Program for '1776' at Auditorium Theatre; April 26
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John Adams, Alexander Hamilton, and the Quasi-War with France
John Adams, Alexander Hamilton, and the Quasi-War with France David Loudon General University Honors Professor Robert Griffith, Faculty Advisor American University, Spring 2010 1 John Adams, Alexander Hamilton, and the Quasi-War with France Abstract This paper examines the split of the Federalist Party and subsequent election defeat in 1800 through the views of John Adams and Alexander Hamilton on the Quasi-War with France. More specifically, I will be focusing on what caused their split on the French issue. I argue that the main source of conflict between the two men was ideological differences on parties in contemporary American politics. While Adams believed that there were two parties in America and his job was to remain independent of both, Hamilton saw only one party (the Republicans), and believed that it was the goal of all “real” Americans to do whatever was needed to defeat that faction. This ideological difference between the two men resulted in their personal disdain for one another and eventually their split on the French issue. Introduction National politics in the early American republic was a very uncertain venture. The founding fathers had no historical precedents to rely upon. The kind of government created in the American constitution had never been attempted in the Western World; it was a piecemeal system designed in many ways more to gain individual state approval than for practical implementation. Furthermore, while the fathers knew they wanted opposition within their political system, they rejected political parties as evil and dangerous to the public good. This tension between the belief in opposition and the rejection of party sentiment led to confusion and high tensions during the early American republic. -
King and I Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-9-1999 King and I Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "King and I" (1999). Center for Performing Arts Memorabilia. Book 158. http://opus.govst.edu/cpa_memorabilia/158 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. «Jpntftl fOR PEfifORHIHCite Governors State University Present Rodgers & Hammerstein's fChe S $• Limousine courtesy of-Worth Limousine - Worth, IL &• Brunch courtesy of- Holiday Inn - Matteson, IL Bracelet courtesy of Bess Friedheim Jewelry,0rland Park, IL MATTESON The STAR University Park, IL May 9th* 1999 Governors State University KKPERfORMIIWflRTS and ACE ROYAL PAINTS present A Big League Theatricals Production Rodgers and Hammerstein's THE KING and I Music by Book and lyrics by Richard Rodgers Oscar Hammerstein II Based upon the novel Anna and the King ofSiam by Margaret Landon Original Choreography by Jerome Robbins with Lego Louis Susannah Kenton and (In alphabetical order) Luis Avila, Amanda Cheng, Elizabeth Chiang, Korina Crvelin, Isabelle Decauwert, Alexandra Dimeco, Derek Dymek, -
The Top 101 Inspirational Movies –
The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
EARS!! the Litchfield Fund Weekly Newsletter
ALL EARS!! The Litchfield Fund Weekly Newsletter “We just don’t hear it on the street, we have our ears spread across all the fields!!!!!” In the calendar of Charlemagne, September was known as the Harvest Month. For ancient Britons, it was Barley Month, the crop ready for harvest. It was in September that Columbus departed the Canary Islands, the last stop before crossing the Atlantic & landing in the West Indies. In September, the Pilgrims, seeking religious freedom, departed Britain for the New World. September is the beginning of meteorological autumn & as we have seen this year, the peak of hurricane season is in early September. September is back to school month, the kick-off of football season at all levels & the thrill of tight baseball pennant races! See You in September: This 1966 #3 Billboard hit for The Happenings was written by Sid Wayne & Sherman Edwards. They were part of a songwriting group that was located in the Brill Building in Tin Pan Alley. The group included no less than Hal David, Burt Bacharach, Bobby Darin, Neil Sedaka, Neil Diamond, Gerry Goffin & Carole King. Mr. Wayne wrote many of the songs that were featured in Elvis Presley’s movies, partnering with other songwriters like Mr. Edwards, Ben Weisman & Abner Silver. Mr. Edwards wrote some early songs for Mr. Presley, but as the legend has it, walked out of songwriting session because of the demands of Mr. Presley’s manager, Colonel Tom Parker. Saying he was tired of Rock’n’Roll, Mr. Edwards did not know what he would do next! But on March 16, 1969 a play, with songs written by Mr. -
Massachusetts Historical Society, Adams Papers Editorial Project
Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application, which conforms to a past set of grant guidelines. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the application guidelines for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Research Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Adams Papers Editorial Project Institution: Massachusetts Historical Society Project Director: Sara Martin Grant Program: Scholarly Editions and Translations Program Statement of Significance and Impact The Adams Papers Editorial Project is sponsored by and located at the Massachusetts Historical Society (MHS). The Society’s 300,000-page Adams Family Papers manuscript collection, which spans more than a century of American history from the Revolutionary era to the last quarter of the nineteenth century, is consulted during the entire editing process, making the project unique among large-scale documentary editions. The Adams Papers has published 52 volumes to date and will continue to produce one volume per year. Free online access is provided by the MHS and the National Archives. -
Encores! 2016 Season Release
Contact:: Helene Davis Public Relations [email protected] NEW YORK CITY CENTER 2016 ENCORES! SEASON Cabin in the Sky Music by Vernon Duke; Lyrics by John La Touche Book by Lynn Root ~ 1776 America’s Prize Winning Musical Music and Lyrics by Sherman Edwards Book by Peter Stone Based on a Concept by Sherman Edwards ~ Do I Hear a Waltz? Music by Richard Rodgers; Lyrics by StePhen Sondheim Book by Arthur Laurents Based on the play The Time of the Cuckoo by Arthur Laurents Season Begins February 10, 2016 New York, NY, May 11, 2015– The 2016 season of New York City Center’s Tony-honored Encores! series will open with Cabin in the Sky on February 10–14, 2016, followed by 1776 and Do I Hear a Waltz?. Jack Viertel is the artistic director of Encores!; Rob Berman is its music director. Cabin in the Sky tells the fable-like story of a battle between The Lord’s General and the Devil’s only son over the soul of a charming ne’er-do-well named “Little Joe” Jackson who, after a knife fight in a saloon, is given six months more on earth to prove his worth. With Cabin in the Sky, composer Vernon Duke, lyricist John La Touche, and librettist Lynn Root set out to celebrate African American achievement in music and dance, and created a wonderfully integrated score that blends hits like “Taking a Chance on Love” with authentic traditional gospel numbers and full-fledged modern dance pieces. The show opened on October 25, 1940 at the Martin Beck Theatre in a production staged and choreographed by George Balanchine and ran 156 performances. -
Producing Tennessee Williams' a Streetcar Named Desire, a Process
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE SCHOOL OF THEATRE PRODUCING TENNESSEE WILLIAMS’ A STREETCAR NAMED DESIRE, A PROCESS FOR DIRECTING A PLAY WITH NO REFUND THEATRE J. SAMUEL HORVATH Spring, 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Finance with honors in Theatre Reviewed and approved* by the following: Matthew Toronto Assistant Professor of Theatre Thesis Supervisor Annette McGregor Professor of Theatre Honors Adviser * Signatures are on file in the Schreyer Honors College. ABSTRACT This document chronicles the No Refund Theatre production of Tennessee Williams’ A Streetcar Named Desire. A non-profit, student organization, No Refund Theatre produces a show nearly every weekend of the academic year. Streetcar was performed February 25th, 26th, and 27th, 2010 and met with positive feedback. This thesis is both a study of Streetcar as a play, and a guide for directing a play with No Refund. It is divided into three sections. First, there is an analysis Tennessee Williams’ play, including a performance history, textual analysis, and character analyses. Second, there is a detailed description of the process by which I created the show. And finally, the appendices include documentation and notes from all stages of the production, and are essentially my directorial promptbook for Streetcar. Most importantly, embedded in this document is a video recording of our production of Streetcar, divided into three “acts.” I hope that this document will serve as a road-map for -
Orson Welles: CHIMES at MIDNIGHT (1965), 115 Min
October 18, 2016 (XXXIII:8) Orson Welles: CHIMES AT MIDNIGHT (1965), 115 min. Directed by Orson Welles Written by William Shakespeare (plays), Raphael Holinshed (book), Orson Welles (screenplay) Produced by Ángel Escolano, Emiliano Piedra, Harry Saltzman Music Angelo Francesco Lavagnino Cinematography Edmond Richard Film Editing Elena Jaumandreu , Frederick Muller, Peter Parasheles Production Design Mariano Erdoiza Set Decoration José Antonio de la Guerra Costume Design Orson Welles Cast Orson Welles…Falstaff Jeanne Moreau…Doll Tearsheet Worlds" panicked thousands of listeners. His made his Margaret Rutherford…Mistress Quickly first film Citizen Kane (1941), which tops nearly all lists John Gielgud ... Henry IV of the world's greatest films, when he was only 25. Marina Vlady ... Kate Percy Despite his reputation as an actor and master filmmaker, Walter Chiari ... Mr. Silence he maintained his memberships in the International Michael Aldridge ...Pistol Brotherhood of Magicians and the Society of American Tony Beckley ... Ned Poins and regularly practiced sleight-of-hand magic in case his Jeremy Rowe ... Prince John career came to an abrupt end. Welles occasionally Alan Webb ... Shallow performed at the annual conventions of each organization, Fernando Rey ... Worcester and was considered by fellow magicians to be extremely Keith Baxter...Prince Hal accomplished. Laurence Olivier had wanted to cast him as Norman Rodway ... Henry 'Hotspur' Percy Buckingham in Richard III (1955), his film of William José Nieto ... Northumberland Shakespeare's play "Richard III", but gave the role to Andrew Faulds ... Westmoreland Ralph Richardson, his oldest friend, because Richardson Patrick Bedford ... Bardolph (as Paddy Bedford) wanted it. In his autobiography, Olivier says he wishes he Beatrice Welles .. -
Southern Comfort
FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience. -
Council Votes Pay Raises for Its Employees
Your Want Ad The Zip Code Is Easy To Place- for Mountainside is Just Phone 686-7700 07092 An OHicial Newspaper * For The Borough 01 Mountainiide SuBltr ,p>,en Mill Seeend Clgii Psiigg* I'dbdcn Thyrid.iy hy Tr,,F.->(if r>uhi iNr-i>ncj' t ofp 25c per topi VOL. 19-NO, 24 Poid m MDunloinlidr, N, J. MOUNTAINSIDE, N.J., THURSDAY, MAY 19, 1977 7 New Providence Ho^l Vouni,i ^ dr N J fl-(W? 19 50 Yearly Council votes pay raises for its employees By KAREN ZAl'TYK works, $6,000, construction code official The Mountainside Borough Council, and building subcode official, $3,000 at its monthly meeting Tuesday night in each, plumbing subcode official, the Beechwood School, adopted a $2,800; public works foreman, $12,500. salary ordinance for municipal em- public works employees, full-time, ployees after fielding questions from $10,500; administrator of public several who apparently were assistance, $2,200; and janitor, SR.fXKi dissatisfied with the increases provided -O-O-- The complaints reportedly stemmed ALSO APPROVED at the session was from the fact that borough treasurer a salary ordinance for the local Police and tax collector Ruth Gibadlo had Department, providing a seven percen! requested a pay increase and was given across-the-board wage increase a 22 percent wage hike, whereas other salaries include: chief, $20,009; cap- employees received increases ranging tain, $18,800, detective lieutenant, DIAMONDS ARE...Shown in Mountainside Girls' Softball League action are, from 7 to 10 percent $18,511; lieutenant, $18,347; detective from left, batter -
Student Guide Table of Contents
GOODSPEED MUSICALS STUDENT GUIDE TABLE OF CONTENTS APRIL 13 - JUNE 21, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writers.....................................................................................................................................................................................6 Meet the Creative Team........................................................................................................................................................................8 Presents for Mrs. Rogers......................................................................................................................................................................9 Will Rogers..............................................................................................................................................................................................11 Wiley Post, Aviation Marvel..............................................................................................................................................................16