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The Neumeister Collection of Chorale Preludes of the Bach Circle: an Examination of the Chorale Preludes of J
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 "The eumeiN ster collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works Sara Ann Jones Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Jones, Sara Ann, ""The eN umeister collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works" (2002). LSU Doctoral Dissertations. 77. https://digitalcommons.lsu.edu/gradschool_dissertations/77 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NEUMEISTER COLLECTION OF CHORALE PRELUDES OF THE BACH CIRCLE: AN EXAMINATION OF THE CHORALE PRELUDES OF J. S. BACH AND THEIR USAGE AS SERVICE MUSIC AND PEDAGOGICAL WORKS A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts Sara Ann Jones B. A., McNeese State University -
THE ARTS of PERSUASION (Revised)
The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude Item Type text; Electronic Dissertation Authors Anderson, Ron James Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 20:06:37 Link to Item http://hdl.handle.net/10150/242454 THE ARTS OF PERSUASION: MUSICAL RHETORIC IN THE KEYBOARD GENRES OF DIETERICH BUXTEHUDE by Ron James Anderson ______________________________ Copyright © Ron James Anderson 2012 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2012 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Ron James Anderson entitled “The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude," and recommend that it be accepted as fulfilling the requirements for the degree of Doctor of Musical Arts. _________________________________________________________Date: 6/25/12 Rex Woods _________________________________________________________ Date: 6/25/12 Paula Fan _________________________________________________________ Date: 6/25/12 Tannis Gibson Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copy of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the requirement. -
July 09 Pp. 21-23.Indd
Text Interpretation and Cyclic Unity in Buxtehude’s Nimm von uns Herr, du treuer Gott, BuxWV 207 Markus Rathey Buxtehude’s chorale variations compositions that fulfi ll a merely utilitar- Example 1: Melody, Nimm von uns Herr The number of chorale variations in ian purpose. The following essay will fo- Dietrich Buxtehude’s organ works is cus on Buxtehude’s chorale variations on considerably smaller than in the oeuvre the hymn Nimm von uns Herr, du treuer of other northern and central German Gott, BuxWV 207, examining its musical composers like Samuel Scheidt, Georg structure, its function, and its contexts in Böhm, and Jan Pieterszoon Sweelinck. contemporary piety. Among Buxtehude’s organ works the chorale variations form a rather small Nimm von uns Herr, BuxWV 207 group of six sets:1 The variations are based on a Prot- estant chorale from the second half of BuxWV 177, Ach Gott und Herr, 2 the 16th century. The text has seven variations stanzas and was published in 1584 by BuxWV 179, Auf meinen lieben Gott, the 16th-century poet and theologian 5 variations Martin Moller (1547–1606); the words BuxWV 181, Danket dem Herren, 3 were traditionally combined with Mar- variations tin Luther’s melody for the hymn Vater Example 2: Buxtehude, Nimm von uns Herr, BuxWV 207/2 BuxWV 205, Meine Seele erhebt den unser, im Himmelreich. (See Example 1: Herren, 2 variations Melody, “Nimm von uns Herr.”) BuxWV 207, Nimm von uns Herr, du treuer Gott, 4 variations First movement BuxWV 213, Nun lob, mein Seel, den Buxtehude’s set of variations consists of Herren, 3 variations four verses. -
Tifh CHORALE CANTATAS
BACH'S TREATMIET OF TBE CHORALi IN TIfh CHORALE CANTATAS ThSIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Floyd Henry quist, B.A. Denton, Texas August, 1950 N. T. S. C. LIBRARY CONTENTS Page LIST OF ILLUSTRATIONS. ...... .... v PIEFACE . vii Chapter I. ITRODUCTION..............1 II. TECHURCH CANTATA.............T S Origin of the Cantata The Cantata in Germany Heinrich Sch-Utz Other Early German Composers Bach and the Chorale Cantata The Cantata in the Worship Service III. TEEHE CHORAI.E . * , . * * . , . , *. * * ,.., 19 Origin and Evolution The Reformation, Confessional and Pietistic Periods of German Hymnody Reformation and its Influence In the Church In Musical Composition IV. TREATENT OF THED J1SIC OF THE CHORAIJS . * 44 Bach's Aesthetics and Philosophy Bach's Musical Language and Pictorialism V. TYPES OF CHORAJETREATENT. 66 Chorale Fantasia Simple Chorale Embellished Chorale Extended Chorale Unison Chorale Aria Chorale Dialogue Chorale iii CONTENTS (Cont. ) Chapter Page VI. TREATMENT OF THE WORDS OF ThE CHORALES . 103 Introduction Treatment of the Texts in the Chorale Cantatas CONCLUSION . .. ................ 142 APPENDICES * . .143 Alphabetical List of the Chorale Cantatas Numerical List of the Chorale Cantatas Bach Cantatas According to the Liturgical Year A Chronological Outline of Chorale Sources The Magnificat Recorded Chorale Cantatas BIBLIOGRAPHY . 161 iv LIST OF ILLUSTRATIO1S Figure Page 1. Illustration of the wave motive from Cantata No. 10e # * * # s * a * # . 0 . 0 . 53 2. Illustration of the angel motive in Cantata No. 122, - - . 55 3. Illustration of the motive of beating wings, from Cantata No. -
Booklet Notes: Torkil Baden // English Translation: Jim Skurdall // Booklet Editor: Hege Wolleng // Cover Design: Blunderbuss // Artist Photo: Thomas Carlström
BACH SCHÜBLER AND LEIPZIG CHORALES CANONIC VARIATIONS KÅRE NORDSTOGA SCHNITGER ORGAN ST. MARTIN’S CHURCH OF GRONINGEN BACH ORGAN WORKS ‡ ‡ DA BACH VILLE OPPSUMMERE Mot slutten av sitt virke hadde blir demonstrert og uttømt med Bach-eleven Lorenz Mizler, og Den overlegne beherskelsen av Samlingen «Orgelbüchlein» med utsmykket melodi som en vug- J.S. Bach bedre tid enn i de en uovertruffen kunstferdighet. medlemslisten omfattet allerede kanonteknikken er beslektet med korte koralbearbeidelser fra gende sarabande. første årene i Leipzig fra 1723. Telemann og Händel. matematiske løsninger. Det er Weimar får i dette Leipzig-verket Han hadde bygget opp et re- EINIGE CANONISCHE hevdet at hvis ikke Bach hadde en avansert parallell. Teknikker 3. An Wasserflüssen Babylon, pertoar innen mange genrer han De musikalske bidragene skulle blitt musiker, hadde han kanskje fra tysk tradisjon (Pachelbel og BWV 653 VERÄNDERUNGEN ÜBER DAS kunne gripe tilbake til, ikke minst ha vitenskapelig kvalitet, men vært matematiker på høyeste nivå. Buxtehude) finslipes og bringes biblioteket av kantater til sønda- WEYNACHT-LIED «VOM HIMMEL ikke som «en unyttig teori». De Det kan også være en opplevelse opp til nye dimensjoner. Den tyske salmeteksten bygger gens gudstjenester. HOCH, DA KOMM ICH HER» skulle «vekke eller tilfredsstille å studere de skrevne notene med på jødenes klagesang ved Baby- PER CANONES Á 2 CLAVIERS ET menneskers lidenskap». sin kunstferdige kontrapunktikk. Manuskriptet åpner med boksta- lons floder i Salme 137. På norsk Den kortsiktige arbeidsinnsatsen Det er ikke bare «øremusikk», men vene «J.J.», «Jesu juva»: «Hjelp, (og også på tysk) er koralen PÉDALE, BWV 769 med nye verker fra uke til uke Sammen med sitt portrett, det også «øyemusikk»! Jesus». -
Bach's Chorals Part I
BACH'S CHORALS PART I THE HYMNS AND HYMN MELODIES OF THE "PASSIONS" AND MOTETTS gfl. xvi + 74. Price 6s, 6d. net. "An invaluable work of reference.'_--Guardian. "This useful work of reference. '_--,gu_cal Times. "The result of an extensive amount of research and erudition."--Slandard. "A careful piece of archaeological enquiry."--Scolsman. "A scholarly piece of work."--Oxford MaKazin¢. "An invaluable volume of reference...wdl quickly become a standard work."--3/Zu_c StudenL "A perfect storehouse of information."--Musical ATe_s. PART II THE HYMNS AND HYMN MELODIES OF TIIE CANTATAS AND MOTETTS Pp. xiv+ 615. Price 24s. net. "A monumental and exhaustive study..,a notable contri- bution to musical literature...of permanent value, and hardly likely to be superseded.'--Musical Times. "A perfect encyclopaedia of information on its subject." Yorkshire Post. "Its information is extraordinarily full and comprehen- sive."--Musical News. "This valuable work of reference."--Mthenaeum. "An honour to British scholarship and research." Musical Opinion. "The book is in detail one of which both author and pub- hsher may m every way be proud."-- The Times. "The book must be placed in our bookcases next to Grove."--Music Student. "A work which no student of music on the historical side should be without."--New Statesman. "A real triumph of laboriousness, quite indispensable to the serious student of the subject."--Oxford Magazine. "An admirable and scholarly addition to musical litera- ture. --Cambridge Review. BACH'S CHORALS CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGZR LONDON : FETTER LANE, E.C.4 NEW YORK THE MACMILLAN CO. CALCUTTA MACMILLAN AND CO.,L'rD. -
J.S. Bach Chorales
J.S. Bach Chorales a new critical and complete edition arranged by BWV catalogue number with text and historical contextual information included for each chorale with numerous indices includedCOPY in the appendix PERUSAL Edited by Luke Dahn www.bach-chorales.com www.bach-chorales.comLUXSITPRESS COPY PERUSAL www.bach-chorales.com i General Table of Contents Preface ii Individual Chorales iii Layout Overview / Abbreviations ix The Chorales BWVs 1-197a Chorales from the Cantatas 1 BWVs 226-248 Chorales from the Motets, Passions, and Christmas Oratorio 81 BWVs 250-1126 Individual Chorales 97 Indices A. Index of Chorale Melody Titles 179 B. Index of Chorale Tune Composers and Origins 181 C. Index of Melodies (by scale-degree number) 184 D. Index of Melodies (by Zahn number) 191 E. Index of Chorale Text Titles 193 F. Index of Chorale Text Authors and Origins 196 G. Index of Chorales by Liturgical Occasion 200 H. Index of Chorales by Date COPY 202 I. Cross Indices I1. BWV-to-Dietel / Dietel-to-BWV 206 I2. BWV-to-Riemenschneider 207 I3. Riemenschneider-to-BWV 208 I4. Dietel-to-Riemenschneider / Riemenschneider-to-Dietel 209 I5. Riemenschneider-to-BWV 210 J. Chorales not in Breitkopf-Riemenschneider 211 K. Breitkopf-Riemenschneider Chorales Appearing in Different Keys 213 L. Chorale duplicates in Breitkopf-Riemenschneider 214 M. Realizations of Schemelli Gesangbuch Chorales 215 N. Chorale Instrumentation and Texture Index 216 PERUSAL www.bach-chorales.com ii PREFACE This new edition of the Bach four-part chorales is intentionally created and organized to serve all those who engage with the Bach chorales, from music theorists and theory students interested in studying the Bach chorale style or in using the chorales in the classroom, to musicologists and Bach scholars interested in the most up-to-date research on the chorales, to choral directors and organists interested in performing the chorales, to amateur Bach-lovers alike. -
O Pops! Organ Preludes, Offertories and Postludes Association of Lutheran Church Musicians 2011 Seattle Conference Dr
O POPs! Organ Preludes, Offertories and Postludes Association of Lutheran Church Musicians 2011 Seattle Conference Dr. Faythe Freese, Professor of Organ The University of Alabama Wednesday, August 3, 2011 Publisher Title Composer Hope Publishing Company 8522 Eight Psalm Impressions for Organ, Vol. III Douglas E. Wagner 8472 The Wedding Organist: 50 Organ Settings Edited by Jane Holstein For the Perfect Wedding Concordia Publishing House 97-7338 Treasures of the Singing Church: Organ Edited by Henry V. Gerike Literature for the Liturgical Year, th Vols 1 & 2(Based on 17 C. Hymntunes) Vol. 1: Ach Gott und Herr, Allein zu Dir, Herr Jesu Christ, Auf meinen lieben Gott, Christus, der ist mein Leben, Es ist das Heil uns kommen her, Freu Dich sehr, o meine Seele, Gottes Sohn ist kommen, Herr Christ, der einig Gotts Sohn, Herr Jesu Christ, Dich zu uns wend, Herzlich lieb hab ich Dich, O Herr. Vol. 2: In Dich hab ich gehoffet, Herr, In Dir ist Freude, Jesu Kreuz, leiden und pein, Kommt her zu Mir, spricht Gottes Sohn, Lobt Gott, ihr Christen alle gleich, Machs mit mir, Gott, nach deiner Güt, Von Gott will ich nicht lassen, Wachet auf, ruft uns die Stimme, Was mein Gott will, das gscheh Allzeit, Wenn wir in Höchsten Nöten zein, Wer nur den lieben Gott läβt walten, Wie schön leuchtet der Morgenstern. 97-7396 Four Preludes for the Redeemer Bernard Wayne Sanders Tunes: O Grosser Gott, OJesulein süss, St. Magnus, Swabia 97-7406 Ten Familiar Hymns in New Settings Richard Heschke Tunes: Coronation, Diademata, Duke Street, Hymn to Joy, In Babilone, In Dir ist Freude, In dulci jubilo, O dass ich tausend Zungen hätte, St. -
Fantasia and Fantasy: Some Notes on Two Homonymic Genres of German Chorale-Based Organ Music
Fantasia and fantasy: Some Notes on Two Homonymic Genres of German Chorale-Based Organ Music Sverker Jullander During the last 500 years, the title of fantasia or fantasy (German: Fantasie) has been given to musical compositions of very different kinds, in most cases the title referring to a single-movement instrumental work for one (keyboard) player.1 Most fantasias are “free works,” but the term has some- times been used for organ compositions based on Lutheran chorales. The scope of the present text is limited to chorale-based organ works by German composers that have been given the title of fantasia or Fantasie, either by the composer or by later generations.2 The emphasis is twofold: the use of the term for baroque pieces, including the history of the label “chorale fantasia” for compositions of the North German baroque, and the emergence of the modern (“romantic”) chorale fantasy around the middle of the nineteenth century. The (im)possibility of a relationship between these two types of chorale-based works is also discussed. The seventeenth-century “chorale fantasia” The word fantasia was commonly used in the titles of keyboard pieces in the sixteenth and seventeenth centuries, but it is debatable whether it can be seen as a distinct genre; a piece named “fantasia” in one source could ap- pear in another under another title, for instance “ricercar.”3 Typical of the early fantasia was the prominence of imitative texture, but its distinguish- ing mark was supposed to be the element of improvisatory spontaneity in its creation, springing “solely from the fantasy and skill of the author who 1 Early fantasias were also composed for plucked stringed instruments such as the vi- huela and the lute. -
Bach Bach Complete Organ Music Stefano Molardi Johann Christoph Bach 1642-1703 Johann Michael Bach 1648-1694 Complete Organ Music
Johann Michael Johann Christoph Bach Bach Complete Organ Music Stefano Molardi Johann Christoph Bach 1642-1703 Johann Michael Bach 1648-1694 Complete Organ Music Johann Christoph Bach Johann Christoph Bach Johann Christoph Bach 71. Herr Christ, der einig 1. Praeludium E-flat 2’11 Aria Eberliniana, theme & variations Aria variata Gottes Sohn 1’36 2. Fuga in E-flat 4’17 20. Aria 1’12 46. Aria 0’58 72. Dies sind die heiligen 3. Ach Herr, mich armen Sünder 1’39 21. Variatio 1 1’06 47. Variatio 1 0’45 zehn Gebote 0’58 4. Ach Herr, mich armen Sünder, 22. Variatio 2 0’59 48. Variatio 2 0’42 73. Wo Gott zum Haus nicht Variatio 1 2’40 23. Variatio 3 0’55 49. Variatio 3 0’41 gibt sein Gunst 1’36 5. Ach Herr, mich armen Sünder, 24. Variatio 4 0’54 50. Variatio 4 0’50 74. Wenn mein Stündlein Variatio 2 3’49 25. Variatio 5 0’54 51. Variatio 5 0’48 vorhanden 1’48 26. Variatio 6 0’55 52. Variatio 6 0’49 75. Mit Fried und Freud ich Johann Michael Bach 27. Variatio 7 0’49 53. Variatio 7 0’56 fahr dahin 1’05 6. Nun komm, der Heiden 28. Variatio 8 0’52 54. Variatio 8 0’52 Heiland 1’31 29. Variatio 9 0’58 55. Variatio 9 0’55 Johann Michael Bach 7. Meine Seele erhebt den 30. Variatio 10 0’56 56. Variatio 10 0’46 76. Komm her zu mir, Herren, Versus 1 1’28 31. -
Bunjes Index
1 Bunjes Index with Uploads Noted • PDFs • Mp3s 2 CONTENTS Biography………………………………………………………………...……..2 Choral Music (original settings and performing editions) ……………...……...4 Chorale Concertatos…………………………………………..……….………13 Hymn Compositions (original, accompaniments, and descants)……….….….16 Organ Compositions……………………………………………………..…….19 Liturgical Settings.…………………………………………………………….20 A special word of thanks is due to Mark Kirchenberg for the preparation of this index and the Bunjes archive. 3 BIOGRAPHY Paul Bunjes, (1914-1998), was born in Frankenmuth, Michigan, where his father was a teacher at St. Lorenz Lutheran Church. Paul received his education in the parish school at Frankenmuth, and attended Concordia Teachers College (now University), River Forest, Illinois. Following his graduation in 1936 from Concordia, River Forest, he taught at Zion Lutheran Church, Wausau, Wisconsin, from 1936 to 1951, during which time he served as teacher, principal, organist, and choirmaster. In 1940 he attended Valparaiso University, Valparaiso, Indiana, where he received a bachelor’s degree. In 1944 he received a master of music degree from the University of Michigan, Ann Arbor. He was granted a doctor of philosophy degree in music theory from the Eastman School of Music of the University of Rochester, Rochester, New York, in 1966. Bunjes joined the faculty of Concordia College in River Forest, Illinois, in 1951, where he served as chairman of the music department from 1961 until 1977. He continued teaching until his retirement in 1981. During his tenure the music department grew to its largest size in the history of the school for which he drew together a music faculty of unique quality and national reputation. During his tenure a new music building—Kretzmann Hall was erected, which included the then unprecedented number of some forty-four practice piano rooms and some twenty practice organs for student use. -
The Neumeister Collection of Chorale Preludes of the Bach Circle: an Examination of the Chorale Preludes of J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 "The eumeiN ster collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works Sara Ann Jones Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Jones, Sara Ann, ""The eN umeister collection of chorale preludes of the Bach circle": an examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works" (2002). LSU Doctoral Dissertations. 77. https://digitalcommons.lsu.edu/gradschool_dissertations/77 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NEUMEISTER COLLECTION OF CHORALE PRELUDES OF THE BACH CIRCLE: AN EXAMINATION OF THE CHORALE PRELUDES OF J. S. BACH AND THEIR USAGE AS SERVICE MUSIC AND PEDAGOGICAL WORKS A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts Sara Ann Jones B. A., McNeese State University M.