Nwb3revisededition

Noise without borders /////////////////////////////// Ruido sin fronteras ///////////////////// Larm ohne Grenzen @@@@@@@@@ 国境なきノイズ OOOOOOOOOOOOOOOOOO Kebisingan tanpa batas ++++++++++++++ Уровень шума без границ %%%%%%%%%%%%%%%%%%%%% Bruit sans frontieres 0000000000000000000000000000000000 Issue 3: may-july 2016 Contents Catalog • Interviewee’s Social Media • Other Contributor’s Social Media • Honorable Mentions From the Editor • Editor’s Note • Contact Info Interviews • Heaven’s Gate (US) • MC Jumanji (US) • Ghosts of Dead Tables (US) • Kinnara : Desi La/緊那羅：DESI LA (Japan) • Weston Flannel (US) • Matt Maxey (US) • Sarana (Indonesia) • Natalia Zombie (US) • Sean Derrick Cooper Marquardt (Germany) Writings/Articles/etc. • Where are they now: Dan of Earth (US/Issue #2) • Noise of BOOKWAR by Ivan Bookwar (Russia) • Breaking up with Bryn Jones by Kweku Shabazz (US) • My first time with Kitten Play by A.R. Jyoti (US) • How to make: Cloud Pancakes by “Toriko” (Canada) • A PHILOSOPHY OF NOISE (OR HOW TO MAKE THE AVANT-GARDE INCLUSIVE) by Christopher Durnin (US) • “Downerpunk” excerpt by Malcolm Xanax (Guyana) Art • Untitled #1 and #2 by Tristan Eyles (Australia) • Poem by Bonehole (UK) Catalog I. Interviewee’s Social Media • Heaven’s Gate ◦ Website: http://heavensgate.com/ • MC Jumanji ◦ Facebook: http://www.facebook.com/JumanjiMusic ◦ Twitter: @McJumanJi ◦ Soundcloud: https://soundcloud.com/mcjumanji • Ghosts of Dead Tables ◦ Bandcamp: https://ghostsofdeadtables.bandcamp.com/ • Kinnara : Desi La/緊那羅：DESI LA ◦ Facebook: https://www.facebook.com/pages/La-Bruha-DESI-La/172236929506014 ◦ Soundcloud: https://soundcloud.com/la-bruha-desi-la ◦ Twitter: @labruhadesila ◦ Label: https://labruhadesila--afrovisionary-creations.bandcamp.com/ • Weston Flannel ◦ Soundcloud: https://soundcloud.com/unkownmc ◦ Youtube: https://www.youtube.com/watch?v=ZzEhoNC9qRA&feature=youtu.be • Matt Maxey ◦ Youtube: http://www.youtube.com/user/mattmaxey770 ◦ Facebook: @DeafinitelyDDope • Sarana ◦ Facebook: https://www.facebook.com/saranasound/ ◦ Bandcamp: https://saranamusic.bandcamp.com • Natalia Zombie ◦ Label: https://radioactivewastelands.blogspot.com/ ◦ Soundcloud: https://soundcloud.com/nataliazombie • Sean Derrick Cooper Marquardt ◦ Soundcloud: https://soundcloud.com/berlindolls ◦ Bandcamp: https://seandrrickcoopermarquardt.bandcamp.com/ II. Other Contributor’s Social Media • Dan of Earth ◦ Facebook: https://www.facebook.com/bibletrons ◦ Colbeck Labs: http://www.sdiy.org/colbecklabs • Ivan Bookwar ◦ Bandcamp: http://bookwar.bandcamp.com/ • Christopher Durnin ◦ Bandcamp: https://dontsayanythingtheywontseeyou.bandcamp.com/ • Tristan Eyles ◦ Soundcloud: https://soundcloud.com/minimalimpactnoise ◦ Label: http://minimalimpactnoise.blogspot.com.au/ ◦ Tumblr: http://jpegtothehead.tumblr.com/ • Bonehole • Bandcamp: https://bonehole.bandcamp.com/album/silent-deadly-nights ◦ Soundcloud: https://soundcloud.com/bonehole III. Honorary Mentions • Ibrahim Khider ◦ Website: http://www.ibrahimkhider.com/ ◦ Podcast: http://feedbackmonitor.com/ • Ciaran MacAoidh ◦ Soundcloud: https://soundcloud.com/macthecrouton ◦ Mixcloud/Podcast: https://www.mixcloud.com/The_Crooked_Button/ • Multiracial Media ◦ Website: http://multiracialmedia.com/ ◦ Being Biracial: http://beingbiracial.com/ ◦ Twitter: @MultiracialMDA • Raminder Mulla ◦ Portfolio: http://chc08rm.dns-systems.net/ • DJ Nasai ◦ Soundcloud: https://soundcloud.com/eats4ays • Grigory Portagorin ◦ VK: http://vk.com/yauzabeat ◦ Bandcamp: https://yauza.bandcamp.com/ • Sergey Efremov ◦ Bandcamp: http://p-mm.bandcamp.com/ • Curtis Tuckfield ◦ Bandcamp: https://curttuckfield.bandcamp.com/ • Rishad Alam ◦ Bandcamp: http://rishadalam.bandcamp.com/ Editor’s Note This issue, like all so far was fun, yet had a few delays. I am, however very proud of this particular one because our interviewees are way more diverse than the initial all-male and mostly white subjects. There’s also a better format, more social media links and the introduction of an art column – printers can handle color, I was pretty hesitant to add pictures at first because I heard people were trading the zine so I figured make it as less wasteful as possible for noisers. Having said that, this magazine may be on hiatus for a bit, in a few months or so i’ll be a brick mason’s apprentice – won’t have enough time like I had in 12th grade, this is a one-man project, after all. Anyways, Noisers/Noisettes/Noisexirs – I hope you enjoy! Editor’s Social Media Facebook: https://goo.gl/EtmTSY Twitter: @NWBMagazine Soundcloud: https://soundcloud.com/kumivert LinkedIn: https://www.linkedin.com/in/andre-johnson-882987120 Email: [email protected] Affiliates: Deafhead Records – Deafhead Records is a copyleft netlabel in Sweden dedicated to releasing noise music from all around the world, feel free to send any demos to the CEO, Eric Axner or me, the A&R. Facebook: https://www.facebook.com/deafheadrecords1 Soundcloud: https://soundcloud.com/deafhead-records Youtube: https://www.youtube.com/channel/UCv9bCxOTaGMPe0qMX95Ia6g Email: [email protected] -Soundcloud: https://soundcloud.com/ealaxner Interview with Heaven’s Gate (US) 1. Tell us who you guys are. We were in the Group for 12 years and they asked us to maintain the website, emails and the physical and intellectual property. We continue with the this task for over 19 years. 2. For those unaware, tell us about the group you're representing. The simple understanding is that there is a real, physical level above the humans one here on earth. It is not a spiritual existence. It is real individuals, in real bodies, in real crafts taking care of the issues of their planet. The Next Level, as it is called, created this planet and all the life on it. The Next Level are the care takers of not only this planet but all the systems of the universe. From that, all the other understandings follow. They periodically come down to this planet to check in on this civilizations development. The last time they took a very close up observation, in human form, was from about 1972 to 1997. The time before that was 2000 years ago. At those times they talk to those interested about the opportunity of the Next Level and how a very select few can enter into it only after a long period of transition and instruction. 3. Now, right into it, what do you think happened to the 39 members that left us in 1997? They went into the Next Level. 4. What did Do [could I call him Do?] instruct the remaining members to do? There were a few left behind. Us two here in Arizona were asked to take of the task we described. Others took care of other things from different parts of the country and their tasks were completed back in 1997 and 1998. All of us knew we would have to wait for another opportunity to enter the Next Level. 5. Are people you know aware of your involvement in the group? What do they think about that, is there a stigma? Some do, some don’t. The degree of acceptance or problems with it vary, but are limited. 6. What do you guys do for a living outside of taking care of the website and promulgating the teachings of Do? We work regular jobs, just like everyone else has to do. 7. What is an average day for a member? There hasn’t been any members since 1997. When the Group was active each member would work a normal job to earn some income and perform regular chores around the house to keep everything in good shape. The difference is that all the tasks were performed in a Next Level approach and manner. 8. Are any current events (ISIS, the wars in Donbass, etc) symbolic of anything in your teachings? No, they are just the activities of man. The evolution of a civilization takes a very long time. 9. Being a Christian inspired group, to the best of my research-what is your stance on Afrocentric Abrahamic groups like the Nation of Islam, Black Hebrew Israelites, 5 Percent Nation, etc? All religions are just stepping stones. 10. Years ago, Electronic artist Flying Lotus released a mixtape called Duality under the Alias "Captain Murphy"-he heavily sampled the "Exit tapes" in quite a few tracks, did you know about this? No. He should have asked for the licensing rights to do something like that, since it infringes of copyrights and trademarks. 11. For fun this time, could you give these tracks (non-Captain Murphy, ofc) a quick listen and tell me what you think? What music do you guys like?* No. Thank you. *Editors Note: The songs in question were: Motorola by Lil Uzi Vert, Young Hate by Hanatarash, Dharam Hinduja by Muslimgauze, Passing Complexion by Big Black and Bass Rattle Stars out the Sky by Death Grips. Interview by MC Jumanji (US) 1. Introduce yourself for the magazine. Yoooo what up! It's your boy Jumanji. MC, hypeman, lyricist, freestyler, wordlover, homeboy. Representing for Miami and the 305. Hold tight the American Grime movement. 2. How did you get into Grime in the first place? I was a drum and bass mc. I met up with Juan Basshead who was pushing dubstep at the time and he wanted me to try to flow over 140bpm. To practice, he told me to check out grime like Wiley and Dizzee Rascal. I started the American Grime podcast and started getting tons of submissions of artists I had never heard before. That was a blessing. Got to hear songs from Sctoland all the way to Australia. Was sick. 3. What made you choose the name MC Jumanji? When I was in school I'd used to wanna cuss in class but couldn't, so I thought of the most random word I could think of and used it as a placeholder. "Jumanji your mom" and "Jumanji on your face" were always just random insults I'd throw out. So the nickname stuck. I always tell people it's cuz I'm wild. 4. In your opinion, what would be the biggest obstacle in making Grime popular in the States? The main issue is that people in America don't wanna try something new. Our radio stations, our night clubs, they're all geared towards what's already been done. They figure why change and take a risk on their money.

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