The Cinema of Small Nations
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“Effets Générationnels” Et Contestation Politique Sous Ben Ali. De La Génération Des Années 1990 À Celle Des Années 2000 : Rupture Ou Continuité ?1
“Effets générationnels” et contestation politique sous Ben Ali. De la génération des années 1990 à celle des années 2000 : rupture ou continuité ?1 ‘Generational Effects’ and Political Opposition under Ben Ali. From tHe Generation of tHe 1990s to tHe 2000s: Rupture or Continuity? Larbi CHOUIKHA, Institut de presse et sciences de l’inFormation (IPSI), Université de la Manouba, Tunis (Tunisie) [email protected] Recibido: 25/10/2015. Revisado y aprobado para publicación: 22/12/2015. Para citar este artículo: Larbi Chouikha (2015): ““EFFets générationnels” et contestation politique sous Ben Ali. De la génération des années 1990 à celle des années 2000 : rupture ou continuité ?”, Revista de Estudios Internacionales Mediterráneos, 19, 57-74. Para acceder a este artículo: http://dx.doi.org/10.15366/reim2015.19.004 Résumé : A travers un travail comparatif, dans cet article il s'agit de circonscrire les formes de contestation auxquelles recourait la génération des militants et des opposants au régime de Ben Ali, dans les années 1990, en comparant les moyens et les discours qu'ils développaient à cette époque à ceux qu'avaient commencé à déployer des jeunes à partir de l'année 2000 avec l'émergence d'une nouvelle figure de la contestation : la cyberdissidence. La thèse de la polarisation oppositionnelle de type binaire, voire manichéenne, pour distinguer ces deux générations de militants ne nous semble pas judicieuse. Bien que nous ayons affaire à deux profils de générations de militants, disposant chacun, des moyens et des opportunités spécifiques -
A Labour History of Irish Film and Television Drama Production 1958-2016
A Labour History of Irish Film and Television Drama Production 1958-2016 Denis Murphy, B.A. (Hons), M.A. (Hons) This thesis is submitted for the award of PhD January 2017 School of Communications Faculty of Humanities and Social Sciences Dublin City University Supervisor: Dr. Roddy Flynn I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD, is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: 81407637 Date: _______________ 2 Table of Contents Introduction ....................................................................................................................................... 12 The research problem ................................................................................................................................. 14 Local history, local Hollywood? ............................................................................................................... 16 Methodology and data sources ................................................................................................................ 18 Outline of chapters ....................................................................................................................................... -
The Secret Scripture
Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot. -
Notre Ami Ben Ali
Nicolas Beau Jean-Pierre Tuquoi * AMI BEN ALI L'envers du miracle tunisien Notre ami Ben Ali Nicolas Beau & Jean-Pierre Tuquoi Notre ami Ben Ali « L'envers du miracle tunisien » Avant-propos et postface inédits des auteurs Préface de Gilles Perrault Med Ali Editions Rue Med Chaabouni - Sfax 3027 Tél: (00216) 74 407 440 - Fax: (00216) 74 407 441 Email : [email protected] Site : www.edition-medali.com R.M.R Editions 21 Rue Koweït - 1002 Tunis Tél: (00216) 71 844 700 - Fax : (00216)71 842 667 Email : [email protected] Notre ami Ben Ali Couverture ; conception et réalisation : Houda Fartouna et Salah Ben Amor Tous droits de reproduction réservés Pour la langue française La Tunisie Copyright © lère édition 2011 by: Med Ali Editions (CAEU); ISBN 978-9973-33-310-0 R.M.R Editions; ISBN 978-9973-08-603-7 Autres pays Copyright © 2ème édition 2011 by : Editions La Découverte ; ISBN 978-2-7071-5404-0 Imprimé en Tunisie : Avril 2011 Imprimerie : SOTEPAGRAPHIC Dépôt légal : 2ème trimestre 2011 Avant-propos à l'édition de 2011 La divine surprise de la « révolution de jasmin » Sur les trottoirs de Tunis gisent les portraits officiels. Lacérés, piétinés ou barbouillés d'encre. Dans les bâti- ments officiels, le spectacle est le même. Des portraits plus grands que nature de Zine el-Abidine Ben Ali trônaient en bonne place ; ils servent en ces jours enfiévrés de janvier de paillasson aux fonctionnaires tunisois. Le général « bac moins trois » qui pendant vingt-trois ans a fait de la paisible Tunisie une caserne aux dimensions d'un pays, le septuagé- naire aux cheveux teints qui se faisait élire président de la République avec un score à rendre jaloux feu Saddam Hussein, le flic qui a harcelé, embastillé et torturé toute opposition laïque ou islamique, a fui son pays. -
Educating for True Love
Educating for rue _ove Explaining Sun Myung Moon's Thought on Morality, Family and Society INTERNATIONAL EDUCATIONAL FOUNDATION Educating for True Love Explaining Sun Myung Moon’s Thought on Morality, Family and Society International Educational Foundation New York Educating for True Love: Explaining Sun Myung Moon’s Thought on Morality, Family and Society International Educational Foundation 132 E. 43rd St., No. 443 New York, NY 10017 All Bible quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version. Copyright 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Cover design by Jennifer Fleischman Layout by Jonathan Gullery ISBN 1-891958-07-0 Printed in the United States Table of Contents Preface Part I. True Love Chapter 1 Seeking the True Way of Life Chapter 2 Understanding True Love Chapter 3 Love and Life’s Purposes Part II. Gifts for Growing in True Love Chapter 4 Cultivating the Heart Chapter 5 Strengthening the Conscience Chapter 6 Maturing Through Responsibility Chapter 7 Creativity and Stewardship Chapter 8 Harvest of Love in Eternity Part III. Principles for Loving Relationships Chapter 9 Mind and Body Unity Chapter 10 Giving and Receiving Chapter 11 Subject and Object Partnership Chapter 12 Masculine and Feminine Harmony Chapter 13 Unity Around a Higher Purpose Part IV. The Family as the School of Love Chapter 14 Love in the Family Chapter 15 Growing in Love as a Child Chapter 16 Lessons of Sibling Love Chapter 17 The Blessing of Marriage Chapter 18 Parents as the Image of God Part V. -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
EAST353 Approaches to Chinese-Language Cinema Autumn 2020 Friday 1:35-5:25Pm Remote Delivery Tentative Syllabus
EAST353 Approaches to Chinese-language Cinema Autumn 2020 Friday 1:35-5:25pm Remote Delivery Tentative Syllabus Instructor: Prof. Xinyu Dong ([email protected]) Office Hours: TBA Course Description and Objectives This course examines the history of Chinese-language cinema from the 1920s to the 2000s. The course material is organized both chronologically and thematically, moving from early popular and political films in the Republican era, to local productions in mainland China, Hong Kong and Taiwan in the Cold War era, to New Wave and genre films from the 1980s onward. The course familiarizes the students with major critical paradigms for the study of Chinese-language cinema and trains the student to develop skills in theoretical and formal film analyses. All film subtitles and readings in English. Course Delivery Guide The class will meet through live Zoom sessions at the scheduled class time. There will be a combination of lectures (with PowerPoint slide show), discussions, and group activities. The lecture component will be recorded. Professor will hold Zoom office hours each week. Students will be able use the discussion boards to post responses and questions and to communicate with each other. Course Materials All readings will be available on MyCourses. Students will receive information on viewing option (s) for the required films listed as screenings. Course Requirements 1. Discussion Board Posts 30% 2. Open-book Quizzes 30% 3. Take-home Exam 40% NOTE: (1) McGill University values academic integrity. Therefore, all students must understand the meaning and consequences of cheating, plagiarism and other academic offences under the Code of Student Conduct and Disciplinary Procedures (see www.mcgill.ca/students/srr/honest/ for more information). -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
Havana Fall 2020 Handbook (PDF)
Sarah Lawrence College in Cuba Handbook - Spring 2020 WELCOME! Congratulations on your acceptance to the Sarah Lawrence study abroad program in Cuba! Our program has a proud history of a presence in Cuba since the fall of 2001; we’re happy to welcome you into this tradition. A part of that tradition is that our students begin the program prepared; whether or not you’ve devoted academic time to the study of Cuba, you’ll want to be sure to do your preparatory assignments, and to read this handbook, designed to help you prepare. Please make sure you copy the handbook onto your laptop and bring it with you. If you have questions the handbook doesn't answer, please don’t hesitate to contact us at Sarah Lawrence. You can reach me at the numbers or email listed below; information on contacting the program directors appears on the last page here. All of us at the College will be eager to hear how your semester is progressing, so do keep in touch with us in Bronxville from time to time! I look forward to hearing from you (via email will probably be best once you’re in Cuba). Warm regards, Prema Prema Samuel, Associate Dean Office of Global Education Sarah Lawrence College 914 395-2305 Email: [email protected] Sarah Lawrence College 2020 INTRODUCTION You have the privilege of studying in Cuba at a time when local change is attracting global attention and discussions of the nation’s future are intensifying. During your semester, you will become a part of ongoing transformations surrounding the formal restoration of diplomatic relations with the United States in 2014 after more than half a century. -
Projecting the Nation: Constructions of Scotland in Film Since 1979
Projecting the Nation: Constructions of Scotland in Film Since 1979 Emily Torricelli PhD University of York Theatre, Film and Television January 2016 Abstract This thesis examines questions of the continued significance of national cinemas and identities, focussing on the case of Scottish cinema. As a small, devolved nation with relative autonomy from the United Kingdom, Scotland presents an interesting case for how films are labelled with a national identity, as Scottish films can also often be understood in a British, European, and even global context. Rather than attempting to construct a working model of Scottish cinema based on representation or production context, I ask how films have been constructed as Scottish. I approach the concepts of Scotland and Scottish film as sets of meanings that are subject to change over time and in different contexts. This facilitates a perspective which asks in what ways Scotland and Scottishness is constructed in film. I examine how multiple identities are balanced in the filmic construction of Scotland first by considering how Scottish films—both those made in and which are about Scotland—from the early 1980s to the present construct Scottish identities. I will consider the way these films explored ‘traditional’ Scottish identities in the 1980s, Scottish masculinity in the 1990s, and Scottish identities based on ethnicity and gender in the 2000s and 2010s. Second, I look at how these films are received as Scottish by examining reviews and other press materials to determine how the Scottishness -
Transnationalism and New Scottish Cinema Simon Brown, Kingston
“Anywhere but Scotland?” Transnationalism and New Scottish Cinema1 Simon Brown, Kingston University Fifteen years on from the moment that Danny Boyle’s Trainspotting (1996) fulfilled the promise of his earlier Shallow Grave (1994) and helped to launch what has become known as New Scottish Cinema, the critical debates which have accompanied its development find themselves at a crossroads. Prompted in part by the New Scottish Cinema symposium, which took place in Ireland in 2005 and looked back over 20 years of Scottish film, key writers have begun to critically assess the arguments which have circulated and to refashion the debate for the future. Initial models focussing upon the influences of first American and then European cinema have proved themselves to be inflexible in locating New Scottish Cinema within a global cinema marketplace, and furthermore have privileged a certain type of film, influenced by European art cinema traditions, as being representative of Scottish cinema to the exclusion of other more commercial projects. Not only is this ironic considering the inherently commercial nature of both Trainspotting and Shallow Grave, but also it had led to a vision of Scottish film which is more European than Scottish; more international than national. Recent scholars have begun to address New Scottish Cinema through the concept of transnationalism and it is the aim of this article to consider transnationalism as a way forward for critical debates about New Scottish Cinema through a case study of two films, both shot in the same location, one of which has been widely discussed and fits the more traditional critical model, Ken Loach’s Sweet Sixteen (2002), and the other of which has been largely ignored and is much more mainstream in its ambitions and economic context, Dear Frankie (2005). -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.