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Etiek En Toeskouerskap Deur Die Lens Van Michael Haneke Se Amour
LitNet Akademies Jaargang 15, Nommer 2, 2018, ISSN 1995-5928 Verantwoordelike rolprentvervaardiging: etiek en toeskouerskap deur die lens van Michael Haneke se Amour Dian Weys Dian Weys, onafhanklike navorser Opsomming Aangesien ons moderne samelewing deur die media oorweldig word, stel Michael Haneke voor dat filmmakers ‘n verantwoordelikheid het om gehore aan te moedig om aan ‘n film se betekenisskeppingproses deel te neem, veral wanneer dit kom by die uitbeelding van geweld. Wat behels hierdie verantwoordelikheid? Stanley Cavell verduidelik dat, omdat toeskouers tydens die filmkykproses onsigbaar is, film ‘n beroep op ons moderne begeerte doen, nie vir mag oor die wêreld nie, maar eerder die wens om nie mag nodig te hê nie en om nie die laste van ‘n ander te dra nie. Dit is ‘n probleem, glo ek, veral wanneer iemand anders se werklike swaarkry en lyding as bronmateriaal gebruik word, omdat filmmakers dié werklike ervaring wederregtelik in besit neem vir vermaaklikheidsonthalwe. Indien die filmkykproses ons kwytskeld daarvan om die laste van die wêreld te dra en dus verligting bied van die opneem van verantwoordelikheid, argumenteer ek dat ons nie mag wens om nie die laste van iemand anders te dra nie. Ons is, soos Emmanuel Levinas argumenteer, verantwoordelik vir mekaar. Hoe poog Haneke om, tegnies gewys, sy gehore bewus te maak van hierdie verantwoordelikheid? Judith Butler sê dat ‘n begrip van verantwoordelikheid net bereik kan word wanneer ‘n ek-heid die perke van selfkennis erken. Daarom, indien ons, soos Butler sê, net bewus kan raak van die ondeursigtigheid eie aan ons menswees wanneer ons gekonfronteer word met die ondeursigtigheid van ‘n ander, argumenteer ek dat Haneke, deur sy fragmentariese aanslag ten opsigte van die beeld, redigering en klank, sy gehoor in verwantskap plaas met ‘n film wat hul met die perke van hul selfkennis konfronteer. -
Is an Immersive and Intense Journey That Digs Deep Into Each of Its Main Characters’ Souls
ADVERTISEMENT IS AN IMMERSIVE AND INTENSE JOURNEY THAT DIGS DEEP INTO EACH OF ITS MAIN CHARACTERS’ SOULS. JANUARY 2, 2020 US $9.99 JAPAN ¥1280 CANADA $11.99 CHINA ¥80 UK £ 8 HONG KONG $95 EUROPE €9 RUSSIA 400 AUSTRALIA $14 INDIA 800 3 GOLDEN GLOBE® NOMINATIONS INCLUDING DRAMA BEST DIRECTOR BEST PICTURE SAM MENDES CRITICS’ CHOICE AWARDS NOMINATIONS INCLUDING 8 BEST DIRECTOR BEST PICTURE SAM MENDES THE BEST OF THE LIKE NO FILM YOU A MASTERWORK OF PICTURE YEAR IS HAVE SEEN. THE FIRST ORDER. YOU COULDN’T LOOK AWAY IF YOU WANTED TO. GOLDEN GLOBES YEARS HER MOMENT FOLLOWING ACCLAIMED ROLES IN ‘BOMBSHELL’ AND ‘ONCE UPON A TIME IN HOLLYWOOD,’ ACTOR-PRODUCER MARGOT ROBBIE STORMS THE NEW YEAR WITH A FLURRY OF CREATIVE ENDEAVORS BY KATE AURTHUR P.5 0 P.50 Hollywood on Her Terms Margot Robbie is charging ahead as both an actor and a producer, carving a path for other women along the way. By KATE AURTHUR P.58 Creative Champion AMC Networks programming chief Sarah Barnett competes with streamers by nurturing creators of new cultural hits. By DANIEL HOLLOWAY P.62 Variety Digital Innovators 2020 Twelve leading minds in tech and entertainment are honored for pushing content boundaries. By TODD SPANGLER and JANKO ROETTGERS HANEL; HAIR: BRYCE SCARLETT/THE WALL GROUP/MOROCCAN OIL; MANICURE: TOM BACHIK; DRESS: CHANEL BACHIK; OIL; MANICURE: TOM GROUP/MOROCCAN WALL SCARLETT/THE HANEL; HAIR: BRYCE VARIETY.COM JANUARY 2, 2020 JANUARY (COVER AND THIS PAGE) PHOTOGRAPHS BY ART STREIBER; WARDROBE: KATE YOUNG/THE WALL GROUP; MAKEUP: PATI DUBROFF/FORWARD ARTISTS/C -
2017 DGA Episodic Director Diversity Report (By STUDIO)
2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc. -
Academy Award® Nominations
ADVERTISEMENT ACADEMY AWARD® 6 NOMINATIONS BEST DIRECTOR BONG JOON HO BEST ORIGINAL SCREENPLAY BONG JOON HO AND HAN JIN WON BEST PRODUCTION DESIGN LEE HA JUN AND CHO WON WOO BEST FILM EDITING YANG JINMO BEST INTERNATIONAL FEATURE JANUARY 21, 2020 US $9.99 JAPAN ¥1280 FOR YOUR CONSIDERATION CANADA $11.99 CHINA ¥80 UK £ 8 HONG KONG $95 EUROPE €9 RUSSIA 400 AUSTRALIA $14 INDIA 800 SUNDANCE 2020 SNOWFLAKE NOBODY’S NOBODY’S Taylor Swift is no longer ‘polite at all costs.’ In her Sundance doc, ‘Miss Americana,’ the pop superstar finds her (political) voice. By Chris Willman P.4 0 “ LET EVERYTHING HAPPEN TO YOU: BEAUTY AND TERROR. JUST KEEP GOING. NO FEELING IS FINAL.” RAINER MARIA RILKE FOR YOUR CONSIDERATION IN ALL CATEGORIES JojoRabbitFYC.com Untitled-25 1 1/16/20 11:38 AM CONTENTS “I don’t really operate very well as an enigma. It’s not fulfilling to me. ... I think that it makes me feel completely unable to do what I had gotten in this to do, which is to communicate to people.” Taylor Swift, P.40 P.4 0 Why She’s Speaking Now Sundance documentary “Miss Americana” charts Taylor Swift’s evolution as a political activist. By CHRIS WILLMAN P.4 8 A Road Less Traveled Director Julie Taymor tweaks the rules of biopics with “The Glorias,” her film about Gloria Steinem. By MATT DONNELLY P.5 2 A Difficult Choice Eliza Hittman’s “Never Rarely Sometimes Always” takes on the polarizing topic of abortion. By BRENT LANG CASSELL/SWA; MAKEUP: LORRIE TURK; HAIR: JEMMA MURADIAN/THE WALL GROUP; SET DESIGN: SHAWN PATRICK/ACME BROOKLYN PATRICK/ACME SET DESIGN: SHAWN GROUP; JEMMA MURADIAN/THE HAIR: WALL TURK; LORRIE MAKEUP: CASSELL/SWA; P.5 5 Contenders: Best Picture Variety looks at what each of the Oscar hopefuls has in its favor and what might trip it up with voters. -
Uk Producers in Cannes 2009
UK PRODUCERS IN CANNES 2009 Produced by Export Development www.ukfilmcouncil.org/exportteam The UK Film Council The UK Film Council is the Government-backed lead agency for film in the UK ensuring the economic, cultural and educational aspects of films are effectively represented at home and abroad. Our goal is to help make the UK a global hub for film in the digital age, with the world’s most imaginative, diverse and vibrant film culture, underpinned by a flourishing, competitive film industry. We invest Government grant-in-aid and Lottery money in developing new filmmakers, in funding new British films and in getting a wider choice of films to audiences throughout the UK. We also invest in skills training, promoting Britain as an international filmmaking location and in raising the profile of British films abroad. The UK Film Council Export Development team Our Export Development team supports the export of UK films and talent and services internationally in a number of different ways: Promoting a clear export strategy Consulting and working with industry and government Undertaking export research Supporting export development schemes and projects Providing export information The team is located within the UK Film Council’s Production Finance Division and is part of the International Group. Over the forthcoming year, Export Development will be delivering umbrella stands at the Toronto International Film Festival and Hong Kong Filmart; and supporting the UK stands at the Pusan Asian Film Market; American Film Market and the European Film Market, Berlin;. The team will also be leading Research & Development delegations to Japan and China. -
Anthony Scaramucci Former Director of Communications, President Donald Trump Media Masters – April 27, 2018 Listen to the Podcast Online, Visit
Anthony Scaramucci Former Director of Communications, President Donald Trump Media Masters – April 27, 2018 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one to one interviews with people at the top of the media game. Today, I’m here in New York City and joined by Anthony Scaramucci, financier, entrepreneur and former White House communications director to President Donald Trump. Anthony spent much of his career in investment banking, leaving Goldman Sachs in 1996 to start his own ventures, and in 2005 founded the global investment firm SkyBridge Capital. A consistent and vocal support of the President since well before the election, Anthony began his role in the Trump administration in July last year, but just under a fortnight later, and very memorably, he was out. Among his other activities, he’s currently writing a book, which is set to come out this September. Anthony, thank you for joining me. It’s a pleasure to be here. Thank you so much, Paul. So what are you up to now, then? Because I keep seeing you pop up on Fox News defending the President. I know that you’ve got the Scaramucci Post, and various other ventures. Paint a picture of what you’re actually up to at the moment. I’m back at SkyBridge, actually. So I’m back with my partners at SkyBridge. As you mentioned, we started that firm in 2005, and so the senior management there has a 13-year track record of working together. Business is in great shape, we had great performance last year, which is a sign of my total dispensability, and I’m very excited about the future. -
2016 and Will Not Have Begun Principal Photography During This Calendar Year
The Black List was compiled from the suggestions of over 250 film executives, each of whom contributed the names of up to ten of her favorite scripts that were written in, or are somehow uniquely associated with, 2016 and will not have begun principal photography during this calendar year. This year, scripts had to receive at least six mentions to be included on the Black List. All reasonable effort has been made to confirm the information contained herein. The Black List apologizes for all misspellings, misattributions, incorrect representation identification, and questionable 2016 affiliations. It has been said many times, but it’s worth repeating: The Black List is not a “best of” list. It is, at best, a “most liked” list. “ The more we’re governed by idiots and have no control over our own destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible. “ ALAN RICKMAN BLOND AMBITION Elyse Hollander In 1980s New York, Madonna struggles to get her first album released while navigating fame, romance, and a music industry that views women as disposal. AGENCY MANAGEMENT PRODUCERS WILLIAM MORRIS ENDEAVOR BELLEVUE PRODUCTIONS RATPAC ENTERTAINMENT, MICHAEL DELUCA PRODUCTIONS, AGENTS MANAGERS BELLEVUE PRODUCTIONS TANYA COHEN,48 SIMON FABER JOHN ZAOZIRNY LIFE ITSELF Dan Fogelman A multigenerational love story that weaves together a number of characters whose lives intersect over the course of decades from the streets of New York to the Spanish countryside and back. AGENCY MANAGEMENT PRODUCERS WILLIAM MORRIS ENDEAVOR MANAGEMENT 360 RHODE ISLAND AVENUE, TEMPLE HILL AGENTS MANAGERS FINANCIERS DANNY GREENBERG35ERYN BROWN FILMNATION THE OLYMPIAN Tony Tost The true story of an underdog rower trying to make it into the 1984 Olympics, told through the story of his relationships with his coach, his father, his fiancée, and with competition itself. -
Mplc Studio Liste 2020
MPLC STUDIO LISTE 2020 STUDIOS – PRODUZENTEN – FERNSEHSTATIONEN MPLC STUDIO LISTE 2020 STUDIOS – PRODUCTEURS – STATIONS DE TÉLÉVISION MPLC LISTA STUDIO 2020 CASE CINEMATOGRAFICHE – PRODUTTORI – STAZIONI TELEVISIVE MOTION PICTURE LICENSING COMPANY: DER WELTWEIT GRÖSSTE LIZENZGEBER IN DER FILM- & TV-BRANCHE. MPLC Switzerland GmbH Münchhaldenstrasse 10, Postfach CH-8034 Zürich MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX Label Apollo Media Apollo Media Distribution Gmbh # Apollo Media Nova Gmbh 101 Films Apollo ProMedia 12 Yard Productions Apollo ProMovie 360Production -
“L.A.'S Finest” Picked up for Second Season by Spectrum Originals
“L.A.’S FINEST” PICKED UP FOR SECOND SEASON BY SPECTRUM ORIGINALS Los Angeles (June 14, 2019) – Following a break-out premiere season, Spectrum Originals has greenlit a second season for their debut series, “L.A.’s Finest.” The announcement was made today by series stars and executive producers Gabrielle Union and Jessica Alba at Opening Night of the 59th Monte Carlo Television Festival. All thirteen episodes of the Sony Pictures Television-produced hit drama will be available to binge free and on-demand, exclusively to Spectrum’s subscribers when season one finales Monday, June 17. From the universe of the Jerry Bruckheimer “Bad Boys” franchise, “L.A.’s Finest” stars and is executive produced by Gabrielle Union and Jessica Alba. “We’re thrilled ‘L.A.’s Finest’ has resonated with our subscribers in such a major way. When I first saw the pilot – a show about two strong women learning to trust and support each other and still getting into plenty of trouble – I knew I’d follow them anywhere,” said Katherine Pope, head of Spectrum Originals. “Kudos to Gabrielle and Jessica, as stars and executive producers, along with creators Brandon Sonnier and Brandon Margolis and everyone else involved, for helping us launch our first original series and making the decision to greenlight a second season incredibly easy.” “We are overwhelmed by the audience’s response to LA’s Finest,” said SPT President, Jeff Frost. ”Gabrielle and Jessica are brilliant together and our incredible showrunners Brandon Sonnier, Brandon Margolis and Pam Veasey did an amazing job of crafting an action-packed and riveting season one. -
STEVE YEDLIN, ASC Director of Photography Yedlin.Net PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS UNT
STEVE YEDLIN, ASC Director of Photography yedlin.net PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS UNT. BENOIT BLANC SEQUEL Rian Johnson T-STREET / NETFLIX Ram Bergman, Tom Karnowski KNIVES OUT Rian Johnson T-STREET / MRC / LIONSGATE Ram Bergman STAR WARS: THE LAST JEDI Rian Johnson LUCASFILM / DISNEY Ram Bergman, Kathleen Kennedy SAN ANDREAS Brad Peyton NEW LINE CINEMA / WARNER BROS. Rob Cowan, Beau Flynn DANNY COLLINS Dan Fogelman INIMITABLE PICTURES Monica Levinson, Denise Di Novi Jessie Nelson CARRIE Kimberly Peirce MGM / Miles Dale, Kevin Misher GIRL MOST LIKELY Robert Pulcini LIONSGATE / Pam Hirsch, Alix Official Selection – Toronto Film Festival Shari Springer Berman Madigan Steve Golin, Celine Rattray, Trudie Styler LOOPER Rian Johnson ENDGAME ENTERTAINMENT Official Selection – Toronto Film Festival Ram Bergman FATHER OF INVENTION Trent Cooper TRIGGER STREET Danny Stillman, Beau Rogers Jonathan Krane THE OTHER WOMAN Don Roos IFC FILMS Marc Platt, Carol Cuddy THE WITNESS: FROM THE Adam Pertofsky HBO BALCONY OF RM. 306 R. Stephan Mohammed Nomination, Best Documentary Short – Margaret Hyde Academy Award TENURE Mike Million Jared Goldman, Tai Duncan Paul Schiff AMERICAN VIOLET Tim Disney Mark Donadio, Bill Haney BROTHERS BLOOM Rian Johnson Ram Bergman, James Stern Wendy Japhet LOVELY BY SURPRISE Kirt Gunn RADICAL MEDIA Winner, New American Special Jury Prize – Michael Hilliard Seattle Film Festival ALTERED Eduardo Sánchez UNIVERSAL / ROGUE / Gregg Hale UNKNOWN Simon Brand WEINSTEIN / Rick Lashbrook THE DEAD ONE Brian Cox Susan Rodgers, Larry Rattner CONVERSATIONS WITH Hans Canosa FABRICATION FILMS OTHER WOMEN Ram Bergman BRICK Rian Johnson FOCUS FEATURES Winner, Special Grand Jury Prize – Ram Bergman, Mark Mathis Sundance Film Festival Nomination, John Cassavetes Award – Ind. -
January 4,Ommentator 2019 Vol
THE CATHOLIC PAGE 3 Spirit of Giving January 4,ommentator 2019 Vol. 56, No. 24 SERVING THE DIOCESE OF BATON ROUGE SINCE 1963 thecatholiccommentator.org C YEAR OF CHANGE New buildings, new construction Bishop Duca and renovations greeted parishioners at several churches throughout the year. Father Randy Cuevas, pastor at installed as St. Aloysius Church in Baton Rouge, blessed the parish’s new Pastoral Ser- vices Center. new shepherd At St. Joseph Cathedral, work was completed shoring the basement and repairing the drop ceilings in the By Bonny Van Blessed Sacrament chapel on the east The Catholic Commentator side of the building and the Mary cha- pel on the west side. The past year was momentous for the Repairs included updating the Diocese of Baton Rouge highlighted by electrical wiring, which had not been a change in leadership. Bishop Michael updated since the 1920s, the fabrica- G. Duca of the Diocese of Shreveport tion of corrective structural beams was installed as the sixth bishop for and additional beams to allow for the Baton Rouge diocese on Aug. 24 at lights to shine on the Blessed Virgin St. Joseph Cathedral, replacing Bishop in the Mary chapel and on the sanctu- Robert W. Muench. ary and tabernacle in the Blessed Sac- Bishop Muench had submitted his rament chapel. letter of resignation to the Vatican, At Our Lady of Mercy Church in Ba- as required by canon law, on his 75th ton Rouge, new construction and reno- birthday on Dec. 28, 2017. vations changed the church and the Prior to retirement, Bishop Muench school campus. -
White House Correspondents' Dinner Returns to Comedic Roots
4 THE CONCORDIAN theconcordian.org • February 20, 2020 Film review: “Birds of Prey” adds a fast-paced feminist film to the DC Extended Universe BY DOMINIC ERICKSON and written by Christina movie forward. McGregor graphed well, but the use the unadulterated sadism [email protected] Hodson. is both frightening and of colored backgrounds of the villain and heinous “Birds of Prey” tells the striking as the ostenta- and slow-motion ampli- threats against a child are “Birds of Prey (And tale of Harley Quinn (Rob- tious Roman Sionis/Black fies scenes and makes dangerously close to the the Fantabulous Eman- bie) after her breakup with Mask. Most of the other them fun to watch. There tasteless territory. cipation of One Harley Joker, which leaves her performances fall flat, as were, however, a handful Although it is not per- Quinn),” is a confetti can- vulnerable to both sides of the majority of the good of noticeable continuity fect, “Birds of Prey” even- non of chaotic carnage. the law. In the search for a lines belong to those two. misplacements which for tually takes flight in its hu- It’s fanatical, fun and valuable diamond sought The writing doesn’t leave a brief moment takes the mor, direction and visual fiercely female. It serves after by crime boss Roman a lot of room for the sec- viewer out of the scene, style. While the stakes are as the follow-up to 2016’s Sionis (McGregor), Har- ondary actresses to shine. such as henchmen magi- much lower in this movie “Suicide Squad,” and has ley is chased throughout Visually, “Birds of Prey” cally appearing and unde- compared to other DCEU been critically favorable the city by Detective Re- hits all the right notes, niable body position con- films’ attempts to save the - a positive shift from the nee Montoya (Perez) and especially near the begin- tinuity errors.