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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences. -
Mixed-Method Research on Bhutanese
GURUNG, ANUJ, Ph. D., August 2019 POLITICAL SCIENCE ANATOMY OF RESETTLEMENT: MIXED-METHOD RESEARCH ON BHUTANESE REFUGEES (410 PP.) Dissertation Advisor: Landon E. Hancock This dissertation is a much-needed study of how resettlement impacts refugees. I found the ‘solution’ of resettlement to be promising for some refugees yet restrictive for others. Based on my analysis, Bhutanese refugees interpret their past and present differently in negotiating their place and identity in resettlement. In Akron, many have found stable jobs, started businesses, and are pursuing higher education aspirations. Opportunities in resettlement and their positive self-perception allows these individuals to expand and ‘own’ their new revised identities (e.g. Bhutanese-Nepali), in contrast to the primary socialized identity preferences (i.e. the Bhutanese label) of refugees who find themselves marginalized and dependent in their new environment. At a broader level, I have found the US resettlement policy to be exclusively invested in economic output of refugees with little regard for their socio-cultural adaptation. Given the diversity of refugee experiences and their reasons behind ‘choosing’ resettlement, resettlement policy merits further critical examination and likely a structural revision. Scholars of refugee and immigrant behavior, as well as interested policy makers will find this work highly pertinent. In this study, I used ethnographic research—interviews and field observations—centered on Bhutanese refugees; I also employed a limited statistical examination of refugee migration patterns in the US. i ANATOMY OF RESETTLEMENT: MIXED-METHOD RESEARCH ON BHUTANESE REFUGEES A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Anuj Gurung August 2019 © Copyright All rights reserved Except for previously published materials ii Dissertation written by Anuj Gurung B.A. -
Nepali Times Welcomes All Mechanisms Also Prevent WFP One Objective and That Is to Who Are Open to Ideas, Who Can Portrays and in No Way Can We Feedback
#256 15 - 21 July 2005 16 pages Rs 30 UPSIDE DOWN WORLD: Pedestrians reflected in a Weekly Internet Poll # 256 puddle at Basantapur after Q. How confident are you that the new rains on Wednesday afternoon. budget will help Nepal make an economic turnaround? Total votes:413 Weekly Internet Poll # 257. To vote go to: www.nepalitimes.com Q... Should the ban on news on FM radios be lifted? Comrades-in-armsKIRAN PANDAY Looking at Nepal’s Maoist revolution through Indian Naxalite eyes CK LAL in BIHAR open dasgaja strip too is now going to Panditji’s paan shop Naxalite attack on the town of under close security watch. India’s down the road. Madhuban in which 21 people ere in the densely paramilitary Seema Suraksha Bal On the Nepal side, every were killed and six government populated Ganga plains, the (SSB) now pull up rickshaw shopkeeper is up to date on the buildings razed (see: ‘Spillover’, H10-yard strip separating wallas if they park their tricycles latest Maoist exploits. In Bihar, #254), there is a surprising lack of Nepal and India has never been on no-man’s land. despite media hype about the concern about Maoist activity treated like a national frontier. Security is stricter than before Naxalite ‘menace’ engulfing 160 along the border. Land is too precious to leave and there is talk here of introduc- districts in 12 Indian states, If the local people it as a no-man’s land. Nepali and ing identity cards and barbed-wire people along the border seem aren’t the least bit Editorial p2 fences to regulate crossborder barely aware of the activities of interested, we Democracy in Press Freedom for Indian farmers use it for grazing installments livestock, playing cricket or even movement. -
DACIN SARA Repartitie Aferenta Trimestrului III 2019 Straini TITLU
DACIN SARA Repartitie aferenta trimestrului III 2019 Straini TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 R10 R11 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 Greg Pruss - Gregory 13 13 2010 US Gela Babluani Gela Babluani Pruss 1000 post Terra After Earth 2013 US M. Night Shyamalan Gary Whitta M. Night Shyamalan 30 de nopti 30 Days of Night: Dark Days 2010 US Ben Ketai Ben Ketai Steve Niles 300-Eroii de la Termopile 300 2006 US Zack Snyder Kurt Johnstad Zack Snyder Michael B. Gordon 6 moduri de a muri 6 Ways to Die 2015 US Nadeem Soumah Nadeem Soumah 7 prichindei cuceresc Broadway-ul / Sapte The Seven Little Foys 1955 US Melville Shavelson Jack Rose Melville Shavelson prichindei cuceresc Broadway-ul A 25-a ora 25th Hour 2002 US Spike Lee David Benioff Elaine Goldsmith- A doua sansa Second Act 2018 US Peter Segal Justin Zackham Thomas A fost o data in Mexic-Desperado 2 Once Upon a Time in Mexico 2003 US Robert Rodriguez Robert Rodriguez A fost odata Curly Once Upon a Time 1944 US Alexander Hall Lewis Meltzer Oscar Saul Irving Fineman A naibii dragoste Crazy, Stupid, Love. 2011 US Glenn Ficarra John Requa Dan Fogelman Abandon - Puzzle psihologic Abandon 2002 US Stephen Gaghan Stephen Gaghan Acasa la coana mare 2 Big Momma's House 2 2006 US John Whitesell Don Rhymer Actiune de recuperare Extraction 2013 US Tony Giglio Tony Giglio Acum sunt 13 Ocean's Thirteen 2007 US Steven Soderbergh Brian Koppelman David Levien Acvila Legiunii a IX-a The Eagle 2011 GB/US Kevin Macdonald Jeremy Brock - ALCS Les aventures extraordinaires d'Adele Blanc- Adele Blanc Sec - Aventurile extraordinare Luc Besson - Sec - The Extraordinary Adventures of Adele 2010 FR/US Luc Besson - SACD/ALCS ale Adelei SACD/ALCS Blanc - Sec Adevarul despre criza Inside Job 2010 US Charles Ferguson Charles Ferguson Chad Beck Adam Bolt Adevarul gol-golut The Ugly Truth 2009 US Robert Luketic Karen McCullah Kirsten Smith Nicole Eastman Lebt wohl, Genossen - Kollaps (1990-1991) - CZ/DE/FR/HU Andrei Nekrasov - Gyoergy Dalos - VG. -
THE GAZE JOURNAL of TOURISM and HOSPITALITY Vol
ISSN 2467-933X THE GAZE JOURNAL OF TOURISM AND HOSPITALITY Vol. 10 No.1 Year 2019 Editor-in-Chief Prof. Ramesh Raj Kunwar International School of Tourism and Hotel Management (Affi liated to Salzburg University of Applied Sciences, Austria) Editorial Policy Th e Gaze is multi-interdisciplinary journal which welcomes original research articles, research notes and book reviews. Articles should be original and unpublished, based on both primary and secondary sources refl ecting new interpretations, written in English. Th e research article should have more than 6,000 words; 3,000 words for research notes; 3,000 words for book review; and 300 words for abstract including fi ve keywords. Th e research work should be based on global research methodology in which the researcher will be required to use parentheses or author date system or in text citation. Aft er receiving the research papers, it will be fi rst consulted by the editor-in-chief on behalf of editorial board. If it is required it will be sent to the author for revising the paper. Th e last date of paper submission will be by the end of June of the following year. Th e authors will not be charged any fee for publishing their articles. Manuscripts should be typed double-space on A4sized paper with a 4 cm margin on all four sides. Th e author should underline nothing except words which are to be italicized. Notes and references should be typed double-space on separate pages which should be included at the end of the articles. In case, if it is required, the text should refer to notes numbered consecutively throughout the article using raised numbers which should be mentioned at the end of the text before references. -
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
Wat Een Drama
NUMMER 37 15 TM 21 SEPTEMBER 2018 PRIJS: € 2,75 NONDEJU! PAPILLON2018 KIPKIPPENVELPENV MET ‘ONZE’ BIJ HORRORR YORICK VAN THE NUN WAGENINGEN! BOER ZOEKT VROUWW EEN OVERVAL THUIS BIJ BOER AAD PAGINA’S EVA VAN DE WIJDEVEN STRIPS! GA JE VOELEN’ Op de planken in Judas LEZERSACTIE IK KAN NIET WACHTEN Exclusief weekend in Disneyland Paris eerst krijgen we de eestdagen nog en ja, 3-DAAGS dat is pas over een paar ARRANGEMENT maanden. Maar daarna VANAF gaat het snel – en voor je het weet staat het eerste weekend van €195 februari alweer voor e deur. Het Veronica gazine VIP Weekend in Disneyland Paris! Ook dit jaar heeft je lijfblad in samenwerking met Disneyland Paris een fantastisch – en voor alles: exclusief – arrangement voor je samengesteld. Ga daarom NU naar de boekhandel, koop een agenda en blok alvast het weekend van 1 tot en met 3 februari! LEZERSACTIE OM TE BOEKEN GA JE NAAR VERONICA MA EXCLUSIEF VOOR ALLE LEZERS: BELEEF DE MAGIE IN DISNEYLAND PARIS Ga met Disney figuren op de foto Hoe uniek dat VIP-weekend wel niet is? Nou, héél uniek.i k Kijk maar eens wat er allemaal in zit: Een toegangsbewijs voor de EXCLUSIEVE AVONDOPENSTELLING van het Walt Disney Studios Park op zaterdag 2 februari.Natuurlijk kun je ook gewoon overdag beide Disney Parken in, op alle drie de dagen. Ga gewoon zo vaak als je wilt. Twee overnachtingen in een heus Disney Hotel (inclusief ontbijtbuffet in je hotel of ontbijtpakket bij Disney’s Davy Crockett Ranch). Een meet & greet met Anna en Elsa uit Frozen (om maar een paar Disney-helden te noemen, want Mickey Mouse en Donald Duck lopen er natuurlijk ook gewoon rond). -
An Entrepreneurial Exploration of Dhaka Fabric Shaili Ghimire Daayitwa Fellow Summer 2015
An entrepreneurial exploration of dhaka fabric | Ghimire An entrepreneurial exploration of dhaka fabric Shaili Ghimire Daayitwa Fellow Summer 2015 i An entrepreneurial exploration of dhaka fabric | Ghimire Abstract This report started out seeking answers to the following questions: a) what are some basic things a potential dhaka entrepreneur needs to know before he/she enters this market? b) Given that so much has already been done with dhaka fabric, what market potential does this fabric still hold? What market segment has yet to be targeted? And last but not least, c) how much do dhaka fabric producers make? To answer the above mentioned questions, I conducted interviews with NGOs working with dhaka fabric and dhaka producers. I went on site visits to SABAH Nepal, a local store producing fashionable clothing with dhaka fabric, and to a power loom in Bhaktapur. In addition, I also conducted desk research on dhaka fabric to understand where it is made and to find out how dhaka fabric has been marketed abroad. As a result of conducting activities mentioned in the last paragraph, I found that often, the general business thought in Nepal is that, it is better to export than to produce for the local market. For this reason, there is much space still available to target the average Nepali consumer with dhaka fabric products. Such products can be all dhaka or just contain borders or portions of dhaka fabric. Such products can use either power loom or handloom dhaka, though the cheaper input is the power loom fabric. These findings imply that if you are an entrepreneur, produce for your local market. -
Packed with Recommendations and the Full List of 2500+ Channels
PACKED WITH RECOMMENDATIONS AND THE FULL LIST OF 2500+ CHANNELS Voted World’s Best Infl ight Entertainment for the Digital Widescreen | December 2017 13th consecutive year! Meet your match in ATOMIC BLONDE and more sizzling action thrillers NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE OBCOFCDec17EX2.indd 51 09/11/2017 15:13 EMIRATES ICE_EX2_DIGITAL_WIDESCREEN_62_DECEMBER17 051_FRONT COVER_V1 200X250 44 An extraordinary ENTERTAINMENT experience... Wherever you’re going, whatever your mood, you’ll find over 2500 channels of the world’s best inflight entertainment to explore on today’s flight. THE LATEST Information… Communication… Entertainment… Track the progress of your Stay connected with in-seat* phone, Experience Emirates’ award- MOVIES flight, keep up with news SMS and email, plus Wi-Fi and mobile winning selection of movies, you can’t miss movies and other useful features. roaming on select flights. TV, music and games. from page 16 527 ...AT YOUR FINGERTIPS STAY CONNECTED 4 Connect to the 1500 OnAir Wi-Fi network on all A380s and most Boeing 777s 1 Choose a channel Go straight to your chosen programme by typing the channel WATCH LIVE TV 2 3 number into your handset, or use the onscreen channel entry pad Live news and sport channels are available on 1 3 Swipe left and Search for Move around most fl ights. Find out right like a tablet. movies, TV using the games more on page 9. Tap the arrows shows, music controller pad onscreen to and system on your handset scroll features and select using the green game 2 4 Create and Tap Settings to button 4 access your own adjust volume playlist using and brightness Favourites Home Again Many movies are 113 available in up to eight languages. -
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Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship. -
A Peck on the Cheek (Kannathil Muthamittal)
A Peck on the Cheek (Kannathil Muthamittal) Directed by Mani Ratnam India, 2002 * 136 minutes * In Tamil and Sinhala with English subtitles WON - In Spirit for Freedom Award – Jerusalem FF WON – 6 Silver Lotus Awards (Best Child Artist, Best Audiography, Best Editing, Best Music Direction, Best Regional Film [Tamil], Best Lyrics) – National Film Awards, India WON – Audience Award (Best Film) – Los Angeles Indian FF Official Selection. – Toronto Int’l FF, Palm Springs Int’l FF, Cleveland Int’l FF, Philadelphia Int’l FF, San Francisco Int’l FF Distributor Contact: Meghan Wurtz Film Movement Series 109 W. 27th St., Suite 9B, New York, NY 10001 Tel: 212-941-7744 ext. 201 Fax: 212-941-7812 [email protected] Film Synopsis: A little girl's search for her biological mother who had abandoned her as a newborn baby is brought out poignantly in 'Kannathil Muthamittal'. With films like 'Mouna Ragam', 'Alaipayuthe' and now 'Kannathil Muthamittal', Maniratnam yet again proves that he is at his best when tackling human emotions and relationships. Amudha, adopted by Thiru and Indira and growing up with the couple’s two sons, is blissfully unaware of her parentage, until the couple decides to inform her of it on her ninth birthday. At first shocked into disbelief, Amudha then expresses her determination to seek out for her biological mother. The search takes the family to strife- torn Sri Lanka, where Amudha comes face-to-face with reality, and reconciles herself to it. Credits: Cast: Mani Ratnam… writer/director/producer R. Madhavan… Thiruchelvan G. Srinivasan… producer Simran (alias) Rishi Novel… Indira Ravi K.