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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Noble Rot Meets Ecstatic Synth- Poppers Hot Chip Words by Dan Keeling Photographs by Benjamin Mcmahon
Words by Dan Keeling Noble Rot Photographs by meets ecstatic synth- SHOOT FROM THE CHIP SHOOT Benjamin McMahon poppers Hot Chip “Gordon Ramsay used to cook here a long time ago,” says Hot Chip’s Joe Goddard, reading the menu at Chez Bruce in Wandsworth. “When I last ate here, a friend from uni was working in the kitchen and I absolutely loved it.” To Joe’s left, fellow band member Al Doyle is enjoying his first drink of the evening – Vouette & Sorbée ‘Saignée de Sorbée’ Champagne – after a day rehearsing in a nearby studio for the band’s imminent support headline slot at Hackney’s All Points East festival. With their new album heralding a high point in their long career (it’s their seventh), the aptly titled A Bath Full of Ecstasy has a blend Dan Keeling: Do you cook at home? Joe Goddard: I cook all the time. I’ve got a Green of synth melodies, bouncing house basslines Egg barbecue and cook a lot of seafood, as well as buying a lot of nice wines from Bottle Apostle to try and soulful vocals that makes it one of our to pair with it. I’m interested in the weirder side of wine. This Vouette & Sorbée reminds me of a records of the year at Rotter Towers. Imagine delicious sparkling red from near Barcelona that I’ve been drinking recently called La Rosita by Pamela Geddes. It’s dry and fruity: it tastes like sparkling Erasure jamming with Daft Punk, Laid Back and Ribena to me, and I’m into that! Frankie Knuckles in a lift, and you might be Al Doyle: It’s delicious and quite unusual – it almost tastes like Pét-Nat rather than Champagne. -
The Quality of Recorded Music Since Napster: Evidence Based on The
Digitization and the Music Industry Joel Waldfogel Conference on the Economics of Information and Communication Technologies Paris, October 5-6, 2012 Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster AND And the Bands Played On: Digital Disintermediation and the Quality of New Recorded Music Intro – assuring flow of creative works • Appropriability – may beget creative works – depends on both law and technology • IP rights are monopolies granted to provide incentives for creation – Harms and benefits • Recent technological changes may have altered the balance – First, file sharing makes it harder to appropriate revenue… …and revenue has plunged RIAA Total Value of US Shipments, 1994-2009 16000 14000 12000 10000 total 8000 digital $ millions physical 6000 4000 2000 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Ensuing Research • Mostly a kerfuffle about whether file sharing cannibalizes sales • Oberholzer-Gee and Strumpf (2006),Rob and Waldfogel (2006), Blackburn (2004), Zentner (2006), and more • Most believe that file sharing reduces sales • …and this has led to calls for strengthening IP protection My Epiphany • Revenue reduction, interesting for producers, is not the most interesting question • Instead: will flow of new products continue? • We should worry about both consumers and producers Industry view: the sky is falling • IFPI: “Music is an investment-intensive business… Very few sectors have a comparable proportion of sales -
ART. MUSIC,Erc. Tamer Vea
Cover: Meryl 5treep by Ted Qu inlan _,,,.., -- ............ ~ ........... BPM Must Stand for ·FEA T'URES Big Pathetic Mess: Monotonous, Tedious, Disgustulous Jesse Myserson and Noah Weston .... SMOG Re-Opens Page 23 Grace Owyer ... Pa ge 4 -- The Observer - Cooper and Dhavemas Save "Breach" Conference Honors 50th from Melodrama February 2007 Joey Lee ... Page 24 Volume 1. Issue. 1 Anniversary of Hungarian Revolu tion Rachel Meade .. Page 6 Media Concerns Tackled at Conference ......_..ART. MUSIC,Erc. Tamer Vea ... Page 8 Music Reviews Untitled Landscapes #1-4 Andrew Worthington and Ted Quinlan A Photo Essay .. Page 26 Mekko Harjo ... Page 10 Sexy Singles Your Club Shouldn't Get Money Fiona Cook .. Page 28 No, Really, It Shouldn't Noah Weston .. Page 12 Sex Column Genevieve Lynch ... Page 29 Report on New Orleans Stephen Tremaine ... Page 14 COMIC.. .Page 30 Letters to the Editor... Page 1 6 Art of Glass BACK PAGE / Jason Mastbaum ... Page 17 Fox News Ticker Scrolf'Ouring Life Imitates Geeky Science Fiction And Video Of Anna Nicole Smith in Clown What This Means for the Future Makeup Michael Newton ... Page 31 Or. Mischa Nachtigal ... Page 20 .- ~ er nearly six months of delays peering through the windows of the new side and growing skepticism as to door. Confusion as to what to make of the new the likelihood of renovation ever pavilion ensued as several times throughout the eaching completion. SMOG re night the door was raised to create a larger space pened this past Saturday to but then lowered again as the crowd inside mixedA student reactions. complained of the cold. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Lcd Soundsystem This Is Happening Free Download Album LCD Soundsystem - This Is Happening FLAC Download
lcd soundsystem this is happening free download album LCD Soundsystem - This Is Happening FLAC download. Produced for The DFA in 2009/2010 Mastered at Chicago Mastering Service Recorded @ the Manshun and DFA. This Is Happening is dedicated to the memory of Jerry Fuchs, the very best of us, and to his amazing and loving family, who are our family now. Comes in a gatefold card sleeve with regular English booklet plus supplementary black & white Japanese booklet with lyrics and obi. Includes two bonus tracks (track: 10, 11). Warner Music Reissue of 2012 release. Other versions. Category Artist Title ( Format ) Label Category Country Year DFA 22503, 509993 09903 2 6 LCD Soundsystem This Is Happening (CD, Album) DFA, Virgin DFA 22503, 509993 09903 2 6 US 2010 50999 309903 2 6 LCD Soundsystem This Is Happening (CD, Album) Parlophone 50999 309903 2 6 Philippines 2010 none LCD Soundsystem This Is Happening (CDr, Album, Promo) EMI Music Ireland none Ireland 2010 50999 648781 2 6 LCD Soundsystem This Is Happening (CD, Album) Gala Records , DFA, Parlophone 50999 648781 2 6 Russia 2010 5099963370522 LCD Soundsystem This Is Happening (CD, Album, Gat) EMI Music Australia Pty. Limited, Parlophone, DFA 5099963370522 Australia 2010. Tracklist. 1 Dance Yrself Clean 2 Drunk Girls 3 One Touch 4 All I Want 5 I Can Change 6 You Wanted A Hit 7 Pow Pow 8 Somebody's Calling Me 9 Home. Companies, etc. Phonographic Copyright (p) – DFA Copyright (c) – EMI Records Ltd. Licensed To – EMI Records Ltd. Distributed By – EMI Music Australia Pty Ltd. Notes. This Is Happening produced by James Murphy for the DFA in 2009/2010 Mixed by James Murphy and Dave Sardy Mastered by Bob Weston at Chicago Mastering Service. -
LCD Soundsystem This Is Happening
LCD Soundsystem This Is Happening Tracklist: 1. Dance Yrself Clean 6. You Wanted A Hit 2. Drunk Girls 7. Pow Pow 3. One Touch 8. Somebody’s Calling Me 4. All I Want 9. Home 5. I Can Change Back in print, the classic third LCD Soundsystem LP. Of the many arresting moments that fill LCD Soundsystem’s This Is Happening, perhaps the most unexpected comes less than halfway through album opener “Dance Yrself Clean.” The seemingly unassuming, low-key rumble of a song morphs from its mumbled beginnings into an outsized flash of synth ballast and Release Info: wailing vocals. The sudden shift is like the flicking on Catalog Number: DFA2250 of a light, the perfect example of frontman-songwriter- Formats: 2xLP mastermind James Murphy’s effortless balance of restraint Release Date: October 14, 2014 and release, organic rock and electro pop, and muted cool LP UPC: 829732225013 and vibrant emotion. This study in contrasts pervades LCD Vinyl is non-returnable. Soundsystem’s third, and possibly final, release--an album Territories: US / Canada / Mexico only where Murphy refracts images of heartbreak and longing Genre: Indie, Electronic through the scattered light of a disco ball. Box Lot: 26, 2 boxes of 13 Label Contact Email: [email protected] The cautious observations and honest reveals that follow Recommended if Talking Heads, The Fall, New are literally and figuratively quieter moments than that you like: Order, The Rapture initial blare. On “All I Want,” against a wall of whirling guitar, Murphy recognizes a relationship that can’t be saved, and instead asks for “your pity” and “your bitter Points of Interest: tears.” “Home” shuffles over pulsing keys and bubbling 1. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Hey T—Here Observations With-In a Social Choreography Initiative Urban Anatomies Teleport
2020 THESIS _hey t—here observations with-in a social choreography initiative Urban Anatomies Teleport PIETARI KÄRKI MASTER’ S DERGEE PROGRAMME IN CHOREOGRAPHY UNIARTS HELSINKI DATE: ABSTRACT 29.3.2020 AUTHOR MASTER’S OR OTHER DEGREE PROGRAMME Pietari Kärki The Master’s Degree Program in Choreography NUMBER OF PAGES + APPENDICES IN THE WRITTEN TITLE OF THE WRITTEN SECTION/THESIS SECTION _hey t—here – observations with-in a social choreography 86 pages (78 + 8) initiative Urban Anatomies Teleport TITLE OF THE ARTISTIC SECTION Urban Anatomies Teleport published 13 September 2019 www.urbananatomiesteleport.net The artistic section is produced by the Theatre Academy. The abstract of the final project can The final project can be published Yes be published online. This Yes online. This permission is granted permission is granted for an for an unlimited duration. No No unlimited duration. This written thesis follows processes where social questions yield artistic practices, that I call tools. In addition to this document being a thesis, this is a journal, and an open access archive, and a toolkit. I have written this thesis keeping in mind a not-too-long-ago moment in time when I was working as a dancer and felt a desperation for the lack of tools and know-how to work with people in a way that is socially sustainable. Thus, this thesis works partly with questions that span much longer temporalities than the frame of these MA studies. I open the thesis with the question I seem to have embraced the longest in my life: what is it to be good to one another? Thus, my intention is to indicate how artistic questions are embedded in life. -
HOWL 2.0 for Fixoid I I Saw the Best Minds of My Generation Destroyed
HOWL 2.0 For Fixoid I I saw the best minds of my generation destroyed by tumblr, blogging hysterical naked, dragging themselves through the 4chan threads at dawn looking for some tranny dicks, angelheaded hipsters burning for the facebook heavenly connection to the starry dynamo in the machin- ery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of lcd screens floating across the tops of desks contemplating gifs, who bared their brains to Google Map how to get under the El and saw Cory Arcangels staggering on boing- boing posts illuminated, who passed through universities with radiant cool eyes hallucinating Lauren Conrad and Blake Lively among the scholars of blog, who were expelled from the EFnets for crazy & publishing obscene odes on the Windows of the 95, who cowered in unshaven chatrooms in underwear, burn- ing their CDs in wastebaskets and listening to the SouljaBoy Thru The Phone, who got busted in pubic forums returning through Flickr with a belt of JPG's for ffffound, who made fire in MS paint intels or drank martinis in Silicon Valley, death, or purgatoried their inbox night after night with Delicious, with Dashboard, with waking nightmares, Re- dbull and cock and endless balls online, incomparable blind; tweets of Amazon cloud and lightning in the modem leaping toward poles of Adam4Adam, illuminating all the mo- tionless world of internet Time between, P2P solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops, storefront boroughs of -
Ufos: How Does One Speak to a Ball of Light?
UFOs: How Does One Speak to A Ball of Light? by Paola Leopizzi Harris Preface by Dr. Michael Salla, Ph.D. Foreword by Pascal Riolo Text and photographs Copyright © 2006 and 2011 Paola Leopizzi Harris. All Rights Reserved. "The 'Ball of Light' Phenomena in Italy" Copyright © 2005 Adriano Forgione, X-Publishing, Italy. Used by Permission. All Rights Reserved. No portion of this book may be reproduced of used in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior written permission of the author. Cover art and concept: Alberto Forgione X-times Magazine: Fenix Publishing Manuscript Editors: Brent Smith, Lucie Blanchard Cover Design: Carolyn Oakley, Luminous Moon Design Kindle Edition This book is dedicated to all those who are working towards full Disclosure: Alberto, Paolo, and Adriano Forgione and all those in Fenix Publishing; UFO researcher and Editor of Area 51 Magazine Maurizio Baiata; translators and transcribers Lavinia Pallotta,Teresa Barbatelli and Dawn Bissell. To all those whose vision and dedication has no bounds: Helen Littrell; my webmasters Giovanni Zavarelli (Italy), Alejandro Rojas, C. Travis Towe and Carolyn Oakly in the USA. And finally, to all in this book who chose to reveal the truth about the extraterrestrial presence on Earth. You are the courageous ones. Table of Contents 1. Preface: Protocols for Future Contact 2. Foreword: Liaison Between Off-planet Cultures and Our Governments 3. Introduction: Back to the Future 4. Back to the Future: An Update Section One: Back to the Past 5. The Man Who Started It All: Interview with Kim Arnold, Daughter of Kenneth Arnold 6.