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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
A Peck on the Cheek (Kannathil Muthamittal)
A Peck on the Cheek (Kannathil Muthamittal) Directed by Mani Ratnam India, 2002 * 136 minutes * In Tamil and Sinhala with English subtitles WON - In Spirit for Freedom Award – Jerusalem FF WON – 6 Silver Lotus Awards (Best Child Artist, Best Audiography, Best Editing, Best Music Direction, Best Regional Film [Tamil], Best Lyrics) – National Film Awards, India WON – Audience Award (Best Film) – Los Angeles Indian FF Official Selection. – Toronto Int’l FF, Palm Springs Int’l FF, Cleveland Int’l FF, Philadelphia Int’l FF, San Francisco Int’l FF Distributor Contact: Meghan Wurtz Film Movement Series 109 W. 27th St., Suite 9B, New York, NY 10001 Tel: 212-941-7744 ext. 201 Fax: 212-941-7812 [email protected] Film Synopsis: A little girl's search for her biological mother who had abandoned her as a newborn baby is brought out poignantly in 'Kannathil Muthamittal'. With films like 'Mouna Ragam', 'Alaipayuthe' and now 'Kannathil Muthamittal', Maniratnam yet again proves that he is at his best when tackling human emotions and relationships. Amudha, adopted by Thiru and Indira and growing up with the couple’s two sons, is blissfully unaware of her parentage, until the couple decides to inform her of it on her ninth birthday. At first shocked into disbelief, Amudha then expresses her determination to seek out for her biological mother. The search takes the family to strife- torn Sri Lanka, where Amudha comes face-to-face with reality, and reconciles herself to it. Credits: Cast: Mani Ratnam… writer/director/producer R. Madhavan… Thiruchelvan G. Srinivasan… producer Simran (alias) Rishi Novel… Indira Ravi K. -
TRACING the TEMPORAL ASSEMBLAGE of INDIAN MEDIA a Thesis Submitted to the Faculty of the Graduate School O
THE AFFECTIVE NATION: TRACING THE TEMPORAL ASSEMBLAGE OF INDIAN MEDIA A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Lakshmi Padmanabhan, Bachelor of Arts Washington, DC April 28, 2011 Copyright 2011 by Lakshmi Padmanabhan All Rights Reserved ii THE AFFECTIVE NATION: TRACING THE TEMPORAL ASSEMBLAGE OF INDIAN MEDIA Lakshmi Padmanabhan, Bachelor of Arts Thesis Advisor: Jatinder P. Singh, Doctor of Philosophy. ABSTRACT This thesis examines two films – Slumdog Millionaire (Boyle, 2008) and Dostana (Mansukhani, 2008) to explore the circulation of national identities within these films and the circulation of the films themselves within larger discourses of the nation, particularly India. This thesis argues that our current cultural moment require changing understandings of the idea of ‘film’, to include its multiple networks of capital and affect, and a changing understanding of ‘nation’ as materially illustrated in these films. The aim of this thesis is to conceive of a way to understand films as a collection of temporalities, and to map the duration of these temporalities as they reveal the emerging networks of circulation that change the ontology of both film and nation. I also argue that the ‘nation’ is an affective construct, and that ‘nationness’ is the ‘trace’ or ‘residue’ that these films bear. This argument also marks a specific approach to the idea of a ‘nation’ itself that includes more than the boundaries of the state, or the ethnicity of the people, but begins to address the way objects possess certain national traces, particularly within cultural objects such as the arts. -
Mediendossier[De]
Mediendossier trigon-film A PECK ON THE CHEEK Kannathil Muthamittal von Mani Ratnam Indien 2002 Verleih trigon-film Postfach 5430 Wettingen 1 Tel: 056 430 12 30 Fax: 056 430 12 31 [email protected] www.trigon-film.org Medienkontakt Nathalie Bao-Götsch Tel: 056 430 12 35 Fax: 056 430 12 31 [email protected] Bildmaterial www.trigon-film.org Mitwirkende Regie und Buch: Mani Ratnam Kamera: Ravi K. Chandran Montage: Sreekar Prasad Ton: A.S. Laxmi Narayanan Art Director: Sabu Cyril Choreographie: Brinda Musik: A.R. Rahman Liedtexte: Vairamuthu Produzenten: G. Srinivasan, Mani Ratnam Produktion: Madras Talkies Sprache: Tamil/Sinhala/d,f Dauer: 136 Minuten Darstellende Rollen P.S. Keertana Amudha R. Madhavan Amudhas Adoptivvater Thiruchelvan Simran Amudhas Adoptivmutter Indira Delhi Kumar Amudhas Grossvater D. Ganesan Suraj Amudhas Bruder Vinayan Kethan Amudhas Bruder Akilan Nandita Das Amudhas Mutter Shyama Chakravarthy Amudhas Vater Dileepan Prakash Raj Dr. Herold Vikram Festivals/Auszeichnungen (Auswahl) 22nd Cinema Express Ceremony 2002 für die besten südindischen Filme: 6 Awards, darunter best actor, best actress, best child artist, best director special award und best film Internationales Filmfestival Fribourg, 2003: Spezialprogramm «Comédies musicales» Synopsis Der indische Regisseur Mani Ratnam gehört zu den erfolgreichsten Filmschaffenden seiner Heimat und besticht immer wieder durch die Mischung von aktueller Handlung und grossem Bollywood-Kino auf südindische Art. Beflügelt werden seine Inszenierung und die traumwandlerischen Tanzpassagen hier durch die Musik des «Lagaan»-Komponisten A.R.Rahman. In «A Peck on the Cheek» erzählt er die emotional starke Geschichte von Amudha, die im indischen Bundesstaat Tamil Nadu aufgewachsen ist und sich bis zu ihrem neunten Geburtstag wohl und geborgen in ihrer Familie fühlt, als sie plötzlich erfährt, dass sie ein Adoptivkind ist. -
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www.thepeninsulaqatar.com CAMPUS | 3 HEALTH & FITNESS | 10 ENTERTAINMENT | 12 CMU School of Music Why vitamins are Alia Bhatt keen to –Pittsburgh inspires important in a work with Mani Compass students healthy diet Ratnam WEDNESDAY 9 MARCH 2016 Email: [email protected] thepeninsulaqatar @peninsulaqatar @peninsula_qatar READ ALOUD TO CHILDREN Each year, all over the world, there are a startling number of children entering schools unprepared to learn. They lack the vocabulary, sentence structure and other basic skills that are required to do well in school. How can we tackle this? P | 4-5 WEDNESDAY 9 MARCH 2016 | 03 CAMPUS Injaz Qatar event at DeBakey Students of DeBakey High School – Qatar completed two programmes of Injaz Qatar. Injaz’s goals are to link youth with successful role models from the private sector, enhance their skills and participation in the economy, introduce students to innovation, critical thinking and new business concepts and give corporations an opportunity to develop the skills of youth. Grade 7 – 8 students completed the “More Than Money” and “It’s My Business” programmes. CMU School of Music–Pittsburgh inspires Compass students r Terry Creissen, Executive graduate at the end of this year. She Principal at Compass Interna- teaches the Suzuki method to stu- tional School Doha, and Mar- dents aged 8-12 and is auditioning Dgaret Pilkington, Head of the to join an orchestra when she grad- Gharaffa campus, welcomed three mu- uates. Wang, is an under-graduate sicians from Carnegie Mellon University and is busy auditioning to join a grad- of Music – Pittsburgh, to the school on uate school and Papadimitriou who Sunday. -
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Space-Time Formations in the South Indian Tamil Popular Film Kannathil Muthamittal
IJAPS, Vol. 14, No. 2, 143–164, 2018 SPACE-TIME FORMATIONS IN THE SOUTH INDIAN TAMIL POPULAR FILM KANNATHIL MUTHAMITTAL Ramesh Loganathan* Faculty of Social Sciences and Humanities, Universiti Kebangsaan Malaysia, 43600 UKM Bangi, Selangor, Malaysia e-mail: [email protected] Shanthini Pillai** Faculty of Social Sciences and Humanities, Universiti Kebangsaan Malaysia, 43600 UKM Bangi, Selangor, Malaysia e-mail: [email protected] Pramela Krish*** Faculty of Social Sciences and Humanities, Universiti Kebangsaan Malaysia, 43600 UKM Bangi, Selangor, Malaysia e-mail: [email protected] Published online: 15 July 2018 To cite this article: Loganathan, R., Pillai, S. and Krish, P. 2018. Space-time formations in the South Indian Tamil popular film Kannathil Muthamittal. International Journal of Asia Pacific Studies 14 (2): 143–164, https://doi.org/ 10.21315/ijaps2018.14.2.7 To link to this article: https://doi.org/10.21315/ijaps2018.14.2.7 ABSTRACT In tandem with the current development of film scholarships in the area of the world and national cinemas, the paper seeks to examine four scenes from the South Indian Tamil popular film “Kannathil Muthamittal” (English: A Peck on the Cheek) using a concept derived from Hamid Naficy’s theorisation of an accented cinema known as the filmmakers’ “preoccupation with the place.” The conception is cinematically expressed through spatial representations of the open, closed and the third space- time formations. In the accented cinema, space-time formations are cinematic spatial aspects that are employed to produce or reproduce the fundamental “accent” of displacement and deterritorialisation. According to Naficy, the accent predominantly originates from the filmmakers’ experiences and their artisanal productions and not so much from their accented lingo. -
P7 Wong Kwok Expected to Pun Becomes P20 Bring Together New Chairman Leading Qatari Businesses of ASEAN Group and Associations on a Single Qatar
Community Community Singaporean QBX-Expo ambassador in Doha is P7 Wong Kwok expected to Pun becomes P20 bring together new chairman leading Qatari businesses of ASEAN Group and associations on a single Qatar . platform . Sunday, January 3, 2016 Rabia I 23, 1437 AH DOHA 17°C—20°C TODAY PUZZLES 14 & 15 LIFESTYLE/HOROSCOPE 16 Fervent COVER pitch STORY Sri Lankan duo, Bachi and Evans, find fertile ground in Doha to push music passion. P4-5 DUO: Bachi Sittamige, left, and Evans De Fonseka. Photo by Umer Nangiana 2 GULF TIMES Sunday, January 3, 2016 COMMUNITY ROUND & ABOUT Santa Claws GENRE: Family, Fantasy CAST: Ezra James Colbert, Nicola Lambo, John P Fowler DIRECTION: Glenn Miller SYNOPSIS: Santa is allergic to cats, so he has a policy against delivering them as gifts, but little Tommy has been so good, and PRAYER TIME all he wants is one small kitty. Santa Fajr 4.59am says okay, but instead Shorooq (sunrise) 6.20am of one, the whole Zuhr (noon) 11.38am litter climbs into the Asr (afternoon) 2.27pm sack. When Santa Maghreb (sunset) 4.58pm has a major allergic Isha (night) 6.28pm reaction, the kittens have to take over and USEFUL NUMBERS deliver the presents on time. THEATRES: Landmark, The Mall, Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Ooredoo Telephone Assistance 111 Local Directory 180 International Calls Enquires 150 Time 141, 140 Doha International Airport 40106666 Labor Department 44508111, 44406537 Medical Commission 44679111 Mowasalat Taxi 44588888 Qatar Airways 44496000 Weather -
Neo-Liberal Modernity, Urban Dystopia and Youth Experience in Cinema
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Institutional Repository of the Ibero-American Institute, Berlin Postcoloniality in India and Latin America: Neo-liberal Modernity, Urban Dystopia and Youth Experience in Cinema Sonya Surabhi Gupta In India as well as in Latin America, cinema provides a fascinating site of analysis and serves as a medium that not only articulates but also ac- tively intervenes in discursive constructions of imperial, national and postcolonial identities. In this paper we focus on the shifting contours of modernity, globality and postcoloniality as experienced by the youth in Latin America and India through an analysis of two films, Amores per- ros (Alejandro González Iñarritu 2000) and Yuva (Mani Ratnam 2004). Both films foreground youth experience in two of the fastest urbanizing contemporary postcolonial metropoles of the Global South: Mexico City and Kolkata. Overcoming Absences in Postcolonial Studies At a first glance, Indian and Latin American cinemas might not appear ob- vious subjects of comparison, given the socio-cultural divergences, absence of historical linkages and difference of scale in the cinematic industries in the two regions, not to mention the vastly different cinematic idiom of Bollywood. Our choice for comparison, to begin with, is guided by the simple fact that Mani Ratnam’s Yuva is clearly inspired by Amores perros: it borrows its hyperlinked episodic narrative structure, interweaving three life stories, as well as its focus on urban dystopia, from the latter film. In both films, the city, once symbolizing the lures of modernization, becomes the site of thwarted desires within the decay of the paternalistic postcolo- nial state. -
Language Wise List of the Feature Films Indian/Foreign (Digital & Video)
Language wise List of the feature films Indian/Foreign (Digital & Video) Certified during period (01/01/2019 - 01/12/2019) Certified Type Of Film Certificate Sr. No Title Language Certificate No. Certificate Date Duration/ (Video/Digital/C Producer Name Production House Type Length elluloid) ARABIC ARABIC WITH ENGLISH 1 YOMEDDINE DFL/1/16/2019-MUM 26 March 2019 99.2 Digital WILD BUNCH - U SUBTITLES CAPHARNAUM ( Arabic With English Capharnaum Film 2 DFL/3/25/2019-MUM 02 May 2019 128.08 Digital - A CHILDREN OF CHAOS) Subtitles Ltd BVI CAPHARNAUM Arabic with English Capharnaum Film 3 VFL/2/448/2019-MUM 13 August 2019 127.54 Video - UA (CHILDREN OF CHAOS) Subtitles Ltd BVI ASSAMESE DREAM 1 KOKAIDEU BINDAAS Assamese DIL/1/1/2019-GUW 14 February 2019 120.4 Digital Rahul Modi U PRODUCTION Ajay Vishnu Children's Film 2 GATTU Assamese DIL/1/59/2019-MUM 22 March 2019 74.41 Digital U Chavan Society, India ASSAMESE WITH Anupam Kaushik Bhaworiya - The T- 3 BORNODI BHOTIAI DIL/1/5/2019-GUW 18 April 2019 120 Digital U ENGLISH SUBTITLES Borah Posaitives ASSAMESE WITH Kunjalata Gogoi 4 JANAKNANDINI DIL/1/8/2019-GUW 25 June 2019 166.23 Digital NIZI PRODUCTION U ENGLISH SUBTITLES Das SKYPLEX MOTION Nazim Uddin 5 ASTITTWA Assamese DIL/1/9/2019-GUW 04 July 2019 145.03 Digital PICTURES U Ahmed INTERNATIONAL FIREFLIES... JONAKI ASSAMESE WITH 6 DIL/3/2/2019-GUW 04 July 2019 93.06 Digital Milin Dutta vortex films A PORUA ENGLISH SUBTITLES ASSAMESE WITH 7 AAMIS DIL/2/4/2019-GUW 10 July 2019 109.07 Digital Poonam Deol Signum Productions UA ENGLISH SUBTITLES ASSAMESE WITH 8 JI GOLPOR SES NAI DIL/3/3/2019-GUW 26 July 2019 94.55 Digital Krishna Kalita M/S.