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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Korean Contemporary Art
KOREAN CONTEMPORARY ART 55157__KOREAN157__KOREAN CCONTONT ART_2011-12-12.inddART_2011-12-12.indd 001001 114.12.20114.12.2011 117:10:297:10:29 UUhrhr 002 KOREAN CONTEMPORARY ART 55157__KOREAN157__KOREAN CCONTONT ART_2011-12-12.inddART_2011-12-12.indd 002002 114.12.20114.12.2011 117:10:307:10:30 UUhrhr Miki Wick Kim KOREAN CONTEMPORARY ART PRESTEL Munich · London · New York 55157__KOREAN157__KOREAN CCONTONT ART_2011-12-12.inddART_2011-12-12.indd 003003 114.12.20114.12.2011 117:10:367:10:36 UUhrhr 5157_KOREAN CONT ART_001_192.indd 004 15.12.2011 15:23:25 Uhr Contents Artists’ names are listed in the traditional order of family name fi rst, except where individuals have chosen the Western order of family name last. All family names are in capitals. Introduction 006 On the Recent Movements in Korean Contemporary Art 010 Seung Woo BACK 020 100 In Sook KIM BAE Bien-U 026 106 KIMsooja CHO Duck Hyun 032 110 Sora KIM U-Ram CHOE 036 116 KOO Jeong A. CHOI Jeong Hwa 042 122 Hyungkoo LEE CHUN Kwang-young 048 128 Minouk LIM CHUNG Suejin 054 132 MOON Beom GIMhongsok 060 138 Jiha MOON HAM Jin 064 142 Hein-kuhn OH Kyungah HAM 070 148 PARK Kiwon JEON Joonho 074 152 PARK Seo-Bo Michael JOO 078 158 Kibong RHEE Yeondoo JUNG 084 162 Jean SHIN Atta KIM 090 166 Do Ho SUH KIM Beom 096 170 YEEsookyung 174 Curriculum Vitae 190 Bibliography and Notes 5157_KOREAN CONT ART_001_192.indd 005 15.12.2011 15:23:25 Uhr Introduction I have never thought of myself as expressing Korean-ness ists at important international art destinations in the East or Asian-ness. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Virtual Conference Contents
Virtual Conference Contents 등록 및 발표장 안내 03 2020 한국물리학회 가을 학술논문발표회 및 05 임시총회 전체일정표 구두발표논문 시간표 13 포스터발표논문 시간표 129 발표자 색인 189 이번 호의 표지는 김요셉 (공동 제1저자), Yong Siah Teo (공동 제1저자), 안대건, 임동길, 조영욱, 정현석, 김윤호 회원의 최근 논문 Universal Compressive Characterization of Quantum Dynamics, Phys. Rev. Lett. 124, 210401 (2020) 에서 모티 브를 채택했다. 이 논문에서는 효율적이고 신뢰할 수 있는 양자 채널 진단을 위한 적응형 압축센싱 방법을 제안하고 이를 실험 으로 시연하였다. 이번 가을학술논문발표회 B11-ap 세션에서 김요셉 회원이 관련 주제에 대해서 발표할 예정(B11.02)이다. 2 등록 및 발표장 안내 (Registration & Conference Room) 1. Epitome Any KPS members can download the pdf files on the KPS homepage. (http://www.kps.or.kr) 2. Membership & Registration Fee Category Fee (KRW) Category Fee (KRW) Fellow/Regular member 130,000 Subscription 1 journal 80,000 Student member 70,000 (Fellow/Regular 2 journals 120,000 Registration Nonmember (general) 300,000 member) Nonmember 150,000 1 journal 40,000 (invited speaker or student) Subscription Fellow 100,000 (Student member) 2 journals 60,000 Membership Regular member 50,000 Student member 20,000 Enrolling fee New member 10,000 3. Virtual Conference Rooms Oral sessions Special sessions Division Poster sessions (Zoom rooms) (Zoom rooms) Particle and Field Physics 01, 02 • General Assembly: 20 Nuclear Physics 03 • KPS Fellow Meeting: 20 Condensed Matter Physics 05, 06, 07, 08 • NPSM Senior Invited Lecture: 20 Applied Physics 09, 10, 11 Virtual Poster rooms • Heavy Ion Accelerator Statistical Physics 12 (Nov. 2~Nov. 6) Complex, RAON: 19 Physics Teaching 13 • Computational science: 20 On-line Plasma Physics 14 • New accelerator: 20 Discussion(mandatory): • KPS-KOFWST Young Optics and Quantum Electonics 15 Nov. -
Gangnam Style”
Asian Social Science; Vol. 14, No. 4; 2018 ISSN 1911-2017 E-ISSN 1911-2025 Published by Canadian Center of Science and Education CPNT Model Analysis on New Media and “Gangnam Style” Kim Yong Kyoung1 1 Center for Global Communication, School of Journalism and Communication, Tsinghua University, Beijing, People’s Republic of China Correspondence: Kim Yong Kyoung. E-mail: [email protected] Received: December 6, 2017 Accepted: February 11, 2018 Online Published: March 26, 2018 doi:10.5539/ass.v14n4p136 URL: https://doi.org/10.5539/ass.v14n4p136 Abstract New Media and Global Communication: A case study on PSY’s “GangNam Style” PSY’s “GangNam Style” got the most views on various search engines for music around the world in 2012. The world has tremendously caught on the “GangNam Style” across borders regardless of race, nation and culture. “Oppa1 GangNam Style”, this lyric of the song by a funny Korean singer who looks fat with sunglasses has been hummed everywhere over the world. Main interest of people also has focused on this song recently. The song, “GangNam Style”, enraptured the world in a few months. A music video of “GangNam Style” was a huge hit on a great variety of video websites as well. Take “YouTube”, the most famous websites in the world, for an example. On this websites, PSY’s music video got about 1.8 billion views. It was listed as the largest number of “like” clicks on YouTube in the Guinness Book of World Record. Therefore, this article analyzes this case on the spread of PSY’s “GangNam Style” through the new mass media in order to determine reasons to hit the world as well as backgrounds to be popular. -
2012년 제2기 & 2013년 제3기 뉴욕한국문화원 문화통신원 기사
2012년 제2기 & 2013년 제3기 뉴욕한국문화원 문화통신원 기사 모음집 Korean Culture navigation in NY 2012년 제2기 & 2013년 제3기 뉴욕한국문화원 문화통신원 기사 모음집 Korean Culture navigation in NY <Korean Culture Navigation in NY>는 2012년 5월부터 12월까지 ‘제2기 뉴욕한국문화원 문화통신원’으로 활동한 8명의 통신원들이 작성한 기사 중 33편을, 2013년 5월부터 12월까지 ‘제3기 뉴욕한국문화원 문화통신원’으로 활동한 8명의 통신원들이 작성한 기사 중 22편을 엄선해 묶은 책자입니다. Published by Korean Cultural Service New York 460 Park Avenue 6th Floor, New York, NY 10022 Tel: 212 759 9550 Fax: 212 688 8640 [email protected] www.koreanculture.org Copyright © 2013 by Korean Cultural Service New York. All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. Illustration: Jaekyung Jeong(정재경)· Eugene Pi(피유진) Contents 2012년 제2기 뉴욕한국문화원 문화통신원 8 Korean Flavor Exposed with Angelo Sosa 80 이화영 제11회 뉴욕 아시안 영화제(NYAFF): 최민식을 만나다 81 구도영 Message from the Director 10 뉴욕의 또 다른 MoMA, MoMA PS1에서 펼쳐지는 한 여름 밤의 파티 82 김두리 2012 Performing Arts Preview of the North American Premiere of the Hit Korean Movie, The Client (의뢰인) 84 Regina Kim The Chamber Music Society of Kumho Art Hall Delivers Preview of the Controversial Film Unbowed (부러진 화살) 85 Regina Kim an Unforgettable Performance at the Lincoln Center 14 Regina Kim 2012 NY K-pop Festival and 한국의 향기로 뉴욕을 물들이다 16 이화영 Interview with American Idol Finalist Hee Jun Han 86 Regina Kim The Kang Sisters Wow Audience in Flushing The Power of Korean Food Revealed by Todd -
Big Bang – Shout out to the World!
Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style. -
Download and Upload Speeds for Any Individual Device That Is Connected to the Network
UC Irvine UC Irvine Electronic Theses and Dissertations Title Acceleration and Information: Managing South Korean Online Gaming Culture Permalink https://escholarship.org/uc/item/2204k0wv Author Rea, Stephen Campbell Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Acceleration and Information: Managing South Korean Online Gaming Culture DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Anthropology by Stephen C. Rea Dissertation Committee: Associate Professor Keith M. Murphy, Chair Professor Tom Boellstorff Professor Bill Maurer 2015 © 2015 Stephen C. Rea TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vi CHAPTER 1: Playing at the Speed of Life: Korean Online Gaming Culture and the 1 Aesthetic Representations of an Advanced Information Society CHAPTER 2: “Slow to Industrialize, but Let’s Lead in Informatization”: The Korea 31 Information Infrastructure, the IMF, and Online Games CHAPTER 3: Situating Korean Online Gaming Culture Offline 71 CHAPTER 4: Managing the Gap: The Temporal, Spatial, and Social Entailments of 112 Playing Online Games CHAPTER 5: Crafting Stars: e-Sports and the Professionalization of Korean Online 144 Gaming Culture CHAPTER 6: “From Heroes to Monsters”: “Addiction” and Managing Online Gaming 184 Culture CONCLUSION 235 BIBLIOGRAPHY 242 ii ACKNOWLEDGEMENTS This dissertation would not have been -
Between Hybridity and Hegemony in K-Pop's Global Popularity
International Journal of Communication 11(2017), 2367–2386 1932–8036/20170005 Between Hybridity and Hegemony in K-Pop’s Global Popularity: A Case of Girls’ Generation’s American Debut GOOYONG KIM1 Cheyney University of Pennsylvania, USA Examining the sociocultural implications of Korean popular music (K-pop) idol group Girls’ Generation’s (SNSD’s) debut on Late Show With David Letterman, this article discusses how the debut warrants a critical examination on K-pop’s global popularity. Investigating critically how the current literature on K-pop’s success focuses on cultural hybridity, this article maintains that SNSD’s debut clarifies how K-pop’s hybridity does not mean dialectical interactions between American form and Korean content. Furthermore, this article argues that cultural hegemony as a constitutive result of sociohistorical and politico- economic arrangements provides a better heuristic tool, and K-pop should be understood as a part of the hegemony of American pop and neoliberalism. Keywords: Korean popular music, cultural hybridity, cultural hegemony, neoliberalism As one of the most sought-after Korean popular music (K-pop) groups, Girls’ Generation’s (SNSD’s) January 2012 debut on two major network television talk shows in the United States warrants critical reconsideration of the current discourse on cultural hybridity as the basis of K-pop’s global popularity. Prior to Psy’s “Gangnam Style” phenomenon, SNSD’s “The Boys” was the first time a Korean group appeared on an American talk show. It marks a new stage in K-pop’s global reach and influence. With a surge of other K- pop idols gaining global fame, especially in Japan, China, and other Asian countries, SNSD’s U.S. -
Wit Cverybody Snvitea Tpublicsupper A* Opening Tiday
HUlIC LIBRJRT Nonci to WJiocifinit SUBSCRIBERS PLEASE NOTMS This paper will stop at once if paid to date and k 4m fid akmU Im so ordered by the subscriber. Not forced ou any one who quits square. Regular 10-page editkm 82.00 per year, or 6-page local edition S1.50 per D year, in advance. Please observe and oblige the % publisher. LOWELL, MICHIGAN. OCT, i, <22 VOLUME XXX. NUMBOt It and THE ALTO SOLO MlMlHDIISPffllHiflBi ~' LHI CLUBS 1 E. (Hi At LOOK'S State Bank, ot Lowell, Miukifu, Far aw LnweM Bay and Be Bee vice May COMO TO Lowell in Exchange Bntertaiaed by MIM Green, Grand Prograai for Dedication of MethodiHt ..Rapids Eloentionist Han Mm DeM( " for Bead Fnrnltnre Week . Chnreb House. Last week we attended the greatest Drug Con- •I ci«M af buaiiMW Saptambar ISth, Ittt.M An AM Arhar daily . Unnuthorlaed stntements have ap- The Lowell Literary club held October 6, 5:30, Ladies Aid society Ushad the following, to many Low- peared In some papers concerning a the first meeting of the year Tues- supper. veation ever held in the U. S. Over 60 manu- ell people. Interesting nuitrunoninl Thr-r is the Lowell plant of the day afternoon, October 3, at the / :30, Home-coming program. nuttrr^Mder^the h«ggj^^ YpsUanti Reed Furniture company; home of Mrs. L W. Rutherford. Af- Oct. 8, 10:30, Dedication service. facturerg displayed their merchandise and we but m definite statement has as vet ter the usual business session Presi- 7:30, lecture, "The Four Square •M DbcoiuiU been | public by officials of that dent, Mrs. -