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SUSAN O’CONNOR CAVE COSTUME DESIGNER TELEVISION FATE: THE WINX CLUB SAGA (Season 1) Netflix Prod: Brian Young, Donna Eperon, Iginio Staffi Dir: Various VIKINGS(Seasons 5-6: Costume Designer) History Channel Prod: Sheila Hockin, Michael Hirst, James Flynn Dir: Various (Seasons 1-4: Design Assistant/Supervisor) MOONE BOY BBC Worldwide Prod: Ted Dowd Dir: Various (Costume Supervisor) REIGN MARY QUEEN (Seasons 1-3) The CW Network Prod: Brad Silberling Dir: Various (Design Assistant/Supervisor) CAMELOT (Season 1, Re-Shoots) Starz Entertainment Prod: Graham King, Morgan O’Sullivan, Michael Hirst Dir: Various (Costume Supervisor) TUDORS (Seasons 2-3) Showtime Networks Prod: Michael Hirst, Eric Fellner, Tim Bevan Dir: Various (Costume Supervisor) INSPECTOR GEORGE GENTLY PBS Prod: Jake Lushington Dir: Various (Season 1) (Costume Supervisor) NORTHANGER ABBEY (MOW) Masterpiece Theatre Prod: Keith Thompson Dir: Jon Jones (Costume Supervisor) MYSTIC KNIGHTS (Costume Assistant) Disney-ABC Domestic Prod: Robert Hughes Dir: Various FEATURES FRANK Magnolia Pictures Prod: David Barron, Ed Guiney, Stevie Lee, Andrew Lowe Dir: Lenny Abrahamson (Costume Supervisor) ASTERIX & OBELIX Central Partnership Prod: Olivier Delbosc, Marc Missonnier Dir: Laurent Tirard (Costume Supervisor) HAYWIRE Relativity Media Prod: Gregory Jacobs Dir: Steven Soderbergh (Costume Supervisor) BECOMING JANE Miramax Prod: Robert Bernstein, Graham Broadbent Dir: Julian Jarrold (Costume Supervisor) LASSIE Anderson Digital Prod: Francesca Barra, Ed Guiney Dir: Charles Sturridge (Costume Supervisor) TARA ROAD First Look International Prod: Miron Blumental, Brigid Olen, Noel Pearson Dir: Gillies MacKinnon (Costume Supervisor) HOW HARRY BECAME A TREE Allumination Filmworks Prod: Marco Chimenz, Antoine de Clarmont-Tonnerre Dir: Goran Paskaljevic (Costume Supervisor) NOT AFRAID, NOT AFRAID Capitol Films Prod: Willi Bär, James Flynn, Morgan O’Sullivan Dir: Annette Carducci (Costume Supervisor) THE TAILOR OF PANAMA Columbia Pictures Prod: John Boorman Dir: John Boorman (Costume Supervisor) ON THE EDGE Universal Pictures Prod: Ed Guiney, Arthur Lappin Dir: John Carney (Costume Supervisor) COUNTRY Indi Films Prod: Jack Armstrong Dir: Kevin Liddy (Costume Supervisor) ST. PATRICK Disney-ABC Domestic Prod: Robert Hughes Dir: Robert Hughes (Costume Supervisor) THE GENERAL Columbia TriStar Prod: John Boorman Dir: John Boorman (Costume Supervisor) 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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Trevor Morris
TREVOR MORRIS COMPOSER Trevor Morris is one of the most prolific and versatile composers in Hollywood. He has scored music for numerous feature films and won two EMMY awards for outstanding composition for his work in Television. Internationally renowned for his music on The Tudors, The Borgias, Vikings and the hit NBC television series Taken, Trevor is a stylistically and musically inventive soundtrack creator. Trevor’s unique musical voice can be heard on his recent film scores which include The Delicacy, Hunter Killer, Asura, Olympus Has Fallen, London Has Fallen, and Immortals. And further Television compositions including Another Life, Condor, Castlevania, The Pillars oF the Earth for Tony and Ridley Scott, Emerald City and Iron Fist for Marvel Television. Trevor has also worked as a co-producer/ conductor/ orchestrator on films including Black Hawk Down, The Last Samurai, The Ring Two, Pirates of the Caribbean, and Batman Begins and collaborated with Tony and Ridley Scott, Neil Jordan, Luc Besson, Jerry Bruckheimer, Antoine Fuqua, Tarsem Singh Dandwar, as well as composers James Newton Howard and Hans Zimmer. Trevor is also a Concert Conductor, conducting his music in live concert performances around the globe, including Film Music Festivals in Cordoba Spain, Tenerife Spain, Los Angeles, and Krakow Poland where he conducted a 100-piece orchestra and choir for over 12,000 fans. Trevor has been nominated 5 times for the prestigious EMMY awards, and won twice. As well as being nominated at the World Soundtrack Awards in Ghent for the ‘Discovery of the Year ‘composer award for the film Immortals. Trevor is a British/Canadian dual citizen, based in Los Angeles.
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S Hit Drama Series Vikings Marks Its Final Season with a Powerful Two-Hour Premiere on Wednesday, December 4 at 9 P.M
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P. J. DILLON, ISC Director of Photography
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René Erwich “Someday Our Gods Will Be Friends” The VIKINGS Series as Embodiment of Religion and Liquefaction of Meaning Abstract This article reflects on the recent television series Vikings (CA/IE, 2013–) from a practi- cal-theological standpoint. It addresses the series as a serious expression of the relationship between film and religion. Narrative, reception, style and context are used deliberately to present themes related to the clash of pagan religion and Christianity. The article contends that the development and construction of Vikings can be viewed in light of a liquefaction of religion. Keywords Film and Theology, Practical Theology, Film as Embodiment of Religion, Liquefaction of Religion, Vikings Biography René Erwich is Principal of Whitley College, Melbourne, Australia, and full Professor of Prac- tical Theology at the University of Divinity, Melbourne. Before taking up his current position, Erwich was Research Professor in Theology at Ede Christian University, in the Netherlands. His interests are in the area of lived religion: media and religion, pastoral theology, narrative and ecclesiology. He is currently working on a book project on gender and theology. Introduction A quick scan of the Internet and other media reveals a variety of depictions and presentations of Vikings. In both the past and the present, “Viking” and “the Viking Age” have been used to conjure up a “warlike Viking tickling our imagination with horror and delight” or a fantasy figure and “male chauvinist symbol”. Both terms are present, Gunnar Andersson writes, in “authentic academic history and simulta- neously collective myth in the minds of millions, with social, economic, and political www.jrfm.eu 2020, 6/1, 103–126 “Someday Our Gods Will be Friends” | 103 DOI: 10.25364/05.06:2020.1.6 implications”.1 A constant interplay exists between research, knowledge and pres- ent use in the ways the ideas of the “Viking” and “the Viking Age” are addressed.
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THE VIKINGS, EPISODE 1.Fdr Script
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