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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
The Cost of the Navy's New Frigate
OCTOBER 2020 The Cost of the Navy’s New Frigate On April 30, 2020, the Navy awarded Fincantieri Several factors support the Navy’s estimate: Marinette Marine a contract to build the Navy’s new sur- face combatant, a guided missile frigate long designated • The FFG(X) is based on a design that has been in as FFG(X).1 The contract guarantees that Fincantieri will production for many years. build the lead ship (the first ship designed for a class) and gives the Navy options to build as many as nine addi- • Little if any new technology is being developed for it. tional ships. In this report, the Congressional Budget Office examines the potential costs if the Navy exercises • The contractor is an experienced builder of small all of those options. surface combatants. • CBO estimates the cost of the 10 FFG(X) ships • An independent estimate within the Department of would be $12.3 billion in 2020 (inflation-adjusted) Defense (DoD) was lower than the Navy’s estimate. dollars, about $1.2 billion per ship, on the basis of its own weight-based cost model. That amount is Other factors suggest the Navy’s estimate is too low: 40 percent more than the Navy’s estimate. • The costs of all surface combatants since 1970, as • The Navy estimates that the 10 ships would measured per thousand tons, were higher. cost $8.7 billion in 2020 dollars, an average of $870 million per ship. • Historically the Navy has almost always underestimated the cost of the lead ship, and a more • If the Navy’s estimate turns out to be accurate, expensive lead ship generally results in higher costs the FFG(X) would be the least expensive surface for the follow-on ships. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Ditko Unleashed an American Hero
Ditko Unleashed An American Hero $59.99 USD Ditko Unleashed An American Hero www.idwpublishing.com EXHIBITION ÉDITIONS DÉESSE Ditko Unleashed, An American Hero President/Publisher September 29, 2016 - January 8, 2017. Frédéric Manzano Curators Florentino Flórez IDW PUBLISHING Frédéric Manzano CEO & Publisher Organization & Coordination Ted Adams Palma Espai d’Art Foundation COO & President Insurance Greg Goldstein March JLT correduria de seguros EVP & Sr. Graphic Artist Robbie Robbins DISTRICT COUNCIL OF PALMA * CCO & Editor-in-Chief Chris Ryall Mayor José Hila Vargas CPA & Chief Financial Officer Matthew Ruzicka Regidor de l’Àrea de Cultura, Patrimoni, Memòria Històrica VP of Marketing i Política Lingüística Dirk Wood Miquel Perelló Oliver VP of Digital Services PATRONAT FUNDACIÓ CASALS Lorelei Bunjes D’ART I ESPAIS EXPOSITIUS DE PALMA VP of Licensing, Digital President and Subsidiary Rights José Hila Vargas Jeff Webber Vice President VP of New Product Development Miquel Perelló Oliver Jerry Bennington Patrons Director, Special Projects Susanna Moll Kamerich Scott Dunbier Eva Frade Bravo Francisca Niell Llabrés José Javier Bonet Díaz Pedro Ribas Dietrich Antoni Sbert Casasayas Neus García Iñesta Paco Espinosa Trujillo Gaspar Sabater Vives Special Thanks to: Robin Snyder and our wives, Secretari Eva Barceló & Laurence Manzano. Antoni Pol Coll Acknowledgments: Sotssecretària Lluc Amengual, Thomas Barichella, Olivier & Hugo Bijaoui, Francisca Arbona Serra Aaron Caplan, Jacques Collin, Andrew Colman, ComicLink. com, CoollinesArtwork.com, Editions Déesse, Ditko. * in 2016 Blogspot.Com, Daniel Duclos, Mark Evanier, Ron Fontes, Arthur Fuchs, Joan Carles Gomis, HeritageAuctionGalleries. com, Steve Leialoha, Paul Levitz, Michel Maillot, David CATALOGUE Mandel for supplying us with scans of his collection, MetropolisCollectibles.com, Josep Maria Nadal Suau, Editor Ramón F. -
The Westfield Leader
< C! - E WESTFIELD LEADER « '-."V The Leading and Mo$t Widely Circulated Weekly Newspaper In Union County , NO. 35 SMOnd Cbu Potlitt Paid WESTFIELD, NEW JERSEY, THURSDAY, MARCH 27, 1986 Published 24 Pages-30 Cents »1 W«wrnM. N.J. Every Thursday Public Hearing to Address Town Council Proposes Superintendent Search Increase in Parking Fees A town-wide invitation to sultant to the Westfield Board of Department of Educational Ad- An ordinance which would in- as Chief of Police, replacing road repairs and^maintenance. Westfield residents to attend a Education in its search for a suc- ministration, University of Con- crease monthly parking permit Police Chief James F. Moran, public hearing on the qualities An ordinance to change taxicab cessor to School Superintendent necticut. fees in designated municipal lots, who is retiring, effective July 1. and priorities for a new rates in Westfield was also ap- Laurence F. Greene, who has an- Citizens interested in being was introduced at Tuesday Scutti was appointed Acting superintendent of schools was proved. nounced plans to retire at the end scheduled on the agenda for Mon- night's public session of the Town Police Chief while Moran is on an issued today by Thomas J. First reading of an ordinance of this year, will conduct the day's open-to-the-public meeting Council. Revenues collected extended leave of absence. Taylor, chairman of the which would clarify regulations hearing scheduled for 8 p.m., may call the Board Secretary's from the fee increases would, ac- Superintendent Search Commit- On behalf of the mayor, Acting with regard to regular business Monday, March 31 in the Board office (654-6400, ext. -
What Do Aoes Do When They Are Deployed? Center for Naval Analyses
CAB D0000255.A1 / Final May 2000 What Do AOEs Do When They Are Deployed? Burnham C. McCaffree, Jr. • Jay C. Poret Center for Naval Analyses 4401 Ford Avenue • Alexandria, Virginia 22302-1498 Copyright CNA Corporation/Scanned October 2002 Approved for distribution: May 2000 ,*&. KW^f s£^ ••—H. Dwight Lydtis, Jr.rDfffector USMC & Expeditionary Systems Team Acquisition, Technology & Systems Analysis Division This document represents the best opinion of CNA at the time of issue. It does not necessarily represent the opinion of the Department of the Navy. APPROVED FOR PUBLIC RELEASE; DISTRIBUTION UNLIMITED For copies of this document, call the CNA Document Control and Distribution Section (703) 824-2130 Copyright © 2000 The CNA Corporation What Do AOEs Do When They Are Deployed? The Navy has twelve aircraft carriers and eight fast combat support ships (AOEs) that were built to act as carrier battle group (CVBG) station ships. The multi-product AOE serves as a "warehouse" for fuel, ammunition, spare parts, provisions, and stores to other CVBG ships, especially the carrier. Currently, an AOE deploys with about four out of every five CVBGs on peacetime forward deployments. Prior to 1996, when there were only four AOEs, only two of every five CVBGs deployed with an AOE. That frequency could resume in the latter part of this decade when AOE-1 class ships are retired at the end of their 35-year service life. The combat logistics force (CLF) that supports forward deployed combatant ships consists of CVBG station ships and shuttle ships (oilers, ammunition ships, and combat stores ships) that resupply the station ships and the combatants as well. -
NAVY AIRCRAFT CARRIERS Cost-Effectiveness of Conventionally and Nuclear-Powered Carriers
United States General Accounting Office GAO Report to Congressional Requesters August 1998 NAVY AIRCRAFT CARRIERS Cost-Effectiveness of Conventionally and Nuclear-Powered Carriers GAO/NSIAD-98-1 United States General Accounting Office GAO Washington, D.C. 20548 National Security and International Affairs Division B-259298 August 27, 1998 The Honorable Ted Stevens Chairman The Honorable Daniel K. Inouye Ranking Minority Member Subcommittee on Defense Committee on Appropriations United States Senate The Honorable C.W. Bill Young Chairman The Honorable John P. Murtha Ranking Minority Member Subcommittee on National Security Committee on Appropriations House of Representatives The aircraft carrier forms the building block of the Navy’s forward deployed peacetime presence, crisis response, and war-fighting forces. The nuclear-powered carrier is the most expensive weapon system in the Nation’s arsenal and represents a significant portion of the Navy’s shipbuilding and conversion future years defense program. As requested, this report discusses the cost-effectiveness to the Navy of using conventionally and nuclear-powered aircraft carriers. As the Defense Department and the Navy assess design concepts for a new class of carriers, they will evaluate a number of factors, including different propulsion types. This report contains information and analysis that you may find useful in the process of allocating future defense resources. We are sending copies of this report to the Secretaries of Defense, Navy, Energy, and State and the Director, Office of Management and Budget. Copies will also be made available to others on request. Please contact me on (202) 512-3504 if you or your staff have any questions concerning this report. -
China's Global Navy—Today's Challenge for the United States And
Naval War College Review Volume 73 Number 4 Autumn 2020 Article 4 2020 China’s Global Navy—Today’s Challenge for the United States and the U.S. Navy James E. Fanell U.S. Navy (Ret.) Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation Fanell, James E. (2020) "China’s Global Navy—Today’s Challenge for the United States and the U.S. Navy," Naval War College Review: Vol. 73 : No. 4 , Article 4. Available at: https://digital-commons.usnwc.edu/nwc-review/vol73/iss4/4 This Article is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Fanell: China’s Global Navy—Today’s Challenge for the United States and t Captain James E. Fanell, USN (Ret.), concluded a career of nearly thirty years as a naval intelligence officer specializing in Indo-Pacific security affairs, with an emphasis on China’s navy and operations. He most recently served as the director of intelligence and information operations for the U.S. Pacific Fleet. He is a Government Fellow with the Geneva Centre for Security Policy and the creator and manager of the Indo-Pacific security forum Red Star Rising. Naval War College Review, Autumn 2020, Vol. 73, No. 4 Published by U.S. Naval War College Digital Commons, 2020 1 Naval War College Review, Vol. -
Le Prague Astronomtque Accueille 2900 Astronomes Do Monde Entier
DISSERTATIO PRAGAE CVM MCMLXVII 20. VIII. Series Secunda Lett r e au Rédacteur e n Chef du Nuncius Sidereus MON CHER AMI, Sur Ia foi du Président qui affjrme que j'écris plus de 3.300 lettres par an pour le seul service de l'UAI, ou peut-être en raison des contributions passées aux journaux des Assemblées Générales, par exemple à ce Kosmos [ Moscou, 1958), où, avec mon vieux complice Schatzman, nous avons émis des idées définitives ( qu'en reste-t-ll?) sur !a structure de l'UAI, vous me demandez. .. Sonnerie de telephone. Bxcusez cette lettre m terrompue: c'était un astro nome cannois qui auait vu hier soir un objet céleste; et est-ce que je pourrais lui dire sz? et est-ce que ;e ne pensais pas que peut-etre? des extra-terrestres? et.... d'ailleurs il a vu des hublots très distinctement! .. vous me demandez done quelques mots pour le Nuncius Sidere us, pour y parler des droits et des devoirs d'un Secrétaire Général... Beau sujet, s'il en est. La grandeur de ... .. Excusez cette nouvelle interruption. On frappe à la porte. Il faut signer le courrier du jour. «With all good wishes». «With all good wishes, sincerely yours». «With all good wishes, sincerely yours». Ah non, pas d celui-là! Tl n'est pas assez gentil avec moi. On mettra «sincerely yours», s1mplement. Bien. A demain, Christiane {voir figure no 1}. Et reprenons ma lettre inter rompue. Je disais done !'exaltation du Secrétaire Général, lorsqu'!l considère, avec le supreme detachement auquel il peut pretendre, aus-dessus de Ia mêlée, les developpernents excitants de notre si belle science.