemer, who is still alive and active as a musician of various roles, such as a composer, teacher, performer, and church musician. By keying into her representative solo piano works including her most recent output, the document’s primary goal is to guide performers and piano teachers for understanding and playing the composer’s piano works. Selected pedagogical and concert works will be given detailed analysis such as comparisons of styles, structures, and sonorities. In light of her collective output for piano literature, the significance of the composer’s contribution to the 20th- and 21st-Century music making, especially for the history of piano literature, is examined, in the context of current musical culture and trend. ii Copyright © 2012 Kristal Bang Kim iii ACKNOWLEDGMENTS I am greatly thankful for all the inspiration and guidance that I have received in seeing and actualizing of this document. -
Senior Recital: Benjamin Miles, Saxophone
Kennesaw State University College of the Arts School of Music presents Senior Recital Benjamin Miles, saxophone Angelica Zeller, piano Wednesday, May 1, 2013 4:00 p.m. Dr. Bobbie Bailey & Family Performance Center Morgan Concert Hall One Hundred Thirty-seventh Concert of the 2012-2013 Season Kennesaw State University School of Music Audrey B. and Jack E. Morgan, Sr. Concert Hall May 1, 2013 Sonata Lawson Lunde (b. 1935) I. Allegro II. Andantino Cantabile III. Allegro Vivace Solo for Alto Saxophone and Piano Bernhard Heiden (b. 1910) Tableaux de Provence Paule Maurice (1910-1967) I. Farandoulo di Chatouno II. Cansoun per ma Mio III. La Boumiano IV. Dis Alyscamps L’amo Souspire V. Lou Cabridan This recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Music Education. Mr. Miles studies saxophone with Sam Skelton. Lawson Lunde - Sonata (1956) Lunde, a Chicago-based composer and pianist, wrote thirteen composi- tions utilizing the saxophone, six of which are sonatas. As a pianist, he performed with the Chicago Symphony Orchestra at the age of 14, and lat- er studied composition with Vittorio Rieti and Robert Delaney. His com- positional style features great lyricism and rhythmic energy. This three- movement sonata was dedicated to Cecil Leeson and Brian Minor, two saxophonists that were vital in enhancing the reputation of the classical saxophone in the United States. Bernhard Heiden - Solo for Alto Saxophone and Piano (1969) Bernard Heiden was a German-American composer heavily influenced by his teacher, Paul Hindemith. Heiden’s music is described by composer Nicolas Slonimsky as “neoclassical in its formal structure, and strongly polyphonic in texture; it is distinguished also by its impeccable formal balance and effective instrumentation.” This particular work was commissioned by Eugene Rousseau, a well- known saxophonist and educator, for the first meeting of the World Saxo- phone Congress, held in December of 1969. -
03 May 2021.Pdf
3 May 2021 12:01 AM Francesco Geminiani (1687-1762) Concerto grosso in D minor, Op 7 No 2 La Petite Bande, Sigiswald Kuijken (conductor) DEWDR 12:10 AM Heitor Villa-Lobos (1887-1959) Prelude for guitar no.1 in E minor Norbert Kraft (guitar) CACBC 12:15 AM Sergey Rachmaninov (1873-1943) 2 Songs: When Night Descends in silence; Oh stop thy singing maiden fair Fredrik Zetterstrom (baritone), Tobias Ringborg (violin), Anders Kilstrom (piano) SESR 12:24 AM Jean Sibelius (1865-1957) Serenade no 2 in G minor for violin & orchestra, Op 69b Judy Kang (violin), Orchestre Symphonique de Laval CACBC 12:33 AM Franz Liszt (1811-1886) Polonaise No.2 in E major from (S.223) Ferruccio Busoni (piano) SESR 12:43 AM Giovanni Gabrieli (1557-1612) Exaudi me, for 12 part triple chorus, continuo and 4 trombones Danish National Radio Chorus, Copenhagen Cornetts & Sackbutts, Lars Baunkilde (violone), Soren Christian Vestergaard (organ), Bo Holten (conductor) DKDR 12:50 AM Joseph Haydn (1732-1809) Symphony no 104 in D major "London" (H.1.104) Tamas Vasary (conductor), Hungarian Radio Symphony Orchestra HUMR 01:15 AM Erich Wolfgang Korngold (1897-1957) Piano Quintet in E major, Op 15 Daniel Bard (violin), Tim Crawford (violin), Mark Holloway (viola), Chiara Enderle (cello), Paolo Giacometti (piano) CHSRF 01:47 AM Barbara Strozzi (1619-1677) "Hor che Apollo" - Serenade for Soprano, 2 violins & continuo Susanne Ryden (soprano), Musica Fiorita, Daniela Dolci (director) DEWDR 02:01 AM Maurice Ravel (1875-1937) Ma mère l'oye (suite) WDR Radio Orchestra, Cologne, Christoph Eschenbach (conductor) DEWDR 02:18 AM Francis Poulenc (1899-1963) Concerto for Two Pianos in D minor, FP 61 Lucas Jussen (piano), Arthur Jussen (piano), WDR Radio Orchestra, Cologne, Christoph Eschenbach (conductor) DEWDR 02:38 AM Ludwig van Beethoven (1770-1827) Symphony No. -
Who Is Paule Maurice?? Her Relative Anonymity and Its Consequences
WHO IS PAULE MAURICE? HER RELATIVE ANONYMITY AND ITS CONSEQUENCES by Anthony Jon Moore A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL December 2009 Copyright © Anthony Jon Moore 2009 ii ACKNOWLEDGEMENTS I would like to express my sincere and deep appreciation to the many people who fielded my incessant queries and one-track mind conversations for the last two years, especially Dr. Kenneth Keaton, Dr. Laura Joella, Dr. Stuart Glazer, and my translator, Elsa Cantor. The unbelievable support that materialized from individuals I never knew existed is testimony to the legacy left behind by the subject of this thesis. I want to extend my heartfelt appreciation to Jean-Marie Londeix for responding to my many emails; Sophie Levy, Archivist of the Conservatoire National Supérieur de Musique de Paris for providing me with invaluable information; Marshall Taylor for donating his letter from Paule Maurice and his experiences studying Tableaux de Provence with Marcel Mule; Claude Delangle for Under the Sign of the Sun; James Umble for his book, Jean-Marie Londeix: Master of the Modern Saxophone; and Theodore Kerkezos for his videos of Tableaux de Provence. I want to thank Dr. Eugene Rousseau, Professor Emeritus Jack Beeson, Sarah Field, the Clarinet and Saxophone Society of Great Britain, Dr. Julia Nolan, Dr. Pamela Youngdahl Dees, Dr. Carolyn Bryan, and Dr. William Street, for generously taking a call from a stranger in search of Paule Maurice. -
SOLO KEYBOARD MIXED COLLECTIONS Collections Containing Works by Various Composers ______50092970 32 Sonatinas and Rondos, Vol
97144 Kybd 212-246 8/29/05 8:33 AM Page 212 212 SOLO KEYBOARD MIXED COLLECTIONS Collections containing works by various composers ______50092970 32 Sonatinas and Rondos, Vol. 2 Ricordi RER1455 ........................................................$17.95 ______50331300 36 Twentieth Century Pieces ____50327800 1st Pedal Studies for Piano: Progressive Exercises Schirmer ED2734 ........................................................$14.95 and Pieces (Diller/Quaile) Schirmer ED1732 ..........................................................$9.95 ______50332880 1st Solo Book for Piano Revised (Diller/Quaile) Schirmer ED2956 ..........................................................$6.95 ______50333260 2nd Solo Book for Piano Revised (Diller/Quaile) Schirmer ED3014 ..........................................................$5.95 ______50326980 3rd Solo Book for Piano (Diller/Quaile) Schirmer ED1456 ..........................................................$8.95 ______50326990 4th Solo Book for Piano (Diller/Quaile) Schirmer ED1457 ..........................................................$8.95 ______50235990 6 Piano Sonatinas ______50327580 51 Pieces from the Modern Repertoire by Belgian Composers Vol. 1 (Huybregts) Schirmer ED1672 ........................................................$16.95 Contents: Jean Absil: Sonatina (Suite Pastorale) Op. 37; Victor De Bo: Sonatina in D; George Longue: Sonatina in ______50328500 57 Pieces Children Like to Play D, Op. 32; Armand Longue: Sonatina in D minor, Op. 34; Schirmer ED2050 ........................................................$12.95 -
Three Sonatas for Piano by Emma Lou Diemer Chin-Ming Michelle Lin Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2007 Three sonatas for piano by Emma Lou Diemer Chin-Ming Michelle Lin Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Lin, Chin-Ming Michelle, "Three sonatas for piano by Emma Lou Diemer" (2007). LSU Doctoral Dissertations. 1660. https://digitalcommons.lsu.edu/gradschool_dissertations/1660 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THREE SONATAS FOR PIANO BY EMMA LOU DIEMER A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural Mechanical College in partial fulfillment of the Requirements for the degree of Doctor of Musical Arts In The School of Music by Chin-Ming Lin B.F.A., Tunghai University, Taiwan, 2000 M.M., Carnegie Mellon University, 2003 December, 2007 To my parents ii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the members of my committee throughout my doctoral studies and during the writing of this paper at Louisiana State University. I am very thankful for my previous piano professor Dr. Jennifer Hayghe for her tremendous guidance and piano teaching in first two years of my doctoral residency; a special thanks to my major professor Mr. Gregory Sioles for his enthusiastic and brilliant teaching in piano and his dedication in revising this written document and helping me prepare for my lecture recital; Professor Michael Gurt for contributing his insightful expertise and musicianship; Dr. -
Analysis of Tableaux De Provence and Concerto in E-Flat Major for Saxophone and String Orchestra
Eastern Illinois University The Keep Undergraduate Honors Theses Honors College 2012 Analysis of Tableaux de Provence and Concerto in E-flat Major for Saxophone and String Orchestra Jessie Svenningsen Follow this and additional works at: https://thekeep.eiu.edu/honors_theses Part of the Music Commons Analysis of Tableauxde Provence and Concerto in E-jlatMajor for Saxophoneand String Orchestra MUS 4644 Undergrad Honors Thesis Dr. Sam Fagaly By Jessie Svenningsen December 13, 2012 Introduction This paper is an analysis of two works that are part of the saxophone literature repertoire. The paper is divided into two halves-the first introduces Paule Maurice and her work, Tableaux de Provence. The analysis of the piece follows the background information on the composer and the work itself. The second half of the writing follows the same format-Alexander Glazunov and his saxophone conce110 are discussed, and the analysis of Concerto in E17atMajor.fir Saxophone and String Orchestra, Op. 109 follows. Paule Maurice Not much information is widely known on the life and career of Paule Maurice. She was a French composer and educator born in Paris, France in 19 10. She studied harmony and counterpoint with the Gallon brothers and composition with Henri Brusser at the Paris conservatory (Moore 13). She began her professional career as a composer in the late 1930's. She was appointed as professorof sight reading in 1942 and of harmonic analysis in 1965 at the Paris conservatory (Moore 14). She also worked as an assistant to Jean Gallon, her harmony professor from 1933 until 1947 (Moore 14). She was married to Pierre Lantier, a professor of harmony and counterpoint who also worked at the Paris Conservatory. -
RICHARD DE GUIDE Alain Van Kerckhoven
RICHARD DE GUIDE Alain Van Kerckhoven de GUIDE, Richard, compositeur et pédagogue, né à Basècles en Hainaut le 1er mars 1909, décédé à Woluwe-Saint-Pierre (Bruxelles) le 12 janvier 1962. Au sortir de ses humanités accomplies à l'Athénée d'Ath, Richard de Guide se lança simultanément dans des études de chimie à l'Université Libre de Bruxelles et dans la composition musicale. Il devint ingénieur chimiste mais l'enseignement de maîtres tels que Paul Gilson, Karel Candael et surtout Jean Absil orienta sa carrière vers la musique et son destin vers la composition. Il rejoint en 1938 les services musicaux de l'Institut National de Radiodiffusion (I.N.R.) où il prit part durant la guerre à des actes de sabotage qui lui valurent d'être fait prisonnier par l'occupant en 1944 et incarcéré à Huy jusqu'en 1945. Cette expérience donnera quelques années plus tard naissance à l'un de ses chefs-d'oeuvre. L'année suivante, Richard de Guide devient directeur de l'Académie de Musique de Woluwe-Saint-Pierre où il enseigne le piano et l'histoire de la musique. Il sera aussi professeur d'harmonie au Conservatoire royal de Liège de 1950 à 1953, et professeur de composition au Conservatoire royal de Mons de 1961 jusqu'à sa mort survenue prématurément l'année suivante. L'écriture critique l'accompagnera tout au long de sa carrière : Richard de Guide fut collaborateur musical de l'hebdomadaire « Les Beaux-Arts » de 1946 à 1951, critique musical de « La Nouvelle Gazette de Bruxelles » de 1946 à 1958 et correspondant de nombreuses publications étrangères : « Disques », « Musica », « Radio-Magazine » et « La Revue Musicale Suisse ». -
The University of North Carolina at Wilmington Department of Music
The University of North Carolina at Wilmington Department of Music SELECT SAXOPHONE REPERTOIRE & LEVELS First Year Method Books: The Saxophonist’s Workbook (Larry Teal) Foundation Studies (David Hite) Saxophone Scales & Patterns (Dan Higgins) Preparatory Method for Saxophone (George Wolfe) Top Tones for the Saxophone (Eugene Rousseau) Saxophone Altissimo (Robert Luckey) Intonation Exercises (Jean-Marie Londeix) Exercises: The following should be played at a minimum = 120 q • Major scales, various articulations • Single tongue on one note • Major thirds • Alternate fingerings (technique & intonation) • Single tongue on scale excerpt, tonic to dominant • Harmonic minor scales • Chromatic scale • Arpeggios in triads Vibrato (minimum = 108 for 3/beat or = 72-76 for 4/beat) q q Overtones & altissimo Jazz articulation Etude Books: 48 Etudes (Ferling/Mule) Selected Studies (Voxman) 53 Studies, Book I (Marcel Mule) 25 Daily Exercises (Klose) 50 Etudes Faciles & Progressives, I & II (Guy Lacour) 15 Etudes by J.S. Bach (Caillieret) The Orchestral Saxophonist (Ronkin/Frascotti) Rubank Intermediate and/or Advanced Method (Voxman) Select Solos: Alto Solos for Alto Saxophone (arr. by Larry Teal) Aria (Eugene Bozza) Sicilienne (Pierre Lantier) Dix Figures a Danser (Pierre-Max Dubois) Sonata (Henri Eccles/Rasher) Sonata No. 3 (G.F. Handel/Rascher) Adagio & Allegro (G.F. Handel/Gee) Three Romances, alto or tenor (Robert Schumann) Sonata (Paul Hindemith) 1 A la Francaise (P.M. Dubois) Tenor Solo Album (arr. by Eugene Rousseau) 7 Solos for Tenor Saxophone -
Oct 26 to Nov 1.Txt
CLASSIC CHOICES PLAYLIST Oct. 26 - Nov. 1, 2020 PLAY DATE: Mon, 10/26/2020 6:02 AM Antonio Vivaldi Violin Concerto, Op. 3/6 6:11 AM Wolfgang Amadeus Mozart Symphony 6:29 AM Georg Philipp Telemann Concerto for Viola, Strings and B.C. 6:44 AM Carl Philipp Emanuel Bach Trio Sonata for Flute, Violin & BC 7:02 AM Heinrich Ignaz Franz Biber Mensa sonora, Part III 7:12 AM Franz Joseph Haydn Concerto for King Ferdinand IV of Naples 7:29 AM William Byrd Fitzwilliam Suite 7:41 AM Edward MacDowell New England Idylls 8:02 AM Georg Philipp Telemann Overture of Ancient and Modern Nations 8:17 AM Gioacchino Rossini String Sonata No. 5 8:33 AM Louise Farrenc Clarinet Trio in E-Flat 9:05 AM Cliff Eidelman Symphony for Orchestra & Two PIanos 9:34 AM Robert Schumann Märchenbilder 9:51 AM George Gershwin Love is Here to Stay (aka Our Love is 10:00 AM Wolfgang Amadeus Mozart Rondo for flute and orchestra K anh.184 10:06 AM Wolfgang Amadeus Mozart Symphony 10:24 AM Wolfgang Amadeus Mozart Adagio & Allegro 10:36 AM Wolfgang Amadeus Mozart Divertimento for Winds 10:51 AM Wolfgang Amadeus Mozart Rondo for piano & orch 11:01 AM Mark O'Connor Double Violin Concerto 11:35 AM Johann Sebastian Bach Orchestral Suite No. 4 12:00 PM Gioacchino Rossini La Gazza Ladra (The Thieving Magpie): 12:13 PM Sir Edward Elgar Harmony Music No. 4 for wind quintet 12:26 PM Allen Vizzutti The Rising Sun 12:43 PM Eric Coates Idyll 12:51 PM Franz Waxman Hotel Berlin: Cafe Waltzes 1:01 PM Sir Charles Villiers Stanford Clarinet Sonata 1:25 PM Friedrich Kuhlau Piano Quartet 2:00 PM Domenico Scarlatti Sonata 2:08 PM Nicolo Paganini Quartet No. -
BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist. -
Nbr 227 1972
KRAB PROGRAM GUI DE NUMBE R TWO HUNDRED AND TWENTY SEVEN Publ ished by the J ack Straw Memorial Foundati on, a non- profit, tax- exemp t ~ public or ganizat i on s olely designed to oper ate non- commercial, listener suppor ted radio s t at ions , of which KRAB is one, and KBOO (Portland) t he other. Th i s progr am guide, containing program listings for t he month of June , 1 972 ~ is not s o l d ~ it is gi ven, f ree of charge, to t he subs cr i bers and supporters of KRAB . We emph asize the fact that those who subs cribe aren't paying f or the progr am guide ~ but paying for KRAB o Subs cription rates to KRAB are $25 . 00 average yearly, $15 . 00 minimum yearly (for students , reti red people, and unemployed people) J or $5.00 for four months. Your contri bution or subscription is tax-deductible; checks and money orders should be made out to the Jack Straw Memori al Foundation. KRAB PM Studl o~ 90 29 Roosevelt Way N. E. Off ice : 1400 Harvard Avenue Se at t l e, WaD 98115 Seattle, Wa D 9812 2 Studi o : LA 2-5111 Office ~ EA 5-5110 and EA 5-5111 20.000 watts e .r.p . 107.7 on your dial If you 're moving please let us know so we can change your address card i n our file ; otherwise the post office may thr ow out your program guides r ather t han forwar d them.