DOCSLIB.ORG

There Is No Such Thing As an Accident There Is No Such Thing As

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
There Is No Such Thing As an Accident There Is No Such Thing As There Is No Such Thing As An Accident There Is No Such Thing As An Accident By David Carswell ©2019 The play is set at a Speed Awareness Course that the participants have chosen to attend as an alternative to points on their driving license . A Basic office / meeting room set is all that’s required. The SOLO spots can Be done where each of the characters sit in the room. There is a separate playing area at the front of the stage for the step outs. It is the INSTRUCTOR’s first day which leads to some nerves. AGNES arrives and helps ease the INSTRUCTOR’s tension. RICHARD’s arrogance antagonises the INSTRUCTOR and causes difficulties as the play progresses, But with AGNES’ help RICHARD is eventually put in his place. EVAN and TIFFANY Both add to the comedy value of the play. CAST List INSTRUCTOR – Any age or sex. RICHARD – 40s or 50s. Arrogant. Narcissist. Sociopath. TIFFANY – Gallus. Not Backward at coming forward. She has more front than Blackpool, But underneath it all she has a vulnerable side. AGNES – 50s to 60s. Loveable. Butter wouldn’t melt in her mouth. Or would it? EVAN – Scheme lad. Not the Brightest. White van man, which was his dream. Nice guy. Page 1 There Is No Such Thing As An Accident Intro Curtain Music Suggestion – Madness – I’ve Been Driving In My Car A basic “meeting room” type environment. Tables & chairs are laid out with pens and notepads. There is a table with tea & coffee. A flip chart stands in the corner. The INSTRUCTOR paces nervously, lining up the pens and notepads. The INSTRUCTOR sits, then stands, then sits then stands, checking their watch. INSTRUCTOR starts to write on the flip chart. AGNES enters. AGNES – Hello. Is this the Speed Awareness Course? INSTRUCTOR – (Turns to see her) (Nervous) Yes, come in, come in. You’re the first to arrive. Help yourself to tea or coffee while we wait on the others. AGNES – Thanks. I do love a nice cup of tea. Coffee not so much. Does funny things to me… (Notices INSTRUCTOR is nervous) Are you ok? You look a wee Bit… INSTRUCTOR – It’s my first day on the joB, so I’m a wee Bit nervous. AGNES – (Genuinely nice) Och you’ll Be fine! EveryBody has to start somewhere. I’m really looking forward to it. INSTRUCTOR – (Relaxes a bit) Thanks. EVAN enters. EVAN – Is this the… INSTRUCTOR – Speed Awareness Course? Yes. Come on in. Grab a seat. Help yourself to tea and coffee. EVAN – Thanks. (Starts to pour coffee) We hear RICHARD’S first line from off-stage. He’s on the phone. INSTRUCTOR, EVAN and AGNES all react. He enters still on the phone. RICHARD – So I just said to him, I don’t care what time it is in Hong Kong, you either get that sorted in the next hour or the deal’s off! RICHARD takes the coffee from EVAN and puts sugar in it. AGNES nods to RICHARD as if to say hello. He looks her up and down and gives her a look of disgust. EVAN – (Aside, annoyed) Sake man. (Pours himself another coffee and sits down) Page 2 There Is No Such Thing As An Accident RICHARD – I need to go. I’m on one of those speed awareness courses. (Slight pause, looks around, drinks coffee.) Yeah, a total shithole. Although coming here gave me chance to see what the new Jag could do on the motorway. Managed 110 Before some twat in a van got in my way. It had one of those stickers on the Back door that said “Tools are not kept in this van overnight.” Yeah, But I reckon there’s one in the driver’s seat most days… (laughs at own joke). INSTRUCTOR raises eyebrows looking at RICHARD. RICHARD notices this. RICHARD – Look, I Better go. I’ll speak to you later. RICHARD ends call. RICHARD – I’m here for the Speed Awareness Course. INSTRUCTOR goes to speak, but RICHARD interrupts. RICHARD – Although I really shouldn’t Be here. I’m an excellent driver. (Smug) I drive a jag. INSTRUCTOR – (Irked) Welcome to the course. (Sarcastic) Help yourself to tea and coffee. RICHARD looks at the cup he’s holding, then back at INSTRUCTOR. RICHARD – How long is this going to last? I’ve got places to Be. INSTRUCTOR – You’ll Be done By lunchtime. RICHARD – Lunchtime!? Oh for fu… INSTRUCTOR – (Interrupting) We’ll get started soon. We’re just waiting on the last one. In the meantime can you all write your names on the Badges that have Been left out for you? Then put them on so everyone can see. Thanks. RICHARD – (Mexican accent) Badges? Badges? We don’t need no stinking Ba… INSTRUCTOR gives RICHARD a look. RICHARD – (Sits) OK, OK. Name Badge going on… They all start to write their names and stick them on to their tops. TIFFANY enters. She is flustered. TIFFANY – Is this the Speed Awareness Course? Sorry I’m late. The traffic was Brutal this morning. AGNES – Could you not have used puBlic transport? I got the train. Page 3 There Is No Such Thing As An Accident TIFFANY – My wee town doesn’t have a train station. INSTRUCTOR – Have you ever tried Park & Ride? TIFFANY stops and thinks. TIFFANY – (Thinks) Park and ride? No. But I once let my Boyfriend feel my tits in a traffic jam. (Laughs) (She notices the name badges on the others) Oh, name Badges. That’s nice. INTRUCTOR – Take a seat and we’ll get started. There’s tea and coffee available if you want to help yourself. And if you could do a name Badge like the others that would Be great. TIFFANY – No Bother. (Notices EVAN) Oh, hello. Is this, eh, seat taken? EVAN – No. Crack on. TIFFANY sits and starts to write her name badge. INSTRUCTOR – If you can all have your passport or driving license ready to confirm your ID, that will let me sign you off as attending and we can get going. They all take out their ID and the INSTRUCTOR goes round them one by one ticking them off on a sheet she’s holding. She gets to RICHARD last who is scrolling through emails on his phone. INSTRUCTOR – I’m going to have to ask you to switch your phone off. That goes for all of you actually. We can’t have any devices that could Be used to record the course. You all have the right to privacy. RICHARD – But I need my phone. And I don’t mean that the way that most people say it. I actually need my phone. INSTRUCTOR – (INSTRUCTOR and AGNES share a look) I actually don’t care. It’s mandatory. AnyBody found to have their phones on during the course will Be asked to leave and Be classed as a non-completion. The points you avoid By Being here will Be applied to your license and you’ll need to pay the fine. (AGNES gives INSTRUCTOR an approving smile and slight nod of the head) RICHARD gives out a huffy sigh. The rest comply without any issue. INSTRUCTOR – Welcome to your speed awareness course. You’re all here Because you have Been caught speeding, But the speed was within certain parameters which make you eligiBle for this course as an alternative to points on your license. Why don’t we start By going round the room and introducing yourselves to each other? (Looks at TIFFANY’s name badge and points to her) Tiffany. Why don’t we start with you? Page 4 There Is No Such Thing As An Accident TIFFANY – Eh, OK. (Stands) My name’s Tiffany, (nervous pause, then jokingly like it’s a punchline) and I’m an alcoholic… Och sorry, wrong meeting! (She starts to laugh but it fades quickly as she looks around awkwardly)(She sits back down again awkwardly) Wow, tough crowd… I tend to make jokes when I’m nervous and… RICHARD – (Impatiently interrupting, stands) Yes, yes. I’m Richard. I’m an executive and I am an outstanding driver. Am I little too heavy with the right foot occasionally? Yes I am. But I’ve earned that right. I shouldn’t have to drive at the same speed as the rest of the pleBs on the road. I drive a Jag for goodness sake! Vastly superior Braking and road handling. The incident that led me to Being here was just, Bad luck. I lost control of the car one time and got done By a uniformed officer in flagrante. EVAN – You got done for speeding in Spain? AGNES – In flagrante means caught in the act. EVAN pulls a disgusted face. EVAN – Caught in the act!? Ya dirty Bastard! No wonder you lost control of the motor. INSTRUCTOR – Moving on… Evan? EVAN – Eh, aye. Am Evan. I drive a white van. Us white van men get a hard time, But I honestly try and Be a courteous driver. Not like some folk though. (Looks at RICHARD) On the way here there was some tuBe in a Jag right up my trumpet on the motorway. Must have Been doing over a hundred. RICHARD – (Whispers) 110 actually. INSTRUCTOR – And last, But definitely not least… Agnes? AGNES – Hello everyone. I’m Agnes. I’m really looking forward to learning with you all today. INSTRUCTOR, EVAN and TIFFANY all smile at the nice thought. RICHARD sighs and shakes his head. TIFFANY – Awww, that’s a lovely thing to say Agnes. INSTRUCTOR – Right, let’s get started.
Load more

Recommended publications
  • Film, Television and Video Productions Featuring Brass Bands
    Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light.
    [Show full text]
  • Page 1 of 125 © 2016 Factiva, Inc. All Rights Reserved. Colin's Monster
    Colin's monster munch ............................................................................................................................................. 4 What to watch tonight;Television.............................................................................................................................. 5 What to watch tonight;Television.............................................................................................................................. 6 Kerry's wedding tackle.............................................................................................................................................. 7 Happy Birthday......................................................................................................................................................... 8 Joke of the year;Sun says;Leading Article ............................................................................................................... 9 Atomic quittin' ......................................................................................................................................................... 10 Kerry shows how Katty she really is;Dear Sun;Letter ............................................................................................ 11 Host of stars turn down invites to tacky do............................................................................................................. 12 Satellite & digital;TV week;Television....................................................................................................................
    [Show full text]
  • The Future of Reputation: Gossip, Rumor, and Privacy on the Internet
    GW Law Faculty Publications & Other Works Faculty Scholarship 2007 The Future of Reputation: Gossip, Rumor, and Privacy on the Internet Daniel J. Solove George Washington University Law School, [email protected] Follow this and additional works at: https://scholarship.law.gwu.edu/faculty_publications Part of the Law Commons Recommended Citation Solove, Daniel J., The Future of Reputation: Gossip, Rumor, and Privacy on the Internet (October 24, 2007). The Future of Reputation: Gossip, Rumor, and Privacy on the Internet, Yale University Press (2007); GWU Law School Public Law Research Paper 2017-4; GWU Legal Studies Research Paper 2017-4. Available at SSRN: https://ssrn.com/abstract=2899125 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons. It has been accepted for inclusion in GW Law Faculty Publications & Other Works by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Electronic copy available at: https://ssrn.com/ abstract=2899125 The Future of Reputation Electronic copy available at: https://ssrn.com/ abstract=2899125 This page intentionally left blank Electronic copy available at: https://ssrn.com/ abstract=2899125 The Future of Reputation Gossip, Rumor, and Privacy on the Internet Daniel J. Solove Yale University Press New Haven and London To Papa Nat A Caravan book. For more information, visit www.caravanbooks.org Copyright © 2007 by Daniel J. Solove. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S.
    [Show full text]
  • Parker V CC Essex Police
    [2018] EWCA 2788 (Civ) Case No: A2/2017/2897 IN THE COURT OF APPEAL (CIVIL DIVISION) ON APPEAL FROM THE HIGH COURT OF JUSTICE QUEEN’S BENCH DIVISION Mr Justice Stuart-Smith HQ13X02240 Royal Courts of Justice Strand, London, WC2A 2LL Date: 11/12/2018 Before : THE PRESIDENT OF THE QUEEN’S BENCH DIVISION (SIR BRIAN LEVESON) LADY JUSTICE HALLETT D.B.E. and THE SENIOR PRESIDENT OF TRIBUNALS (SIR ERNEST RYDER) - - - - - - - - - - - - - - - - - - - - - Between : MICHAEL CIARAN PARKER Respondent /Claimant - and - THE CHIEF CONSTABLE OF ESSEX POLICE Appellant /Defendant - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Lord Faulks QC, John Beggs QC and Cecily White (instructed by DAC Beachcroft) for the Chief Constable of Essex Police Hugh Tomlinson QC and Lorna Skinner (instructed by McAlinneys Solicitors) for Mr Parker Hearing dates : 20-21 November 2018 - - - - - - - - - - - - - - - - - - - - - Approved Judgment Judgment Approved by the court for handing down. Parker v Chief Constable Essex Police Sir Brian Leveson P : 1. In the early hours of 31 March 2001, Michael Parker (a celebrity entertainer who is better known by his stage name, Michael Barrymore) returned to his home with eight guests. What was clearly an alcohol and drug fuelled gathering ensued. Approximately three hours later, one of his guests, Mr Stuart Lubbock, was found unconscious and not breathing in the swimming pool, dressed only in his boxer shorts. He was taken to hospital but, at 8.23 am, pronounced dead. 2. Although inadequate steps were taken to protect the scene at the time, a police investigation followed and, on 6 June 2001, Jonathan Kenney and Justin Merritt, two of Mr Parker’s guests, were arrested on suspicion of murder.
    [Show full text]
  • Jane Stokes-How to Do Media and Cultural Studies
    how to do media & cultural studies how to do media & cultural studies Jane Stokes SAGE Publications London · Thousand Oaks · New Delhi Ø Jane Stokes 2003 First published 2003 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may be reproduced, stored or transmitted in any form, or by any means, only with the prior permission in writing of the publishers, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency. Inquiries concerning reproduction outside those terms should be sent to the publishers. SAGE Publications Ltd 6 Bonhill Street London EC2A 4PU SAGE Publications Inc. 2455 Teller Road Thousand Oaks, California 91320 SAGE Publications India Pvt Ltd 32, M-Block Market Greater Kailash ± I New Delhi 110 048 British Library Cataloguing in Publication data A catalogue record for this book is available from the British Library ISBN 0 7619 7328 1 ISBN 0 7619 7329 X (pbk) Library of Congress control number 2002104222 Typeset by Mayhew Typesetting, Rhayader, Powys Printed and bound in Great Britain by Athenaeum Press, Gateshead For Rose Acknowledgements Thank you to Kembrew McLeod, Andrea Millwood Hargrave and the Independent Television Commission for permission to use extracts from their work. Contents Introduction 1 Quantitative and qualitative methods 2 About this book 4 1 Getting Started 7 Chapter overview 7 Introduction 8 Deciding on a
    [Show full text]
  • Barrymore Pathologist 'Missed Key Evidence'
    Networked Knowledge Media Reports Networked Knowledge Dr Heath Homepage This page set up by Dr Robert N Moles [Underlining where it occurs is for NetK editorial emphasis] On 13 December 2013 Fran Abrams and Andrew Johnson of The Independent reported Barrymore pathologist 'missed key evidence' Police investigating the death of a man in Michael Barrymore's swimming pool may have been hampered by the failure of a Home Office pathologist to spot crucial evidence, claims a lawyer for the dead man's family. An investigation by BBC Radio's File on 4 program has also uncovered previous cases in which the views of the pathologist, Dr Michael Heath, have been challenged by his colleagues. One case is currently being examined by the Home Office. Dr Heath was called in after Stuart Lubbock was found dead at Mr Barrymore's Essex home last year. He concluded the 31-year-old meat factory supervisor had drowned. But three other pathologists later said marks on Mr Lubbock's forehead indicated he died of asphyxia, possibly from having an arm clamped round his throat during a sexual assault. In the days after the autopsy, performed by Dr Heath, police assumed Mr Lubbock had died as a result of an accident. Weeks later, after the other pathologists had reviewed the evidence, two men were arrested on suspicion of murder but later released without charge. Earlier this month, the Essex coroner, Caroline Beasley-Murray, recorded an open verdict. Now the barrister who represented the Lubbock family at the inquest, Matthew Gowen, has said the police investigation might have come to a different conclusion if the potential evidence of throttling had emerged sooner.
    [Show full text]
  • Call Your Animal a 'Companion' Instead of A
    2/2/2020 Don't call your pet a pet: Animal rights charity chief says term is derogatory | Daily Mail Online Privacy Policy Feedback Sunday, Feb 2nd 2020 3PM 11°C 6PM 10°C 5-Day Forecast Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel DailyMailTV Discounts Latest Headlines Coronavirus Royal Family Prince Andrew News World News Arts Headlines France Most read Wires Login Call your animal a 'companion' instead Site Web Enter your search of a pet: PETA chief says term is Like Follow DailyMail DailyMail derogatory because it makes living Follow Follow @dailymail DailyMail things sound like a 'commodity' or Follow Follow 'decoration' MailOnline Daily Mail DON'T MISS President of animal rights charity PETA calls the term 'pets' derogatory to pets EXCLUSIVE Caprice Ingrid Newkirk, of Surrey, says that animals 'are not your cheap burglar alarm' Bourret 'deeply She compared calling animals pets to the treatment of women before feminism disgusted' by ex DOI partner Hamish Gaman as she sensationally QUITS show... while ITV By VICTORIA ALLEN SCIENCE CORRESPONDENT FOR THE DAILY MAIL are forced to refute PUBLISHED: 22:37, 31 January 2020 | UPDATED: 11:36, 1 February 2020 bullying claims 30k 4k Khloe Kardashian shares View comments shows off her plump pout with sister Kourtney as she leaves Cats and dogs seem perfectly happy to 'birthday party of the year' for Kylie Jenner's be fed, watered and cuddled by doting daughter Stormi owners. EXCLUSIVE Lucy But whatever you do, don't call them Mecklenburgh displays her blossoming bump pets, says the head of an animal rights as she is joined by her nearest and dearest for organisation.
    [Show full text]
  • 100–102 Century Fm
    BJ_C20.qxd 13/04/2007 13:44 Page 454 100–102 CENTURY FM Century FM is a regional commercial radio station in the north-east of England, covering an area from the Scottish borders to North Yorkshire. It is owned by GCap Media, the company formed by the merger of GWR and the Capital Radio Group. Most of its output is play-listed pop music with hourly news bulletins and a half-hour news round-up at 5.30 on weekday evenings. There is a nightly football phone-in The Three Legends presented by three former stars of the region’s top clubs, Newcastle United, Sunderland and Middlesbrough. The station’s six newsroom staff are based in Gateshead, just over the famous Tyne bridge from Newcastle. As well as Century’s output, they are responsible for recorded bulletins on a series of digital stations, including Smooth, the Arrow and X-FM. This digital bulletin and a headlines sequence are also aired on DNN – the rolling news service on the digital multiplex. The recorded bulletins for the digital stations have to be timed to the second. The Century bulletins are more flexible in duration ranging from three minutes to a minimum of six minutes at 6 a.m. and 1 p.m. The newsroom can also break into programmes for a newsflash if a big story breaks. The station has a news booth for recording the digital bulletin, and a separate news production studio, both adjoining the newsroom. Bulletins are read in the main studio, with the presenter driving the desk and playing in cuts (pieces of audio) and beds (music stings and pieces to play under the newsreader’s voice).
    [Show full text]
  • UKTV Scans New Horizons Crewstarttm
    February 2020 UKTV scans new horizons CrewStartTM Struggling with start paperwork? Use CrewStart™ for the simplest way to contract your crew Hiring artists and crew? Designed to help your team automate the processing of contracts, start forms, daily rate vouchers and timesheets, CrewStart™ manages the onboarding process for you, from initial invitation, to ensuring that paperwork is completed correctly, signed and approved securely online. CrewStart™ benefits: Reduce administration All contracts stored securely in one place Ensure accuracy GDPR auditable reports Digital signatures Pact/Bectu Document certification Daily Hot Costing Timesheets Real-time Hours to Gross To find out how you can save time and go paperless on your next production whilst reducing administration and ensuring accuracy, visit the Digital Production Office® website www.digitalproductionoffice.com or contact us for more information: T: +44 (0)1753 630300 E: [email protected] www.sargent-disc.com www.digitalproductionoffice.com @SargentDisc @DigiProdOffice /SargentDisc /digitalproductionoffice Journal of The Royal Television Society February 2020 l Volume 57/2 From the CEO The RTS’s year is off his interviewer, Kate Bulkley, and to award winner Guz Khan, who has to a racing start, with a the producer, Martin Stott. enjoyed a meteoric rise, thanks to his full events calendar. At The second season of Sex Education BBC Three show Man Like Mobeen and our head office, juries is, if anything, even funnier than the his appearances on Live at the Apollo. have been busy debat- first. I, for one, am hooked. RTS Our cover story is an interview ing the nominees and Cymru Wales and Bafta Cymru col- with UKTV’s CEO, Marcus Arthur.
    [Show full text]
  • Book » Fernsehmoderator (Vereinigtes Königreich) \ Download
    Fernsehmoderator (Vereinigtes Königreich) » Book ~ ANBGWFCIJ0 Fernsehmoderator (Vereinigtes Königreich) By Quelle Reference Series Books LLC Apr 2015, 2015. Taschenbuch. Book Condition: Neu. 246x187x15 mm. Neuware - Quelle: Wikipedia. Seiten: 50. Kapitel: Melvyn Bragg, Baron Bragg, Stephen Fry, Rosalie Wilkins, Baroness Wilkins, Alistair Cooke, Jeremy Clarkson, Russell Brand, Ray Cokes, Lena Martell, Davina McCall, Craig Ferguson, Alexa Chung, David Frost, Robin Merrill, Garry Birtles, Des O'Connor, Patrick Moore, Ron Atkinson, Wendy Beckett, Clodagh Rodgers, Victoria Coren, Jonathan Ross, John Julius Cooper, 2. Viscount Norwich, Kirstie Allsopp, Paula Yates, David Pleat, Matthew Parris, Kristiane Backer, James May, Roger Black, Richard Hammond, Kerry Dixon, Michael Barrymore, Steve Blame, Gary Rhodes, Vanessa Collingridge, Howard Jacobson, Alan Watson, Jimmy Carr, Fearne Cotton, Bear Grylls, Anne Robinson, Peter Noone, Tony Dorigo, Jane Goldman, H.A.L. Craig, Shirley Robertson, Tommy Langley, Garry Bushell, Keith Allen, Frank McLintock, Aubrey Buxton, Baron Buxton of Alsa, Mark Lawrenson, Pat Nevin, Richard Quest, Graham Norton, Terry Wogan, Tony Hart, Charlotte Uhlenbroek, Julie Stevens, Shona Fraser, Walley Barnes, Richard Fairbrass, Simon King, Joanne Guest, Ching He Huang, Raymond Baxter, Kate Russell, Grub Smith, Jason Dawe, Paul O'Grady, Clive Walker, Stephen Mulhern, Tim Sebastian, Anthony McPartlin, Becky Anderson, Andy Goldstein, Sid Waddell, Noel Edmonds, Vicki Butler-Henderson, Tania Strecker, Sheree Murphy, Tim Dixon. Auszug: Melvyn Bragg,... READ ONLINE [ 8.17 MB ] Reviews This ebook is wonderful. I have got go through and so i am certain that i am going to likely to read through once again again later on. You will like the way the article writer compose this ebook. -- Miss Ariane Mraz This pdf will not be simple to start on reading through but extremely enjoyable to see.
    [Show full text]
  • A Functional Neuroimaging Investigation of the Neural Systems Sustaining Identification of Faces and Proper Names
    A FUNCTIONAL NEUROIMAGING INVESTIGATION OF THE NEURAL SYSTEMS SUSTAINING IDENTIFICATION OF FACES AND PROPER NAMES Maria Luisa Gorno Tempini Wellcome Department of Cognitive Neurology Institute of Neurology University College London United Kingdom Doctorate in Philosophy (PhD) 2001 ProQuest Number: U641884 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U641884 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ACKNOWLEDGMENTS My deepest gratitude goes to my supervisor, Cathy Price, without whom this work would have not been possible. I would like to thank her for her enthusiasm, patience, support and for all she has taught me in these three years, not only professionally, but also personally. I would also like to thank Lisa Cipolotti, who has been a precious collaborator on some of the experiments reported on this thesis and also a wonderful friend. Thank you also to Stefano Cappa and Paolo Nichelli, my Italian mentors, for their constant support and for sharing with me their knowledge and passion for cognitive neuroscience. I am grateful to all the staff at the Wellcome Department of Cognitive Neurology, in particular to the Radiographers and to Chris Freementle.
    [Show full text]
  • Goldsmiths 87 0079879 6
    Stand-Up Comedy and Everyday Life: Post-war British Comedy and the Subversive Strain. Christopher Ritchie. Goldsmiths College, London, Ph. D Drama, 1998. - ME Ia- AM GOLDSMITHS 87 0079879 6 Abstract. This thesis "examinee,,, its to life , . stand-up comedy and relation everyday and presents a model of everyday life in the commodity society. It seeks to define stand up comedy and how it works as a performance mode and will offer a definition of the stand-up comedian. It will examine how jokes reflect opinions and attitudes within everyday life and how they can communicate negative cultural myths, stereotypes and ideologies but also reach beyond the merely absurd and comical to present authentic moments that enable us to locate the truth about ourselves. The thesis seeks to locate a stand-up comedy that enables us to understand ourselves in relation to life in the commodity society. The thesis traces a subversive lineage through post-Second World War comedy from The Goon Show through the satirists of the 1960s and Monty Pylhon's Flying Circus to Alternative Comedy and stand-up comedians in the present day. The 'Alternative Comedy moment' between 1979 and 1981 is central to the thesis as is the relation to American stand-up comedy, Punk and the rise of reactionary humour in Britain. Alternative Comedy is identified and placed in a social, political and counter-cultural context. The achievements and failures of this comedy will be discussed with particular focus on the redefinition of the role of women and sexual politics in stand-up comedy and the creation of a thriving London cabaret and comedy scene.
    [Show full text]