Scene. Ch. 11, Pp. 146–158, Art & Obscenity. Kerstin Mey
Pub lished in 2007 by l.B.Tauris Et Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States of America and in Canada distributed by Palg rave Macmillan, a division of St Martin's Press 175 Fifth Avenue, New York NY 10010 Co p yrig ht ® Kerstin Mey, 2007 The right of Kersrin Mey to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. PB ISBN 978 1 84511 235 6 HB ISBN 978 1 84511 234 9 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Agfa Roris by Steve Tribe, Andover Print ed and bound in Great Britain by TJ International, Padstow Chapter 11 Cyber-(ob)scene Virtual-sex programs featuring every simulated sound and sensation are not likely to be better in many ways than the real thing, for future generations they may become the real thing. Jef f r ey Deitch' Po rno g rap hy in dreams Po rno g rap hy in books Po rno g rap hy in cars Po rno g rap hy in Advertising And everywhere repression Rep r essed livings as the expression of everyday life Fr ee your mind and your ass will follow Pick it up, let it move, make it happen Go with the code Arm yourself with drugs, magic and computing Fu ck with fucking and drift into abstraction Zeros and ones turn me on Fl or i an Cramer and Stewart Home^ This final chapter concludes the discussion of how notions of the obscene operate ii relation to contemporary art within the context of the 'digital ether'.
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