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A Labour History of Irish Film and Television Drama Production 1958-2016
A Labour History of Irish Film and Television Drama Production 1958-2016 Denis Murphy, B.A. (Hons), M.A. (Hons) This thesis is submitted for the award of PhD January 2017 School of Communications Faculty of Humanities and Social Sciences Dublin City University Supervisor: Dr. Roddy Flynn I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD, is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: 81407637 Date: _______________ 2 Table of Contents Introduction ....................................................................................................................................... 12 The research problem ................................................................................................................................. 14 Local history, local Hollywood? ............................................................................................................... 16 Methodology and data sources ................................................................................................................ 18 Outline of chapters ....................................................................................................................................... -
The Secret Scripture
Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot. -
Papers of Gemma Hussey P179 Ucd Archives
PAPERS OF GEMMA HUSSEY P179 UCD ARCHIVES [email protected] www.ucd.ie/archives T + 353 1 716 7555 © 2016 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical History iv Archival History vi CONTENT AND STRUCTURE Scope and Content vii System of Arrangement ix CONDITIONS OF ACCESS AND USE Access xi Language xi Finding Aid xi DESCRIPTION CONTROL Archivist’s Note xi ALLIED MATERIALS Allied Collections in UCD Archives xi Published Material xi iii CONTEXT Biographical History Gemma Hussey nee Moran was born on 11 November 1938. She grew up in Bray, Co. Wicklow and was educated at the local Loreto school and by the Sacred Heart nuns in Mount Anville, Goatstown, Co. Dublin. She obtained an arts degree from University College Dublin and went on to run a successful language school along with her business partner Maureen Concannon from 1963 to 1974. She is married to Dermot (Derry) Hussey and has one son and two daughters. Gemma Hussey has a strong interest in arts and culture and in 1974 she was appointed to the board of the Abbey Theatre serving as a director until 1978. As a director Gemma Hussey was involved in the development of policy for the theatre as well as attending performances and reviewing scripts submitted by playwrights. In 1977 she became one of the directors of TEAM, (the Irish Theatre in Education Group) an initiative that emerged from the Young Abbey in September 1975 and founded by Joe Dowling. It was aimed at bringing theatre and theatre performance into the lives of children and young adults. -
IFB Locations Brochure 2017
1 Irish Film Board — Bord Scannán na hÉireann/the Irish Film Board (IFB) is the national development agency for the Irish film, television and animation industry, supporting and developing talent, creativity and enterprise. It provides development, production and distribution funding for writers, directors and production companies across these sectors. The IFB supports Ireland as a dynamic and world-class location for international production by promoting Irish tax incentives, our excellent skilled crew base, and our well-established studio and technical infrastructure. The IFB also supports the development of skills and training in live-action, animation, VFX and interactive content through Screen Training Ireland. Contents — ‘Dublin and its surrounds were the perfect location for our London-set Dickensian period piece. The range of settings, architecture and the ease of access to locations was in my experience unparalleled.’ Introduction 06 Bharat Nulluri, Director Ireland’s Tax Credit 10 The Man Who Invented Christmas Ireland and International Co-Production 14 The Irish Producer 16 Location, Location, Location 20 Film Studios 24 Post Production 28 VFX 30 Animation 34 IFB Location Services 36 Funding Sources 38 Other Financial Incentives 39 Support Networks, Guilds and Associations 42 King’s Inns, Henrietta Street, Dublin 02 03 Grand Canal Dock, Dublin 04 05 Introduction — ‘Ireland has become an important part of Star Wars history.’ Candice Campos, Vice President, Physical Production, Lucasfilm Ireland has a long-standing, World-class film is produced in diverse and exceptionally rich Ireland year after year. Recent culture of bringing stories completed projects include to the screen. It has long Rian Johnson’s Star Wars: been associated with great Episode VIII–The Last Jedi, filmmaking, from the feisty, Farhad Safinia’sThe Professor passionate romance played and the Madman and Nora by John Wayne and Maureen Twomey’s animated feature O’Hara in John Ford’s much- film,The Breadwinner. -
Trevor Morris
TREVOR MORRIS COMPOSER Trevor Morris is one of the most prolific and versatile composers in Hollywood. He has scored music for numerous feature films and won two EMMY awards for outstanding composition for his work in Television. Internationally renowned for his music on The Tudors, The Borgias, Vikings and the hit NBC television series Taken, Trevor is a stylistically and musically inventive soundtrack creator. Trevor’s unique musical voice can be heard on his recent film scores which include The Delicacy, Hunter Killer, Asura, Olympus Has Fallen, London Has Fallen, and Immortals. And further Television compositions including Another Life, Condor, Castlevania, The Pillars oF the Earth for Tony and Ridley Scott, Emerald City and Iron Fist for Marvel Television. Trevor has also worked as a co-producer/ conductor/ orchestrator on films including Black Hawk Down, The Last Samurai, The Ring Two, Pirates of the Caribbean, and Batman Begins and collaborated with Tony and Ridley Scott, Neil Jordan, Luc Besson, Jerry Bruckheimer, Antoine Fuqua, Tarsem Singh Dandwar, as well as composers James Newton Howard and Hans Zimmer. Trevor is also a Concert Conductor, conducting his music in live concert performances around the globe, including Film Music Festivals in Cordoba Spain, Tenerife Spain, Los Angeles, and Krakow Poland where he conducted a 100-piece orchestra and choir for over 12,000 fans. Trevor has been nominated 5 times for the prestigious EMMY awards, and won twice. As well as being nominated at the World Soundtrack Awards in Ghent for the ‘Discovery of the Year ‘composer award for the film Immortals. Trevor is a British/Canadian dual citizen, based in Los Angeles. -
Ibec 2006 (Pdf)
Film & Television Production in Ireland Audiovisual Federation Review 2006 IBEC AUDIOVISUAL FEDERATION An affiliate association within IBEC | the Irish Business and Employers Confederation Confederation House, 84/86 Lower Baggot Street, Dublin 2 Tel: + 353 - 1 - 6601528, Fax: + 353 - 1 - 6381528 Email: [email protected] Website: www.ibec.ie/avf An affiliate association within IBEC | the Irish Business and Employers Confederation www.ibec.ie AUDIO VISUAL FEDERATION REVIEW 2006 Film & Television Production in Ireland Audiovisual Federation Review 2006 IBEC Audiovisual Federation The Audiovisual Federation consists of IBEC member companies involved in Ireland’s audiovisual industry. These include broadcasters, producers, animation studios, facilities and other organisations supporting the sector. The Federation has a number of objectives designed to support Ireland’s audiovisual production and distribution industry. These include promotion of the sector, representing the views of members to relevant bodies and submitting the industry view on relevant policy. The Audiovisual Federation maintains an economic database for the Irish audiovisual production sector and publishes the results in an annual report with an economic analysis on the benefits of the audiovisual sector to the Irish economy. In order to sustain the growth and development within the sector during the last number of years the Federation has sought internationally competitive financial incentives and international co-production treaties. Together with Enterprise Ireland -
JOANNA KATARZYNA PUCHALSKA* Vikings Television Series: When
The Polish Journal of the Arts and Culture Nr 15 (3/2015) / ARTICLE JOANNA KATARZYNA PUCHALSKA* (Jagiellonian University) Vikings Television Series: When History and Myth1 Intermingle ABSTRACT This article concentrates on the History Channel’s contemporary television series entitled Vikings. The author raises the issue of the popularity of the historical drama genre and the presence of Viking topics in popular culture. The text explains why it is difficult to accuse the producers of Vikings of incompetence when it comes to the real Vikings and their world. However, it is obvious that the creators of the series did not want to restrict their vision so at the same time the show cannot be perceived as a historical record. To substantiate such a thesis, the author devotes the main part of the article to the presentation of numerous historically doubtful or disputed traits which can be found in the Vikings series such as the problem of dates and personages, dubious geography and locations, anachronistic armour, description of the temple of Uppsala or the bloody-eagle rite. Viking women-warriors and ships are also discussed. The conclusion stresses the real phenomena showed in this tele- vision feature. KEY WORDS Vikings, history, historical fiction, popular culture 1 In this article I would generally like to follow the narrower definition of myth as a narration or story and as the term is popularly understood – i.e. a widely held belief, a fic- tion or an exaggerated or idealized conception – Słownik etnologiczny – terminy ogólne, red. Z. Staszczak, Warszawa–Poznań 1987; Oxford Dictionaries, [online] http://www.ox- forddictionaries.com/definition/english/myth [accessed: 30.05.2015]. -
S Hit Drama Series Vikings Marks Its Final Season with a Powerful Two-Hour Premiere on Wednesday, December 4 at 9 P.M
HISTORY®’S HIT DRAMA SERIES VIKINGS MARKS ITS FINAL SEASON WITH A POWERFUL TWO-HOUR PREMIERE ON WEDNESDAY, DECEMBER 4 AT 9 P.M. ET/PT Twenty–Episode Season to Air in Two Parts Special Vikings: Worlds at War – with ET Canada Premieres Sunday, December 1 at 8:30 p.m. ET/PT on HISTORY Watch Season 6 Trailer Here For additional photography and press kit material visit: http://www.corusent.com To share this socially: bit.ly/2AFuFvr For Immediate Release TORONTO, October 7, 2019 – HISTORY’s hit drama series Vikings returns for its sixth and final season with a highly anticipated and powerful two-hour premiere kicking off Wednesday, December 4 at 9 p.m. ET/PT. For the past five seasons the Vikings have explored and conquered the known world, from early raids in England and the fierce battles of the Great Heathen Army to the heart-stopping death of Ragnar (Travis Fimmel), now the epic saga sails to monumental lengths throughout 20 compelling, definitive episodes. The 20-episode sixth season will air in two parts, beginning with a two-hour premiere on Wednesday, December 4 at 9 p.m. ET/PT, followed by eight episodes airing every Wednesday at 10 p.m. ET/PT on HISTORY. The remaining ten episodes of Season 6 are slated to air in 2020. Additionally, series regular Katheryn Winnick is set to helm one episode in Season 6, marking her directorial debut. Accompanying the series return is an all-new special, Vikings: Worlds at War – with ET Canada, premiering Sunday, December 1 at 8:30 p.m. -
ARDMORE STUDIOS Herbert Road Bray Co
ARDMORE STUDIOS Herbert Road Bray Co. Wicklow Film Tax Relief Consultation Department of Finance Government Buildings Upper Merrion Street Dublin 2. 26/7/12 Review of Section 481 Film Relief – submission by Ardmore Studios Limited Dear Sir or Madam: Ardmore Studios has been making movies for more than fifty years. Well over 100 feature films have shot at the studios since the complex opened its doors in 1958, featuring many famous names from cinema present and past. Top filmmakers working in Ardmore have included John Boorman, Jim Sheridan, Neil Jordan, Jerry Bruckheimer, Francis Ford Cappola, Mel Gibson, John Huston and many more. Ardmore understands the changes that have happened over the years in the film and television industry and has felt the competitive impact of the studios of Eastern Europe and the changes in the financing structures and distribution models for the industry. The film and television industry is an important part of the cultural and creative infrastructure of any democracy. For the industry to survive it must encourage and nurture its indigenous creative talent and also operate in an international environment, attracting large scale productions to the country, giving the industry a structure and long term sustainability, outputting film and television content that is distributed worldwide. A mixture of international and local content creation is what will ensure a vibrant and competitive skillset, from the development, writing and directing side to the varying skills and crafts that bring the scripts to our screens. Ireland’s Section 481 Film Relief plays an important part in the on-going survival and competitiveness of the Irish film industry. -
P. J. DILLON, ISC Director of Photography
(11/21/19) P. J. DILLON, ISC Director of Photography www.pjdillon.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “THE FALCON AND THE Kari Skogland Marvel Studios Kevin Feige WINTER SOLDIER” Disney+ Zoie Nagelhout (Series) Malcolm Spellman “ALTERED CARBON” Various Netflix James Middleton (Season 2) Skydance Rose Lam “THE ROOK” Kari Skogland Lionsgate Stephen Garrett (Season 1, 2 Episodes) Starz Steve Clark-Hall “INTO THE BADLANDS” Various AMC Studios Alfred Gough (Season 3, 4 Episodes) Millar Gough Ink Miles Millar “THE ALIENIST” Jacob Verbruggen TNT Hossein Amini (Season 1, 3 Episodes) Various Paramount TV Cary Fukunaga Nomination: Emmy Award for Best Cinematography Anonymous Content Eric Roth “GAME OF THRONES” Mark Mylod HBO David Benioff (Season 7, 2 Episodes) Bighead Littlehead D.B. Weiss Television 360 Bernadette Caulfield Frank Doelger “VIKINGS” Various Irish Film Board Michael Hirst (Season 4, 6 Episodes) The History Channel Sheila Hockin (Season 5, 2 Episodes) “GAME OF THRONES” Mark Mylod HBO David Benioff (Season 6, 2 Episodes) Bighead Littlehead D.B. Weiss Television 360 Bernadette Caulfield “PENNY DREADFUL” Brian Kirk Showtime Networks Pippa Harris (Season 2, 2 Episodes) Neal Street Productions John Logan Desert Wolf Productions Sam Mendes “STRANGERLAND” Kim Farrant Fastnet Films Macdara Kelleher Worldview Entertainment Naomi Wenck “VIKINGS” Various Irish Film Board Michael Hirst (Seasons 2 & 3) The History Channel Sheila Hockin Nomination: American Society of Cinematographers (ASC) Award Nomination: Irish Film & Television -
Downloaded from Manchesterhive.Com at 09/29/2021 12:23:31AM Via Free Access Basil Glynn
1 4 The Tudors and the post-national, post-historical Henry VIII Basil Glynn The Tudors (2007–10) is a prime example of a relatively new type of post-national and post-historical television series that has become an established global alter- native to BBC costume drama. Drawing on international rather than specif- ically British ideals of nationhood, it often runs counter to received history 1 while the use of computer-generated imagery (CGI) gives it a contemporary rather than historical aesthetic. It also constitutes, as Ramona Wray contends, ‘an extraordinarily detailed take on the reign’ 2 of Henry VIII and is ‘with a total of thirty-eight episodes and a combined running time of almost thirty-fi ve hours’, as Sue Parrill and William B. Robinson observe, ‘by far the longest fi lmic event ever to deal with the Tudor dynasty’. 3 SCREENING HENRY BEFORE THE TUDORS As England’s most famous (or infamous) monarch, Henry VIII has featured prominently throughout the history of British national cinema, and his vari- ous on-screen incarnations could be argued to have revealed much about Britain and its national character. Raymond Durgnat famously suggested that national cinema serves as a window onto the society from which it arises 4 and Deborah Cartmell and I. Q. Hunter, considering British historical drama as such a window, claim that it has long been obsessed with periods associated with national greatness such as the Tudor, Jacobean and Victorian eras. The per- sistent representation of such eras, they argue, refl ects ‘both a British desire -
History®'S #1 Drama Vikings Returns Wednesday
HISTORY®’S #1 DRAMA VIKINGS RETURNS WEDNESDAY, NOVEMBER 28 AT 9 P.M. ET/PT Watch Mid-Season Five Trailer Here To share this release socially: bit.ly/2uY90eL For Immediate Release TORONTO – July 20, 2018 – HISTORY’s #1 drama* Vikings returns on Wednesday, November 28 at 9 p.m. ET/PT. The mid-season five premiere date and exclusive trailer was announced today from San Diego Comic-Con International to nearly 5,000 fans during the Vikings cast panel. In the first half of season five, the divide between the Lothbrok family climaxes with Ragnar’s sons battling each other to rule the world. The long-awaited face-off ends with a strategic victory going to Ivar the Boneless (Alex Høgh Andersen) who vows vengeance on his betrayers with a direct target on Lagertha’s (Katheryn Winnick) back. Last seen in an unstable state and losing her appearance as a fierce Viking warrior, Lagertha is hopeful she will regain her spot in Kattegat as its rightful leader. Season five returns on November 28 with the arrival of a legendary Viking, the famous Duke Rollo (Clive Standen), who causes further upheaval in a Kattegat still reeling from Ivar the Boneless becoming its King. As Bjorn (Alexander Ludwig) and Lagertha flee Ivar’s murderous forces with Bishop Heahmund (Jonathan Rhys Meyers), Ivar’s tyrannical reign over Scandinavia ushers in a new dark age, the likes of which have never been seen. Ultimately, Ivar’s reign will not go unchallenged by the sons of Ragnar and old enemies will become allies to defeat the despot who has declared himself a God on earth.