HOWL 2.0 for Fixoid I I Saw the Best Minds of My Generation Destroyed

Total Page:16

File Type:pdf, Size:1020Kb

HOWL 2.0 for Fixoid I I Saw the Best Minds of My Generation Destroyed HOWL 2.0 For Fixoid I I saw the best minds of my generation destroyed by tumblr, blogging hysterical naked, dragging themselves through the 4chan threads at dawn looking for some tranny dicks, angelheaded hipsters burning for the facebook heavenly connection to the starry dynamo in the machin- ery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of lcd screens floating across the tops of desks contemplating gifs, who bared their brains to Google Map how to get under the El and saw Cory Arcangels staggering on boing- boing posts illuminated, who passed through universities with radiant cool eyes hallucinating Lauren Conrad and Blake Lively among the scholars of blog, who were expelled from the EFnets for crazy & publishing obscene odes on the Windows of the 95, who cowered in unshaven chatrooms in underwear, burn- ing their CDs in wastebaskets and listening to the SouljaBoy Thru The Phone, who got busted in pubic forums returning through Flickr with a belt of JPG's for ffffound, who made fire in MS paint intels or drank martinis in Silicon Valley, death, or purgatoried their inbox night after night with Delicious, with Dashboard, with waking nightmares, Re- dbull and cock and endless balls online, incomparable blind; tweets of Amazon cloud and lightning in the modem leaping toward poles of Adam4Adam, illuminating all the mo- tionless world of internet Time between, P2P solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops, storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree vibrations in the roaring winter dusks of Brook- lyn, ashcan rantings and kind king light of mind, who chain lettered themselves to email for the endless ride from Blogspot to holy Blogger on common meme until the noise of hard drives and hamster dances brought them down shuddering mouse-wracked and battered bleak of brain all drained of brilliance in the drear light of .ZIP, who sank all night in submarine light of Rhizome floated out and sat through the stale gif after noon in desolate Nastynets, listening to the crack of M.F Doom on the Pandora jukebox, who blogged continuously seventy hours from bed to desk to kitchen to toilet to desk to the App- le Store, lost battalion of platonic conversationalists tweeting on the stoops on fire escapes on windowsills on Empire State out of the moon, on Empire State out of the moon, ROTFL screaming vomiting whispering facts and memories and anecdotes and eyeball kicks and shocks of YTMND's and YouTube's and Space Ghetto posts, whole intellects disgorged in Total Recall for seven days and nights with brilliant eyes, memes for the Ad Agency cast on the pavement, who vanished into nowhere Zen Live Journal leaving a trail of ambiguous picture postcards of Triangles In Space, suffering Email sweats and Terabyte disk-grind- ings and products of China under dirtstyle-with- drawal in notcot's bleak furnished room, who wandered around and around at midnight in the MySpace blog wondering where to go, and went, leaving no broken hearts, who lit cigarettes at keyboards keyboards keyboards racketing through spam toward lonesome render farms in Bang- ladesh night, who studied Zuckerberg Jobs Duke Nukem of the Disk telep- athy and bop DFA records because the cosmos in- stinctively vibrated at their fingers in iTunes, who loned it through the booksmarks of J.O.D.I seeking vis- ionary internet angels who were visionary internet angels, who thought they were only mad when Ballmer gleamed in supernatural ecstasy, who jumped in bandwagons with the Dipset of No- homo on the impulse of winter midnight torrent light smalltown rain, pause who lounged hungry and lonesome through Gawker seeking news or sex or soap, and followed the brilliant Segal to converse about LOL Cats and Shaq, a hopeless task, and so took ship to The Pirate Bay, who disappeared into the volcanoes of GeoCities leaving behind nothing but the shadow of dancing gifs and the Java and ASP of poetry scattered in fire place Homested, who reappeared on the Kanye West Blog investigating the M.I.A in leggings and shorts with big pacifist eyes sexy in their dark skin sending out incom- prehensible Facebook invites, who burned Trapped in the Closet DVDs in their drives protesting the third season of Flavor of Love, who distributed Macromedia warez in Lime Wire weeping and undressing while the sirens of Lars Ulrich wailed them down, and wailed down Kazaa, and the Soulseak users also wailed, who broke down crying in blue screens of death naked and trembling before the machinery of other skeletons, who SurfTheChannel streamed The Wire and shrieked with delight in Aeron chairs for committing no crime but the shows own wild cooking pederasty and intoxication, who howled on their knees in the office and were dragged off the their desk waving Blackberrys and power- points, who let themselves be fucked in the ass by saintly fixed gear cyclists, and screamed with joy, who blew and were blown by those human seraphim, the hipsters, caresses of Bushwick and East Williamsburg love, who balled in the morning in the evenings in coffee shops and the Dolores parks and free WiFi spots scattering their semen freely to whomever come who may, who hiccuped endlessly trying to giggle but wound up on the FAIL blog behind some Epic Fail subpar post when cute overload kitties and puppies came to pierce them with a sword, who lost their Lonelygirl15's to the three old shrews of fake Greg Goodfriend, the one eyed shrew of the heterosexual dollar Ramesh Finders, the one eyed shrew that winks out of the womb and Miles Beckett, the one eyed shrew that does nothing but sit on his ass and snip the intellectual golden threads of the craftsman's loom, who masturbaited ecstatic and insatiate with a bookmark list of free porn a Redtube vid a Megarotic NSFW vid a clip- hunter vid and fell off their chair, and continued along the floor and down the hall and ended fainting on the wall with a vision of ultimate cunt and come eluding the last gyzym of consciousness, who downloaded the snatches of a million girls trembling in the sunset, and were red eyed in the morning but prepared to twitpic the snatch of the sun rise, flashing buttocks under barns and naked in the lake, who went out whoring through miseed connections in Nerve.com stolen virgin-cards, Tuker Max, secret hero of these poems, cocksman and Adonis of Douchebag-joy to the memory of his innumerable lays of girls in empty lots & bougie backyards, movie house parties Beatrice Inns, on rooftops in cubicles or with gaunt Public Relations chicks in familiar L train lonely pet- ticoat upliftings & especially secret podcast-stations solipsisms of johns, & midtown alleys too, who faded out in vast sordid MPEGs, were Ctl Alt Deleted in dreams, woke on a sudden Brooklyn, and picked themselves up out of basements hung over with Heartless mp3s and horrors of Xzibit Yo Dawg memes & stumbled to unemploy- ment websites, who blogged all night with their socks full of crud on their OS X docks waiting for a door in the blogosphere to open to a room full of Friend Requests and YouTube hits, who listened to Suicidal Tendancies on the apartment cliff-banks of the Hudson under the World Trade Center blue floodlight of the boom & their heads shall be crowned with turban in oblivion, who ate the Value Meals of the Dollar Menu or digested the iced lumps at the muddy bottom of the rivers of McFlurry, who wept at My Chemical Romance and The Streets with their iPods full of Onion podcasts and bad music, whose files sat in dropboxes breathing in the darkness under the 2GB file limit, and finally were downloaded to blare MSTRKRFT in their roommate cluttered lofts, who coughed up nakid pix on the fourth chan of /B/ crowned with flame wars under the carpal tunnel sky surrounded by orange crates of theology cliff notes, who typed all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish, who saw rotten.com animals lung heart feet tail Seinfeld & Taco Bell dreaming of the Terri Schiavo kingdom, who plunged themselves under Whole Foods trucks looking for a wireless signal, who threw their Storm™ 9530's off the roof to V-Cast their ballot for Eternity outside of Technology, & alarm clocks fell on their heads every day for the next decade, who got on Gawker three times successively unsuccess- fully, gave up and were forced to open thrift stores where they thought they were growing old and cried, who were burned alive in their innocent Prada shoes on Madison Avenue amid blasts of leaden verse & the tanked-up clatter of the Ad Age Daily emails of fashion & the nitroglycerine shrieks of the fairies of advertising & the mustard gas of sinis- ter intelligent Art Directors, or were run down by the drunken taxicabs of Absolut Reality campaigns, who signed off the Media Bistro list this actually hap- pened and trolled away unknown and forgotten into the ghostly daze of Chinatown soup alley ways & EBT, not even one free beer, who sang out of their Windows 7 in despair, fell out of the subway Windows XP, jumped in the filthy Red- hat, leaped on Snow Leopard, cried all over the manual, danced on broken Linux distros barefoot smashed 5.25 floppies of nostalgic Mac OS 7.1.2P floppies finished the Repair Disk Permissions and threw up groaning into the Disk Warrior, moans in their ears and the blast of colossal spindle whistles, who barreled down the information super highways of the past journeying to each other's keynote-Golgotha
Recommended publications
  • Lcd Soundsystem This Is Happening Free Download Album LCD Soundsystem - This Is Happening FLAC Download
    lcd soundsystem this is happening free download album LCD Soundsystem - This Is Happening FLAC download. Produced for The DFA in 2009/2010 Mastered at Chicago Mastering Service Recorded @ the Manshun and DFA. This Is Happening is dedicated to the memory of Jerry Fuchs, the very best of us, and to his amazing and loving family, who are our family now. Comes in a gatefold card sleeve with regular English booklet plus supplementary black & white Japanese booklet with lyrics and obi. Includes two bonus tracks (track: 10, 11). Warner Music Reissue of 2012 release. Other versions. Category Artist Title ( Format ) Label Category Country Year DFA 22503, 509993 09903 2 6 LCD Soundsystem This Is Happening ​ (CD, Album) DFA, Virgin DFA 22503, 509993 09903 2 6 US 2010 50999 309903 2 6 LCD Soundsystem This Is Happening ​ (CD, Album) Parlophone 50999 309903 2 6 Philippines 2010 none LCD Soundsystem This Is Happening ​ (CDr, Album, Promo) EMI Music Ireland none Ireland 2010 50999 648781 2 6 LCD Soundsystem This Is Happening ​ (CD, Album) Gala Records , DFA, Parlophone 50999 648781 2 6 Russia 2010 5099963370522 LCD Soundsystem This Is Happening ​ (CD, Album, Gat) EMI Music Australia Pty. Limited, Parlophone, DFA 5099963370522 Australia 2010. Tracklist. 1 Dance Yrself Clean 2 Drunk Girls 3 One Touch 4 All I Want 5 I Can Change 6 You Wanted A Hit 7 Pow Pow 8 Somebody's Calling Me 9 Home. Companies, etc. Phonographic Copyright (p) – DFA Copyright (c) – EMI Records Ltd. Licensed To – EMI Records Ltd. Distributed By – EMI Music Australia Pty Ltd. Notes. This Is Happening produced by James Murphy for the DFA in 2009/2010 Mixed by James Murphy and Dave Sardy Mastered by Bob Weston at Chicago Mastering Service.
    [Show full text]
  • Download R Kelly 12 Play Album Zip
    Download R Kelly 12 Play Album Zip 1 / 4 Download R Kelly 12 Play Album Zip 2 / 4 3 / 4 In 1993, R. Kelly made his solo debut on the scene after playing the role of front man of the group Public Announcement just a year before.. R. Kelly-12 Play Full Album Zip -- DOWNLOAD (Mirror #1) c11361aded The Buffet is the thirteenth studio album by American R& . Missing The .... R Kelly - Happy People + U Saved Me (2004)☔☔S.A Music On Datafilehost + ... SA Hip Hop Download Music Links Storage 3rd Re-Up ... R Kelly - R (1998)☔☔S.A Music On Datafilehost + Zippyshare☔☔.zip ... R Kelly - Trapped In The Closet (Chapters 1-12) [Edited] (2005)☔☔S.A Music On Datafilehost + .... Back In The Hood Of Things, 11. Sadie, 12. Sex Me (Part 1 & 2), 13. 12 Play. ... 12 Play. R. Kelly. 13 tracks. Released in 1993. Hip Hop. Download album.. My Wife S Murder Movie Free Download In Hindi Hd 1080pBhool Bhulaiyaa Tamil ... DownloadR Kelly Chocolate Factory Album Zip >> http://shurll.com/b4u1q .... 12 Play | R. Kelly to stream in hi-fi, or to download in True CD Quality on Qobuz.com.. This track is R. Kelly - 12 Play. It appears to be listed as Track 12 from 12 Play [Album] released in 1993 .... Latest albums by R. Kelly. The Demo Tape by R. Kelly. Play. The Demo Tape · 12 Nights Of Christmas by R. Kelly. Play. 12 Nights Of Christmas · The Buffet .... Jump to Studio albums - American R&B singer-songwriter and child molester R. Kelly has released ... 12 Play.
    [Show full text]
  • An Analysis of Religious Extremism Through Memoir
    Union College Union | Digital Works Honors Theses Student Work 3-2021 An Analysis of Religious Extremism Through Memoir Sydney Lewis Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Arts and Humanities Commons Recommended Citation Lewis, Sydney, "An Analysis of Religious Extremism Through Memoir" (2021). Honors Theses. 2397. https://digitalworks.union.edu/theses/2397 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Lewis i An Analysis of Religious Extremism Through Memoir By Sydney Lewis * * * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of English UNION COLLEGE March, 2021 Lewis ii ABSTRACT LEWIS, SYDNEY: An Analysis of Religious Extremism Through Memoir Department of English, March 2021. ADVISORS: Professor Jennifer Mitchell and Professor Anastasia Pease This thesis investigates the physical and mental factors extremist religious organizations, such as the Westboro Baptist Church, Church of Scientology and Fundamentalist Mormonism use to decrease the chance of members’ departure from their institutions. These factors include familial relationships, physical and mental limitations, and restricted exposure to society outside of the religious organization. The following memoirs illustrate and expose these difficulties and how the female authors overcome these limitations: Educated by Tara Westover, Beyond Belief: My Secret Life Inside Scientology and My Harrowing Escape by Jenna Miscavige Hill and Unfollow: A Memoir of Loving and Leaving the Westboro Baptist Church by Megan Phelps-Roper.
    [Show full text]
  • Hey T—Here Observations With-In a Social Choreography Initiative Urban Anatomies Teleport
    2020 THESIS _hey t—here observations with-in a social choreography initiative Urban Anatomies Teleport PIETARI KÄRKI MASTER’ S DERGEE PROGRAMME IN CHOREOGRAPHY UNIARTS HELSINKI DATE: ABSTRACT 29.3.2020 AUTHOR MASTER’S OR OTHER DEGREE PROGRAMME Pietari Kärki The Master’s Degree Program in Choreography NUMBER OF PAGES + APPENDICES IN THE WRITTEN TITLE OF THE WRITTEN SECTION/THESIS SECTION _hey t—here – observations with-in a social choreography 86 pages (78 + 8) initiative Urban Anatomies Teleport TITLE OF THE ARTISTIC SECTION Urban Anatomies Teleport published 13 September 2019 www.urbananatomiesteleport.net The artistic section is produced by the Theatre Academy. The abstract of the final project can The final project can be published Yes be published online. This Yes online. This permission is granted permission is granted for an for an unlimited duration. No No unlimited duration. This written thesis follows processes where social questions yield artistic practices, that I call tools. In addition to this document being a thesis, this is a journal, and an open access archive, and a toolkit. I have written this thesis keeping in mind a not-too-long-ago moment in time when I was working as a dancer and felt a desperation for the lack of tools and know-how to work with people in a way that is socially sustainable. Thus, this thesis works partly with questions that span much longer temporalities than the frame of these MA studies. I open the thesis with the question I seem to have embraced the longest in my life: what is it to be good to one another? Thus, my intention is to indicate how artistic questions are embedded in life.
    [Show full text]
  • The Last Gay Man on Earth -- Can the Mainstreaming of a Culture Be Responsible for Its Demise?
    City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-16-2016 The Last Gay Man on Earth -- Can the mainstreaming of a culture be responsible for its demise? Muri Assunção Cuny Graduate School of Journalism How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/162 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Last Gay Man on Earth Can the mainstreaming of a culture be responsible for its demise? by Muri Assunção My life-changing moment happened at the summer of 2016, at The Pavilion. The brighter-than-usual strobelights probably had something to do with it, I wasn't sure, but at that moment my entire gay life flashed before my eyes: the Madonna concerts, the weekends in South Beach, the passion fruit margaritas on 8th Avenue, the $950 pair of Dita sunglasses. I was in the middle of a dance floor full of shirtless muscled torsos, with still hours of friends, fun and fabulousness ahead of me. I also had a boyfriend whom I loved, and who loved me back—when did that ever happened? Besides, I still held on to my 29” waist, 43 years and counting, and I was not letting it go. My life was homo-textbook perfection. But still, something was missing. After spending the weekend listening to Daniel—the one who loved me back— make fun at the recent baby trend in the gay community that was taking over Fire Island (“by ‘watersports’ now, they mean ‘beach soccer’”), it suddenly hit me: the only thing better than holding a Puncher’s Punch cocktail at the island's legendary Tea Dance, would be to hold a newborn close to my chest, and to hear the words: “DADA.” I wanted to have a child.
    [Show full text]
  • Can We Have Some Mo' Wax Please!
    Can We Have Some Mo’ Wax Please! Bittles‘ Magazine | Mo’Wax Records While browsing in my local book shop the other day I came across the recently published ›Mo’Wax Urban Archaeology: 21 Years of Mo’Wax Recordings‹. A mighty tome of a book, it chronicles the life and times of this beloved label, through meticulous design, a lot of love and some beautiful artwork. For former beatheads like myself it is a wonderful read, and quickly makes you nostalgic for the plethora of great songs they released over the years. By JOHN BITTLES So enamoured was I in fact that upon getting home I immediately spent a rather pleasant evening tracking down my old records, and then re-enveloping myself in the smoke filled world of ›Mo’ Wax‹ . The book chronicles a time in the middle of the 1990s when a strange, yet wonderful thing began to happen. The furious bleeps of rave, techno and drum & bass that had dominated the nation’s dancefloors began to give way to something a little more subtle and sedate. Labels like ›Ninja Tune, Pussyfoot and Mo’ Wax‹ began to release records of jazzy interludes and laid back beats. And these tunes weren’t for dancing! No, they were for nodding your head to, playing on headphones, or for lying down on the settee smoking a big, fat spliff. Mo’ Wax Please‹ , to give the label its full name, was founded in 1992 by James Lavelle and Tim Goldsworthy (who later went on to form ›DFA Records‹ with James Murphy, fact fans). Within two short years the label would become synonymous with the, hastily coined, trip hop sound that was taking over the nation’s hearts, clubs and bars.
    [Show full text]
  • The Closet Creature by Kelly Hashway
    Name: ______________________________________ The Closet Creature By Kelly Hashway Bump! Bump! Scratch! Adam opened his eyes and pulled the covers up to his chin. He stared around his room, searching the darkness for the thing that was making those scary sounds. The closet door moved as something banged on it from the inside. “Who’s there?” Adam asked in a shaky voice. The closet slowly began to open. Adam jumped out of bed and ran to the closet door, slamming it shut with his palms. He grabbed his desk chair and propped it against the door handle. Then he ran out of his room and down the hall. His brother’s door was wide open, and Adam jumped onto David’s bed. “Adam?” David asked in a groggy voice. “What are you doing in here?” Adam tugged on David’s arm. “There’s something in my closet!” “You probably had a bad dream. Go back to bed.” Adam yanked the blankets off the bed. “It wasn’t a dream. I was awake, and the closet door started opening by itself!” David sighed. “Fine. But when we don’t find anything, you have to promise to leave me alone for the rest of the night.” Adam nodded. David reached into his desk drawer and pulled out a flashlight. Then they headed to Adam’s room. Adam stopped in the Super Teacher Worksheets - www.superteacherworksheets.com doorway. He could hear something scratching his closet door. “Do you hear that?” Adam asked. David nodded. He walked over to Adam’s bed and pulled the case off one of the pillows.
    [Show full text]
  • Queens Park Music Club
    Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop.
    [Show full text]
  • Sound:Frame Katalog. Dimensions
    3 dimensions 2 dimensions stellt 2010 den künstlerischen Umgang mit Räumlichkeiten und DIMENSIONS speziell die audio:visuelle Bespielung dreidimensionaler, skulpturaler Eva Fischer Strukturen in den Vordergrund. Architektonischer Raum kann erst in einem zeitlichen Ablauf wahr- genommen werden. Man muss ihn durchschreiten, die Blickrichtung „Raum und Zeit nehmen schon, ändern. Man muss ihn haptisch erfahren und körperlich wahrnehmen, wenn man sie lediglich als „Objekte“ der Erkenntnis fasst, um ihn in seiner Ganzheit und in seiner gesamten Präsenz erfassen eine besondere und ausgezeichnete Stellung ein: zu können. Heinrich Wölfflin beschreibt im Jahr 1886, dass alleine die sie bilden innerhalb des architektonischen Baues der Erkenntnis körperliche Selbsterfahrung die räumliche und materielle Wahrnehmung die beiden Grundpfeiler, die das Ganze tragen und das Ganze ermöglicht: „Körperliche Formen können charakteristisch sein nur zusammenhalten“1 dadurch, dass wir selbst einen Körper besitzen. Wären wir bloß optisch Ernst Cassirer, 1931 auffassende Wesen, so müsste uns eine ästhetische Beurteilung der Körperwelt stets versagt bleiben. Als Menschen aber mit einem Leibe, der uns kennen lehrt, was Schwere, Kontraktion, Kraft usw. ist, sammeln wir an uns die Erfahrungen, die uns erst die Zustände fremder Gestalten mitzuempfinden befähigen ... in unserer Selbsterfahrung liegt allein die Erklärung.“2 Die audio:visuellen künstlerischen Zugänge, von denen ich im dimensions befasst sich mit diesen Körperlichkeiten. Auf der einen Folgenden sprechen möchte, vereinen, sei es in der Performance Seite steht der Raum als Ausgangspunkt, der alles umgibt, auf den oder in installativen Ausformungen, folgende Dimensionen: das Subjekt einwirken kann, indem es ihn füllt und umgestaltet. In einer permanenten Wechselwirkung wirkt auch er sich auf das Subjekt > die Leinwand als zweidimensionale Bildfläche, die durch Pro- aus.
    [Show full text]
  • ORDER FORM FULL Pdfcd
    JAZZ ARTIST TITLE LABEL RETAIL BILK, ACKER STRANGER ON THE SHORE-BEST OF GNP CRESCENDO RM59.00 CAINE, ELLIOTT - SEXTET HIPPIE CHICKS ON ACID (LIVE AT ALVA WONDERCAP RM63.00 DJ BONEBRAKE TRIO THE OTHER OUTSIDE WONDERCAP RM63.00 GRADY, KRAIG BEYOND THE WINDOWS PERHAPS AMONG TH TRANSPARENCY RM48.00 HARLEY, RUFUS BAGPIPES OF THE WORLD TRANSPARENCY RM61.00 HARLEY, RUFUS RE-CREATION OF THE GODS TRANSPARENCY RM61.00 JONES, NORAH COME AWAY WITH ME (BONUS DISC) BLUE NOTE RM132.00 LEONARDSON, ERIC & STEVE BARSOTTI RAREBIT TRANSPARENCY RM48.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.1 (FAL TRANSPARENCY RM61.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.2 (WIN TRANSPARENCY RM61.00 MINGUS, CHARLES THE LEAVES JAZZ CAT RM67.00 MONK, THELONIOUS SOULVILLE JAZZ CAT RM67.00 MORGAN, LEE AFTER THE LIGHTS JAZZ CAT RM67.00 OMER, PIERRE - SWING REVUE SWING CREMONA VOODOO RHYTHM RM78.00 PATCHEN, KENNETH READS HIS POETRY WITH JAZZ TWO-BEAT BEATNK RM61.00 PUSSYWARMERS, THE THE CHRONICLES OF... VOODOO RHYTHM RM78.00 ROACH, MAX & CLIFFORD BROWN IN CONCERT GNP CRESCENDO RM59.00 ROYAL CROWN REVUE KINGS OF GANGSTER BOP BYO RM53.00 SUN RA DANCE OF THE LIVING IMAGE (L.R. 4) TRANSPARENCY RM61.00 SUN RA LIVE AT THE ELECTRIC CIRCUS/NEWPORT TRANSPARENCY RM62.00 SUN RA THE CREATOR OF THE UNIVERSE TRANSPARENCY RM61.00 SUN RA THE ROAD TO DESTINY (LOST REEL 6) TRANSPARENCY RM55.00 SUN RA THE SHADOWS TOOK SHAPE (LOST REEL 3 TRANSPARENCY RM61.00 SUN RA THE UNIVERSE SENT ME (LOST REEL 5) TRANSPARENCY RM55.00 SUN RA UNTITLED RECORDINGS TRANSPARENCY
    [Show full text]
  • Atlantic Crossing
    Artists like WARRENAI Tour Hard And Push Tap Could The Jam Band M Help Save The Music? ATLANTIC CROSSING 1/0000 ZOV£-10806 V3 Ii3V39 9N01 MIKA INVADES 3AV W13 OVa a STOO AlN33219 AINOW AMERICA IIII""1111"111111""111"1"11"11"1"Illii"P"II"1111 00/000 tOV loo OPIVW#6/23/00NE6TON 00 11910-E N3S,,*.***************...*. 3310NX0A .4 www.americanradiohistory.com "No, seriously, I'm at First Entertainment. Yeah, I know it's Saturday:" So there I was - 9:20 am, relaxing on the patio, enjoying the free gourmet coffee, being way too productive via the free WiFi, when it dawned on me ... I'm at my credit union. AND, it's Saturday morning! First Entertainment Credit Union is proud to announce the opening of our newest branch located at 4067 Laurel Canyon Blvd. near Ventura Blvd. in Studio City. Our members are all folks just like you - entertainment industry people with, you know... important stuff to do. Stop by soon - the java's on us, the patio is always open, and full - service banking convenience surrounds you. We now have 9 convenient locations in the Greater LA area to serve you. All branches are FIRSTENTERTAINMENT ¡_ CREDITUNION open Monday - Thursday 8:30 am to 5:00 pm and An Alternative Way to Bank k Friday 8:30 am to 6:00 pm and online 24/7. Plus, our Studio City Branch is also open on Saturday Everyone welcome! 9:00 am to 2:00 pm. We hope to see you soon. If you're reading this ad, you're eligible to join.
    [Show full text]
  • Edition 6 Press Release
    DREAM THE END ANNOUNCES MUSIC VIDEO PREMIERE THE RAPTURE’S “IN THE GRACE OF YOUR LOVE” AND EDITION 6 THE MUSIC EDITION WITH GUEST EDITOR JONATHAN GALKIN FEBRUARY 14, 2012 - DREAM THE END is excited to announce the music video premiere for “In The Grace of Your Love” the title track from The RAPTURE’s new album. Inspired by 1960’s French films and James Turrell light spaces, the shoot took place in a Chelsea studio with Creative Director Melissa Jones and her partner Markus Griesshammer behind the camera. The video for “In The Grace of Your Love” will premiere at an intimate event at Rose Bar at The Gramercy Park Hotel on Valentine’s Day night, followed by a special live performance from the band. The video will launch online exclusively on DreamTheEnd.com February 14 at 10:30 p.m. EST. “We created Dream The End to be a platform for art, music, and words to be enjoyed harmoniously in one space online. The RAPTURE video project was the perfect fit for our first production. We are excited to collaborate with Rose Bar at The Gramercy Park Hotel for the video premiere, its extensive modern art collection and exclusive live music sessions made it the perfect venue for the launch of our collaboration,” says Melissa Jones, Creative Director for Dream The End / DTE Studio. The RAPTURE mixes influences from post-punk, acid house, disco, and electronica. The band is known for pioneering the post-punk revival in the early 2000’s and incorporating dance and electronic elements into their sound.
    [Show full text]