Hard-Core Harm: Why You Can't Be Soft on Porn
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“Like a Porn Movie” Notes on Boundaries and Bodies That Matter in Male Sex Clubs
“Like a porn movie” Notes on boundaries and bodies that matter in male sex clubs Camilo Braz Abstract This article is based on ethnographic research carried out in male sex clubs in São Paulo between 2006 and 2008. Drawing on interviews conducted with club-goers and club owners, it discusses the recent segmentation of the sexu- al leisure market for men in the city, and the processes by which stereotypes and characteristics associated with virility are valued and performed. The possible effects of these processes on subjectivity constitution are also in- vestigated. In sex clubs, sexual practices considered borderline, such as fist- fucking and other practices associated with BDSM, are material for specific and refined learning. The data gathered from interviews show that condom use and drug and alcohol consumption are subject to a sort of surveillance and control, especially when it comes to their questions of ‘excess’. This con- trol provides sex clubs with a sense of legitimacy, making them part of a via- ble erotic market. The intention here is to demonstrate the analytical interest of this control in the context of the construction of subjects and bodies that matter in these venues. Like practices which evoke control or loss thereof, bodies and clubs need to have their excesses checked so that they are intelli- gible and desirable. Keywords: Gender – Sexuality – Masculinity – Body – Market – Consumption Resumo Este trabalho baseia-se em uma etnografia realizada em clubes de sexo mas- culinos de São Paulo entre 2006 e 2008. A partir de entrevistas realizadas jun- to a alguns dos seus freqüentadores e empresários, discute a recente segmen- tação do mercado de lazer sexual entre homens na cidade e performatividade de atributos e estereótipos associados à “virilidade”, indagando acerca de seus possíveis efeitos na constituição de subjetividades. -
Developing a National Action Plan for Eliminating Sex Trafficking
Developing a National Action Plan for Eliminating Sex Trafficking Final Report August 16, 2010 Prepared by: Michael Shively, Ph.D. Karen McLaughlin Rachel Durchslag Hugh McDonough Dana Hunt, Ph.D. Kristina Kliorys Caroline Nobo Lauren Olsho, Ph.D. Stephanie Davis Sara Collins Cathy Houlihan SAGE Rebecca Pfeffer Jessica Corsi Danna Mauch, Ph.D Abt Associates Inc. 55 Wheeler St. Cambridge, MA 02138 www.abtassoc.com Table of Contents Preface ..................................................................................................................................................ix Acknowledgements....................................................................................................................xii Overview of the Report.............................................................................................................xiv Chapter 1: Overview ............................................................................................................................1 Project Background......................................................................................................................3 Targeting Demand .......................................................................................................................3 Assumptions about the Scope and Focus of the National Campaign...........................................5 The National Action Plan.............................................................................................................6 Scope of the Landscape Assessment............................................................................................7 -
Achter De Schermen Achter Een Verkennend Onderzoek Naar Downloaders Van Kinderporno
In dit verkennende onderzoek wordt getracht enig licht te werpen op het fenomeen Achter deschermen downloaden van kinderporno en met name op de persoon van downloaders. Wat is in de literatuur en bij opsporings- en hulpverleningsinstanties bekend over de achtergronden - geslacht, leeftijd, etniciteit - en motieven van downloaders? Gaat het uitsluitend om het downloaden en verzamelen van afbeeldingen of speelt Achter de schermen een seksuele voorkeur voor kinderen ook mee? Hoe functioneert de markt van vraag en aanbod wat betreft kinderporno op het internet en welke rol spelen Anton vanWijk,AnnemiekNieuwenhuisenAngeline Smeltink Een verkennend onderzoek naar downloaders van kinderporno downloaders: zijn zij enkel afnemers of ook producenten van kinderporno? Ook de manieren waarop downloaders opereren en proberen uit handen te blijven van de politie passeren de revue. Verder wordt beschreven wat bekend is over de omvang van het kinderporno- grafi sch beeldmateriaal dat op het internet te vinden is. Wat is de leeftijd van de afgebeelde kinderen en om welke seksuele poses gaat het? Uit het onder- zoek blijkt dat er verschillende profi elen van downloaders zijn te onderscheiden. Die profi elen behoeven door middel van vervolgonderzoek nog nadere inkleuring en toetsing. Voor de opsporing is het van groot belang om meer zicht te krijgen op de besloten netwerken op internet waar vaak grove vormen van kinderporno worden verhandeld en uitgewisseld. Anton van Wijk Annemiek Nieuwenhuis ISBN 978-90-75116-56-4 Angeline Smeltink Achter de schermen Achter de schermen Een verkennend onderzoek naar downloaders van kinderporno Anton van Wijk Annemiek Nieuwenhuis Angeline Smeltink In opdracht van Programma Politie & Wetenschap Omslagillustratie en vormgeving Marcel Grotens Drukwerk GVO Drukkers & Vormgevers B.V. -
Bare Minimum: Stripping Pay for Independent Contractors in the Share Economy
William & Mary Journal of Race, Gender, and Social Justice Volume 23 (2016-2017) Issue 2 William & Mary Journal of Women and Article 5 the Law January 2017 Bare Minimum: Stripping Pay for Independent Contractors in the Share Economy Michael H. LeRoy Follow this and additional works at: https://scholarship.law.wm.edu/wmjowl Part of the Labor and Employment Law Commons Repository Citation Michael H. LeRoy, Bare Minimum: Stripping Pay for Independent Contractors in the Share Economy, 23 Wm. & Mary J. Women & L. 249 (2017), https://scholarship.law.wm.edu/wmjowl/ vol23/iss2/5 Copyright c 2017 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmjowl BARE MINIMUM: STRIPPING PAY FOR INDEPENDENT CONTRACTORS IN THE SHARE ECONOMY MICHAEL H. LEROY* SUMMARY My study explores a small but revealing corner of the share economy, where an individual’s private resources are bartered for limited use by others in exchange for compensation. Strip clubs create value for owners by commoditizing sexual labor. Clubs avoid employment in favor of independent contracting with dancers. They pay no wages or benefits; patrons pay dancers with fees and tips. But clubs extract entry fees from dancers who work; require them to rent dressing rooms and stage time; and compel them to share tips with DJs, emcees, house moms, bouncers, and bartenders. My research identified seventy-five federal and state court rulings on wage claims by exotic dancers. In thirty-eight cases, courts ruled that dancers were employees; only three courts ruled that dancers were independent contractors. -
Sexual Adventurism Cover 2
Sexual AdventurismAdventurism among Sydney gay men Gary Smith Heather Worth Susan Kippax Sexual adventurismadventurism among Sydney gay men Gary Smith Heather Worth Susan Kippax Monograph 3/2004 National Centre in HIV Social Research Faculty of Arts and Social Sciences The University of New South Wales Copies of this monograph or any other publication from this project may be obtained by contacting: National Centre in HIV Social Research Level 2, Webster Building The University of New South Wales Sydney NSW 2052 AUSTRALIA Telephone: (61 2) 9385 6776 Fax: (61 2) 9385 6455 [email protected] nchsr.arts.unsw.edu.au © National Centre in HIV Social Research 2004 ISBN 1 875978 78 X The National Centre in HIV Social Research is funded by the Commonwealth Department of Health and Ageing and is affiliated with the Faculty of Arts and Social Sciences at the University of New South Wales. CONTENTS ACKNOWLEDGMENTS ii report summary 1 KEY FINDINGS 1 Part 1 Sexual adventurism and subculture 1 Part 2 Sexual practice and risk 1 Part 3 Drug use 2 RECOMMENDATIONS 3 introduction 5 background and method 7 BACKGROUND 7 Defining ‘culture’ and ‘subculture’ 8 METHOD 9 Recruitment and data analysis 9 The sample 9 thematic analysis 11 PART 1 SEXUAL ADVENTURE AND SUBCULTURE 11 Adventurism as non-normative sex 11 Individual and group change over time 13 Adventurous spaces for sex 15 Transgression 15 A subculture of sexual adventurism 16 PART 2 SEXUAL ADVENTURISM AND SAFE SEX 19 Casual sex, adventurism and risk 20 HIV-negative men and unsafe sex 20 HIV-positive men and unsafe sex 22 Disclosure of HIV status: a double bind 25 PART 3 DRUG USE AND ADVENTUROUS SEX 26 Managing drug use 27 Sexual safety and drug use 29 REFERENCES 31 i ACKNOWLEDGMENTS This report is the product of the efforts many people. -
Masculinity and Barebacker Identification in Men Who Have Sex with Men
HHS Public Access Author manuscript Author ManuscriptAuthor Manuscript Author J AIDS Manuscript Author Clin Res. Author Manuscript Author manuscript; available in PMC 2018 September 05. Published in final edited form as: J AIDS Clin Res. 2014 ; 5(2): . doi:10.4172/2155-6113.1000276. Masculinity and Barebacker Identification in Men who have Sex with Men Christopher W. Wheldon1,*, David L. Tilley1, and Hugh Klein2 1Department of Community & Family Health, University of South Florida College of Public Health, Tampa, FL, USA 2Kensington Research Institute, Silver Spring, MD, USA Abstract Purpose: Barebacking is a term that is used to refer to intentional involvement in unprotected anal sex. This paper examines the relationship between masculinity and self-identification as a barebacker, and how these factors related to HIV risk practices in a sample of men who have sex with other men (MSM). Method: As part of the Men4Men Study, a brief Internet-based survey was completed in 2007 with English-speaking MSM aged 18+ who were not involved in a marital/romantic relationship at the time of interview. 886 participants were recruited by placing electronic postings and banner advertisements on Weblogs, social and sexual networking sites, and listservs frequented by MSM. Results: A number of factors differentiated men who self-identified as barebackers from those who did not, and barebacking identity was linked with greater involvement in HIV risk practices. Multivariate analysis revealed that having a high level of masculinity was associated with a greater likelihood of self-identifying as a barebacker. Conclusions: HIV prevention and intervention efforts targeting MSM ought to address issues of self-identification as a barebacker as well as the extent to which men adhere to a masculine ideology. -
Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002
Description of document: Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002 Requested date: 2002 Release date: 2003 Posted date: 08-February-2021 Source of document: Information and Privacy Coordinator Central Intelligence Agency Washington, DC 20505 Fax: 703-613-3007 Filing a FOIA Records Request Online The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. 1 O ct 2000_30 April 2002 Creation Date Requester Last Name Case Subject 36802.28679 STRANEY TECHNOLOGICAL GROWTH OF INDIA; HONG KONG; CHINA AND WTO 36802.2992 CRAWFORD EIGHT DIFFERENT REQUESTS FOR REPORTS REGARDING CIA EMPLOYEES OR AGENTS 36802.43927 MONTAN EDWARD GRADY PARTIN 36802.44378 TAVAKOLI-NOURI STEPHEN FLACK GUNTHER 36810.54721 BISHOP SCIENCE OF IDENTITY FOUNDATION 36810.55028 KHEMANEY TI LEAF PRODUCTIONS, LTD. -
Gentlemen's Club
CHRIS BUCK — BOOKS GENTLEMEN’S CLUB PARTNERS OF EXOTIC DANCERS (SPRING 2021) Known for his uneasy portraits of celebrities, Chris Buck was looking for a subject that continued his exploration of strength and vulnerability, and found it in the partners of exotic dancers. The result is Buck’s most surprising and compelling work: forty interviews and photo sittings across North America with people in committed relationships with strip club dancers. Author and former dancer Lily Burana has written the foreword to Gentlemen’s Club. DETAILS By turns raffish, gallant, sly and touchingly vulnerable, this is a wonderful band of gentlemen—even if some of them aren’t, strictly speaking, men—and this book is a Photographer/Author: Chris Buck reminder of basic humanity in a seemingly inhuman time. Foreword: Lily Burana — Mary Gaitskill, author of This is Pleasure Design: Alex Camlin Format: Hardcover 7.625 x 10.25 inches Chris Buck’s pictures give us strange attractors, weaknesses in human psychic energy fields, blocked 90 color photographs emotions, yearnings for radicality, the normalcy of sexual fantasies, need, the romance of desire, and 256 pages, 40 interviews efflorescent tattered love. Publisher: Norman Stuart Publishing — Jerry Saltz, Pulitzer Prize winning art critic, New York Magazine Release Date: Spring 2021 Chris Buck has taken a widely photographed subject and made it wholly his own. His interviews with dancers’ partners are incisive and powerful, but it is his accompanying photographs that reveal this world in all of its gorgeous complexity: darkness and levity, uncertainty and hope, bravado and vulnerability. — Karen Abbott, New York Times bestselling author of The Ghosts of Eden Park GENTLEMEN’S CLUB CHRIS BUCK FOREWORD by Lily Burana The private life of a stripper is one of the enduring mysteries in the public consciousness. -
There's No Limit to Your Lovea Song by James Blake Often Used As an Identity Statement by K – Scripting the Polyamorous Self
There’s no limit to your love1 – scripting the polyamorous self. KATRIN TIIDENBERG Summary This article explores how the polyamorous self gets storied on NSFW (not safe for work) blogs of tumblr., and the ways the scripting involved in this practice reconfigures the meanings attached to one’s self, body and sexuality. The article relies on case-based narrative analysis, where I work the interface of ethnographic material (two year field study), textual blog content, images and individual and group interviews with polyamorous bloggers. I contextualize it via concepts of sexual scripting (Gagnon & Simon, 1973), elements of Foucault’s (1988) tech- nologies of the self - particularly critical self-awareness and self-care - and Koskela’s (2004) concept of ›empowering exhibitionism‹. Sexual and romantic behaviors are often cloackd in silence and executed in privacy because of feelings of guilt and anxiety, especially so in the case of practices that fall outside of the mono- normative grand narrative still cultivated in our society. Online one can challenge the scripted norms that regulate sexual behavior and our identities as sexual beings. Introduction I first heard of polyamory when one of my best friends, a week or so after having told me he is engaged, dreamily told me about this other woman. A poetesse. He talked of romance and sex; communication and partnership. »Right,« I sneered: »people are not like that.« It didn’t work out for my friend, but my ongoing re- search with a community of bloggers and self-shooters on tumblr.com has shown me that it is, in fact, possible. -
The Mattachine Society's Pornographic Epilogue
UC Irvine UC Irvine Previously Published Works Title The uncut version: The Mattachine Society's pornographic epilogue Permalink https://escholarship.org/uc/item/79f5x20t Journal SEXUALITIES, 19(4) ISSN 1363-4607 Author Hilderbrand, Lucas Publication Date 2016-06-01 DOI 10.1177/1363460715599159 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Article Sexualities 2016, Vol. 19(4) 449–464 The uncut version: ! The Author(s) 2016 Reprints and permissions: The Mattachine Society’s sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1363460715599159 pornographic epilogue sex.sagepub.com Lucas Hilderbrand University of California, Irvine, USA Abstract Countering dominant historical narratives of the Hal Call-led Mattachine Society (a homophile organization dating from the 1950s) as ‘conservative’ or ‘respectable,’ this article examines the organization’s 1970s evolution into a porn theatre and sex club known as the Cinemattachine (later the Circle J Cinema). Arguing for continuities between the 1970s Cinemattachine and prior Mattachine tactics, Call’s own publishing business ventures, and discourses of sexual education, this article suggests that the organization continued to negotiate evolving sexual politics through the exhibition of pornography. Keywords Gay history, Hal Call, Mattachine Society, pornography, San Francisco ‘Tired of feeling guilty when you go to a porny movie?’ So queried an advertise- ment for the Mattachine Society’s Sex Education Film Series in the Bay Area Reporter, San Francisco’s gay newspaper, in November 1972.1 The Mattachine Society, best remembered as a homophile organization whose tactics were viewed as outmoded by the time of post-Stonewall gay liberation, had been screening explicit sex films in San Francisco since the prior year and would soon rebrand this effort as the Cinemattachine in 1973. -
Review of Adults Entertainment Parlour
STAFF REPORT ACTION REQUIRED Review of Adult Entertainment Parlour Regulations - Amendments to Toronto Municipal Code Chapter 545 Date: October 12, 2012 To: Licensing and Standards Committee From: Executive Director, Municipal Licensing and Standards Wards: All Reference Number: SUMMARY The purpose of this report is to recommend amendments to the Adult Entertainment Parlour (“AEP”) regulations under the Toronto Municipal Code, Chapter 545, Licensing, Article XXXII. The recommendations proposed herein aim to respond to the issues raised by the industry, and to clarify enforcement interests through the updating of the bylaw provisions, while ensuring a continued balance of the needs and rights of the entertainers, the general public, and the industry as a whole. Staff propose to achieve this balance by amending the bylaw, where appropriate, to include, changes to the current; "no-touch" and "unobstructed -view" provisions, bylaw terminology, construction standards for private performance areas, and provisions to address working conditions of the entertainers. This report recommends new provisions, such as new definitions, licensing of security personnel, and health and safety posters. Lastly, this report includes recommendations to maintain current provisions, where appropriate, such as those regarding licensing of entertainers and other regulatory aspects. All Adult Entertainment Parlour owners and operators, the Adult Entertainment Association of Canada, and all licensed burlesque entertainers, were invited to participate in the consultations. -
Legalizing the Private Bobths/Roomsfculbiclesin Strip.C.Lubswill Perpetuate Viol,Ations of Dance.Remployees's Labor
.1i' l' .. Legalizing the private bObths/roomsfculbiclesin strip.c.lubswill perpetuate viol,ations of dance.remployees's labor and civil rights and endangers the• h~aJth! •. and safety- of women workers. " '. ',' , , ': i " ' , .",. In winter 1992,, I wound up at Market, I 81. Cinema because I was down to my la:;>t$42" and.a then-current, dancer, suggested I wor~ for a month :untilll got back onll!y feet. At that time"there was only'lapdancing in'the public theater area and the m'anagement had a dress code 'of:~ one-piece outfit ,and underwear. The club rT1isclassified dancers• as independent, cqntractors.I Customers were note,ll.owed, ' t6 touch dancers' breast, let. alone' their, genital area. We didn't pay any sta~e fees or quotas to work, nor were we paid for our work; we earning were , derived through tips alone. The, handful of women who prostituted were respectful enough of the rest of the dancers to take customers off the premises to nearl;>yhotels and hot tubs. Maybe they ~ealized that they could practice'sarer se>cwithdut dancers,' disapproval" get paid'a fair ,tip for such activities, and not ,have to give management any portion Oftheir tips. ",' " .. " .. ' ' , Withfn a couple ..of months of 1993, ~hemanagement beg~m a $5 stage fee,.A handful of dancers were outraged enough to foresee that this amountjcould'easily increase aU~ewiIJ,of managel"flen1.Sure enougt), byMarch or April'1993, the stage fee became ~25.' We pleaded with other dan_cers.to take action as a collective; very ,few signed ,on b~cause' many were ,ulild~cl,lmented ir:nmigrants, single, mothers, junkies,' women supplementing rneager welfare checks', and transient workers.