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Historically Black Colleges and Universities
Spring 2021 CLIMATE CHANGE KNOWLEDGE TRANSLATION HISTORICALLYEnlisting Students to Transcribe FROM THE FIELD Historical Climate and Weather Data Engaging Diverse Audiences: For Research: Building Knowledge The Role of Community Radio in Translation Via Classroom-Based Rural Climate Change Knowledge BLACKCitizen Science Page 11 COLLEGESTranslation Page 108 Knowledge Mobilization, Citizen COMMUNITY PERSPECTIVES Science, and Education Page 36 Video Games and Learning About Climate Change Page 122 The Role of Scientific Evidence in Canada’s West Coast Energy STUDENT VOICES ANDConflicts UNIVERSITIESCommunity Is Sustainable Page 136 Page 56 Shaping Lives: The Everyday HeroBOOK REVIEWS Communicating Environmental as Transformative Agent Page 22 Coastal Communities Under Climate Research: Harnessing the Power Change Page 147 of Curation Page 77 Copyright © 2021 by The University of Alabama Division of Community Affairs. All rights reserved. ISSN 1944-1207. Publisher Associate Editor, Book Reviews Editorial Assistant Samory T. Pruitt, PhD Katherine Rose Adams, PhD Diane Kennedy-Jackson Vice President Assistant Professor of Higher Publications Coordinator Division of Community Affairs Education Leadership and Practice Division of Community Affairs The University of Alabama University of North Georgia The University of Alabama Editor Associate Editor, Production Editor/Web Producer Marybeth Lima, PhD Special Issues Karyn Bowen Cliff and Nancy Spanier Rhoda Reddix, PhD Marketing Manager Alumni Professor Associate Professor, Program Division of Community -
Cultural Group Selection Plays an Essential Role in Explaining Human Cooperation: a Sketch of the Evidence
BEHAVIORAL AND BRAIN SCIENCES (2016), Page 1 of 68 doi:10.1017/S0140525X1400106X, e30 Cultural group selection plays an essential role in explaining human cooperation: A sketch of the evidence Peter Richerson Emily K. Newton Department of Environmental Science and Policy, University of California– Department of Psychology, Dominican University of California, San Rafael, CA Davis, Davis, CA 95616 94901 [email protected] [email protected] http://emilyknewton.weebly.com/ www.des.ucdavis.edu/faculty/richerson/richerson.htm Nicole Naar Ryan Baldini Department of Anthropology, University of California–Davis, Graduate Group in Ecology, University of California–Davis, Davis, CA 95616 Davis, CA 95616 [email protected] https://sites.google.com/site/ryanbaldini/ [email protected] Adrian V. Bell Lesley Newson Department of Anthropology, University of Utah, Salt Lake City, UT 84112 Department of Environmental Science and Policy, University of California– [email protected] http://adrianbell.wordpress.com/ Davis, Davis, CA 95616 [email protected] [email protected] Kathryn Demps https://www.researchgate.net/profile/Lesley_Newson/ Department of Anthropology, Boise State University, Boise, ID 83725 [email protected] Cody Ross http://sspa.boisestate.edu/anthropology/faculty-and-staff/kathryn- Santa Fe Institute, Santa Fe, NM 87501 demps/ [email protected] http://scholar.google.com/citations?user=xSugEskAAAAJ Karl Frost Graduate Group in Ecology, University of California–Davis, Davis, CA 95616 Paul E. Smaldino [email protected] https://sites.google.com/site/karljosephfrost/ Department of Anthropology, University of California–Davis, Davis, CA 95616 [email protected] http://www.smaldino.com/ Vicken Hillis Department of Environmental Science and Policy, University of California– Timothy M. -
A Voice of English-Montreal the First Twenty Years of Véhicule Press
A Voice of English-Montreal The First Twenty Years of Véhicule Press, 1973–1993 Amy Hemond Department of English McGill University, Montreal April 2019 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Amy Hemond 2019 Hemond ii Table of Contents Abstract ................................................................................................................................................................ iii Résumé ................................................................................................................................................................. iv Acknowledgements ............................................................................................................................................... v Introduction ........................................................................................................................................................... 6 The Véhicule fonds .................................................................................................................................................. 13 The History of English-Quebec Publishing ............................................................................................................... 16 Discussion ................................................................................................................................................................ 26 Chapter 1: The Poetic Prelude to a Small Press, 1972–1976 ................................................................................ -
Nineteenth-Century Churches in Prince Edward Island and Their Place in the Gothic Revival
ANALYSIS I ANALYSE NINETEENTH-CENTURY CHURCHES IN PRINCE EDWARD ISLAND AND THEIR PLACE IN THE GOTHIC REVIVAL P1' ofessor Ma lcolm rl1ur!by, Ph.D F S A . >MALCOLM THURLBY 1 teaches r-nedi eval art and ar~cflitect:LH' e , and Canadian Bl'Ch!teCLLwe in the Oepar,trnent of Visual Arts. York University . His latest book, Rornonesque Architecture and Sculpture in !!Vales, was published by Loga,;ton P1·ess , Almeley INTRODUCTION fH er efol'dShll'el. 111 ,June 2006. The nineteenth-century churches of Prince Edward Island are relatively well known thanks to the publications of H.M. Scott Smith, Canon Robert Tuck, and Father Art O'Shea. 2 Smith provides a useful starting point for any study of the churches on t he Island. Yet there are some strange omis sions from his books, not least of which are three churches in Charlottetown. First, there is the monumental, one thousand two hundred-seater Trinity Wesleyan Methodist (now United) Church, built in 1863-1864; then, St. Peter's Anglican Cathedral, 1867-1869, and St. James Old Kirk, 1877, both by David Stirling (1822- 1887), one of the most accomplished nineteenth-century architects in the Atlantic provinces. William Critchlow Harris (1854-1913), who apprenticed with Stirling from 1870 to 1875, was respon sible for a large number of churches in Prince Ed ward Island, all of which are carefully documented by Robert Tuck. Art O'Shea provides a com prehensive over view of Roman Catholic churches in Prince Ed ward Island, complete w ith excellent colour photographs. This paper builds on the work of these authors to inves tigate the nineteenth-century churches of Prince Ed ward Island in the context of the Gothic Revival in Canada, Britain, and the United States. -
Discovering Montréal's Religious Heritage 1St Edition
Discovering Discovering Montréal’s Religious Heritage Montréal’s his book is your invitation to discover all the diversity and beauty of the religious heritage of Montréal and its environs, both Heritage Religious Discovering T ancient and modern. Offering 11 inspiring tours and superb photographs, this one-of-a-kind guidebook will reveal the secrets of an exceptionally rich heritage unequalled anywhere else in North America. Montréal’s Whether your exploration is motivated by faith, or an interest in architecture, art or history, Discovering Montréal’s Religious Heritage will guide you to the city’s most remarkable places of worship and Religious Heritage their treasure trove of breathtaking works of art: cathedrals, basilicas, churches, shrines, synagogues, and temples belonging to a wide range of confessions, as well as successfully converted religious buildings that have been given a new lease on life. www.ulyssesguides.com ISBN : 978-2-76581-765-9 (Digital Version) www.ulyssesguides.com Discovering Montréal’s Religious Heritage Research and Writing: Siham Jamaa Photo Credits Cover Page Additional Writing: Pierre Daveluy Detail of a stained-glass window in Église Saint-Philippe Translation and Copy Editing: © Flickr.com/Sandra Cohen-Rose, Colin Rose. The Votive Chapel at Saint Joseph’s Oratory of Mount Royal Elke Love, Matthew McLauchlin © iStockphoto.com/benedek. Maison Saint-Gabriel Additional Translation: Tanya Solari © Maison Saint-Gabriel. Notre-Dame Basilica of Montréal © iStockphoto.com/jasoncowellphoto. Editors: Pierre Ledoux, Claude Morneau Christ Church Cathedral © iStockphoto.com/lyonulka. The Cathedral-Basilica of Mary, Queen of the World Graphic Design Layout: Pascal Biet and Saint James the Great © Dreamstime.com/ Wangkun Jia. -
GEORGE STEPHEN HOUSE 1440 Drummond Street
GEORGE STEPHEN HOUSE 1440 DRUMMOND Street VALUES Historic value • by association with George Stephen, a Scots-born businessman who immigrated to Montreal in 1850 and made his fortune in the textile industry, then became an influential financier and president of the Bank of Montreal in 1876. He had a significant impact on Canada’s history and economy as the first President of the Canadian Pacific Railway from 1881 to 1888. George Stephen House, 2017 © Thomas1313 Wikimedia Com- Architectural value mons • by its ornamentation and its integrity – the house is a remarkable example of late 19th-century NEIGHBOURHOOD bourgeois architecture The Square Mile Cultural value THE SITE • the private club was a part of Montreal business life In 1880, George Stephen, the first president of the – particularly in the anglophone community Canadian Pacific Railway, commissioned architect William Tutin Thomas to construct a mansion on CHARACTER-DEFINING ELEMENTS Drummond Street. Thomas was a well-established • relationship to the street and definition of private Montreal architect; he also designed the Shaughnessy grounds by an elaborate wrought-iron fence House (now part of the Canadian Centre for • the skillful use of greystone (Montreal limestone) Architecture) in 1874. – cut stone1 • Renaissance-inspired ornamentation of the In 1888 the house was occupied by Robert Meighen, building including window surrounds, the George Stephen’s brother-in-law. From 1926 to 2012, balustrades and the portico2 the building was a private club for businessmen known • the domestic nature of the interior plan as the Mount Stephen Club. It was enlarged several • the opulent interior finishes3 including Cuban times – first in 1927 to the south in greystone that mahogany staircase, marble fireplaces, stained- replicated the original winter garden, second a further glass windows addition to the south, then to the north as well as to the rear in the 1950s. -
Q ART THEATRE Q ART 5110 SHERBROOKE STREET WEST, SUITE 9, MONTREAL, QUEBEC, H4A 1T1,CANADA Telephone: (514) 482-7132 E-Mail: [email protected]
Q ART THEATRE Q ART 5110 SHERBROOKE STREET WEST, SUITE 9, MONTREAL, QUEBEC, H4A 1T1,CANADA Telephone: (514) 482-7132 E-mail: [email protected] http://qart.cam.org Brief presented by Q Art Theatre in response to The New Cultural Policy of the City of Montreal 1. Presentation of Q Art Theatre • Mandate of Q Art Theatre • Practices of Q Art Theatre 2. Montreal, its Allophone communities and the Arts 3. New Cultural Policy, the Question of Cultural Diversity and the Artists • “Culture and Those Who Produce It” – Recommendations 18 – 28 • “Here and Elsewhere” – Recommendations 30 –33 • Obstacles – Funding: Conseil des arts de Montréal; Service de la Culture; Boroughs (Festival city vs. development & support of artists and artistic activities; “Ethnic festivals” in boroughs vs. Respect and funding Professional allophone artists; Luxury of major cultural institutions vs. lack of affordable space for artistic creations) 4. Commitments to professional artists 5. List of Propositions 6. Benefits and Conclusion 7. Members of Q Art Theatre, List of Attachments Q Art Theatre: Brief Page: 1 2. Presentation of Q Art Theatre Q Art Theatre is a Montreal based small alternative, intercultural, experimental theatre operating in NDG without a space, performing in English. Q Art Theatre was registered in Montreal in 1995, and became a not-for-profit charitable organization shortly after that. Mandate of Q Art Theatre Q Art Theatre’s mission is directed toward the education and enlightenment of the public, to promote an interest and awareness of theatre as a medium for social and moral issues not only for the committed theatregoer but also for the public at large. -
A Service-Based Systems View of Cultural Heritage
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Barile, Sergio; Montella, Massimo; Saviano, Marialuisa Article A service-based systems view of cultural heritage jbm - Journal of Business Market Management Provided in Cooperation with: jbm - Journal of Business Market Management Suggested Citation: Barile, Sergio; Montella, Massimo; Saviano, Marialuisa (2012) : A service- based systems view of cultural heritage, jbm - Journal of Business Market Management, Freie Universität Berlin, Marketing-Department, Berlin, Vol. 5, Iss. 2, pp. 106-136, http://nbn-resolving.de/urn:nbn:de:0114-jbm-v5i2.166 This Version is available at: http://hdl.handle.net/10419/66006 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available -
Danse + Théâtre À L'avant-Garde Depuis Toujours
Danse À l’avant-garde + Théâtre depuis toujours Du 23 mai 12e édition Montréal au 7 juin 2018 fta.ca Messages de / A word from David Lavoie + Martin Faucher ...................................................... 2 Messages des partenaires publics / A word from Public Partners .........................................4 PHANTOM STILLS & VIBRATIONS Lara Kramer ...................................................................................... 12 6 & 9 Tao Ye ................................................................................................................................................................ 16 KINGS OF WAR Shakespeare + Ivo van Hove ..................................................................................................... 18 TIJUANA Gabino Rodríguez ...................................................................................................................................20 UNTIL OUR HEARTS STOP Meg Stuart ....................................................................................................... 24 DARK FIELD ANALYSIS Jefta van Dinther .................................................................................................... 26 OBLIVION Sarah Vanhee ...................................................................................................................................... 28 UNION OF THE NORTH Matthew Barney + Valdimar Jóhannsson + Erna Ómarsdóttir ...............................30 BLEU Jean-Sébastien Lourdais .................................................................................................................................32 -
Une Évaluation De La Vulnérabilité Sismique Des Églises Du Québec
ÉCOLE DE TECHNOLOGIE SUPÉRIEURE UNIVERSITÉ DU QUÉBEC MÉMOIRE PRÉSENTÉ À L’ÉCOLE DE TECHNOLOGIE SUPÉRIEURE COMME EXIGENCE PARTIELLE À L’OBTENTION DE LA MAÎTRISE EN GÉNIE DE LA CONSTRUCTION M.Ing. PAR Suze YOUANCE UNE ÉVALUATION DE LA VULNÉRABILITÉ SISMIQUE DES ÉGLISES DU QUÉBEC MONTRÉAL, LE 17 MARS 2010 © Suze Youance, 2010 PRÉSENTATION DU JURY CE MÉMOIRE A ÉTÉ ÉVALUÉ PAR UN JURY COMPOSÉ DE : Mme Marie-José Nollet, directeur de mémoire Département de génie de la construction à l’École de technologie supérieure M. Frédéric Monette, président du jury Département de génie de la construction à l’École de technologie supérieure M. Omar Chaallal, membre du jury Département de génie de la construction à l’École de technologie supérieure Mme Ghyslaine McClure, examinateur externe Département de génie civil à l’Université Mc Gill IL A FAIT L’OBJET D’UNE SOUTENANCE DEVANT JURY ET PUBLIC LE 16 FÉVRIER 2010 À L’ÉCOLE DE TECHNOLOGIE SUPÉRIEURE REMERCIEMENTS C’est un plaisir de remercier toutes les personnes qui m’ont soutenue et encouragée durant mes études de maîtrise contribuant ainsi à la réussite de ce retour aux études. Tout d’abord, mes sincères remerciements à ma directrice de recherche, Mme Marie-José Nollet, Ph.D., pour sa disponibilité, son appui financier mais aussi sa grande patience. Mes remerciements s’adressent également à l’équipe de la chaire de recherche en patrimoine urbain de l’Université du Québec à Montréal, à son directeur, M. Luc Noppen, au Conseil du patrimoine religieux du Québec et à l’architecte Pierre Beaupré qui m’ont fourni la documentation essentielle à ma recherche. -
People's Yellow Pages No. 3
Arcmtl Scan 2015 11101TIEAL PEOPLE'S YEL.-J\-I PAGES EGG PUBLISHING P.O. BOX 100 STATION 'G' MONTREAL, QUEBEC Arcmtl Scan 2015 EDITOR E. Garth G ilker GRAPHIC DESIGN Suzanne de Guise E. Garth G ilker Craie Campbell COVER Madelon Lacombe ILLUSTRATION Cynthia A. Olendzenski Suzanne de Guise Madelon Lacombe PHOTOGRAPHY Every effort has been made to ensure Craig Campbell the accuracy of the entries in the E. Garth G ilker Montreal Peoples Yellow Pages, Vol.3. PROOFING Neither the printer, the publishers or Sandi Beebe the authors hold themselves out as being responsible for the accuracy of POETRY & STORIES any entry and they hereby disclaim any Midnight-Gallery 2 I Steven Sky liability (whether in contract or in tort) A Gentle Parody I John McCauley attaching to any of them the conse The Apocalyptic Bus I J. Graham quences of any inaccuracy (whether) Waterfall I Carol Leckner negligent or not). None of the above I Grant Judd TYPESETTING Cooperative d'imprimerie Vehicule Many thanks to friends, Montrealers, and small businesses for supporting our idea. ©EGG PUBLISHING MONTREAL, QUEBEC Arcmtl Scan 2015 ABORTION 2 ACCOM. ADDRESS 2 ACCOMODA TION 4-5 ACUPUNCTURE 5 AIR TRAVEL 5 AMUSEMENT PARKS 5 ANIMALS 5 ANTIQUES 7 AREAS 7 ART GALLERIES 7-B ART MATERIALS 9 ARTISANS 9 B BABY SITTING 10 BADGE & BUTTON PRODUCERS 10 BAKERIES 10 BASKETS 10 BATHS 11 BEADS 11 BICYCLE HIRE 11 BICYCLE TRANSPORT 11-12 BICYCLE SHOPS 12 BICYCLE AUCTION 11 BLACK PEOPLE ORGANIZATIONS 12 BOOKSHOPS 12-1:3 BRASSERIES 13 BUSES (CITY) 14 BUSES (INTER-CITY) 14 c CABANE A SUCRE 14 CAMPING SITES 15 CAMPING EQUIP. -
New Approaches to Sound-Based Mapping Eric Powell a Thesis in the Department of Communication Stud
Hearing Motion in the Moment: New Approaches to Sound-based Mapping Eric Powell A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication) at Concordia University Montreal, Quebec, Canada January 2019 © Eric Powell, 2019 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Eric Powell Entitled: Hearing Motion in the Moment: New Approaches to Sound-based mapping and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Communication) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Peter Rist External Examiner Dr. Line Grenier External to Program Dr. Jill Didur Examiner Dr. Jonathan Sterne Examiner Dr. Sebastien Caquard Thesis Supervisor Dr. Kim Sawchuk Approved by Dr. Jeremy Stolow, Graduate Program Director March 13, 2019 Dr. André Roy, Dean Faculty of Arts and Science ABSTRACT Hearing Motion in the Moment: New Approaches to Sound-based Mapping Eric Powell, Ph.D. Concordia University, 2019 This dissertation frames and describes my research-creation project, which involved building three interactive sound-based mapping interfaces that challenge how we listen to and make meaning from urban sounds. Old Montreal’s Acoustic Labyrinth is a marble-maze game that allows listeners to explore a simultaneous recording of the Basilica Notre Dame’s bells from six different locations. Street Ears, a GPS-enabled smartphone app, gives listeners the opportunity to navigate the acoustic environments of two Montreal neighbourhoods—from anywhere in the world.