Mecklenburg and the Third Rome — the Evocation of Empire T
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Russia's Empress-Navigator
Russia’s Empress-Navigator: Transforming Modes of Monarchy During the Reign of Anna Ivanovna, 1730-1740 Jacob Bell University of Illinois 2019 Winner of the James Madison Award for Excellence in Historical Scholarship The eighteenth century was a markedly volatile period in the history of Russia, seeing its development and international emergence as a European-styled empire. In narratives of this time of change, historians tend to view the century in two parts: the reign of Peter I (r. 1682-1725), who purportedly spurred Russia into modernization, and Catherine II (r. 1762-96), the German princess-turned-empress who presided over the culmination of Russia’s transformation. Yet, dismissal of nearly forty years of Russia’s history does a severe disservice to the sovereigns and governments that formed the process of change. Recently, Catherine Evtuhov turned her attention to investigating Russia under the rule of Elizabeth Petrovna (r. 1741-62), bolstering the conversation with a greater perspective of one of these “forgotten reigns,” but Elizabeth owed much to her post-Petrine predecessors. Specifically, Empress Anna Ivanovna (r. 1730-40) remains one of the most overlooked and underappreciated sovereigns of the interim between the “Greats.”1 Anna Ivanovna was born on February 7, 1693, the daughter of Praskovia Saltykova and Ivan V Alekseyvich (r. 1682-96), the son of Tsar Aleksey Mikhailovich (r. 1645-1676). When Anna was 1 Anna’s patronymic is also transliterated as Anna Ioannovna. I elected to use “Ivanovna” to closer resemble modern Russian. Lindsey Hughes, Russia in the Age of Peter the Great (New Haven, CT: Yale University Press, 1998); Catherine Evtuhov’s upcoming book is Russia in the Age of Elizabeth (1741-61). -
Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №140 November 2019 The Order of the Holy Great Martyr and Victorious George - 250 years anniversary 250 years anniversary of the Imperial Military Order of the Holy Great Martyr and Victorious George The Order of the Holy Great Martyr and Victorious George, the most honourable military order in Russia, was established on December 7 (Old style November 26), 1769, by Empress Catherine the Great. Its motto was “For service and courage”. The Order of St. George was distinguished by its statute among other Russian orders as a reward for personal valour in battle, and the merits for which an officer could be awarded a prize were strictly regulated by the statute: "Neither the high breed, nor the wounds received before the enemy, give the right to be granted this order: but this is given to those who not only corrected their position in everything by oath, honour and duty, but also distinguished themselves by their special what a courageous act, or the wise, and for Our military service, gave useful advice ... This order should never be removed: for it is acquired through merit". The Order had four degrees: 1st degree. The order's badge is a white enamel cross with widening ends and a gold border along the edges. In the middle of the cross, on the medallion, there is the image of the Moscow coat of arms. On the reverse side of the medallion there is a monogram of the saint: "SG". It was weared on a ribbon from should to hip. -
Picador May 2017
PICADOR MAY 2017 HARDCOVER No One Can Pronounce My Name A Novel Rakesh Satyal A humorous and tender multi-generational novel about immigrants and outsiders, those trying to find their place in American society and within their own families In a suburb outside Cleveland, a community of Indian Americans has settled into lives that straddle the divide between Eastern and Western cultures. For some, America is a bewildering and alienating place where coworkers can’t pronounce your name but will eagerly repeat the Sanskrit phrases from their FICTION / LITERARY yoga class. Harit, a lonely Indian immigrant in his mid-forties, lives with his Picador | 5/2/2017 9781250112118 | $26.00 / $37.00 Can. mother who can no longer function after the death of Harit’s sister, Swati. In Hardcover | 400 pages | Carton Qty: 20 a misguided attempt to keep both himself and his mother sane, Harit has 8.3 in H | 5.5 in W taken to dressing up in a sari every night to pass himself off as his sister. Subrights: 1st ser., audio: Picador; Brit., trans., Meanwhile, Ranjana, also an Indian immigrant in her mid-forties, has just dram.: Lippincott Massie McQuilkin seen her only child, Prashant, off to college. Worried that her husband has Other Available Formats: begun an affair, she seeks solace by writing paranormal romances in secret. Ebook ISBN: 9781250112132 When Harit and Ranjana’s paths cross, they begin a strange yet necessary Audio ISBN: 9781427291431 friendship that brings to light their own passions and fears. Reminiscent of Angela Flournoy’s The Turner House, Ayad Akhtar’s MARKETING American Dervish, and Jade Chang's The Wangs vs. -
British, Russian and World Medals Orders and Decorations
British, Russian and World Medals Orders and Decorations To be sold by auction at: Sotheby’s, in the Upper Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1 Day of Sale: Wednesday 10 June 2009 at 10.00 am Public viewing: 45 Maddox Street, London W1S 2PE Thursday 4 June 10.00 am to 4.30 pm Friday 5 June 10.00 am to 4.30 pm Monday 8 June 10.00 am to 4.30 pm Tuesday 9 June Limited viewing – please call for an appointment. Or by previous appointment. Please note that early viewing is encouraged. Catalogue no. 38 Price £10 Enquiries: James Morton or Paul Wood Cover illustrations: Lot 1342 (front); Lot 1095 (back); vide Lot 1264 (inside front cover, portrait reproduced by kind permission of Cheshire Archive and Local Studies); Lot 1114 (inside back cover) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Important Information for Buyers All lots are offered subject to Morton & Eden Ltd.’s Conditions of Business and to reserves. Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”. -
Memoirs of Countess Golovine, a Lady at the Court of Catherine II
LIBRARY I TV OF RNIA V D.A.WHITEttOUSE. , "21, iviELvlLLE RD, EDG. LA COMTESSE GOLOVINE D'APRES UN PORTRAIT PEINT PAR ELLE-MEME (Collection dii Comte Charles Lanijkoro:. MEMOIRS OF COUNTESS GOLOVINE A LADY AT THE COURT OF CATHERINE II TRANSLATED FROM THE FRENCH BY G. M. FOX-DAVIES LONDON DAVID NUTT, 57 TO 59 LONG ACRE 1910 PREFACE ' Is it really worth while publishing them ? Everyone ' has read them already ! a friend said to me in jest, just as, with the gracious assistance of Count Charles Langkoron- ski, the great-grandson of the authoress, I was getting these ' ' Recollections ready for the press. This was merely a jest, not seriously meant, but it nevertheless emphasises one feature which distinguishes Mme. Golovine's work from the many productions of the same class, for, in an age when clandestine literature itself borrows from the press its means of propagation, these ' ' Recollections have reached a very wide public, even before the present edition, to which I nevertheless congratu- late myself that I have devoted great care. I am not alluding only to a Russian translation, published in 1900 by M. Choumigorski, the numerous gaps in which are to be explained by the severities of a censorship that now finds no defenders, nor yet to the numerous extracts, reproduced, many years ago, in various publications in Russia, France, and other countries, but even in MS. ' the Recollections,' since they were first written, passed freely from hand to hand, and a considerable number of copies were made of them. I personally have possessed as many as five, from various sources. -
Iordache Filipescu, the 'Last Great Boyar' of Wallachia and His Heritage
Iordache Filipescu, the ‘last great boyar’ of Wallachia and his heritage: a world of power, influence and goods1 NICOLETA ROMAN The ‘Nicolae Iorga’ Institute of History and New Europe College Bucharest Abstract The ‘‘Nicolae Iorga’’ Institute of History and New Europe College Bucharest This study explores the manner in which two competing empires, the Ottoman Empire and the Russian Empire, acted through material culture and diplomacy to strengthen their influence in a territory lying at the periphery of Europe. To this end, the distribution, rhetoric and reception of the awarding of decorations is analysed, starting from the case of the great Romanian boyar Iordache Filipescu. Wallachia, an Ottoman province under Russian protectorate, in what is today south-eastern Romania, was at a moment of transition on the political level. Attracting loyalties and creating local action networks became diplomatic strategies, and one way in which pro-Ottoman and pro-Russian groupings may be traced in the Romanian space is through the intermediary of decorations. They transpose at the public level merits and services rendered to one of the two powers, but it is necessary to trace at the individual and family level the extent to which loyalty won in this way continued to exist. The message that the decorations transmitted remained a deceptive one: their possession was not equivalent to a transfer of power towards the holder in comparison with his compatriots, just as it did not guarantee complete adherence to the cause of the issuing power. Keywords: Ottoman Empire, Russia, Wallachia, diplomacy Ce nom de Philipesco est le grand nom de la Valachie, et le grand boyard qui le porte, l’idole du Roumain, qui retrouve en lui ce type national qu’il voit s’effacer a regret de jour en jour. -
Culture and Explosion
Culture and Explosion ≥ Semiotics, Communication and Cognition 1 Editor Paul Cobley Mouton de Gruyter Berlin · New York Culture and Explosion by Juri Lotman edited by Marina Grishakova translated by Wilma Clark Mouton de Gruyter Berlin · New York Mouton de Gruyter (formerly Mouton, The Hague) is a Division of Walter de Gruyter GmbH & Co. KG, Berlin. Translated from the edition: Lotman, J. M. 2004. Kul’tura i vzryv. In Juri Lotman, Semios- fera,11Ϫ148. St. Petersburg: Iskusstvo-SPB. First published as: Lotman, J. M. 1992. Kul’tura i vzryv. Moscow: Gnozis. On corrections included in the 2004 edition, see p. 685 of 2004 edition. Footnotes: T. K. Ϫ T. D. Kuzovkina (from 2004 edition). Țȍ Printed on acid-free paper which falls within the guidelines of the ANSI to ensure permanence and durability. Library of Congress Cataloging-in-Publication Data Lotman, IU. M. (IUrii Mikhailovich), 1922Ϫ1993. [Kul’tura i vzryv. English] Culture and explosion / by Juri Lotman ; edited by Marina Gri- shakova ; translated by Wilma Clark. p. cm. Ϫ (Semiotics, communication and cognition ; 1) Includes bibliographical references and index. ISBN 978-3-11-021845-9 (hardcover : alk. paper) ISBN 978-3-11-021846-6 (pbk. : alk. paper) 1. Semiotics. 2. Culture Ϫ Semiotic models. 3. Semiotics and literature. 4. Semantics (Philosophy) 5. Semiotics and the arts. I. Grishakova, Marina. II. Clark, Wilma, 1964Ϫ III. Title. P99.L6713 2009 302.2Ϫdc22 2009027049 ISBN 978-3-11-021845-9 hb ISBN 978-3-11-021846-6 pb ISSN 1867-0873 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de. -
Creating the Empress: Politics and Poetry in the Age of Catherine II
Creating the Empress: Politics and Poetry in the Age of Catherine II j ars rossika series Editor: David BETHEA (University of Wisconsin — madison and Oxford University) Cr Eating thE EmprEss: Politics and Poetry in the Age of Catherine II Vera PROSKURINA B O S T O N / 2 0 1 1 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. The book is supported by Mikhail Prokhorov Foundation (translation program TRANSCRIPT). Copyright © 2011 Academic Studies Press All rights reserved ISBN - 978-1-936235-50-6 Book design by Ivan Grave Published by Academic Studies Press in 2011 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Acknowledgments t is a great pleasure to show gratitude to my colleagues, friends, and institutions for the help I have received in writing this book. -
The Material Culture of the Red Army 1941-1945
Government Issue: The Material Culture of the Red Army 1941-1945 by Brandon Michael Schechter A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in Charge: Yuri Slezkine, Chair John Connelly Victoria Frede-Montemayor Alexei YurchaK Spring 2015 Copyright © 2015 Brandon Michael Schechter All Rights Reserved Abstract Government Issue: The Material Culture of the Red Army 1941-1945 by Brandon Michael Schechter Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair This dissertation uses everyday objects to explore the meaning of the changes in Soviet society during the Great Patriotic War. The war was a fundamental shift in relations between citizen-soldiers and the state. It was also the greatest threat to the survival of the Stalinist state and Soviet people. The state survived by providing soldiers with the necessities and motivation to defend it. The former included rifles, boots, spoons and shovels, while the later encompassed harsh discipline, concern for well-being, and a shift to celebrating the accomplishments of the Russian Empire. All of this played out in objects, from underwear Kept lice free, newspapers and booKs to occupy soldiers' time and lamps to light their bunKers, to the introduction of medals depicting Russian Imperial heroes. Focusing on things (e.g. uniforms, weapons, tools, personal possessions) allows us to see the intersection of ideology and everyday life, of prescription and practice. Every chapter presents a different object or series of objects and uses them to both provide an ethnography of life in the Red Army and to highlight an aspect of the changes that tooK place in Soviet society during the war. -
Welcoming Message to the Media
1 WELCOMING MESSAGE TO THE MEDIA Dear Colleagues! The success of any major event in today’s world depends in large measure on high-caliber, professional and unbiased mass media coverage. This is particularly true of events featuring the participation of world leaders, whose decisions have the power to affect millions of people worldwide. Russia has on numerous occasions demonstrated openness in its interaction with reporters from all over the world on every continent, and pledges to continue in the same tradition. The Moscow Kremlin boasts all of the conditions necessary for the comfortable and professional work of Russian and foreign mass media representatives. However, certain rules have been established that govern the coverage of events attended by heads of state. They are described in the present booklet. Here, you will find all of the information you need on accreditation rules, the technical capabilities of the Kremlin halls, and interesting facts about the Moscow Kremlin, rightfully recognized as one of the nation’s historical landmarks. We look forward to productive cooperation with you. Press Service of the President of the Russian Federation. 2 TABLE OF CONTENTS 4 OBTAINING A MEDIA VISA COVERING EVENTS 6 INVOLVING THE PRESIDENT OF THE RUSSIAN FEDERATION 10 OBTAINING AN ACCREDITATION CARD 11 ADMISSION OF ACCREDITED CORRESPONDENTS TO THE KREMLIN RULES OF CONDUCT 14 ON THE KREMLIN PREMISES 16 GRAND KREMLIN PALACE 18 KREMLIN VENUES: GRAND KREMLIN PALACE GRAND KREMLIN PALACE: 20 RECEPTION HALLS GRAND KREMLIN PALACE 34 MEDIA CENTER 36 THE KREMLIN SENATE KREMLIN VENUES: 38 THE KREMLIN SENATE 40 SENATE: RECEPTION HALLS 50 SENATE MEDIA CENTER 52 HOST BROADCASTER SERVICES 56 CONTACTS 3 GENERAL REGULATIONS FOR FOREIGN JOURNALISTS WORKING IN RUSSIA An employee of a foreign media organization engaged in journalistic activities in Russia is required to have the following documents: 1. -
Peasant Resistance and the Decline of the Horse Population in Soviet Russia
THEY KILL HORSES, DON'T THEY? PEASANT RESISTANCE AND THE DECLINE OF THE HORSE POPULATION IN SOVIET RUSSIA Alanna Demers A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of SELECT ONE: May 2016 Committee: Michael Brooks, Advisor Beth Griech-Polelle Marjorie Hilton Don Rowney © 2016 Alanna Demers All Rights Reserved iii ABSTRACT Michael Brooks, Advisor Russia held the largest population of horses in the world at the beginning of the 1900s. This large horse population would soon be decimated by World War I, the Bolshevik Revolution of 1917, the Russian Civil War, collectivization, and World War II. This thesis will examine the changing relationship between the Russian people and the Russian horse from the end of the nineteenth century through the Soviet period, closely examining the 1930s collectivization period in which Russian peasants slaughtered their horses in resistance to the state-funded collectivization drive. As a result, horses became active participants in the resistance against collectivization. Beginning in the 1950s, the relationship between the Russian horse and Russian people began to change. Russian horses and riders became cultural diplomats for the Soviet Union by competing in international competitions and by breeders exporting Russian horses to countries abroad. The success of the Russian horse abroad became commemorated in the Soviet Union in forms of postage stamps, which allowed the horse to become a commodity and gave everyone in the Soviet Union a chance to interact with horses. While the demise of the Russian horse population due to the horrific events of the early twentieth century, it allowed the Russian horse industry a unique opportunity to start over and make their breeding programs stronger by reviving Russian horse breeds with careful scrutiny. -
La Culture Ne S'hérite Pas Elle Se Conquiert Culture and Explosion
Facebook : La culture ne s'hérite pas elle se conquiert Culture and Explosion ≥ Facebook : La culture ne s'hérite pas elle se conquiert Semiotics, Communication and Cognition 1 Editor Paul Cobley Mouton de Gruyter Berlin · New York Facebook : La culture ne s'hérite pas elle se conquiert Culture and Explosion by Juri Lotman edited by Marina Grishakova translated by Wilma Clark Mouton de Gruyter Berlin · New York Facebook : La culture ne s'hérite pas elle se conquiert Mouton de Gruyter (formerly Mouton, The Hague) is a Division of Walter de Gruyter GmbH & Co. KG, Berlin. Translated from the edition: Lotman, J. M. 2004. Kul’tura i vzryv. In Juri Lotman, Semios- fera,11Ϫ148. St. Petersburg: Iskusstvo-SPB. First published as: Lotman, J. M. 1992. Kul’tura i vzryv. Moscow: Gnozis. On corrections included in the 2004 edition, see p. 685 of 2004 edition. Footnotes: T. K. Ϫ T. D. Kuzovkina (from 2004 edition). Țȍ Printed on acid-free paper which falls within the guidelines of the ANSI to ensure permanence and durability. Library of Congress Cataloging-in-Publication Data Lotman, IU. M. (IUrii Mikhailovich), 1922Ϫ1993. [Kul’tura i vzryv. English] Culture and explosion / by Juri Lotman ; edited by Marina Gri- shakova ; translated by Wilma Clark. p. cm. Ϫ (Semiotics, communication and cognition ; 1) Includes bibliographical references and index. ISBN 978-3-11-021845-9 (hardcover : alk. paper) ISBN 978-3-11-021846-6 (pbk. : alk. paper) 1. Semiotics. 2. Culture Ϫ Semiotic models. 3. Semiotics and literature. 4. Semantics (Philosophy) 5. Semiotics and the arts. I. Grishakova, Marina. II. Clark, Wilma, 1964Ϫ III.