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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
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A Peck on the Cheek (Kannathil Muthamittal)
A Peck on the Cheek (Kannathil Muthamittal) Directed by Mani Ratnam India, 2002 * 136 minutes * In Tamil and Sinhala with English subtitles WON - In Spirit for Freedom Award – Jerusalem FF WON – 6 Silver Lotus Awards (Best Child Artist, Best Audiography, Best Editing, Best Music Direction, Best Regional Film [Tamil], Best Lyrics) – National Film Awards, India WON – Audience Award (Best Film) – Los Angeles Indian FF Official Selection. – Toronto Int’l FF, Palm Springs Int’l FF, Cleveland Int’l FF, Philadelphia Int’l FF, San Francisco Int’l FF Distributor Contact: Meghan Wurtz Film Movement Series 109 W. 27th St., Suite 9B, New York, NY 10001 Tel: 212-941-7744 ext. 201 Fax: 212-941-7812 [email protected] Film Synopsis: A little girl's search for her biological mother who had abandoned her as a newborn baby is brought out poignantly in 'Kannathil Muthamittal'. With films like 'Mouna Ragam', 'Alaipayuthe' and now 'Kannathil Muthamittal', Maniratnam yet again proves that he is at his best when tackling human emotions and relationships. Amudha, adopted by Thiru and Indira and growing up with the couple’s two sons, is blissfully unaware of her parentage, until the couple decides to inform her of it on her ninth birthday. At first shocked into disbelief, Amudha then expresses her determination to seek out for her biological mother. The search takes the family to strife- torn Sri Lanka, where Amudha comes face-to-face with reality, and reconciles herself to it. Credits: Cast: Mani Ratnam… writer/director/producer R. Madhavan… Thiruchelvan G. Srinivasan… producer Simran (alias) Rishi Novel… Indira Ravi K.
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TRACING the TEMPORAL ASSEMBLAGE of INDIAN MEDIA a Thesis Submitted to the Faculty of the Graduate School O
THE AFFECTIVE NATION: TRACING THE TEMPORAL ASSEMBLAGE OF INDIAN MEDIA A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Lakshmi Padmanabhan, Bachelor of Arts Washington, DC April 28, 2011 Copyright 2011 by Lakshmi Padmanabhan All Rights Reserved ii THE AFFECTIVE NATION: TRACING THE TEMPORAL ASSEMBLAGE OF INDIAN MEDIA Lakshmi Padmanabhan, Bachelor of Arts Thesis Advisor: Jatinder P. Singh, Doctor of Philosophy. ABSTRACT This thesis examines two films – Slumdog Millionaire (Boyle, 2008) and Dostana (Mansukhani, 2008) to explore the circulation of national identities within these films and the circulation of the films themselves within larger discourses of the nation, particularly India. This thesis argues that our current cultural moment require changing understandings of the idea of ‘film’, to include its multiple networks of capital and affect, and a changing understanding of ‘nation’ as materially illustrated in these films. The aim of this thesis is to conceive of a way to understand films as a collection of temporalities, and to map the duration of these temporalities as they reveal the emerging networks of circulation that change the ontology of both film and nation. I also argue that the ‘nation’ is an affective construct, and that ‘nationness’ is the ‘trace’ or ‘residue’ that these films bear. This argument also marks a specific approach to the idea of a ‘nation’ itself that includes more than the boundaries of the state, or the ethnicity of the people, but begins to address the way objects possess certain national traces, particularly within cultural objects such as the arts.
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1 O.A.No.442 of 2015 in C.S.No.333 of 2015 K.RAVICHANDRABAABU,J. The plaintiff is the applicant. 2.The above Suit is filed for permanent injunction restraining the defendant, their men agents, subordinates, servants, assigns, successors in interest or any one acting under them from in any manner infringing the copy of the plaintiff in the Tamil motion picture “O Kadhal Kanmani” starring Dulquer Salmaan and Nithya Menon, music by A.R.Rahman, by copying/duplicating the said picture and making them available in vaious mediums by Internet mediums, CDs, DVDs, Bluray drives, VCDs, Multi Media Messaging Services, Conditional Access Systems including by directing the intermediaries namely respondents 1 to 13 and unknown persons shown as Ashok Kumar to block all URL (Unique Resource Locator) carrying any image of the Tamil feature Film “O Kadhal Kanmani” and to direct the defendant to pay the cost. Pending Suit, the present Application has been filed seeking for temporary inunction restraining, as aforesaid. 2 3.Heard Mr.T.Mohan, learned Senior counsel appearing for the applicant and Mr.Satish Parasaran, learned counsel appearing for respondents 6 and 10, and perused the materials placed before this Court. 4.It is contended that the applicant/plaintiff has produced the film called O Kadhal Kanmani (English: Oh Love, Apple of my Eye), a Tamil romantic drama film written, directed and produced by Mr.Mani Ratnam, who is one of the partner of the plaintiff. The film stars are Mr.Dulquer Salmaan and Ms.Nithya Menen, Music by Mr.A.R.Rahman.
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Neo-Liberal Modernity, Urban Dystopia and Youth Experience in Cinema
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Ayitha Ezhuthu Full Movie in Hindi Dubbed Free Download Hd 1080P
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Ayitha Ezhuthu Movie with English Subtitles Download Kickass Utorrent
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alaipayuthey movie free download in utorrent Alaipayuthey movie free download in utorrent. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a7d8f1ce920d3a • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Alaipayuthey film review. “ Mounaragam, Alaipayuthey and O Kadhal Kanmani ,” I guess, Mani Ratnam is the only director to create three different forms of scripts based on Love which are accepted by the people of the three generations. Alaipayuthey – It’s been almost 16 years ever since its release, yet this film is slated to be one of the most loved 21st century films by the people of 20th century. It can be a love relationship between middle class woman and high class man, Alaipayuthey tends to be one of the pure class romantic films ever created. No matter how many times we watch, the intensity of Love still remains the same, since the release. On board, the film starts off with Mani Ratnam’s Madras Talkies production credits.
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