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Emma Lou Diemer's Solo Piano Works Through 2010: a Study Of
Emma Lou Diemer’s Solo Piano Works Through 2010: A Study of Pedagogy and Performance in the Context of 20th- and 21st-Century Music Making A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Studies Division of the College-Conservatory of Music By Kristal Bang Kim B.A., University of California, Los Angeles, 2000 M.M., San Francisco Conservatory of Music, 2003 Committee Chair: Jeongwon Joe, Ph.D. Readers: Elizabeth Pridonoff, MM Michael Chertock, MM ABSTRACT The document presents a comprehensive survey of the solo piano works by an eminent contemporary woman composer Emma Lou Diemer, who is still alive and active as a musician of various roles, such as a composer, teacher, performer, and church musician. By keying into her representative solo piano works including her most recent output, the document’s primary goal is to guide performers and piano teachers for understanding and playing the composer’s piano works. Selected pedagogical and concert works will be given detailed analysis such as comparisons of styles, structures, and sonorities. In light of her collective output for piano literature, the significance of the composer’s contribution to the 20th- and 21st-Century music making, especially for the history of piano literature, is examined, in the context of current musical culture and trend. ii Copyright © 2012 Kristal Bang Kim iii ACKNOWLEDGMENTS I am greatly thankful for all the inspiration and guidance that I have received in seeing and actualizing of this document. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
Interstellar Music - by Mike Overly
Interstellar Music - by Mike Overly Let's imagine that you could toss a message in a bottle faster than a speeding bullet into the cosmic ocean of outer space. What would you seal inside it for anyone, or anything, to open some day in the distant future, in a galaxy far, far away from our solar system? Well, imagine no more because it's been done! Thirty-five years ago, NASA launched two Voyager spacecraft carrying earthly images and sounds toward the Stars. Voyager 1 was launched on September 5, 1977, from Cape Canaveral, Florida and Voyager 2 was sent on its way August 20 of that same year. Voyager 1 is now 11 billion miles away from earth and is the most distant of all human-made objects. Everyday, it flies another million miles farther. In fact, Voyager 1 and 2 are so far out in space that their radio signals, traveling at the speed of light, take 16 hours to reach Earth. These radio signals are captured daily by the big dish antennas of the Deep Space Network and arrive at a strength of less than one femtowatt, a millionth of a billionth of a watt. Wow! Both Voyagers are headed towards the outer boundary of the solar system, known as the heliopause. This is the region where the Sun's influence wanes and interstellar space waxes. Also, the heliopause is where the million-mile-per-hour solar winds slow down to about 250,000 miles per hour. The Voyagers have reached these solar winds, also known as termination shock, and should cross the heliopause in another 10 to 20 years. -
C Quliyev Bayati 2Cild.Pdf
Bayatı "ATLAS ENSEMBLE" üçün p a r t i t u r a *** Bayaty for "ATLAS ENSEMBLE" s c o r e ORCHESTRA: Flute / Piccolo Dizi / Xun in C Ney in C Suona / Guanzi in C Zurna in C Oboe Balaban in C Sheng 1 in C Sheng 2 in C Clarinetti in B / in A / Basso Clarinetto Pipa / Liugin in C Tar in C Ud in C Mandolin Kanun in C Zheng in C Santur in C Arpa Timpani Piatto sospeso Cinese tom-toms Tam-Tam Soprano Female khanende singer Violino Erhu in C Kamancha in D Kemenche in C Viola Viola da gamba Violoncello Contrabass ATLAS ENSEMBLE-nin (HOLLANDİYA) SİFARİŞİ İLƏ - 2004 COMMISSIONED BY ATLAS ENSEMBLE (NEDERLAND) - 2004 Bayatı Bayaty Cavanşir QULİYEV Javanshir GULIYEV q=135 > Piccolo > œ œ >œ œ œ œ œ >œ bœ œ œ œ #œ œ œ œ bœ œ œ œ Flute/Picc. 4 j œ œ #œ œ œ #œ œ °& 4 Œ ‰ œ J ‰ Dizi f > œ œ œ > œ œ >œ œ œ œ œ >œ bœ œ œ œ #œ œ bœ œ œ Dizi/xun inC 4 j œ œ #œ œ œ #œ œ & 4 Œ ‰ œ J ‰ f > > > #>œ œ œ œ œ œ Ney in C 4 j #œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ œ œ & 4 Œ ‰ œ œ œ œ J ‰ ¢ Guanzi f Suona/Guanzi in C 4 °& 4 j ‰ Œ Ó ∑ ∑ f œ > Zurna in C 4 œ & 4 ‰ Œ Ó ∑ ∑ f J > > œ œ >œ œ œ œ œ >œ bœ œ œ œ #œ œ œ œ bœ œ œ œ Oboe 4 j œ œ #œ œ œ #œ œ & 4 Œ ‰ œ J ‰ f > Balaban in C 4 j j œ œ œ & 4 Œ ‰ œ #œ œ œ œ #œ œ œ œ œ œ œ œ bœ œ œ œ ‰ #œ œ bœ œ œ ¢ f œ œ > œ > > Sheng in C 1 4 j °& 4 œ ‰ Œ Ó ∑ ∑ f Sheng in C 2 4 & 4 j ‰ Œ Ó ∑ ∑ f œ Cl. -
Electronic Musical Instruments DIGITAL PIANOS 2011 2012
Electronic Musical Instruments _DIGITAL PIANOS 2011_2012 411ENG-KAT-02 Cover photo: shot at Music- und Lifestyle-Hotel nhow in Berlin KeyboardsDigital pianos_High Grade 02 We love music. We live music. Electronics maker CASIO uses its tremendous creative energy to develop innovative products for leisure, school and office. Products that thrill, encourage learning and make businesses run more smoothly. In short, products that enrich our lives and help society progress. The difference we can make in this way is both our calling and our motivation. CASIO sees itself as a driving force in the industry, helping shape the flow of the market through revolutionary developments. In the area of music instruments, for example, CASIO has introduced advanced sound and functional properties into its introductory models, the kind of features that have previously been the exclusive domain of high-end product lines. We know from our own experience that making music with an instrument brings a unique personal enrichment – a piece of “aural” quality of life and an expression of joy and creativity. Music is also a universal, emotional language that links us together and bridges generations and cultures through- out the world. We want to make this special experience available to as many people as possible – with high-quality, affordable brand-name instruments from CASIO. Content CELVIANO Series Pages 04 to 11 PRIVIA Series Pages 12 to 21 03 COMPACT Series Pages 22 to 23 Technical Specifications Pages 24 to 25 Digital pianos_CELVIANO 04 The best sound has many facets www.celviano.eu For more than 20 years CASIO has given its heart and soul to the dream of piano playing. -
The Philip Glass Ensemble in Downtown New York, 1966-1976 David Allen Chapman Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 4-27-2013 Collaboration, Presence, and Community: The Philip Glass Ensemble in Downtown New York, 1966-1976 David Allen Chapman Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the Music Commons Recommended Citation Chapman, David Allen, "Collaboration, Presence, and Community: The hiP lip Glass Ensemble in Downtown New York, 1966-1976" (2013). All Theses and Dissertations (ETDs). 1098. https://openscholarship.wustl.edu/etd/1098 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Peter Schmelz, Chair Patrick Burke Pannill Camp Mary-Jean Cowell Craig Monson Paul Steinbeck Collaboration, Presence, and Community: The Philip Glass Ensemble in Downtown New York, 1966–1976 by David Allen Chapman, Jr. A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2013 St. Louis, Missouri © Copyright 2013 by David Allen Chapman, Jr. All rights reserved. CONTENTS LIST OF FIGURES .................................................................................................................... -
8-12 / 5 / 2019Info
THESSALONIKI STATE CONSERVATORY MINISTRY OF CULTURE & SPORTS musical graffiti #SKG Bridges Festival A Culture Party in Thessaloniki 8-12 / 5 / 2019 Info: www.odiokrat.gr fb: State Conservatory Thessaloniki www.skgbridgesfestival.com fb: SKG Bridges Festival instagram: skg.bridges.festival WEDNESDAY, ΜAY 8, 2019 SATURDAY, ΜAY 11, 2019 18.00 – 19.00 • Square of exchange - Allatini Mansion Music group Muhabbet (friendly chat) ala sepharditic National Theatre of Thessaloniki, Foyer, 4th floor Roman Market, Οlympou 75 Psaltery, singing: Gӧerkem Saoulis Οud, singing: ChrysostomosVletsis 21.30 • State Conservatory Improvisation Group–«Faces in a circle» 20.30 • «Aero – Bridges of Culture» / Bridge of Music and Poetry Violin: Giannis Poulios Percussion, singing: Maria Karamouza ITU - Turkish Music State Conservatory Musicians: Akrivi Erkekoglou, Marianthi Erkekoglou, Maria Karamouza, Eliza Teli, Program Vassiliki Frangou, Despoina Charitopoulou Program, see Thursday, May 9 1. Canary (greek – sepharditic - turkish). 2. Where do I find a woman like you Artistic supervision: Sofia Karakantza, Director, Acting teacher at TSC, (greek - sepharditic) 3. Los bilbilicos (sepharditic - turkish). 4. Elenitsa (greek Lola Totsiou, Pianist, Directrice of the TSC - sepharditic) 5. Yedi Kule (sepharditic) 6.The vest (greek - sepharditic) 7. El cante de la viktoria (sepharditic) 8. Beyati saz semaisiisak (instrumental) THURSDAY, ΜAY 9, 2019 SUNDAY, ΜAY 12, 2019 State Conservatory Thessaloniki State Conservatory Thessaloniki Free guided tour during the SKG Bridges festival 20.30 – 21.30 • Youth Orchestra of TSC 20.30 • «Aero – Bridges of Culture» / Bridge of Music and Poetry Starting time: 11.00 Conductor: Dimosthenis Fotiadis ITU - Turkish Music State Conservatory Starting point: Thessaloniki State Conservatory, Frangon 15 The musical mosaic of Thessaloniki.The multi-cultural music of the «Buildings have voice» discover important buildings that will take you city in a symphonic performance. -
Sample Questions (PDF)
Question Question The Amati Quartet is an extremely rare set of four musical The following are all official mottos from Canadian universities. instruments owned by the University of Saskatchewan—the only Which one is the motto for the University of Saskatchewan? set of its kind in Canada and one of few in the world. The oldest of these instruments is a viola. When was it made? a) For God and Country b) Whatsoever Things are True a) 1607 c) I Will Lift up my Eyes b) 1707 d) By Work all Things Increase and Grow c) 1807 d) 1907 Answer Answer a) The University of Saskatchewan motto, in Latin, is Deo et Patriae, translated as For God and Country. Motto b) is University a) The viola dates to 1607, and was commissioned by Pope Paul V. of Alberta, c) is University of Calgary, d) is McGill University. The two violins date to 1627 and 1637, while the cello is comparatively "new", built in 1690. They were made by the famous Amati family of northern Italy, who supplied finely crafted musical instruments to royalty and the wealthy. The tone Question of these rare masterpieces is considered beyond compare. They were brought to Saskatchewan by Stephen Kolbinson, a Which of the following famous writers said that the University of Kindersley area farmer, Saskatchewan was "apparently half a century ahead of musician and avid Cambridge in Science and of Oxford in common sense"? musical instrument collector. In 1959, he a) W.O. Mitchell sold the set to the b) Farley Mowat university for a c) Norman Mailer nominal fee, making d) George Bernard Shaw the music from these instruments more Answer accessible to the people of Saskatchewan. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age. -
20Th-Century Repertory
Mikrokosmos List 575. - 2 - June 2013 ....20TH-CENTURY REPERTORY 1 Ahrens, Joseph: Das heilige Jahr - comp.organ S 3 x MUSICA VIV MV 601114 A 20 2 Anrooy, Peter van: Piet Hein/ H.Andriessen: Kuhnau Variations/ J.Wagenaar: FONTANA 6530044 A 10 Cyrano & De getemde feeks Overtures - Residentie Orkest, cond.Dorati, Otterloo (Dutch pressing) S 3 Arndt, Rudi: Burleske for Trompet & Orch/Hattwig: Carpe diem/Rosenfeld: Scherzo NOVA 885008 A 10 for Vln & Orch/Arenz: Sommer/Bruchmann: Toccata S 4 Auric: Trio/ M.Constant: Trio/ Canteloube: Rustiques/ Lesur: Suite - Monte Carlo REM 11029 A 12 Wind Trio (gatefold) 1987 S 5 Balanchivadze: Piano Concerto 3, Ritsa Lake Intermezzo, On the Tbilisi Sea Waltz - MELODIYA D 3916 A 60 CP1 L.Oborin, cond.Khaikin, Dimitriadi 10" OLD 6 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth: RCA RL 25184 A 10 Idyll for Small Orch - cond.Del Mar (UK) S 7 Bartok: Cantata Profana, 5 Hungarian Folk Songs, Village scenes, 7 Choruses - HUNGAROT SLPX 11510 A 10 cond.Dorati, Ferencsik, Korodi (Complete Edition) S 8 Bartok: Kossuth Sym Poem; Scherzo for Pno; Scherzo from Sym in E flat - E.Tusa, HUNGAROT SLPX 11517 A 10 cond.Lehel S 9 Bartok: Miraculous Mandarin ballet, Dance Suite, Hungarian Peasant Songs - HUNGAROT SLPX 11319 A 10 Budapest PO, cond.J.Sandor (Complete Edition) S 10 Bartok: Sonata for 2 Pnos & Perc; Solo Sonata for Vln - Kocsis, Ranki, Petz, Marton, HUNGAROT SLPX 11479 A 10 D.Kovacs (Complete Edition) S 11 Bartok: Suite 2, Rumanian Folk Dances, Transylvanian Dances, Hungarian Sketches -
Bob Dylan and His Lyrics in the 1960S an Honors Thesis
Teaching Honors 390: Bob Dylan and His Lyrics in the 1960s An Honors Thesis (HONRS 499) by Ben Purcell Thesis Advisor Dr. Timothy Berg Ball State University Muncie, Indiana May 2012 Expected Date of Graduation May 2012 Speo)) L/ nder9fL:1 the if:> LV ')..Ljt69 Abstract ' Z. L-) B,.Oj CL- As a conlpone~t ~~Jr respective individual Honors theses, for the first ten weeks of the Spring 2012 semester fellow graduating senior Marc Keith and I co-taught a one credit hour Honors Colloquium on the music, lyrics and historical context ofBob Dylan. While the literary influences, historical context and stylistic development of Dylan's lyrics were a primary focus of our analysis, the classroom format allowed us access to all the nledia through which Dylan's art is appreciated. Though teaching the class itself was the primary component of the project, I provide in this binder the course syllabus, written and developed by Marc and 1. Also included is an extensive week-to-week reflection of my experience teaching fellow students. Acknow ledgements I would like to thank Dr. Timothy Berg for serving as faculty adviser on this project. Receiving permission to teach the class required the willingness of a faculty adviser willing to attend each class meeting, meaning that this seriously couldn't have been completed without him. Reflection on Teaching Honors 390: Bob Dylan and His Lyrics in the 1960s An Honors Thesis Project Course Background/Planning The genesis of the idea to teach a class on Bob Dylan occurred when I asked eventual co-instructor Marc Keith what sort of project he planned to carry out in fulfillment of his Honors Thesis. -
SOLO KEYBOARD MIXED COLLECTIONS Collections Containing Works by Various Composers ______50092970 32 Sonatinas and Rondos, Vol
97144 Kybd 212-246 8/29/05 8:33 AM Page 212 212 SOLO KEYBOARD MIXED COLLECTIONS Collections containing works by various composers ______50092970 32 Sonatinas and Rondos, Vol. 2 Ricordi RER1455 ........................................................$17.95 ______50331300 36 Twentieth Century Pieces ____50327800 1st Pedal Studies for Piano: Progressive Exercises Schirmer ED2734 ........................................................$14.95 and Pieces (Diller/Quaile) Schirmer ED1732 ..........................................................$9.95 ______50332880 1st Solo Book for Piano Revised (Diller/Quaile) Schirmer ED2956 ..........................................................$6.95 ______50333260 2nd Solo Book for Piano Revised (Diller/Quaile) Schirmer ED3014 ..........................................................$5.95 ______50326980 3rd Solo Book for Piano (Diller/Quaile) Schirmer ED1456 ..........................................................$8.95 ______50326990 4th Solo Book for Piano (Diller/Quaile) Schirmer ED1457 ..........................................................$8.95 ______50235990 6 Piano Sonatinas ______50327580 51 Pieces from the Modern Repertoire by Belgian Composers Vol. 1 (Huybregts) Schirmer ED1672 ........................................................$16.95 Contents: Jean Absil: Sonatina (Suite Pastorale) Op. 37; Victor De Bo: Sonatina in D; George Longue: Sonatina in ______50328500 57 Pieces Children Like to Play D, Op. 32; Armand Longue: Sonatina in D minor, Op. 34; Schirmer ED2050 ........................................................$12.95