Inside Pictures 10Th Anniversary Yearbook
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
GANGS of NEW YORK Außer Konkurrenz GANGS of NEW YORK GANGS of NEW YORK Regie:Martin Scorsese
Wettbewerb/IFB 2003 GANGS OF NEW YORK Außer Konkurrenz GANGS OF NEW YORK GANGS OF NEW YORK Regie:Martin Scorsese USA 2002 Darsteller Amsterdam Vallon Leonardo DiCaprio Länge 168 Min. Bill Cutting Daniel Day-Lewis Format 35 mm, Jenny Everdeane Cameron Diaz Cinemascope Boss Tweed Jim Boadbent Farbe Happy Jack John C.Reilly Johnny Sirocco Henry Thomas Stabliste Pfarrer Vallon Liam Neeson Buch Jay Cocks Walter „Monk“ Steven Zaillian McGinn Brendan Gleeson Kenneth Lonergan McGloin Gary Lewis Story Jay Cocks Shang Stephen Graham Kamera Michael Ballhaus Killoran Eddie Marsan Kameraführung Andrew Rowlands Reverend Raleigh Alec McCowen Kameraassistenz Tom Lappin Mr.Schermerhorn David Hemmings Schnitt Thelma Soonmaker Jimmy Spoils Larry Gilliard,Jr. Mitarbeit James Kwei Hell-Cat Maggie Cara Seymour Pat Buba P.T.Barnum Roger Ashton- Ton Ivan Sharrock Griffiths Musik Howard Shore Einarmiger Priester Peter Hugo Daly Production Design Dante Ferreti Daniel Day-Lewis, Leonardo DiCaprio Junger Amsterdam Cian McCormack Ausstattung Stefano Ortolani Junger Johnny Andrew Gallagher Kostüm Sandy Powell O’Connell Philip Kirk Regieassistenz Joseph Reidy GANGS OF NEW YORK Bills Gang Liam Carney Casting Ellen Lewis Das südliche Manhattan in den 60er Jahren des 19. Jahrhunderts, einer Zeit Gary McCormack Produktionsltg. Michael Hausman großer Unruhen in den USA – das Land steht kurz vor dem Bürgerkrieg. Für David McBlain Produzenten Alberto Grimaldi die arme Bevölkerung von New York tobt der Kampf allerdings schon lange Jennys Mädchen Katherine Wallach Harvey Weinstein – und zwar direkt vor ihrer Haustür. Korruption bestimmt die Politik, Gesetz- Carmen Hanlon Executive Producers Michael Ovitz Ilaria D’Elia Bob Weinstein losigkeit das Alltagsleben; rivalisierende Gangs kämpfen um die Vorherr- Gangmitglieder Nevan Finnegan Rick Yorn schaft auf den Straßen. -
Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences. -
Etiek En Toeskouerskap Deur Die Lens Van Michael Haneke Se Amour
LitNet Akademies Jaargang 15, Nommer 2, 2018, ISSN 1995-5928 Verantwoordelike rolprentvervaardiging: etiek en toeskouerskap deur die lens van Michael Haneke se Amour Dian Weys Dian Weys, onafhanklike navorser Opsomming Aangesien ons moderne samelewing deur die media oorweldig word, stel Michael Haneke voor dat filmmakers ‘n verantwoordelikheid het om gehore aan te moedig om aan ‘n film se betekenisskeppingproses deel te neem, veral wanneer dit kom by die uitbeelding van geweld. Wat behels hierdie verantwoordelikheid? Stanley Cavell verduidelik dat, omdat toeskouers tydens die filmkykproses onsigbaar is, film ‘n beroep op ons moderne begeerte doen, nie vir mag oor die wêreld nie, maar eerder die wens om nie mag nodig te hê nie en om nie die laste van ‘n ander te dra nie. Dit is ‘n probleem, glo ek, veral wanneer iemand anders se werklike swaarkry en lyding as bronmateriaal gebruik word, omdat filmmakers dié werklike ervaring wederregtelik in besit neem vir vermaaklikheidsonthalwe. Indien die filmkykproses ons kwytskeld daarvan om die laste van die wêreld te dra en dus verligting bied van die opneem van verantwoordelikheid, argumenteer ek dat ons nie mag wens om nie die laste van iemand anders te dra nie. Ons is, soos Emmanuel Levinas argumenteer, verantwoordelik vir mekaar. Hoe poog Haneke om, tegnies gewys, sy gehore bewus te maak van hierdie verantwoordelikheid? Judith Butler sê dat ‘n begrip van verantwoordelikheid net bereik kan word wanneer ‘n ek-heid die perke van selfkennis erken. Daarom, indien ons, soos Butler sê, net bewus kan raak van die ondeursigtigheid eie aan ons menswees wanneer ons gekonfronteer word met die ondeursigtigheid van ‘n ander, argumenteer ek dat Haneke, deur sy fragmentariese aanslag ten opsigte van die beeld, redigering en klank, sy gehoor in verwantskap plaas met ‘n film wat hul met die perke van hul selfkennis konfronteer. -
Good Food ... Good Feelings • Shirley (Neon) — Elisabeth Moss, Logan Lerman, Michael Stuhlbarg
Jay’s Pix Presents at the International improvisational style with a cast of non-actors. Museum — Film historian Jay Duncan and the Fountain Theatre — 2469 Calle de Sunset Film Society host presentations at 2 Guadalupe, 1/2 block south of the plaza in p.m. Saturdays at International Museum of Art, Mesilla. Theatre closed at least through April 3; 1211 Montana (door on Brown opens at 1:30 check website for updates and reopening p.m.). Admission is free. Snacks available for schedule. purchase; guests encouraged to come early for directed and co-written by Billy Wilder. Two Miami — which also happens to be the destina- The historic theater, operated by the Mesilla special attractions. Information: 543-6747 musicians in 1929 Chicago (Jack Lemmon and tion for the mobsters attending a convention. Valley Film Society, features films at 7:30 p.m. (museum), internationalmuseumofart.net and Tony Curtis) accidentally witness the St. • April 18: “Chicago.” The 2002 musical crime nightly, plus 1:30 p.m. Saturday and 2:30 p.m. sunsetfilmsociety.org. Valentine’s Day massacre and go on the lam, comedy-drama film, based on the stage musi- Sunday. Some 7:30 p.m. Sunday night screen- This month’s films Celebrate the Roarin’ 20s. hiding from the mobsters who saw them. Since cal, explores the themes of celebrity, scandal ings have an open caption option. Admission: • April 11 : “Some Like It Hot.” Voted the jobs are scarce during the Great Depression, and corruption in Chicago during the Jazz Age. $8 ($7 matinees, seniors, military and students No. -
Embodying the Rca's Values
WORLD LEADEREMBODYING THE RCA’S VALUES ‘I am thrilled to be Chancellor of the RCA at this pivotal moment. The College has had a profound influence on many generations of artists and designers that I admire. My own team at Apple includes many RCA alumni, all of whom embody the fundamental values of the College. I look forward to being part of this exciting next phase of growth and development and ask you to join me in supporting the RCA’s compelling vision for the future of education, research and innovation in art and design.’ Sir Jony Ive KBE Chancellor, Royal College of Art Chief Design Officer, Apple 33 Annual Report & Accounts 2017/18 34 Annual Report & Accounts 2017/18 ‘At College, I was able to work with artists, animators, sound designers, fashion and graphic designers, to pull them into the world of film and learn from them. Film encompasses all of these disciplines, and it was that unique environment that taught me to make films that were visually compelling. Of the films that I’ve subsequently made, all of them somehow link back to what I learnt at the RCA.’ Asif Kapadia (MA Film & Television, 1997) Asif Kapadia is an Academy Award and four time Bafta-winning writer/director. Following his debut feature The Warrior (2001) and Far North (2007), international box office hit Senna (2012) established Kapadia as a vital name in documentary film. This success was triumphantly surpassed by Amy (2015), the moving documentary about singer Amy Winehouse, which won an Academy Award and is now the highest grossing UK documentary of all time. -
Programme Specification
PROGRAMME SPECIFICATION Course record information Name and level of final award BA Honours Film BA Honours Film with Professional Experience The Film BA Honours degree is Bologna FQ-EHEA first cycle degree or diploma compatible. Name and level of intermediate Diploma of Higher Education awards Certificate of Higher Education Awarding body/institution University of Westminster Teaching Institution Status of awarding body/institution Recognised Body Location of delivery Language of delivery and English assessment Mode, length of study and normal Three years full time, September start starting month Four years full time with optional placement year QAA subject benchmarking Communication, Media, Film and Cultural Studies group(s) Professional statutory or regulatory ScreenSkills body https://www.screenskills.com/ Date of course 1976; reviewed 1990, 1996, 2001, 2007, 2013, 2015 validation/Revalidation Date of programme specification December 2020 approval Valid for cohorts 2021/22 onwards Course Leader Tania Diez UCAS code and URL W900 westminster.ac.uk/courses/undergraduate Westminster course code BATFM01F HECoS code UKPASS code (PG only) Admissions requirements There are standard minimum entry requirements for all undergraduate courses. Students are advised to check the standard requirements for the most up-to-date information. For most courses a decision will be made on the basis of your application form alone. However, for some courses the selection process may include an interview to demonstrate your strengths in addition to any formal entry requirements. More information can be found here: westminster.ac.uk/courses/undergraduate/how-to- apply. Recognition of Prior Learning Applicants with prior certificated or experiential learning at the same level of the qualification for which they wish to apply are advised to visit the following page for further information: westminster.ac.uk/recognition-of-prior-certified-learning. -
Animation Library
2019 INTRODUCTION SC LIVE ACTION SC Films specialises in international film sales, SC Films has a catalogue of over 50 live features for home entertainment and television. distribution, finance and film production. SC Films is based in Soho, London and was founded by See scfilmsinternational.com for more details. Simon Crowe and tech entrepreneur, Matthew Joynes in 2008. SC Films focus on 4–5 theatrical films per year, working closely with producers and financiers to secure finance and maximise revenues worldwide. 2018 was a very busy year for SC Films. The year started with the world premiere of the highly acclaimed animation feature WHITE FANG at Sundance FF and then its subsequent worldwide release from March 2018 – France 500,000+ admissions. GNOME ALONE and CHARMING were also theatrically released throughout the summer. PACHAMAMA had its world premiere at Animation Is Film in LA & London FF over a very busy weekend in October for the director, who flew to both events. Netflix licensed ROW. SC Films also launched a new television division headed by Stephan Manpearl in LA. We are currently developing two major TV shows for primetime television KING OF LATE NIGHT and SLOWFOOD. SC Films International Ltd 56 Brewer Street Soho London +44 (0)20 7287 1900 scfilmsinternational.com COCKNEYS VS ZOMBIES | RETREAT | GREEN STREET: HOOLIGANS UNDERGROUND More information: scfilmsinternational.com Credits Not Contractual SC ANIMATION SC TELEVISION SC Films represents the very best of independent animated This is a new division for SC Films headed by Stephan Manpearl. features from all over the World. We are looking for high quality television productions for co-production, funding and distribution. -
Seattle Location Management and Scouting
Mark A. Freid – Seattle Location Management and Scouting. Field Producing. (310) 770-3930 [email protected] www.northernlocs.com QUALIFICATIONS Teamster Local 399 Location Manager. CSATF Safety Passport. LOCATION SCOUTING AND MANAGEMENT 2001-2017 FEATURE FILM/TELEVISION: War for Planet of the Apes. 20th Century Fox. VFX Plate Unit Location Manager Ryan Stafford, VFX Producer. 50 Shades Freed, 50 Shades Darker. Focus Features. 2nd Unit Location Manager Scott Ateah, 2nd Unit Dir. Barbra Kelly UPM. Marcus Viscidi Producer. Grey’s Anatomy. ABC/Disney. Location Scout Thomas Barg, Production Supervisor. Vacation. Warner Brothers/New Line. 2nd Unit Location Manager Peter Novak, 2nd Unit Production Supervisor. The Librarians . Electric Entertainment. Location Scout Bobby Warberg, Location Manager. David Drummond, Location Scout. 50 Shades of Grey. Focus Features. 2nd Unit Location Manager David Wasco Production Designer, Barbra Kelly, UPM, Marcus Viscidi Producer. Transformers 4. Paramount Pictures. Location Manager JJ Hook, Location Manager. Daren Hicks, Production Supervisor. They Die By Dawn. Location Manager Jaymes Seymor, Director. Peter Novak, Producer. America’s Most Wanted. STF Productions. Location Manager Miles Perman, Producer. Paranormal Activity The Marked One. Paramount Pictures Location Scout Christopher Landon, Director. Stephenson Crossley, Location Manager. Hayden Lake. Location Manager Ryan Page, Christopher Pomerenke Directors. Linette Shorr, Production Designer. Lacey Leavitt, Producer. Rampart. Lightstream Pictures. Location Manager Oren Moverman, Director. David Wasco Production Designer. Karen Getchell, Production Supervisor. Ben Foster, Lawrence Inglee, Clark Peterson, Ken Kao, Producers. Michael DiFranco and Lila Yacoub Executive Producers. Late Autumn. Location Manager Kim Tae-Yong, Director. Dave Drummond, Co-Location Manager Mischa Jakupcak, Producer. The Details. Key Assistant Location Manager Doug duMas, Location Manager. -
Uk Producers in Cannes 2009
UK PRODUCERS IN CANNES 2009 Produced by Export Development www.ukfilmcouncil.org/exportteam The UK Film Council The UK Film Council is the Government-backed lead agency for film in the UK ensuring the economic, cultural and educational aspects of films are effectively represented at home and abroad. Our goal is to help make the UK a global hub for film in the digital age, with the world’s most imaginative, diverse and vibrant film culture, underpinned by a flourishing, competitive film industry. We invest Government grant-in-aid and Lottery money in developing new filmmakers, in funding new British films and in getting a wider choice of films to audiences throughout the UK. We also invest in skills training, promoting Britain as an international filmmaking location and in raising the profile of British films abroad. The UK Film Council Export Development team Our Export Development team supports the export of UK films and talent and services internationally in a number of different ways: Promoting a clear export strategy Consulting and working with industry and government Undertaking export research Supporting export development schemes and projects Providing export information The team is located within the UK Film Council’s Production Finance Division and is part of the International Group. Over the forthcoming year, Export Development will be delivering umbrella stands at the Toronto International Film Festival and Hong Kong Filmart; and supporting the UK stands at the Pusan Asian Film Market; American Film Market and the European Film Market, Berlin;. The team will also be leading Research & Development delegations to Japan and China. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
88Th Oscars® Nominations Announced
MEDIA CONTACT Natalie Kojen [email protected] January 14, 2016 FOR IMMEDIATE RELEASE 88TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee announced the 88th Academy Awards® nominations today (January 14). Del Toro and Lee announced the nominees in 11 categories at 5:30 a.m. PT, followed by Boone Isaacs and Krasinski for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars® website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 23, at the Academy’s Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. Active members of the Academy are eligible to vote for the winners in all 24 categories. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 88th Oscars will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m.