DOCSLIB.ORG

December 1971

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 1971 • • Wl m zn 1 First City takes great pride in its totally wide travel, cultural and h4fstorical tours, new concept in banking. The First Citian and exclusive investment and estate Program, built around the First Citian management seminars. In addition/ they Income Certificate, features an exclusive receive special First Citians invitations to combination of benefits never before symphony concerts, theatre presentations offered by a bank. and evenings of gourmet dining. First Citians receive interest on their Join First Citians and wear our ~~Symbol savings paid monthly, like income, while of Pride." enjoying social activities such as world First City National Bank now pays the highest interest rate allowed by law on all savings instruments: Regular Savings .......... 4% % Investor Savings . 5% Savings Time Certificates 6months ..... 5% 1 year ........ 5%% 2years .. .' .... 5%% M19mber F.O,LC. Call today for our new brochure ... 229-6616 - or write itians 1001 Main Street, Houston, Texas 77002. providing the vitd ·nK between hPJ and the fine arts. SOUTHWEST ART GAllERY MAGAZINE concerns itself with art news and events here in the Southwest. SOUTHWEST ART GAllERY MAGAZINE communicates between _the museums, galleries, and the public. If Southwest Art Gallery Magazine is for you, use this coupon to enter your subscription. Dear Subscription Department: Please enter my subscription for one year at $10.00. Name····-···-···---··------------····------·--······---------·---------·······-------------·-··-···----·-··· Address···············--·-····-------··--------·······------------------·--···········-····················- City ..................................State ••••••••••••••••••••••••••••••••. Zip-~---··········--·-····----- 0 Payment Enclosed 0 Bill Me Above rates apply to U.S., A.P.O., and F .P.O. addresses only. Canada add $1.00 per year. THE BEST ASKOURH 94.5 FM STEREO 100,000 watts of the world's greatest music in high fidelity stereophonic sound. THE KLEF PROGRAM GUIDE Published monthly by KLEF "Entertainment Communication, Inc." 1401 South Post Oak Road, Houston,.Texas 77027 For information on advertising space and rates on Program Guide/ call or write: Radio Station KlEF, 622-5533 Area Code 713. Yearly subscription-$ 10 Single copy-$ 1 When you change your address, please let us know. Send, or give us by phone, your old address and zip code number as well as the new address. The Program Guide is mailed as Third Class Matter, and will not be forwarded unless you agree with the Post Office Department to pay the extra postage. If you will let us know of any change of address by the tenth of the month your service will be uninterrupted. For information on advertising space and rates in the Program Guide, call or write Radio Station KlEF, at 622-5533, area code 713. The. Texaco-Metropolitan Opera broadcasts resume, for the thirty-second time, on the lith of this month, with Verdi's Luisa Miller, which will be followed by Tristan und Isolde, Hansel and Gretel on Christmas Day, and then, on New Year's Day, at 6 P.M., Bizet's Carmen. Milton Cross will be back -one is tempted to add, 11 of course" -which must prove that the passage of time is a figment of your imagination. December's two "Eves" - the 24th and the 31st- receive special treatment on KLEF as else­ where. On the night before Christmas, we shall broadcast three works by Britten, Berlioz, and (guess which one) Handel, with lots of carols and other Christmas celebrations for stuffing. Then, a week later, bandmaster's night: confections from Strauss & Strauss, Waldteuffel, and other ballroom luminaries. By the way: as a precaution against the sluggishness of the mails round about the holiday season, we've included in this month 1s guide the programming for the first few days of January, which will -of course - reappear in January 1s guide. Finally, the very best wishes for a happy holiday from All of Us to Each & Every One of You. NEW ON KLEF .•. CENTER SAVINGS SUNDAY CONCERT ••• 2PM ••• HOURS OF ENJOYMENT NEW ON KLEF ... CENTER SAVINGS SUNDAY CONCERT ••. 2PM .•• HOURS OF ENJOYMENT KLEF PROG lNG KLEF program listings are detailed in SMETANA: Overture, Polka, Furiant & the following order: Dance of the Comedians from "The composer, soloist; orchestra; conductor; lwetl Bartered Bride"- Royal Philharmonic, record label and number in parenthesis; length of time to the nearest minute. Kempe (Ang Ser 60098) 19. Capital letters indicate major keys and 6:00A.M. lower case letters indicate minor keys 2:00P.M. in the music titles. (Ex.; A is A-major, News. Morning KLEF Klassiks, shorter works a is A-minor.) from the Repertoire, with occasional news News. PONC HI ELLI: Dance of the Key to abbreviations: INSTRUMENTS and weather updates, etc., unti I Hours from "La Gioconda"- Philadel­ bas. bassoon phia Orch, Ormandy (Col 6823) 10. c. cello 9:00A.M. MENDELSSOHN: Violin Concerto­ cl. clarinet Friedman; London Sym, Ozawa (RCA dbl-bs. double-bass MOZART: "Lucio Silla" Overture­ 2865) 26. eh. eng! ish horn fh. french horn Festival Chamber Orch, Dorati (Mer SIBELIUS: "The Swan of Tuonela" from fl. flute 90438) 8. "Legends of Lemminkainen" - Phila­ g. guitar HANDEL: Concerto Grosso, Op.3, #3- delphia Orch, Ormandy (Col 6732) 10. I. lute Mainz Chamber Orch, KEHR (Turn 34103) 9. oboe 0. HAYDN: Concerto in G- Veyron-Lacroix, 3:00P.M. or .. organ p. piano hps. Toulouse Chamber Orch, Auriacombe tr. trumpet (Ang Ser 60132) 37. SUPPE: The Beautiful Galathea Overture va. viola - Vienna State Opera Orch. Rudel v. violin 10:00 A.M. (West 14106) 8. VOCALISTS sop. soprano IPPOLITOV- IVANOV: 2 Caucasian con. contralto News. DELl US: "In a Summer Garden" - Sketches, Op. 10- N.Y. Philharmonic, m-sop. mezzo-soprano Philadelphia Orch, Ormandy (Col 6376) 11. Bernstein (Col 7014) 9. ten. tenor MANFREDINI: Double Trumpet Concerto in D KROLL: "Banjo & Fiddle"- Kolberg, v.; baritone bar. (Trans. Toni)- Wobisch & Holler; Solisti di Schroeder, p. (Mace 9089) 3. bs. bass RECORD LABELS Zagreb, Janigro (BG 5053) 7. BEETHOVEN: Piano Concerto #2 - Ang Angel SCHUBERT: Introduction & Variations on Katchen; London Sym, Gamba (Lon 6374) AngSer Angel-Seraphim "Faded Flowers" from "Die Schoene Muellerin" 28. Art Artia - Rampal, fl.; Veyron-Lacroix, p. (MHS 956) DVORAK: Slavonic Dance, Op.,46 #3- AudFi Audio Fidelity BG Bach Guild 19. Minneapolis Sym, Dorati (Mer 90526) 4. Bar Barbque D. SCARLATTI: Selections from "The Good­ 8os Boston Humored Ladies" Bullet (Arr. Tommasini)­ 4:00P.M. Cam Cambridge Concert Arts Orch, lrvi ng (Cap 8583). Cap Capitol News. Drive Home KLEF Klassiks. Car Carsan Col Columbia 11:00 A.M. Com Command 6:00P.M. CRI Composers Recordings, Inc. CHOPIN: Polonaise, Op. 40, #J- Halina ConD Concert Disc Czerny-Stefanska, p. (Orpheus 141-43) 5. News. Stock Market Report. ConS Connoisseur Society M. HAYDN: Divertimento in G- Members of CP Counterpoint/Esoteric Cross Crossroads Vienna Octet (Lon 6352) 12. 6:10 P.M. Dec Decca BEETHOVEN: Symphony #8 - Suisse Romande DGG Deutsche Grammophon Orch, Ansermet (Lon 15032) 27. DVORAK: "Carnival" Overture - London Ep Epic RAVEL: "Pavone for a Dead Princess"- Con­ Sym, Kertesz (Lon 6495) 9. Elec Electrola Ev Everest certgebouw Orch, Haitink (Phil 900-015) 7. HAYDN: Symphony #45 ("Farewell")­ EA Experiences Anonymes Radio Zagreb Sym, Janigro (Van 2141) GC Golden Crest NOON 24. He I Heliodor BIZET: "The Fair Maid of Perth" Suite­ Lon London Lyr lyrichord News. Bach: Sonata #3 for Flute & Harpsichord London Sym, Benzi (Phil WS 9086) 14. Mer Mercu~y -Shaffer, fl.; Malcolm, hps. (Ang 36337) 8. Mon Monitor STRAVINSKY: "Apollo" Ballet- Suisse 7:00 P.M. MHS Musical Heritage Society Romande Orch, Ansermet (Lon 15028) 29. MG Music Guild DOWLAND: Fantasia #7 - Oscar Ghiglia, BERLIOZ: Reverie & Caprice - Rosand, Nsch Nonesuch Ol L'Oiseau lyre g. (Ang 36282) 5. v .; SW German Radio Orch, Reinhardt Pari Parliament (Vox 51 0470) 7. Phil Philips 1:00 P.M. RAVEL: "Valses Nobles et Sentimentales" PhiiWS World Series - Ruth Laredo, p. (ConS 2005) 16. P-3 Project3 OFFENBACH: "La Belle Helene" Overture­ COPLAND: "Our Town"- London Sym Pro Protone RCA RCA Victor Baston Pops Orch, Fiedler (RCA 1466) 9. Orch, Copland (Col 7375) 11. SFM Society for Forgotten Music BEETHOVEN: Andante Favori in F - Benno HANDEL: "Water Music" Suite (Arr. SFr Societe Francaise du Son Moiseiwitsch, p. (Dec 710067) 9. Harty)- Berlin Philharmonic, Karajan Sam Somerset MOUSSORGSKY: "A Night on Bald Moun­ (Ang 35948) 17. Tele Telefunken Turn Turnabout tain" Chicago Sym, Ozawa (RCA 3071) 11. Ura Urania WAGNER: Ride of the Valkyries from "Die 8:00P.M. Van Vanguam Walkuere" - Philadelphia Orch, Ormandy West Westminster (Col 6624) 5. News. CHOPIN: Andante Spianalo & Grande Polonaise - Weissenberg, p.; RESPIGHI: "The Pines of Rome" - Philharmon­ 4:00P.M. Paris Conservatory Orch, Skrowaczewski ic Orch, Munch (Lon 21024) 24. (Ang 3723) 14. · J. STRAUSS, JR.: Quadrille on Themes from News. Drive Horne KLEF Klassiks. ELGAR: Introduction & Allegro, Op. 47- Verdi's "A Masked Boll" - Phil harmonia Eng! ish Chamber Orch, Britten (Lon 6618) Orch, Krips (Ang 35873) 6. 6:00P.M. 14. BRAHMS: Piano Trio #3- Beaux Arts Trio 11:00 A.M. News. Stock Market Report (Phil WS 2-013) 20. GOTOVAC: Kolo from "Ero, der Schelm" 6:10 P.M. 9:00P.M. - Vienna Philharmonic, Kempe {Ang 35975) 6. SCHUMANN: "Manfred" Overture - NY NIELSEN: "Helios" Overture- Royal Danish SA TIE: "Parade" Ballet Suite- Paris Conserva­ Philharmonic, Bernstein (Col 6256) 13. Orch, Semkow (Turn 34085) 13. tory Orch, Auriocombe (Ang 36486) 16. HAYDN: "Foolish, vain cores" from The GLINKA: Jato Aragoneso- Suisse Romonde A. SCARLATTI: Recorder Sonata in F- Conrad; Return of Tobias" - King's College Orch, Ansermet (Lon 6405) 9. Wiener Solisten, Boettcher (BG 70681) 7. Choir; English Chamber Orch, Will­ DEBUSSY: "La Mer" - NY Philharmonic, PROKOFIEV: "Scythian" Suite- NY Phil­ cocks (Ang 36417) 7. Bernstein (Col 6754) 24. harmonic, Bernstein (Col 7221) 20. LISZT: Symphonic Poem #7 ("Fest­ ROGER DUCASSE: Borcorolle- Marcel klaenge"}- Radio Leipzig Sym, Grondjony, h. (Cop8492)6.
Load more

Recommended publications
  • Page 1 (1/31/20) Waltz in E-Flat Major, Op. 19 FRÉDÉRIC CHOPIN
    Page 1 (1/31/20) Waltz in E-flat major, Op. 19 FRÉDÉRIC CHOPIN (1810-1849) Composed in 1831. Chopin’s Waltz in E-flat major, Op. 18, his first published specimen of the genre and one of his most beloved, was composed in 1831, when he was living anxiously in Vienna, almost unknown as a composer and only slightly appreciated as a pianist. In 1834, he sold it to the Parisian publisher Pleyel to finance his trip with Ferdinand Hiller to the Lower Rhineland Music Festival at Aachen, where Hiller introduced him to his long-time friend Felix Mendelssohn. The piece was dedicated upon its publication to Mlle. Laura Horsford, one of two sisters Chopin then counted among his aristocratic pupils. (Sister Emma had received the dedication of the Variations on “Je vends des scapulaires” from Hérold’s Ludovic, Op. 12 the year before.) The Waltz in E-flat follows the characteristic Viennese form of a continuous series of sixteen- measure strains filled with both new and repeated melodies that are capped by a vigorous coda. Ballade No. 1 in G minor, Op. 23 FRÉDÉRIC CHOPIN Composed 1831. In the Ballades, “Chopin reaches his full stature as the unapproachable genius of the pianoforte,” according to Arthur Hedley, “a master of rich and subtle harmony and, above all, a poet — one of those whose vision transcends the confines of nation and epoch, and whose mission it is to share with the world some of the beauty that is revealed to them alone.” Though the Ballades came to form a nicely cohesive set unified by their temporal scale, structural fluidity and supranational idiom, Chopin composed them over a period of more than a decade.
    [Show full text]
  • Die Ukraine Zwischen Ost Und West
    Ernst-Moritz-Arndt-Universität Greifswald Greifswalder Ukrainistische Hefte Heft 4 Die Ukraine zwischen Ost und West Rolf Göbner zum 65. Geburtstag Herausgegeben von Ulrike Jekutsch und Alexander Kratochvil Shaker Verlag Aachen 2007 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Gedruckt mit finanzieller Unterstützung der Philosophischen Fakultät der E.-M.-Arndt-Universität Greifswald und der Deutschen Assoziation der Ukrainisten Greifswalder Ukrainistische Hefte Herausgeber: Alexander Kratochvil Redaktionsrat: Guido Hausmann, Timofij Havryliv, Michael Moser Copyright Shaker Verlag 2007 Alle Rechte, auch das des auszugsweisen Nachdruckes, der auszugsweisen oder vollständigen Wiedergabe, der Speicherung in Datenverarbeitungs- anlagen und der Übersetzung, vorbehalten. Printed in Germany. ISBN 978-3-8322-6625-7 ISSN 1860-2215 Shaker Verlag GmbH • Postfach 101818 • 52018 Aachen Telefon: 02407 / 95 96 - 0 • Telefax: 02407 / 95 96 - 9 Internet: www.shaker.de • E-Mail: [email protected] 3 4 Inhaltsverzeichnis Geleitwort der Herausgeber 9 Anatolij Tkaenko Ukrainicum – – (-) 12 LITERATURWISSENSCHAFT Mychajlo Najenko . 15 Mykola Sulyma „“ 26 Anna-Halja Horbatsch Tschornobyl in der ukrainischen Literatur 33 Stefanija Andrusiv 0* 0 40 Jutta Lindekugel Pseudonyme schreibender Frauen in der ukrainischen Literatur Ende 19. - Anfang 20. Jahrhundert:
    [Show full text]
  • College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark D
    James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2017 College orchestra director programming decisions regarding classical twentieth-century music Mark D. Taylor James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Arts and Humanities Commons Recommended Citation Taylor, Mark D., "College orchestra director programming decisions regarding classical twentieth-century music" (2017). Dissertations. 132. https://commons.lib.jmu.edu/diss201019/132 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark David Taylor A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music August 2017 FACULTY COMMITTEE Committee Chair: Dr. Eric Guinivan Committee Members/ Readers: Dr. Mary Jean Speare Mr. Foster Beyers Acknowledgments Dr. Robert McCashin, former Director of Orchestras and Professor of Orchestral Conducting at James Madison University (JMU) as well as a co-founder of College Orchestra Directors Association (CODA), served as an important sounding-board as the study emerged. Dr. McCashin was particularly helpful in pointing out the challenges of undertaking such a study. I would have been delighted to have Dr. McCashin serve as the chair of my doctoral committee, but he retired from JMU before my study was completed.
    [Show full text]
  • Max Bruch Symphonies 1–3 Overtures Bamberger Symphoniker Robert Trevino
    Max Bruch Symphonies 1–3 Overtures Bamberger Symphoniker Robert Trevino cpo 555 252–2 Booklet.indd 1 13.03.2020 10:56:27 Max Bruch, 1870 cpo 555 252–2 Booklet.indd 2 13.03.2020 10:56:27 Max Bruch (1838–1920) Complete Symphonies CD 1 Symphony No. 1 op. 28 in E flat major 38'04 1 Allegro maestoso 10'32 2 Intermezzo. Andante con moto 7'13 3 Scherzo. Presto 5'00 4 Quasi Fantasia. Grave 7'30 5 Finale. Allegro guerriero 7'49 Symphony No. 2 op. 36 in F minor 39'22 6 Allegro passionato, ma un poco maestoso 15'02 7 Adagio ma non troppo 13'32 8 Allegro molto tranquillo 10'57 T.T.: 77'30 cpo 555 252–2 Booklet.indd 3 13.03.2020 10:56:27 CD 2 1 Prelude from Hermione op. 40 8'54 (Concert ending by Wolfgang Jacob) 2 Funeral march from Hermione op. 40 6'15 3 Entr’acte from Hermione op. 40 2'35 4 Overture from Loreley op. 16 4'53 5 Prelude from Odysseus op. 41 9'54 Symphony No. 3 op. 51 in E major 38'30 6 Andante sostenuto 13'04 7 Adagio ma non troppo 12'08 8 Scherzo 6'43 9 Finale 6'35 T.T.: 71'34 Bamberger Symphoniker Robert Trevino, Conductor cpo 555 252–2 Booklet.indd 4 13.03.2020 10:56:27 Bamberger Symphoniker (© Andreas Herzau) cpo 555 252–2 Booklet.indd 5 13.03.2020 10:56:28 Auf Eselsbrücken nach Damaskus – oder: darüber, daß wir es bei dieser Krone der Schöpfung Der steinige Weg zu Bruch dem Symphoniker mit einem Kompositum zu tun haben, das sich als Geist mit mehr oder minder vorhandenem Verstand in einem In der dichtung – wie in aller kunst-betätigung – ist jeder Körper darstellt (die Bezeichnungen der Ingredienzien der noch von der sucht ergriffen ist etwas ›sagen‹ etwas ›wir- mögen wechseln, die Tatsache bleibt).
    [Show full text]
  • View List (.Pdf)
    Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
    [Show full text]
  • Monday, November 27 | 7:30 Pm
    MONDAY, NOVEMBER 27 | 7:30 PM ALSO INSIDE This month, artists-in-residence Kontras Quartet explore the folk roots of classical music; on Live from WFMT, Kerry Frumkin welcomes the young string artists of the Dover Quartet and the acclaimed new-music ensemble eighth blackbird. Air Check Dear Member, The Guide Geoffrey Baer’s distinguished on-camera career at WTTW began in 1995 with the very first Chicago The Member Magazine for River Tour. A decade later, he took audiences back to that familiar territory to highlight big changes WTTW and WFMT Renée Crown Public Media Center that had taken place along its banks. Now, 12 years later, Geoffrey returns with an all-new tour that 5400 North Saint Louis Avenue covers more ground – all three branches of the river, in six different vessels, and the development Chicago, Illinois 60625 along the Chicago Riverwalk! Join him on WTTW11 and at wttw.com/river as Geoffrey shows us the incredible transformation that has taken place Main Switchboard (773) 583-5000 over the past decade – not just in the architecture but in how Chicagoans Member and Viewer Services enjoy it. Along the way, he shares fascinating stories about the River’s history, (773) 509-1111 x 6 and introduces some memorable characters who live, work, and play there. WFMT Radio Networks (773) 279-2000 Also this month on WTTW11 and wttw.com/watch, join us for the Chicago Production Center premiere of another exciting new local film and its companion website, (773) 583-5000 Making a New American NUTCRACKER, a collaboration with The Joffrey Websites Ballet that goes behind the scenes of a new interpretation of Tchaikovsky’s wttw.com classic holiday favorite.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON SEVENTY-SEVENTH SEASON I 957- I 958 Carnegie Hall, New York Boston Symphony Orchestra (Seventy-seventh Season, 1957-1958) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster Albeit Bernard George Zazofsky Rolland Tapley George Humphrey Contra-Bassoon Norbert Lauga Jerome Lipson Richard Plaster Vladimir Resnikoff Robert Karol Reuben Horns Harry Dickson Green Gottfried Wilfinger Bernard Kadinoff James Stagliano Vincent Charles Yancich Einar Hansen Mauricci Joseph Leibovici John Fiasca Harry Shapiro Earl Hedberg Harold Meek Emil Kornsand Paul Keaney Roger Shermont Violoncellos Osbourne McConathy Minot Beale Samuel Mayes Herman Silberman Alfred Zighera Trumpets Stanley Benson Jacobus Langendoen Leo Panasevich Roger Voisin Mischa Nieland Andr6 Come Sheldon Rotenberg Karl Zeise Armando Ghitalla Fredy Ostrovsky Josef Zimbler Gerard Goguen Clarence Knudson Bernard Parronchi Trombones Pierre Mayer Martin Hoherman Manuel Zung Louis Berger William Gibson Samuel Diamond Richard Kapuscinski William Moyer Kauko Kahila Victor Robert Ripley Manusevitch Josef Orosz James Nagy Winifred Winograd Melvin Bryant Flutes Tuba Lloyd Stonestreet Doriot Anthony Dwyer K. Vinal Smith Saverio Messina James Pappoutsakis William Waterhouse Phillip Kaplan Harps William Marshall Bernard Zighera Leonard Moss Piccolo George Madsen
    [Show full text]
  • Liszt and Christus: Reactionary Romanticism
    LISZT AND CHRISTUS: REACTIONARY ROMANTICISM A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Robert Pegg May 2020 Examining Committee Members: Dr. Maurice Wright, Advisory Chair, Music Studies Dr. Michael Klein, Music Studies Dr. Paul Rardin, Choral Activities Dr. Christine Anderson, Voice and Opera, external member © Copyright 2020 by Robert Pegg All Rights Reserved € ii ABSTRACT This dissertation seeks to examine the historical context of Franz Lizt’s oratorio Christus and explore its obscurity. Chapter 1 makes note of the much greater familiarity of other choral works of the Romantic period, and observes critics’ and scholars’ recognition (or lack thereof) of Liszt’s religiosity. Chapter 2 discusses Liszt’s father Adam, his religious and musical experiences, and his influence on the young Franz. Chapter 3 explores Liszt’s early adulthood in Paris, particularly with respect to his intellectual growth. Special attention is given to François-René, vicomte de Chateaubriand and the Abbé Félicité de Lamennais, and the latter’s papal condemnation. After Chapter 4 briefly chronicles Liszt’s artistic achievements in Weimar and its ramifications for the rest of his work, Chapter 5 examines theological trends in the nineteenth century, as exemplified by David Friedrich Strauss, and the Catholic Church’s rejection of such novelties. The writings of Charles Rosen aid in decribing the possible musical ramifications of modern theology. Chapter 6 takes stock of the movements for renewal in Catholic music, especially the work of Prosper Gueranger and his fellow Benedictine monks of Solesmes, France, and of the Society of Saint Cecilia in Germany.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 39,1919
    ACADEMY OF MUSIC . PHILADELPHIA Monday Evening, January 5, at 8.15 *'.. 1% "v V Mly$fr BOSTON ^wd -^ SYMPHONY ORCHESTRA INCORPORATED THIRTY-NINTH SEASON J9J9-J920 / ',i V ll |U«.,....,|.U PRSQRsnnc THIS IMSTBUMEINIT ©F QUALITY SlOJXOtir CL6AB AS A ©5'I~L " TZ^ Highest Class Talking Machine in the World" Josef Hofmann says: "The Orchestra is the greatest MUSICAL MEDIUM and stimu- lus of the Community." The Talking Machine is the only Musical Instrument that brings the orchestra into the home 1311 WALNUT STREET PHILADELPHIA ACADEMY OF MUSIC, PHILADELPHIA Thirty-fifth Season in Philadelphia INCORPORATED Thirty-ninth Season, 1919-1920 PIERRE MONTEUX, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE MONDAY EVENING, JANUARY 5 AT 8.15 COPYRIGHT, 1920, BY BOSTON SYMPHONY ORCHESTRA, INCORPORATED W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager — ww% I 1 Xl p <m* A name that is spoken with the full pride of ownership—that carries with it the deep satis- faction of possessing the ultimate expression of man's handiwork in Musical Art. A name that is cherished as a Family Tradition that keeps afresh for the next generation the associations and fond remembrances which cluster around the home piano. Supreme achievement of patience, skill and ex- perience, founded on inborn Ideals of Artistry. vmp i mmm iJPs f Catalogue and prices on application Sold on convenient payments Old pianos taken in exchange Inspection invited 107-109 East 14th Street New York Subway Express Stations at the Door REPRESENTED BY THE FOREMOST DEALERS EVERYWHERE Thirty-ninth Season, 1919-1920 PIERRE MONTEUX, Conductor Violins.
    [Show full text]
  • Chicago Symphony Orchestra
    Pittsburgh Symphony Orchestra 2014-2015 January 30, 31 and February 1, 20156 KRZYSZTOF URBANSKI, Conductor NOAH BENDIX-BALGLEY, Violin SERGEI PROKOFIEV Russian Overture, Opus 72 ARAM KHACHATURIAN Concerto for Violin and Orchestra I. Allegro con fermezza II. Andante sostenuto III. Allegro vivace Mr. Bendix-Balgley Intermission MODEST MUSSORGSKY Pictures at an Exhibition orch. MAURICE RAVEL Introduction: Promenade I. The Gnome II. Promenade — The Old Castle III. Promenade — Tuileries IV. Bydlo V. Promenade — Ballet of the Chicks in Their Shells VI. Two Polish Jews (Samuel Goldenberg and Schmuyle) VII. The Marketplace at Limoges — VIII. Catacombs, Roman Tombs — Cum Mortuis in Lingua Mortua IX. The Hut on Fowl’s Legs — X. The Great Gate of Kiev Jan. 30-Feb. 1, 2015, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA SERGEI PROKOFIEV Born 23 April 1891 in Sontzovka, Russia; died 5 March 1953 in Moscow Russian Overture, Opus 72 (1936) PREMIERE OF WORK: Moscow, 29 October 1936; Great Hall of the Moscow Conservatory; Moscow State Philharmonic Orchestra; Eugene Szenkar, conductor THESE PERFORMANCES MARK THE PSO PREMIERE APPROXIMATE DURATION: 14 minutes INSTRUMENTATION: piccolo, three flutes, three oboes, English horn, three clarinets, bass clarinet, three bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, percussion, two harps, piano and strings The 27-year-old Prokofiev had established himself as the enfant terrible of Russian music by the time he left his homeland in 1918, in the wake of the October Revolution, to spread his reputation as a pianist and avant-garde composer around the world. He traveled overland to Vladivostok, stopped for recitals in Japan, and then spent the next four years shuttling between the United States and Europe to perform and fulfill commissions (including an important one in 1919 from the Chicago Opera for The Love for Three Oranges), before deciding to settle in Germany in 1922.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia.
    [Show full text]
  • September 2016 – July 2017
    SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music.
    [Show full text]