La Vera Storia Di Dalton Trumbo
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Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Pressive – That Stays with You Long After It Ends.” – Mike Watt, FILM THREAT
NOWHERE MAN A Film by Tim McCann 75 Minutes, Color FIRST RUN FEATURES 153 Waverly Place New York, NY 10014 (212) 243-0600/Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] “An outstanding film – dark, twisted and impressive – that stays with you long after it ends.” – Mike Watt, FILM THREAT “The pulse pounding intensity of Rodrick and Rochon's performances, married with McCann's muscular direction, make this film devastatingly shocking and utterly convincing!” - Mark Van Woert, b-critic.com “Unflinching… writer/director Tim McCann wisely concentrates his energy on story and characterization, pulling off one of the more impressive lo-fi efforts of the year.” – John W. Bowen, RUE MORGUE Just how bad can things get? Conrad has found a pornographic video featuring his fiancé. Shocked, he calls the wedding off. But now, after an emotionally brutal week, an abused Jennifer has cut off Conrad's penis - and taken it with her for ransom! A doctor has advised Conrad that if found immediately, there is some hope for re-attachment. But where is Jennifer hiding? Vengeful and furious, Conrad blunders gun first into the underworld of her “blue-film” past, to find her – and his missing member! Starring MICHAEL RODRICK ( Another World, Desolation Angels ), renowned cult actress DEBBIE ROCHON (‘Scream Queen of the Decade'), real life porn legend FRANK OLIVIER (as Daddy Mac), and directed by award winning filmmaker TIM MCCANN ( Revolution #9 , Desolation Angels ), NOWHERE MAN probes and cauterizes the preposterousness of love and revenge. It is both a nasty little film noir and a black humored treatise on the ever shifting balance of power in human relationships. -
Alan Baumgarten
ALAN BAUMGARTEN, ACE Editor Features: BEING THE RICARDOS - Amazon - Aaron Sorkin, director THE TRIAL OF THE CHICAGO 7 - Netflix - Aaron Sorkin, director Academy Award Nomination - Achievement in Film Editing ACE Award - Best Edited Feature Film (Dramatic) BAFTA Award Nomination - Best Editing Critics Choice Award - Best Editing Hollywood Critics Association Award - Best Editing Satellite Award - Best Film Editing CHARLIE’S ANGELS - Sony Pictures - Elizabeth Banks, director JOJO RABBIT (additional editing) - Fox Searchlight - Taika Waititi, director VENOM - Sony Pictures/Marvel - Ruben Fleischer, director MOLLY’S GAME - STX Entertainment - Aaron Sorkin, director THE CLOVERFIELD PARADOX - Netflix/Bad Robot - Julius Onah, director JOY - 20th Century Fox/Annapurna - David O. Russell, director ACE Award Nomination - Best Edited Feature Film (Comedy or Musical) TRUMBO - Bleeker Street/Groundswell Productions - Jay Roach, director AMERICAN HUSTLE - Sony/Annapurna/Atlas - David O. Russell, director Academy Award Nomination - Achievement in Film Editing ACE Award - Best Edited Feature Film (Comedy or Musical) GANGSTER SQUAD - Warner Bros. - Ruben Fleischer, director THE MUPPETS (additional editor) - Walt Disney Pictures/Mandeville Films - James Bobin, director 30 MINUTES OR LESS - Columbia Pictures/MRC - Ruben Fleischer, director DINNER FOR SCHMUCKS - Paramount Pictures/DreamWorks - Jay Roach, director ZOMBIELAND - Columbia Pictures - Ruben Fleischer, director FUNNY PEOPLE (additional editor) - Universal Pictures/Columbia - Judd Apatow, director -
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Avid Editors Triumph at the 2014 ACE Eddie Awards
February 12, 2014 Avid Editors Triumph at the 2014 ACE Eddie Awards High-Caliber Editors Rely on the World's Preeminent Editing Software to Cut the Most Celebrated Films of the Year BURLINGTON, Mass., Feb. 12, 2014 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulates the professional video editing community on their achievements at the 64th annual American Cinema Editors (ACE) Eddie Awards held in Los Angeles on February 7. Many of the nominated and award-winning films were cut by Avid editors who trust the industry's foremost nonlinear editing solution, Avid Media Composer®, for its reliability and flexibility to create higher quality, inspiring content. Avid Media Composer was used by various editors who took home awards on the night, including Christopher Rouse for Best Edited Feature Film (Dramatic) Captain Phillips, and Jay Cassidy, Crispin Struthers and Alan Baumgarten for Best Edited Feature Film (Comedy or Musical) American Hustle. "It's a thrill for our film to be nominated, especially this year with so many excellent movies and so much great editing. It's true what they say; it's a huge honor, especially when the nomination comes from your peers," said Kevin Tent, nominated for Best Edited Feature Film (Comedy or Musical) for Nebraska. "Helping us all the way to the finish line was Media Composer. An amazing machine. Truly the editor's best friend." "As a company, a key part of our heritage lies in the professional video editing community, whose passion inspires our commitment to creating the industry's most proven and trusted solutions," said Avid president and CEO Louis Hernandez Jr. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Friday Night Lights”) and Oscar® Winner Kathy Bates (“Misery”) Star in Alcon Entertainment and Warner Bros
Sandra Bullock (“The Proposal”), Tim McGraw (“Friday Night Lights”) and Oscar® winner Kathy Bates (“Misery”) star in Alcon Entertainment and Warner Bros. Pictures’ “The Blind Side,” which depicts the remarkable true story of All-American football star Michael Oher. Teenager Michael Oher (Quinton Aaron) is surviving on his own, virtually homeless, when he is spotted on the street by Leigh Anne Tuohy (Sandra Bullock). Learning that the young man is one of her daughter’s classmates, Leigh Anne insists that Michael—wearing shorts and a t-shirt in the dead of winter—come out of the cold. Without a moment’s hesitation, she invites him to stay at the Tuohy home for the night. What starts out as a gesture of kindness turns into something more as Michael becomes part of the Tuohy family despite the differences in their backgrounds. Living in his new environment, the teen faces a completely different set of challenges to overcome. And as the family helps Michael fulfill his potential, both on and off the football field, Michael’s presence in the Tuohys’ lives leads them to some insightful self-discoveries of their own. “The Blind Side” is directed by John Lee Hancock (“The Rookie”), who also wrote the screenplay based on the book The Blind Side: Evolution of a Game by Michael Lewis. Gil Netter, Andrew A. Kosove and Broderick Johnson produced the film with Molly Smith, Erwin Stoff and Timothy M. Bourne serving as executive producers. Sandra Bullock and Tim McGraw star as Leigh Anne and Sean Tuohy, and Kathy Bates stars as Michael Oher’s dedicated tutor, Miss Sue. -
Mark Your Favorite for Each Category and See How Close You Come to the Academy’S Picks
Mark your favorite for each category and see how close you come to the academy’s picks. Best Motion Picture of the Year Best Writing, Screenplay Written Directly for the Screen American Hustle (2013) American Hustle (2013): Eric Warren Singer, David O. Russell Captain Phillips (2013) Blue Jasmine (2013): Woody Allen Dallas Buyers Club (2013) Her (2013): Spike Jonze Gravity (2013) Nebraska (2013): Bob Nelson Her (2013) Dallas Buyers Club (2013): Craig Borten, Melisa Wallack Nebraska (2013) Philomena (2013) Best Writing, Screenplay Based on Material Previously 12 Years a Slave (2013) Produced or Published The Wolf of Wall Street (2013) Before Midnight (2013): Richard Linklater Captain Phillips (2013): Billy Ray Best Performance by an Actor in a Leading Role 12 Years a Slave (2013): John Ridley Christian Bale for American Hustle (2013) The Wolf of Wall Street (2013): Terence Winter Bruce Dern for Nebraska (2013) Philomena (2013): Steve Coogan, Jeff Pope Leonardo DiCaprio for The Wolf of Wall Street (2013) Chiwetel Ejiofor for 12 Years a Slave (2013) Best Animated Feature Film of the Year Matthew McConaughey for Dallas Buyers Club (2013) The Croods (2013) Despicable Me 2 (2013) Best Performance by an Actress in a Leading Role Ernest & Celestine (2012) Amy Adams for American Hustle (2013) Frozen (2013) Cate Blanchett for Blue Jasmine (2013) The Wind Rises (2013) Sandra Bullock for Gravity (2013) Judi Dench for Philomena (2013) Best Foreign Language Film of the Year Meryl Streep for August: Osage County (2013) The Broken Circle Breakdown (2012): -
Marginality and the Films of Hal Hartley
The Repetition of Difference: Marginality and the Films of Hal Hartley NEWCAOTLE UNIVErOITY LIDRAfY 200 13901 0 'The\ Lb8L,Jo Lesley Deer PhD Thesis September 2000 Centre for Research into Film The University of Newcastle upon Tyne But you know, everyone really only makes one film in his life, and then he breaks it up into fragments and makes it again with just a few little variations each time. Jean Renoir' 'From preface to Flirt screenplay (Hartley 1996: vii). ACKNOWLEDGEMENT I wish gratefully to acknowledge the Arts and Humanities Research Board of the British Academy for assisting the production of this thesis with a Postgraduate Studentship. Thank you to my supervisor, Prof Phil Powrie, for keeping me on track, to Prof. Keith Reader for mentoring my teaching, and to all of the staff connected to the University of Newcastle upon Tyn&s Centre for Research into Film. Thanks also go to Paul Bishenden, Mike Heath, Celia Shephard, and my family, for their help and support. ABSTRACT THE REPETITION OF DIFFERENCE: MARGINALITY AND THE FILMS OF HAL HARTLEY Hal Hartley is prominent within the recent rise of the independent film-making movement in America. This thesis is centred around the issues of repetition, difference and marginality which characterise his films. Marginality inhabits Hartley's position as an American independent who makes a European art-house style of film. He is an auteur who articulates his influences through his reference to Godard. Marginality is also the dominant characteristic of those who people Hartley's films. Difference, which is marginality pushed to its greatest extent, is further imposed upon Hartley's characters. -
T H E a W a R D S I S S U
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST-PR ODUCTION PROFESSIONALS THE AWARDS ISSUE 1 IN THIS ISSUE THE TRIAL OF THE CHICAGO 7 HILLBILLY ELEGY DEATH ON THE NILE TENET TED LASSO AND MUCH MORE! US $8.95 / Canada $8.95 QTR 4 / 2020 / VOL 70 FOR YOUR CONSIDERATION IN ALL CATEGORIES INCLUDING BEST PICTURE • BEST FILM EDITING TARIQ ANWAR “A CRITICAL KNOCKOUT, KINGSLEY BEN-ADIR ELI GOREE humanizing and celebrating ALDIS HODGE LESLIE ODOM JR. the four icons and all they A REGINA KING FILM stood for” “A POWERFUL DRAMATIC WORK ABOUT FOUR OF THE MOST IMPORTANT FIGURES OF THE 20TH CENTURY. It takes these men and makes them feel fully alive again, and it makes their passions and beliefs feel relevant to today” FOUR LEGENDS. ONE LEGENDARY NIGHT. ACE CINEMA EDITOR MAGAZINE Issue: FYC Due: 11/03/20 Street: 12/07/20 FIN PROJECT: ONE NIGHT IN MIAMI — ACE—CINEMA EDITOR MAG 4C/FP TRIM: 8.50”w X 11.00”h TYPE SAFE: 8.00” X 10.50” FIN / 11.03.20 CLIENT: AMAZON STUDIOS ISSUE 12.07.20 JOB #: 38787:05 BLEED: 8.75”w X 11.25”h MECHANICAL: 100% CONTENTS CINEMAEDITOR 2020 4QTR STOCK FOOTAGE 08 EDITOR'S CUT What’s New! News & Announcements 04 A Message from 10 the Board Aspects of Editing Stepping Stones 37 BY JASON ROSENFIELD, ACE ACE Debuts EditFest Global 20 The new virtual event Tech Corner/ and online portal Where the World launched on Aug. 29 is Going BY HARRY B. MILLER III, ACE 42 ACE Internship 44 Program Cuts We Love Goes Virtual Super 8 BY ADRIAN PENNINGTON FEATURES 26 28 30 Trial of the Chicago 7 Death on the Nile Hillbilly Elegy Alan Baumgarten, ACE, reteams Úna Ní Dhonghaíle, ACE, James Wilcox, ACE, examines with Aaron Sorkin on the is at the scene of the crime family responsibility in Ron writer/director’s historical drama for Kenneth Branagh’s Poirot Howard’s biographical drama BY SCOTT LEHANE BY ADRIAN PENNINGTON BY SCOTT LEHANE 32 34 Tenet Ted Lasso Jennifer Lame, ACE, straps Melissa Brown McCoy and in for Christopher Nolan’s A.J.