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Where Are the Audiences?
WHERE ARE THE AUDIENCES? Full Report Introduction • New Zealand On Air (NZ On Air) supports and funds audio and visual public media content for New Zealand audiences. It does so through the platform neutral NZ Media Fund which has four streams; scripted, factual, music, and platforms. • Given the platform neutrality of this fund and the need to efficiently and effectively reach both mass and targeted audiences, it is essential NZ On Air have an accurate understanding of the current and evolving behaviour of NZ audiences. • To this end NZ On Air conduct the research study Where Are The Audiences? every two years. The 2014 benchmark study established a point in time view of audience behaviour. The 2016 study identified how audience behaviour had shifted over time. • This document presents the findings of the 2018 study and documents how far the trends revealed in 2016 have moved and identify any new trends evident in NZ audience behaviour. • Since the 2016 study the media environment has continued to evolve. Key changes include: − Ongoing PUTs declines − Anecdotally at least, falling SKY TV subscription and growth of NZ based SVOD services − New TV channels (eg. Bravo, HGTV, Viceland, Jones! Too) and the closure of others (eg. FOUR, TVNZ Kidzone, The Zone) • The 2018 Where Are The Audiences? study aims to hold a mirror up to New Zealand and its people and: − Inform NZ On Air’s content and platform strategy as well as specific content proposals − Continue to position NZ On Air as a thought and knowledge leader with stakeholders including Government, broadcasters and platform owners, content producers, and journalists. -
Broadcast Bulletin Issue Number 191 10/10/11
Ofcom Broadcast Bulletin Issue number 191 10 October 2011 1 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Contents Introduction 4 Notice of Sanction Al Ehya Digital Television Limited Saturday Night Special, 13 November 2010 5 Note to Broadcasters Publication of new guidance and research 7 Standards cases In Breach Aden Live 27 October 2010, 18:20 (16:20 GMT) to 29 October 2010, 19:00 (17:00 GMT) 15 November 2010, 10:00 (08:00 GMT) to 16 November 2010, 10:00 (08:00 GMT) 8 Pro Bull Riders trailer Extreme Sports, 19 July 2011, 13:00 31 Howard Taylor at Breakfast Total Star – Wiltshire, 20 May 2011, 06:00 33 The Baby Borrowers Really, 2 August 2011, 20:00 36 Music video programming Brit Asia TV, 11 June 2011 38 Sponsorship of various programmes B4U Music, 15 June 2011, 21:00 to 22:42 42 Resolved Station promotion 106 Jack FM, 2 August 2011, 10:30 47 Fairness and Privacy cases Upheld Complaint by Mr David Gemmell Grimefighters, ITV1, 12 April 2011 49 2 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Not Upheld Complaint by Dr Saeb Erakat on his own behalf and on behalf of the Palestine Liberation Organisation The Palestine Papers, Al Jazeera English, 23 to 26 January 2011 53 Other programmes Not in Breach 72 Complaints Assessed, Not Investigated 73 Investigations List 79 3 Ofcom Broadcast Bulletin, Issue 191 10 October 2011 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
Must See Movies Sponsorship
Must See Movies Sponsorship . skymedia.co.uk @skymediaupdates skymedia Must See Movies The Latest Movies. The Greatest Movies. The Ultimate Cinematic Experience The Lion King Channel Investment Start Platforms Available on Available Now Linear broadcast Clickable VoD request Big Screen VoD Off-air Activation Reach A Hugely Engaged On Quality. Media Value Activate Around 8.8m Individuals Brand New Demand Environment. Sophistication. Premiere Every THE 3.9m Abc1 Ads 53.9m Accessible. Single Day Biggest Movies £2.3m 14% Abc1 Ads impressions World Class. The Opportunity Only the best up coming movies… Partner with this year’s biggest and best blockbusters *This illustrates some of the titles available across 2020 before any other film subscription service - Must See Movies across Sky Cinema Premiere. Spread your brand across multiple platformsincludingBroadcast, On Demand & Sky Go. The home of blockbuster movies, scheduling the biggest Box Office titles before any other movie subscriptionservice. Watch Sky Cinema whenever with whoever and wherever! Making this a truly ‘always on’ opportunity. A Brand New Premiere Everyday: A Brand new premiere every single day! Some blockbuster titles coming to the service only 3 monthsafter cinemarelease. Quality Films With A List Talent The talent list on Sky's portfolio gets bigger and better every year! Brands can become synonymouswith A list and much loved talent: The Ultimate Movies Experience • The latest blockbuster hits closest to cinemarelease! • Brand new premiere each day of the week • Over 1000 of the biggest ever films availableon demand • Premium Environment • Quality and award winning environment The Best Viewer Experience With our innovation in technology, our exclusive relationships with world-class studios and our undeniable passion for movies , We bring the big screen cinematic experience straight into peoples home! Bringing you movies just as the director intended! Opportunity to Activate: A range of activation opportunities can be designed to help a brand TV UHD drive fame and engage with key audiences. -
Sky's Response to Ofcom's Strategic Review Of
SKY’S RESPONSE TO OFCOM’S STRATEGIC REVIEW OF SATELLITE AND SPACE SCIENCE USE OF SPECTRUM: CALL FOR INPUT 1.1 Sky welcomes the opportunity to comment on Ofcom’s call for input on its strategic review of satellite and space science use of spectrum (“the call for input”). 1.2 Sky is a heavy spectrum user, with activities ranging across many frequency bands. We use spectrum to deliver our services (via satellite, DTT, Wi-Fi and mobile), to create our content (using wireless microphones and cameras and programme links) and to connect our customers (through in-home and public Wi-Fi). 1.3 Our varied use of spectrum makes us well placed to appreciate the tensions between competing applications which make use of scarce spectrum, and the challenges that policymakers may face when considering spectrum allocation in the medium- to long-term. 1.4 Sky strongly supports moves that ensures more efficient use of spectrum, through (for example) the use of newer more advanced and efficient technologies, the application of market forces wherever practical and innovative approaches to allocation and access such as spectrum sharing. This approach is consistent with Ofcom’s general duties as set out in statute, including securing the optimal use of the spectrum and encouraging investment and innovation. 1.5 Sections 2 and 3 of this response provide brief and high level comments on the call for input. In section 4, we provide specific answers to questions that are relevant to Sky. 2. The motivation for Ofcom’s review is unclear 2.1 Ofcom states that the reason for issuing the call for input is “to understand potential demand and supply trends, as well as trends in technology that might mitigate additional demand”1. -
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Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
Amy Poehler, Sarah Silverman, Aziz Ansari and More on the Lost Comic
‘He was basically the funniest person I ever met’ Amy Poehler, Sarah Silverman, Aziz Ansari and more on the lost comic genius of Harris Wittels By Hadley Freeman Monday 17.04.17 12A Quiz Fingersh Pit your wits against the breakout stars of this year’s University Challenge, and Bobby Seagull , with Eric Monkman 20 questions set by the brainy duo. No conferring The Fields Medal has in secutive order. This spells out the 5 1 recent times been awarded name of which London borough? to its fi rst woman, Maryam Mirzakhani in 2014, and was What links these former infamously rejected by Russian 7 prime minsters: the British Grigori Perelman in 2006. Which Spencer Perceval, the Lebanese academic discipline is this prize Rafi c Hariri and the Indian awarded for? Indira Gandhi? Whose art exhibition at Tate Narnia author CS Lewis, 2 Britain this year has become 8 Brave New World author the fastest selling show in the Aldous Huxley and former US gallery’s history? president John F Kennedy all died on 22 November. Which year The fi rst national park desig- was this? 3 nated in the UK was the Peak District in 1951. Announced as a Which north European national park in 2009 and formed 9 country’s fl ag is the oldest in 2010, which is the latest existing fl ag in the world? It is English addition to this list? 15 supposed to have fallen out of the heavens during a battle in the University Challenge inspired 13th century. 4 the novel Starter for Ten. -
A Personal Touch for Millions of Customers. Sky UK Embraces Customer Data to Deliver Superior Cross-Channel Experiences with Adobe Experience Cloud
Adobe Customer Story A personal touch for millions of customers. Sky UK embraces customer data to deliver superior cross-channel experiences with Adobe Experience Cloud. “We selected Adobe Experience Cloud because it integrates the best solutions in the market for analytics, campaign management, optimization, and personalization.” Robert McLaughlin, Head of Digital Analytics, Sky UK SOLUTION Adobe Experience Cloud, including the Adobe Analytics and Adobe Audience Manager solutions within Adobe Analytics Cloud and the Adobe Campaign and Adobe Target solutions within Adobe Marketing Cloud RESULTS INTEGRATE tools for actionable customer data Improve RETURNS with personalization UNDERSTAND customers on an individual level Use customer intelligence across CHANNELS Adobe Customer Story Sky UK Limited Connecting people to a better life Established in 1990 Telecommunications are an essential part of many aspects of everyday living. People may spend their days Employees: 30,000 at work doing research at their computers and calling customers, then go home and relax while texting friends on their mobiles and catching up on their favorite television dramas. For millions of customers in London, United Kingdom the United Kingdom, Germany, Austria, and Italy, Sky is the go-to company for all of these services. Sky is www.sky.com Europe’s leading entertainment and communications business, connecting 22 million customers and 11 million households through its telecommunications brands. In a competitive market, Sky UK aims to increase market share while maintaining customer loyalty. CHALLENGES Accomplishing this means providing the best content, messaging, and experiences to both existing and • Understand behaviors in an environment prospective customers. where customers reach out via multiple devices and channels “To achieve our goals, we need to clearly understand who our customers are and what they want,” says Robert McLaughlin, Head of Digital Analytics at Sky UK. -
Case M.8861 - COMCAST / SKY
EUROPEAN COMMISSION DG Competition Case M.8861 - COMCAST / SKY Only the English text is available and authentic. REGULATION (EC) No 139/2004 MERGER PROCEDURE Article 6(1)(b) NON-OPPOSITION Date: 15/06/2018 In electronic form on the EUR-Lex website under document number 32018M8861 EUROPEAN COMMISSION Brussels, 15.6.2018 C(2018) 3923 final In the published version of this decision, some information has been omitted pursuant to Article 17(2) of Council Regulation (EC) No 139/2004 concerning non-disclosure of business secrets and PUBLIC VERSION other confidential information. The omissions are shown thus […]. Where possible the information omitted has been replaced by ranges of figures or a general description. To the notifying party Subject: Case M.8861 - Comcast/Sky Commission decision pursuant to Article 6(1)(b) of Council Regulation No 139/20041 and Article 57 of the Agreement on the European Economic Area2 Dear Sir or Madam, (1) On 7 May 2018, the European Commission received notification of a proposed concentration pursuant to Article 4 of the Merger Regulation by which Comcast Corporation ("Comcast" or the "Notifying Party", United States) proposes to acquire within the meaning of Article 3(1)(b) of the Merger Regulation sole control of the whole of Sky plc ("Sky", United Kingdom and the "Proposed Transaction"). Comcast and Sky are collectively referred to as the "Parties".3 1. THE OPERATION (2) Comcast is a US listed global media, technology and entertainment company, with two primary businesses: Comcast Cable and NBCUniversal ("NBCU"). Comcast is present in Europe almost entirely through NBCU, which is active in Europe in: (i) production, sales and distribution of film and television content; (ii) wholesale supply of TV channels and on-demand services; (iii) CNBC, a business news service, as well as NBC News; (iv) the provision of television content to end users through NBCU’s video on demand service; (v) the licensing of its 1 OJ L 24, 29.1.2004, p. -
Annex 4: Report from the States of the European Free Trade Association Participating in the European Economic Area
ANNEX 4: REPORT FROM THE STATES OF THE EUROPEAN FREE TRADE ASSOCIATION PARTICIPATING IN THE EUROPEAN ECONOMIC AREA 1. Application by the EFTA States participating in the EEA 1.1 Iceland European works The seven covered channels broadcast an average of 39.6% European works in 2007 and 42.2% in 2008. This represents a 2.6 percentage point increase over the reference period. For 2007 and 2008, of the total of seven covered channels, three channels achieved the majority proportion specified in Article 4 of the Directive (Omega Television, RUV and Syn - Vision TV), while four channels didn't meet this target (Sirkus, Skjár 1, Stöð 2 and Stöð 2 Bio). The compliance rate, in terms of numbers of channels, was 42.9%. European works made by independent producers The average proportion of European works by independent producers on all reported channels was 10.7% in 2007 and 12.6% in 2008, representing a 1.9 percentage points increase over the reference period. In 2007, of the total of seven identified channels, two channels exceeded the minimum proportion under Article 5 of the Directive, while three channels remained below the target. One channel was exempted (Syn - Vision TV) and no data was communicated for another one (Omega Television). The compliance rate, in terms of number of channels, was 33.3%. For 2008, of the total of seven covered channels, three exceeded the minimum proportion specified in Article 5 of the Directive, while two channels were below the target (Skjár 1 and Stöð 2 Bio). No data were communicated for two channels. -
SKY NETWORK TELEVISION LIMITED ANNUAL REPORT JUNE 2016 the Way We Consume Entertainment Continues to Evolve at a Rapid Pace
SKY NETWORK TELEVISION LIMITED ANNUAL REPORT JUNE 2016 The way we consume entertainment continues to evolve at a rapid pace. This is an exciting new era for SKY that we look forward to NEW PLATFORMS. taking to a new level MORE CONTENT, with Vodafone NZ. MORE CHOICE. IT’S FAST FORWARD FOR SKY. SKY ANNUAL REPORT 2016 3 SKY AT A GLANCE 2 YEAR IN REVIEW Chairman’s Letter 4 Chief Executive’s Letter 6 Board of Directors 10 IN FOCUS Creating a Leading 12 Telecommunications and Media Group We’ve got the Best Shows 14 from the Best Studios Good Sport 16 Full Stream Ahead 18 COMMUNITY AND 20 SPONSORSHIP SKY CHANNELS 22 2016 FINANCIALS 24 Financial Overview 25 Financial Trends 29 Directors’ Responsibility 31 Statement Consolidated Statement of 32 Comprehensive Income Consolidated Balance Sheet 33 Consolidated Statement of 34 Changes in Equity Consolidated Statement of 35 Cash Flows Notes to the Consolidated 36 Financial Statements Independent Auditors’ Report 63 OTHER INFORMATION 64 Corporate Governance 65 Interests Register 67 Company and Bondholder 69 Information Waivers and Information 74 Share Market and 75 Other Information Directory 76 2 SKY ANNUAL REPORT 2016 SKY AT A GLANCE CUSTOMERS FINANCIAL PERFORMANCE This year we have more total customers across all Our financial performance remains strong. our products, with digital oerings FAN PASS and NEON 852,679 928M 325M driving the growth. KIWIS ENJOY SKY REVENUE EBITDA EVERY DAY 147M NPAT SOCIAL PEOPLE SKY’s social reach continues to grow, with over 800,000 We employ over 1,200 permanent employees followers across our entertainment and sports brands on 800,000 and work with over 500 contractors hailing from 1,254 the country’s most popular social media platforms.