DOCSLIB.ORG

Rapid River Magazine January 2008

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rapid River Magazine January 2008 RAPID RIVER ARTS & CULTURE MAGAZINE PREVIEW Lotus Announces their “Copy Paste Repeat” Tour Look For “Escaping Sargasso Sea” and “Copy Paste Repeat: Lotus Remixed” In Stores Now or those waiting for a concert BY CLAIRE TONELSON experience with the dynamics of a rock band (read: no laptops), the dance inducing rhythms of club spontaneously on stage. Restraining music, and the sophistication of from flaunting their individual chops, modern electronica, an unlikely Lotus builds compositions on catchy Fmusical alternative has arrived in the melodies and heavy grooves. form of the band Lotus. The five-piece band has creatively Formed at a Mennonite college that fused electronic dance music with had banned on-campus dancing as late instrumental post-rock for eight years. as the 1980’s, Lotus brings their club- The result is an explosive live show that worthy beats and rocking instrumental has made crowds get down across the anthems to theaters throughout the US, Canada, and Japan. Armed with a country this fall. No glow-stick brace- massive light rig and one of the most lets, pretentious Can trivia, or expensive bonic Tonic’ for fans to create their own energetic shows on the circuit, Lotus distressed fashion required. remix and submit for review. The site will proves why they have become a go-to act In January 2008, Lotus embarks on feature the band’s favorite submissions. for late night festival slots. their “Copy Paste Repeat” tour, which Visit www.lotusvibes.com for details. celebrates the release of Copy Paste Copy Paste Repeat: Lotus Remixed Repeat: Lotus Remixed, an album the comes on the heels of the band’s most If you go band released this past November. The recent live album, Escaping Sargasso Sea, released May 2007, is a double-disc Lotus and Asheville, North Carolina recording offers 12 remixes by renowned favorites Telepath producers including DFA Records artist live album that draws from two previous Juan Maclean, DJ Harry, and Lotus’s own studio albums, Nomad and The Strength Thursday, January 24th at 9:00pm, Jesse Miller. Lotus’s post/electro/dancer- of Weak Ties, along with never before Doors open at 8:00 ock is deconstructed and reassembled into released material. From the post/math- Tickets $10 Advance, $12 day of show / club ready dance, dub, glitch-hop, and rock of “When H Binds to O” to the Ages 18+ Welcome. IDM tracks. slippery dance beats of “Wax,” this collec- Orange Peel, 101 Baltimore Avenue, ® The band’s website is currently offer- tion shows Lotus’s ability to deconstruct, in Asheville. For more information please Rapid River ing up the source files for the track ‘Bu- stretch, and rebuild their compositions visit www.theorangepeel.net presents a new column... Joe’s Folk Veteran Bill Staines Live at Mountain Spirit Coffeehouse! he much appreciated and highly Staines gained notoriety as a song- Brew Notes BY JAMES CASSARA successful Mountain Spirit Cof- writer in 1966 when Randy Burns and the feehouse series continues with Skydog band recorded his first original a show by Folk veteran and Red song, “That’s the Way It’s Going to Go in “Kookaburra.” Over the past two decades House Records artist Bill Staines. Time”. He released his debut album, Bag Staines’ songs have been featured in four The New Hampshire based song- of Rainbows, the same year. songbooks: If I Were a Word Then I’d Twriter will be celebrating the release of Staines initially attracted national Be a Song (Folk-Legacy, 1980), All God’s Old Dogs, his first CD of new material in attention with his yodeling. In 1975, he Critters Got a Place in the Choir (Puffin, over three years. won the prestigious National Yodel- 1989), River (Viking, 1993) and Music to It’s a collection of folk/country songs ing Championship at the Kerrville Folk Me (Hal Leonard, 1994). He is truly an that were inspired by years of touring Festival in Kerrville, Texas. His 1976 original and revered voice in the world of America’s highways; creating a simple, album Miles included the ballad, “Sweet traditional folk. spacious sound that is reminiscent of the Wyoming Home” which has since become Old Dogs features all-new originals artist’s earlier recordings. A performer and a signature song of sort. A self-taught, and covers by such notable songwriters as recording veteran whose career has now finger style, acoustic guitarist, Staines was Guy Clark, Norman Blake, John Stewart The brew tanks spanned four decades, Staines’ music has heavily influenced by the playing of Jackie and Elizabeth Cotten. As always Staines at French Broad Brewery. long reflected the central themes of the Washington and Tom Paxton. Staines uses lends his voice and guitar to stories that American landscape. a right handed Martin D-18 guitar that he echo across the mountains, rivers and Local Craft Beers and the His ability to write tunes that seem turns over and plays left handed. open prairies. like traditional folksongs has long made Staines’ song, “A Place in the Choir Best Places to Enjoy Them him a favorite source of new material. (All God’s Critters)” has become a - See Page 29 Staines’ original tunes, including “The children’s music classic. In 1993, he If you go Roseville Fair,” “River,” “Wild, Wild released an album of children’s songs, Heart,” “Yellowstone Winds” and “A Place The Happy Wanderer, that included “The Sunday, January 6th – 7:00 pm Unitarian NEXT MONTH: The French in the Choir (All God’s Critters),” have Hound Dog Song” and “I Can Feel the Broad Brewery and its exciting Universalist Church of Asheville, 1 Edwin neighbor, The Garage at Biltmore been covered by such artists as Nanci Sweet Winds Blowing (Bless My Soul)” Place, Asheville. — the beer, the music, and the folks Griffith, Jerry Jeff Walker, Grandpa Jones, as well as interpretations of “Home on For tickets and show information: (828) who love both. Fairport Convention, and Mason Williams. the Range,” “The Gypsy Rover” and 254-6001 January 2008 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 11, No. 5 Lotus Announces their “Copy Paste Repeat” Tour Folk Veteran Bill Staines Live at Mountain Spirit Coffeehouse! Rapid River ® ARTS & CULTURE MAGAZINE Volume Eleven, Number Five Established in 1997 Distributed at over 390 locations throughout eight counties in WNC and South Carolina Publisher/Editor: Dennis Ray JANUARY 2008 Managing Editor: Beth Gossett www.rapidrivermagazine.com Art Director: Dennis Ray Print Production: Simone Bouyer Marketing: Dennis Ray Inside Staff Photographer: Dennis Ray Accounting: Sharon Cole 5 Cover Book Editor: Marcianne Miller Asheville Lyric Opera presents Film Editor: Marcianne Miller Lucia di Lammermoo Distribution: Dennis Ray CONTRIBUTING WRITers 10 Columns H. Byron Ballard, Tim Brandon, Roxane Clement . 10 Sierra Bicking, Jenny Bunn, MariJo Moore . 1 James Cassara, Roxane Clement, Peter Loewer . 13 Lonnie Darr, Amy Downs, Bill Walz . 7 Ann Dunn, Heidi Foss, Joe Zinich . 9 Beth Gossett, RoseLynn Katz, Mackensy Lunsford . 31 Chip Kaufmann, Michelle Keenan, Christine Kloostra, Peter Loewer, 7 Art Mackensy Lunsford, Fine Arts League . 7 Marcianne Miller, Folk Art Center . 8 MariJo Moore, April Nance, Blue Spiral . 9 Advertising Made Simple: Michael F. Parker, Dennis Ray, Merrimon Gallery . 11 Jonathan Rich, John M. Rose, Gallery 86 . 39 Eric Scheider, Taryn Strauss, Claire Tonelson, Kay Waldrop, 14 Music Bill Walz, Joe Zinich. CD Reviews . 1 Free web links Ruby Slippers . 15 INFO Tyler Ramsey . 3 Free ad design Rapid River Art Magazine is Richard Thompson . 35 a free monthly publication. Easy monthly billing Address correspondence to: 16 Books [email protected] H. Byron Ballard . 16 Free listing of events or write to: John M. Rose . 17 Rapid River Art Magazine, Marcianne Miller . 18-0 and much more... 85 N. Main St.., Canton, NC 28716. 21 Movie Reviews Phone: (828) 646-0071 Advertising with Rapid River magazine allows www.rapidrivermagazine.com 27 Artful Living over 35,000 people each month to know a little All materials contained herein are owned and copyrighted by Rapid 28 Wine more about you and your business. River Art Magazine and the individual contributors unless otherwise stated. Each month we cover the best in performance Opinions expressed in this magazine 29 Beer and the visual arts of the area. do not necessarily correspond with the opinions of Rapid River Art Magazine or the advertisers found herein. 31 Local Flavor Please call (828) 646-0071 © Rapid River Magazine, What to Do Guide™ Rapid River Magazine can help you! January, 2008. Vol. 11, No. 5 36 Callie and Cats . 37 Rapid River Magazine has been a part of this community Corgi Tales . 37 for over 10 years! January 2008 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 11, No. 5 RAPID RIVER ARTS & CULTURE MAGAZINE COVER STORY So Much to Give Thanks For Asheville Lyric Opera and the Opera Company of North Carolina present With a new year coming, there is so much to give thanks for and not enough space to do it in. So I’ll be brief. A big thank you to all of our loyal readers the Lucia di Lammermoor past eleven years — without you there wouldn’t be a Rapid River Magazine. A he heroine of Donizetti’s tragic Basic Plot Summary BY DENNIS RAY special thanks to one of the best entertain- masterpiece — a young woman of Lucia di ment editors in the US (and she works who is driven to madness when for us — eat your heart out. Larry King), forced to marry a man she does Lammermoor political reasons. She Marcianne Miller, who has given Rapid not love — has inspired memo- insists that they keep River the best film and book sections of rable performances by some of Act I their love a secret; the any publication in western North Caro- Topera’s most luminous stars in Asheville Enrico decides that two exchange rings and lina.
Load more

Recommended publications
  • Lcd Soundsystem This Is Happening Free Download Album LCD Soundsystem - This Is Happening FLAC Download
    lcd soundsystem this is happening free download album LCD Soundsystem - This Is Happening FLAC download. Produced for The DFA in 2009/2010 Mastered at Chicago Mastering Service Recorded @ the Manshun and DFA. This Is Happening is dedicated to the memory of Jerry Fuchs, the very best of us, and to his amazing and loving family, who are our family now. Comes in a gatefold card sleeve with regular English booklet plus supplementary black & white Japanese booklet with lyrics and obi. Includes two bonus tracks (track: 10, 11). Warner Music Reissue of 2012 release. Other versions. Category Artist Title ( Format ) Label Category Country Year DFA 22503, 509993 09903 2 6 LCD Soundsystem This Is Happening ​ (CD, Album) DFA, Virgin DFA 22503, 509993 09903 2 6 US 2010 50999 309903 2 6 LCD Soundsystem This Is Happening ​ (CD, Album) Parlophone 50999 309903 2 6 Philippines 2010 none LCD Soundsystem This Is Happening ​ (CDr, Album, Promo) EMI Music Ireland none Ireland 2010 50999 648781 2 6 LCD Soundsystem This Is Happening ​ (CD, Album) Gala Records , DFA, Parlophone 50999 648781 2 6 Russia 2010 5099963370522 LCD Soundsystem This Is Happening ​ (CD, Album, Gat) EMI Music Australia Pty. Limited, Parlophone, DFA 5099963370522 Australia 2010. Tracklist. 1 Dance Yrself Clean 2 Drunk Girls 3 One Touch 4 All I Want 5 I Can Change 6 You Wanted A Hit 7 Pow Pow 8 Somebody's Calling Me 9 Home. Companies, etc. Phonographic Copyright (p) – DFA Copyright (c) – EMI Records Ltd. Licensed To – EMI Records Ltd. Distributed By – EMI Music Australia Pty Ltd. Notes. This Is Happening produced by James Murphy for the DFA in 2009/2010 Mixed by James Murphy and Dave Sardy Mastered by Bob Weston at Chicago Mastering Service.
    [Show full text]
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O.
    [Show full text]
  • Steve Smith Steve Smith
    • SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades.
    [Show full text]
  • The Genesis Discography
    TTHHEE GGEENNEESSIISS DDIISSCCOOGGRRAAPPHHYY “The scattered pages of a book by the sea…” 1967-1996 Page 2 The Genesis Discography The Genesis Discography January 1998 Edition Copyright © 1998 Scott McMahan, All Rights Reserved The Genesis Discography Page 3 THE EXODUS ENDS “And then there was the time she sang her song, and nobody cried for more…” “I think that in the end, if all else is conqured, Bombadil will fall, Last as he was First, and then Night will come.” … from the Council of Elrond, in Lord of the Rings Indeed, since its beginning in 1993, The Genesis Discography has been a fixture on the Internet much like Tom Bombadil was in Middle Earth. It has endured in the face of the changing times, without itself changing much, isolated off in its own world. Glorfindel had the opinion that Bombadil would be the last to fall, after all else was lost, last as he was first. In Tolkien’s story, that opinion was never tested. Good triumphed over evil, and everyone lived happily ever after. Not true on the Internet. Since 1993, the forces of evil have created a desolation and oppression that Sauron even with the help of his ruling ring could not imagine perpetrating. From the days of the Internet as an academic research network until today’s Internet I have witnessed ruination unbelieveable. The decay, corruption, and runiation of the Internet boggles my mind. Like Tom Bombadil in his carefully demarcated borders, The Genesis Discography has been an island in the storm, surrounded on all sides but never giving in.
    [Show full text]
  • Hey T—Here Observations With-In a Social Choreography Initiative Urban Anatomies Teleport
    2020 THESIS _hey t—here observations with-in a social choreography initiative Urban Anatomies Teleport PIETARI KÄRKI MASTER’ S DERGEE PROGRAMME IN CHOREOGRAPHY UNIARTS HELSINKI DATE: ABSTRACT 29.3.2020 AUTHOR MASTER’S OR OTHER DEGREE PROGRAMME Pietari Kärki The Master’s Degree Program in Choreography NUMBER OF PAGES + APPENDICES IN THE WRITTEN TITLE OF THE WRITTEN SECTION/THESIS SECTION _hey t—here – observations with-in a social choreography 86 pages (78 + 8) initiative Urban Anatomies Teleport TITLE OF THE ARTISTIC SECTION Urban Anatomies Teleport published 13 September 2019 www.urbananatomiesteleport.net The artistic section is produced by the Theatre Academy. The abstract of the final project can The final project can be published Yes be published online. This Yes online. This permission is granted permission is granted for an for an unlimited duration. No No unlimited duration. This written thesis follows processes where social questions yield artistic practices, that I call tools. In addition to this document being a thesis, this is a journal, and an open access archive, and a toolkit. I have written this thesis keeping in mind a not-too-long-ago moment in time when I was working as a dancer and felt a desperation for the lack of tools and know-how to work with people in a way that is socially sustainable. Thus, this thesis works partly with questions that span much longer temporalities than the frame of these MA studies. I open the thesis with the question I seem to have embraced the longest in my life: what is it to be good to one another? Thus, my intention is to indicate how artistic questions are embedded in life.
    [Show full text]
  • Words+Images
    MUSE IS THE QUARTERLY JOURNAL PUBLISHED BY THE LIT WORDS+IMAGES { FIRST ANNUAL MUSE L I T E R A R Y CO MPETITION } ISSUE02.09 VOLUME 2, ISSUE 1 0 2 0 9 2contents UNREQUITED RELIGION GRANT BAILIE 6 GRANDPA RUDY ON A SUNDAY AFTERNOON MARK KUHAR 7 PODIS JOHN PANZA 11 INFINITE LOSS ROB JACKSON 15 EIGHT TO FIVE, AGAINST (EXCERPT) MARY DORIA RUSSELL 18 BOXERS DON’T FLOSS AFTER EVERY BOUT JOHN DONOGHUE 20 BLUE GIRL MARK KUHAR 21 DANCING WITH SOMETHING SHIVA SAID 33rd cleveland international film festival CLAIRE MCMAHON BACKGROUND it’s starting march 19-29, 2009 tower city cinemas clevelandfilm.org LITTLE GIRL BLUE BILLY DELPS PLAYGROUND, NYC, 2003 JASON OASIS 26 A SENTIMENTAL JOURNEY AMY BRACKEN SPARKS VOLUME 2, ISSUE 1 0 2 0 9 2contents UNREQUITED RELIGION GRANT BAILIE 6 GRANDPA RUDY ON A SUNDAY AFTERNOON MARK KUHAR 7 PODIS JOHN PANZA 11 INFINITE LOSS ROB JACKSON 15 EIGHT TO FIVE, AGAINST (EXCERPT) MARY DORIA RUSSELL 18 BOXERS DON’T FLOSS AFTER EVERY BOUT JOHN DONOGHUE 20 BLUE GIRL MARK KUHAR 21 DANCING WITH SOMETHING SHIVA SAID 33rd cleveland international film festival CLAIRE MCMAHON BACKGROUND it’s starting march 19-29, 2009 tower city cinemas clevelandfilm.org LITTLE GIRL BLUE BILLY DELPS PLAYGROUND, NYC, 2003 JASON OASIS 26 A SENTIMENTAL JOURNEY AMY BRACKEN SPARKS Words + Images is our tag line, and for this issue, we focus on MUSE IS THE QUARTERLY JOURNAL PUBLISHED BY THE LIT Words as we publish the winners of the first annual MUSE VOLUME 2, ISSUE 1 Literary Competition.
    [Show full text]
  • HOWL 2.0 for Fixoid I I Saw the Best Minds of My Generation Destroyed
    HOWL 2.0 For Fixoid I I saw the best minds of my generation destroyed by tumblr, blogging hysterical naked, dragging themselves through the 4chan threads at dawn looking for some tranny dicks, angelheaded hipsters burning for the facebook heavenly connection to the starry dynamo in the machin- ery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of lcd screens floating across the tops of desks contemplating gifs, who bared their brains to Google Map how to get under the El and saw Cory Arcangels staggering on boing- boing posts illuminated, who passed through universities with radiant cool eyes hallucinating Lauren Conrad and Blake Lively among the scholars of blog, who were expelled from the EFnets for crazy & publishing obscene odes on the Windows of the 95, who cowered in unshaven chatrooms in underwear, burn- ing their CDs in wastebaskets and listening to the SouljaBoy Thru The Phone, who got busted in pubic forums returning through Flickr with a belt of JPG's for ffffound, who made fire in MS paint intels or drank martinis in Silicon Valley, death, or purgatoried their inbox night after night with Delicious, with Dashboard, with waking nightmares, Re- dbull and cock and endless balls online, incomparable blind; tweets of Amazon cloud and lightning in the modem leaping toward poles of Adam4Adam, illuminating all the mo- tionless world of internet Time between, P2P solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops, storefront boroughs of
    [Show full text]
  • The Delicious Ride a Tempo Ride
    Audio Master Class The Delicious Ride A Tempo Ride The Delicious Ride Created by Jennifer Sage Training Type: Aerobic, Tempo Working HR Zones: Zone 3 Total Class Length: 60 minutes Profile Objective and Intensity: The goal of this ride is a high-end endurance pace, mostly on a flat road at higher cadences and primarily in the saddle, at a pace that cyclists refer to as “Tempo”. A tempo ride is in Zone 3, which is below threshold but still at an effort level that requires moderately hard work, deeper breathing and control of the breath. Some people hear the word “aerobic” or “endurance” and translate it to “easy”. This is not easy! It’s work! Though the first 2/3 of the ride is on a flat road working at faster cadences, there are a few hills near the end so they will feel like they’ve encountered a variety of terrain. This is one of my favorite rides, especially because of its simplicity and its ability to transport you into that zone that feels so good (and I must admit, the music helps me get there as well). But I realize that selling a ride like this to non-cyclists can be a challenge. As you probably guessed this is a very cycling specific ride, but that doesn’t mean non-cyclists won’t benefit enormously from this ride! We just have to sell it to them properly – and that’s one of the things I’ll be teaching you how to do. Zone 3 is a powerful zone to train in.
    [Show full text]
  • KONZERT Dvds
    KONZERT DVDs Künstler Titel Drummer, Percussionist Phil Collins Live and Loose in Paris Ricky Lawson, Luis Conte, Phil Collins Phil Collins Finally…The first farewell tour Chester Thompson, Luis Conte, Phil Collins Patti LaBelle One Night Only John Blackwell Tina Turner One Last Time Jack Bruno Steely Dan Two Against Nature Ricky Lawson George Benson Absolutely Live Michael White Brian Setzer Orchestra Live in Japan (Big Band) Bernie Dresel Toto Live and more Jeff Porcaro Earth,Wind & Fire Live Sonny Emory Chicago Real Artist Working Tris Imboden Paul Simon You’re The One Steve Gadd Diana Krall Live in Paris Jeff Hamilton James Taylor Pull Over Russ Kunkel, Luis Conte Fourplay An Evening of Fourplay Harvey Mason Lee Ritenour & Friends Live from the Coconut Grove Harvey Mason, Paulinho da Costa Steve Lukather Los Lobotomys in Concert Simon Phillips Marcus Miller In Concert Poogie Bell Larry Carlton In Concert Rick Marotta Prince Rave 2000 John Blackwell Tom Jones Live at Cardiff Castle Graham Ward, Jody Linscott Bonnie Raitt Road Tested Ricky Fataar, Debra Dobkin Steps Ahead Live in Tokyo Steve Smith Niacin Blood, Sweat & Beers Dennis Chambers Xavier Naidoo Alles Gute vor uns Ralf Gustke Cher The Farewell Tour Mark Schulman Lee Ritenour Rit Special Carlos Vega Eliane Elias Trio Live in Munich Adam Nussbaum Herbie Hancock In Concert Terry Lynne Carrington Dizzy Gillespie At the Royal Festival Hall Ignacio Berroa, Airto Steve Gadd The Gadd Gang Live Steve Gadd Chaka Khan The Jazz Channel Presents Vinnie Colaiuta Toto Live in Amsterdam Simon Phillips Sting All This Time Manu Katche Sting The Brand New Day Tour Manu Katche Sting The Soul Cages Tour Vinnie Colaiuta Sting MTV Unplugged Vinnie Colaiuta, Vinx Paul McCartney Back in the U.S.
    [Show full text]
  • June Parent and Caregiver Guide
    Big Heart World Parent & Caregiver Guide Similarities & Differences Released June 2021 What is Big Heart World? Big Heart World helps families learn together about social and emotional skills — what it means to have a big heart and how to grow one. This means: ● Learning about me (self) ● Learning about you (others) ● Learning about us (relationships) Learning social and emotional skills is always important to children’s development. From the time babies are born, they are learning about who they are, developing confidence, compassion, and a sense of what is right and what is wrong. Parents are particularly concerned about their children’s social and emotional development now due to transitions and school closures brought about by COVID-19. If you’re wondering how to help your child express their feelings, figure out friendships, share, enter a classroom environment, or learn what makes them special, Big Heart World is for you. If you’re feeling overwhelmed by the pandemic and endless change and transition, Big Heart World is for you. If you feel like you can’t handle one more tantrum and you want to know what your child is really trying to tell you when they act out, Big Heart World is for you. This guide walks you through what is available on Big Heart World this month and what you can do with it. Learn more: www.BigHeartWorld.org Big Heart World is produced by Sparkler Learning with support from Noggin, the Walton Family Foundation, and many non-profit partner organizations. 1 Similarities & Differences: The Third Unit of Big Heart The world is made up of different people — people of different races/ethnicities, religions, traditions, languages, abilities, and talents.
    [Show full text]
  • Can We Have Some Mo' Wax Please!
    Can We Have Some Mo’ Wax Please! Bittles‘ Magazine | Mo’Wax Records While browsing in my local book shop the other day I came across the recently published ›Mo’Wax Urban Archaeology: 21 Years of Mo’Wax Recordings‹. A mighty tome of a book, it chronicles the life and times of this beloved label, through meticulous design, a lot of love and some beautiful artwork. For former beatheads like myself it is a wonderful read, and quickly makes you nostalgic for the plethora of great songs they released over the years. By JOHN BITTLES So enamoured was I in fact that upon getting home I immediately spent a rather pleasant evening tracking down my old records, and then re-enveloping myself in the smoke filled world of ›Mo’ Wax‹ . The book chronicles a time in the middle of the 1990s when a strange, yet wonderful thing began to happen. The furious bleeps of rave, techno and drum & bass that had dominated the nation’s dancefloors began to give way to something a little more subtle and sedate. Labels like ›Ninja Tune, Pussyfoot and Mo’ Wax‹ began to release records of jazzy interludes and laid back beats. And these tunes weren’t for dancing! No, they were for nodding your head to, playing on headphones, or for lying down on the settee smoking a big, fat spliff. Mo’ Wax Please‹ , to give the label its full name, was founded in 1992 by James Lavelle and Tim Goldsworthy (who later went on to form ›DFA Records‹ with James Murphy, fact fans). Within two short years the label would become synonymous with the, hastily coined, trip hop sound that was taking over the nation’s hearts, clubs and bars.
    [Show full text]
  • Queens Park Music Club
    Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop.
    [Show full text]