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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Novell Corporate Presentation Template 2007
Too Many Metas A high level look at building a metadata desktop ●Joe Shaw ●[email protected] Overview • About me – Dashboard – Beagle desktop search • “Metadata solution” -- what's the problem? • A few statements (facts?) about metadata • The existing technologies related to metadata • The problem of applications siloing their data 2 © Novell Inc. All rights reserved No dissolving of solids in liquids here • Solutions in search of problems • Letting technologies dictate our behavior instead of use cases and user benefit • Good examples of user benefit: Neil J. Patel's Nautilus metadata panels; Leaftag's tagging widgets; Deskbar's searching of tags 3 © Novell Inc. All rights reserved Nautilus metadata view 4 © Novell Inc. All rights reserved Beagle search tool 5 © Novell Inc. All rights reserved Leaftag and Deskbar From http://raphael.slinckx.net/blog/2006-03-06/deskbar-and-leaftag-last-exit 6 © Novell Inc. All rights reserved Nautilus today 7 © Novell Inc. All rights reserved 1. “Metadata” is a generic term that covers a vast spectrum of information. 8 © Novell Inc. All rights reserved Much meta makes me mad · File size · Tags · MIME type · Bitrate · Custom icons · Page number · Shutter speed · License · Genre · URLs · Subject · Extended attributes · Start time · Layout information · Provides · Phone number · File name · Location · Language · Links to other documents 9 © Novell Inc. All rights reserved 2. Metadata is decentralized and can be categorized many different ways. 10 © Novell Inc. All rights reserved The Life and Times of an MP3 · Example: No Cars Go.mp3 > File size: 8250875 > MIME type: audio/mpeg > Artist: Arcade Fire > Album: Neon Bible > Title: No Cars Go > Track Number: 10 > Duration: 5 minutes, 43 seconds > Year: 2007 > Bitrate: 192 > Tags: Favorite > Download URL: http://joeshaw.org/banshee-web/No%20Cars%20Go.mp3 11 © Novell Inc. -
The Neon Bible Free
FREE THE NEON BIBLE PDF John Kennedy Toole | 176 pages | 24 Nov 2000 | Grove Press / Atlantic Monthly Press | 9780802132079 | English | New York, United States The Neon Bible () - Rotten Tomatoes Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. The Neon Bible tells the story of David, a young boy growing up in a small Southern town in the s. David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we pa The Neon Bible tells the story of David, a young boy growing The Neon Bible in a small Southern town in the s. Through it we The Neon Bible his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole. John Kennedy Toole, The Neon Bible won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunceswrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
CIBL Hors D'elle-Même
Mai 2007, volume 2, numéro 4 CIBL Radio-Montréal lauréate de la CIBL hors « Station de radio communautaire de l’année », d’elle-même aux Rencontres de l’ADISQ CIBL Radio-Montréal continue d’être CIBL Radio-Montréal 101,5 FM a belle récompense remise par l’in- Radio-Montréal désire devenir la présent sur la scène montréalaise. En remporté le 19 avril dernier, les dustrie de la musique. CIBL Radio- référence en information montréa- honneurs dans la catégorie « Montréal a à coeur, depuis plus de laise et citoyenne, tant politique, se déplaçant en différents lieux de la Station de radio communautaire de 26 ans, la diversité musicale et se culturelle que sociale, en harmonie métropole, la station contribue à faire l’année – marchés central et régio- fait un devoir de refléter cette avec la riche diversité multicultu- diversité tout en offrant aux entendre nombre de manifestations, nal » aux Rencontres québécoises relle de la métropole. d’artistes ou d’enjeux importants dans de l’industrie de la musique 2007 de artistes de la scène émergente une l’ADISQ. « Ce n’est que le début, porte d’entrée vers une carrière CIBL souhaite remercier ses parte- le quotidien de citoyens de l’île. Venez clandestinement la station est déjà prometteuse. naires, bénévoles, membres et nous rencontrer et participer à cet en feu », souligne Éric Lefebvre, « CIBL se veut une station de radio auditeurs qui font de la station un effort puisque plus on est de fous… directeur général de CIBL Radio- implantée dans son milieu et sa carrefour d’idées et un espace de débats citoyens important au plus on diffuse. -
Manifestations of Interactivity in Music and Their Commercial Potential in the Music Industry’S Contemporary Political Economy
Manifestations of interactivity in music and their commercial potential in the music industry’s contemporary political economy by George Morahan A research paper submitted to the University of Dublin, in partial fulfillment of the requirements for the degree of Master of Science Interactive Digital Media 2015 Declaration I declare that the work in this research paper is, except where otherwise stated, entirely my own work and has not been submitted as an exercise for a degree at this or any other university. signed: ________________________________ George Morahan date: 15th May 2015 1 Permission to lend and/or copy I agree that Trinity College Dublin may lend or copy this research paper upon request. signed: ________________________________ George Morahan 2 Acknowledgements I would like to thank my supervisor, Marguerite Barry, for her encouragement and firm guidance. I would also like to thanks the rest of the IDM 2014-15 class for the mania we have shared as well as my family for their understanding and support in the face of utter neglect these past eight months. For Lorraine and Stevie. 3 Table of contents 1. Introduction 6 1.1. Definitions of interactivity 6 1.2. Concept definition of interactive music video 7 1.3. Interactive music software within the purview of this research paper 8 1.4. Research objectives 9 2. The literature on the political economy of the music industry 10 2.1. Record industry as music industry 10 2.2. Music networks and diversification into auxiliary industries 13 2.3. Imagining the future music industry 16 2.4. Artist vs. Industry attitudes 17 2.5. -
Duke of Edinburgh Award the Book of Everything K-6 Explore the Mountains
PIN OAK ISSUE 49: TERM 1, MARCH 24, 2017 OXLEY COLLEGE DUKE OF THE BOOK OF K-6 EXPLORE THE EDINBURGH EVERYTHING MOUNTAINS AWARD Contents My Rip Rap* Headmaster’s Report 3 Based on the Year 10 Geography Field work Excursion to the 4 Big Issue Illawarra Coast. Sitting on the bus for an hour and a half, everyone talking, the rain 5 Take Inspiration pouring, dropping off Mr Spies’ students, lots or people walking to watch the rollers breaking, do some drawing, the sea gulls squawking, 6 K - 6 News plants growing (on the dunes), some of them dying… Warilla beach was windy, the rocks had been falling, we saw the 7 More K-6 cliff erosion, and heard the noises of nature, waves smashing like a hammer, and we had the best ocean view, but buildings on the cliffs 8 Feature Article will eventually falter and you will see them no more, and parks on the water, waves are going to eventually destroy them too, and that’s the 10 Deputy Head Reports end of my rap review. On the Branch 11 *A ‘Rip Rap’ wall is a type of sea defence 12 Old Oxleyan By Thomas Walters-Whyte 13 What’s happening...in the World 14 Gallery 15 Calendar Creative Writing : Last Words (continued) 16 Newsflash Just one more minute. Just one more minute. I was bouncing in my seat causing the teacher to give me a disapproving stare. But I didn’t care. My mind was going in circles. Why was my father there? Why Pin Oak Team was he smiling? Did he kill the man? God I just wanted to go home. -
When Did You Last See Your Father?
WHEN DID YOU LAST SEE YOUR FATHER? Directed by Anand Tucker Starring Colin Firth Jim Broadbent Juliet Stevenson Official Selection 2007 Toronto International Film Festival East Coast Publicity West Coast Publicity Distributor IHOP Block Korenbrot Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax Visit the website at: www.whendidyoulastseeyourfathermovie.com Short Synopsis When Did You Last See Your Father? is an unflinching exploration of a father/son relationship, as Blake Morrison deals with his father Arthur’s terminal illness and imminent death. Blake’s memories of everything funny, embarrassing and upsetting about his childhood and teens are interspersed with tender and heart- rending scenes in the present, as he struggles to come to terms with his father, and their history of conflict, and learns to accept that one’s parents are not always accountable to their children. Directed by Anand Tucker (Hilary and Jackie), from a screenplay by David Nicholls, adapted from Blake Morrison’s novel of the same name, the film stars Colin Firth, Jim Broadbent, Juliet Stevenson, Gina McKee, Claire Skinner, and Matthew Beard. Long Synopsis Arthur Morrison (Jim Broadbent), and his wife Kim (Juliet Stevenson), are doctors in the same medical practice in the heart of the Yorkshire Dales, England. They have two children, Gillian (Claire Skinner), and her older brother Blake (Colin Firth)Blake is a forty - year-old established author, married with two children and confronted with the fact that his father is terminally ill. -
While Crafting Songs for the Fray's Third Album
THE SHINS Album: „Port Of Morrow“ (VÖ 16.3.2012) Drei Alben in zehn Jahren - The Shins gehören ganz offensichtlich nicht zu jenen Bands, die ihre Umwelt mit Veröffentlichen zuspammen. Mit einer Wartezeit von fünf (!) Jahren, die seit dem Grammy-nominierten Lonyplayer „Wincing The Night Away“ ins Land gegangen sind, wurde die Geduld ihrer zahlreichen Fans diesmal allerdings auf eine ziemlich harte Probe gestellt. Ein wenig Trost spendete in der Zwischenzeit u.a. das Broken Bells-Debütalbum, das Sänger und Songwriter James Mercer zusammen mit dem Musiker und Produzenten Danger Mouse aufnahm. Nun steht der Erscheinungstermin des vierten Shins-Albums endlich fest: „Port Of Morrow“ wird hierzulande ab dem 16. März erhältlich sein. Die zehn Songs des Album, darunter die Vorabsingle „Simple Song“, entstanden im vergangenen Jahr in Los Angeles und Portland unter der Regie von Greg Kurstin (Lily Allen, Peaches, P!nk, The Flaming Lips, Marina And The Diamonds u.a.), der zu einigen Stücken auch Keyboards, Gitarre und Bass beisteuerte. Gemischt wurde „Port Of Morrow“ von Rich Costey (Muse, Franz Ferdinand, Bloc Party etc.). Wie gewohnt wurden alle Songs des Albums von James Mercer geschrieben, der neben Gitarre und Gesang auch an Steelgitarre, Percussion und Glockenspiel zu hören ist. Außerdem wirkten Joe Plummer, Janet Weiss, Dave Hernandez, Marty Crandall, Eric D. Johnson, Ron Lewis und Nik Freitas an den Aufnahmen mit. Das Coverartwork stammt von Jacob Escobedo, zu dessen Klientel in den vergangenen Jahren u.a. Gnarls Barkley, Broken Bells, Vampire Weekend und R. Kelly zählten. Die ersten Konzerte im Rahmen der Veröffentlichung von „Port Of Morrow“ geben The Shins im April 2012 in den USA (13.04. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
Pitchfork Media's Textual and Cultural Impact
CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE A Thesis Presented to the Faculty of the Graduate School at the University of Missouri- Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by EMILY BRASHER Dr. Stephanie Craft, Thesis Supervisor DECEMBER 2013 The undersigned, appointed by the Dean of the Graduate School, have examined the thesis entitled CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Presented by Emily Brasher A candidate for the degree of Master of Arts And hereby certify that in their opinion it is worthy of acceptance. Professor Stephanie Craft Professor Mary Kay Blakely Professor Andrew Hoberek Professor Lynda Kraxberger To my family, for always believing in me. ACKNOWLEDGEMENTS I would like to thank Dr. Stephanie Craft for all of her support and patience though this process. The road was long—there were a few address changes and even a name change along the way—but Dr. Craft spurred me on until the journey reached a happy end. My deepest thanks also to Dr. Mary Kay Blakely, Dr. Andrew Hoberek, and Dr. Lynda Kraxberger, for bearing with me through it all. Thanks to Dr. Betty Winfield for getting me started, and to Ginny Cowell and Martha Pickens for their invaluable advice and help. ii CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Emily Brasher Dr. Stephanie Craft, Thesis Supervisor ABSTRACT The main purpose of this research is to demonstrate how cultures and subcultures can be created and disseminated through media, and how newer forms of media such as websites can have a tangible effect on the content of older forms of media such as print magazines.